2096
Call for Stories: Help the OTW Fight for Fair Use!
Are you a fanworks creator? Do you use screencaps or video clips in your fanfiction? If yes, help the OTW fight for fair use by telling us your story and signal boosting this message!
Legal-Advocacy  DMCA  Intellectual-Property 
yesterday
This Week in Fandom, Volume 67
This Week in Fandom: @dril is human, Gal Gadot is against sexual misconduct, The Washington Post thinks fans are the most privileged, and NPR is doing a series on how fandom has enriched people's lives.
This_Week_in_Fandom  Fannish-Practices  Movies  Gender-and-Sexuality 
yesterday
Fanhackers • Imaginactivism is—perhaps self-evidently—a...
"Imaginactivism is—perhaps self-evidently—a compound word made up of Imagine and Activism, but..." “Imaginactivism is—perhaps self-evidently—a compound word made up of Imagine and Activism, but intended to connote the process relationship between imagining and acting to make change in the world. The coinage is intended to signal a positive and effective relationship between creating and sharing visions of a better world that is possible and being moved by those visions to take practical action. It also suggests that we value imagining and imagination as an active process of crafting a vision that is a necessary precursor to worldly action, and sharing it with and in a community of ideas. The temporality of that relationship might work differently; our shared visions might emerge from the actions we take, or they might co-emerge or be co-created, but the important point is that we don’t regard the practice of imagining as simply escape or retreat from the world.”
- Joan Haran (2017): Instantiating Imaginactivism: Le Guin’s The Dispossessed as Inspiration. Ada: A Journal of Gender, New Media, and Technology, No. 12. http://ift.tt/2z8ivsl
fanhackers 
2 days ago
Fanhackers • As demonstrated above, the norms of print...
"As demonstrated above, the norms of print publishing above all else value public access: public..." “As demonstrated above, the norms of print publishing above all else value public access: public publishing, public circulation, public market through public buying and public selling, public reading, public engagement. The average fan text flouts these norms, whether because print zines are sold literally “under the table” at conventions or because fan works are posted to member-only online communities. The meaning of the word publish, “to issue text for sale or distribution to the public,” derives from its etymological root, which means “people.” This raises a deceptively simple question that has long dogged historians of women’s writing: What does it mean to be “published”? Historically, the difference between manuscript publishing and print publishing has rested on the insularity of the intended audience in the private sphere and the public acts associated with the public sphere.”
-

Coker, Catherine. 2017. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25.

In case you missed it, Cait Coker discusses fan fiction, the OTW, and this paper in a recent guest post for the OTW.
fanhackers 
2 days ago
The Boy / Michael Shanks Archive is Moving to the AO3
The Boy / Michael Shanks, a fanfiction archive for all characters played by actor Michael Shanks, is being imported to AO3! Learn more about the import–including how to claim your works–here: https://goo.gl/Xpzkom
Open-Doors-Committee  Fanfiction  Fannish-Histories 
4 days ago
OTW Guest Post: Catherine Coker
This month’s guest Cait Coker talks about women’s writing, book history & finding an entry to fandom at WalMart
Academia  Books  Fannish-Histories  Fanfiction 
4 days ago
Fanhackers • In this sense, therefore, the informal practices...
"In this sense, therefore, the informal practices of fan culture appear uniquely compatible with a..." “

In this sense, therefore, the informal practices of fan culture appear uniquely compatible with a free and open culture in which participation in the processes of creation is unhindered by institutional or legal means.

More recent research into fan practice—particularly in relation to gaming—has nevertheless complicated the strict boundaries this “folk” imagery implies between fan and corporate production in a digital age. (…) Fans have thus been repeatedly conceptualized as the vanguard of new economies based in open, participatory cultural production.

But the fan-programmers behind Dominion War—just like those behind Gundam Century, Open Rebellion, and others—embraced hierarchy, closure, and proprietary creativity at the same time as they experimented with production logics outside of copyright control. As a case study, Dominion War complicates this equation of fan practice with free culture by pointing to negotiated transitions between closed commodity culture and open, peer-to-peer collaboration. While this TC did bear potential for ongoing, collectively intelligent cultural production, it also operated by upholding corporate hierarchies, privatized ownership, and monopolies of culture that thwarted the processual realization of that potential.


- Derek Johnson, StarCraft Fan Craft: Game Mods, Ownership, and Totally Incomplete Conversions, p53
fanhackers 
9 days ago
This Week in Fandom, Volume 66
This Week in Fandom: A new Harry Potter augmented reality game is on the way, Doctor Who reveals 13's costume, what the heck is Fandom 250, and more!
This_Week_in_Fandom  Sports  Television  Gaming 
9 days ago
Fanhackers • In discussing the idol system in Japan, we tend to...
"In discussing the idol system in Japan, we tend to think of the idol as a performer who is produced..." “In discussing the idol system in Japan, we tend to think of the idol as a performer who is produced by a talent agency and lends his/her image to the promotion of goods and services. However, as Bruno Latour (2005) argues, a better approach perhaps is to consider agency as distributed across a network of actors that all contribute to how interactions take place. That is, idols not only promote the sale of goods and services, but actually are produced by the goods and services that they sell. Rather than idols selling products, we have a system of commodities that is selling idols. By focusing on the idol alone, one loses sight of the network of relations that go into producing the idol. We falsely assume that agencies produce idols to perform on television or some other media stage, but the capitalist system too needs idols to advertise the products that it produces. The idol, then, is but a node in the network of the capitalist system of commodities that links producers to consumers.”
- Galbraith and Karlin, Idols and Celebrity in Japanese Media Culture, p8
fanhackers 
11 days ago
Five Things Raquel E. Said
In Five Things, translation volunteer Raquel shares their favorite thing in the world & how they see their work for the OTW https://goo.gl/NmkEJZ
Five-Things  Translation-Committee 
14 days ago
October 2017 Newsletter, Volume 118
Our journal is looking for fan contributions, AO3 has advice for those with multimedia embeds & the AO3 Docs team has a new FAQ out on skins for the site! https://goo.gl/7oahio
Newsletter  OTW-Sections 
15 days ago
This Week in Fandom, Volume 65
This Week in Fandom: Stranger Things, an FAQ for Article 13, an AI writes an X-Files script, and did we mention Stranger Things?
This_Week_in_Fandom  Television  Technology  Intellectual-Property 
16 days ago
Fanhackers • The New York Times validates the literary merit of...
"The New York Times validates the literary merit of fanfiction writing. Articles assure parents that..." “The New York Times validates the literary merit of fanfiction writing. Articles assure parents that their children’s dwindling literacies are simply being replaced by equally viable alternatives: their children are not reading and writing less, they are simply reading and writing differently. Fanfiction is framed as a healthy literacy practice, employed by local kids in public libraries (Aspan 2007; Warren 2011).”
- Drew Emanuel Berkowitz, Framing the Future of Fanfiction: How The New York Times’ Portrayal of a Youth Media Subculture Influences Beliefs about Media Literacy Education, p204
fanhackers 
16 days ago
Fanhackers • This very brief analysis of the history of German...
"This very brief analysis of the history of German fan fiction, as well as the results of our cursory..." “This very brief analysis of the history of German fan fiction, as well as the results of our cursory comparison of the exclusively German-language archive FanFiktion.de and the international Archive of Our Own, suggest that fandoms, fan practices, and fannish affections are complex and heterogeneous. Generalizing assumptions about an (imagined) unity in a specific fan fiction community are highly questionable. There is not, for example, a single Harry Potter fan fiction community but rather numerous ones that differ in their sets of rules, the socialization and education of their members, and the popularity of certain characters, pairings, tropes, or genres. In addition, political, historical, economic, and legal factors influence a national fan fiction history.”
- Cuntz-Leng, Vera, and Jacqueline Meintzinger. 2015. “A Brief History of Fan Fiction in Germany.” In “European Fans and European Fan Objects: Localization and Translation,” edited by Anne Kustritz, special issue, Transformative Works and Cultures, no. 19.
fanhackers 
17 days ago
Glass Onion is Moving to the AO3
Glass Onion, a multi-fandom fanfiction archive, is coming to AO3! Learn more here.
Open-Doors-Committee  Fanfiction 
18 days ago
International Volunteer Managers Day 2017
On International Volunteer Managers Day OTW celebrates our Volunteers and Recruiting Committee staff & their service.
Volunteers-&-Recruiting 
18 days ago
Fanhackers • By revising contemporary narratives of both book...
"By revising contemporary narratives of both book history and fan history, we can reread..." “By revising contemporary narratives of both book history and fan history, we can reread women’s work in the literary and book trades from the seventeenth and the twenty-first centuries as a function of operating with and subverting patriarchal norms of literary production. In other words, the more things change, the more they stay the same.”
- Coker, Catherine. 2017. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25.
fanhackers 
23 days ago
This Week in Fandom, Volume 64
This Week in Fandom: a call for papers from the Fan Studies Network, Malaysia blocks fanfiction.net, and The Szechuan Incident.
This_Week_in_Fandom  Fanfiction  Call-for-Papers  Conferences  Academia  Fannish-communities  Technology 
29 days ago
Fanhackers • If Whedon received scrutiny due to his feminist...
"If Whedon received scrutiny due to his feminist stance, and was limited by a studio system..." “If Whedon received scrutiny due to his feminist stance, and was limited by a studio system apparently reluctant to engage with gender representation, George Miller was comparatively unconstrained. One may expect a film concerned with male control and female autonomy would be scrutinised for having an all-male writing team, however Fury Road avoided this. (…) Issues of franchise and audience expectation are also relevant: both films were anticipated returns of popular franchises, but arguably Fury Road did not have the ‘baggage’ of incredibly high audience expectation, and the pressure of contributing to an expansive ‘super franchise’. Moreover, the Mad Max franchise is typically considered ‘masculinist’ escapist fantasy, leading to the presumption of a smaller female audience, as well as lowering expectations of female representation, thus creating favourable conditions for a ‘surprise’ feminist film. Seemingly, Whedon’s activism and feminist concerns added to the aforementioned ‘baggage’ making outright critical and fan praise potentially unachievable. Hence, if Whedon’s feminism clashed with Marvel’s sexism, creating ambiguity which invites criticism, Miller’s high-octane tale of emancipation paired with its legitimising feminist consultancy, suffered no such issues.”
-

ROWSON, Emily. 2017. ‘We Are Not Things’: Infertility, Reproduction, and Rhetoric of Control in Avengers: Age of Ultron and Mad Max: Fury Road. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 10(3) pp. 57-70.

Mad Max: Fury Road and Avengers: Age of Ultron were both released in 2015. MMFR was lauded by feminists (while upsetting “Men’s Rights Activists”) for its exploration of issues of bodily autonomy, while Ultron faced a much colder reception and was critised in particular for its treatment of Black Widow’s infertility. In this paper, Emily Rowson looks beyond the fan and audience reaction to these movies. She combines three different kinds of analysis. She takes into account the audience reception of the films. She also performs a close reading of the feminist themes in both movies. Finally, she looks at the role of the director (and particularly the director as auteur) in shaping both the film and the audience’s expectations of it. Ultimately she argues that MMFR perhaps wasn’t as feminist as we would like to think, while Ultron was somewhat hard done by. This paper may be a good opportunity to revisit both films to see what you think. (Or to watch cars explode in the desert. That’s good too.)
fanhackers 
29 days ago
Fanhackers • One of the most important goals that Fan Studies...
"One of the most important goals that Fan Studies can achieve as a discipline is to record watershed..." “One of the most important goals that Fan Studies can achieve as a discipline is to record watershed moments in online cultural history that often pass under the notice of more mainstream analysis.”
- Hemmann, Kathryn. 2017. Anime Fan Communities: Transcultural Flows and Frictions, by Sandra Annett [book review]. Transformative Works and Cultures, no. 25.
fanhackers 
4 weeks ago
Firefly’s Glow is Moving to the AO3
Hey Browncoats! Firefly’s Glow, a Firefly fanfiction archive, is being imported to #AO3. Learn more here
Open-Doors-Committee  Fanfiction 
4 weeks ago
Fanhackers • I was once told that book history is not...
"I was once told that book history is not applicable to the study of fan fiction as, “by..." “I was once told that book history is not applicable to the study of fan fiction as, “by definition,” such writing is not disseminated in book form—that is, as a printed codex.”
- Coker, Catherine. 2017. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25.
fanhackers 
4 weeks ago
Thank You!
However you took part in #otwdonate, thank you for getting us started on our next 10 years! We've got some numbers for you about how this membership drive turned out: https://goo.gl/SMZamk
Financial-support  Development-&-Membership-Committee  Event 
5 weeks ago
Fanhackers • Although Disney has yet to feature a queer female...
"Although Disney has yet to feature a queer female heroine in its fairy tale canon, that does not..." “Although Disney has yet to feature a queer female heroine in its fairy tale canon, that does not deter queer Disney femslash fans from poaching Disney texts in order to create fairy tales that legitimise their place in society. Through poaching, cutting, and splicing female characters from Disney’s animated canon, these Sapphic fans are re-joining Disney’s conservative silence with boundless creativity. In these new Disney fairy tales queer identities are no longer monstrous but commonplace, normal, and utterly human. So long as Walt Disney Studios remains silent on queer female representation in their animated films, the femslash fandom will continue to camp outside the Magic Kingdom’s gates.”
- Maier, Kodi (2017) Camping Outside the Magic Kingdom’s Gates: The Power of Femslash in the Disney Fandom. Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10(3), p. 27-43.
fanhackers 
5 weeks ago
Fanhackers • Issues of class, combined with issues of academic...
"Issues of class, combined with issues of academic disciplines, create a scholarly void where no one..." “Issues of class, combined with issues of academic disciplines, create a scholarly void where no one asks what fan fictions do that distinguishes them from other genres (Gray 2003). Instead, scholarship fixates on the acts of writers and the responding acts of readers, deftly avoiding horrifying h/c [hurt/comfort]’s unsavory content. In doing so, unique and inventive attributes of the genre are overlooked.”
- Linn, Rachel. 2017. “Bodies in Horrifying Hurt/Comfort Fan Fiction.” Transformative Works and Cultures, no. 25.
fanhackers 
5 weeks ago
Looking Forward
Donors in the last 10 years have allowed the OTW to offer what it does today. Will you help us achieve more over the next 10? http://goo.gl/uF2LiA
Financial-support  Event  Development-&-Membership-Committee 
5 weeks ago
Fanhackers • DIYHistory | Transcribe | Hevelin Fanzines
DIYHistory | Transcribe | Hevelin Fanzines DIYHistory | Transcribe | Hevelin Fanzines:

What an awesome opportunity for fans to get involved with the preservation of fannish materials and with fan studies research!
fanhackers 
5 weeks ago
Fanhackers • Fanfiction is acting on media in at least two...
"Fanfiction is acting on media in at least two ways. By infrastructuring communities and publics,..." “Fanfiction is acting on media in at least two ways. By
infrastructuring communities and publics, authors, read-
ers and platform runners build up (own) communicative
and (quasi-)material spaces for circulating, sharing and
archiving the stories they want to write and read, for
the stories they cannot find in official canon productions.
By doing fanfiction, whether it is their intention or not,
they also question the existing political-juridical condi-
tions which frame transformative working and publish-
ing of derivative material. Fanfiction challenges preva-
lent concepts of individual authorship and proprietary of
cultural goods.”
-

Reißmann, W., Stock, M., Kaiser, S., Isenberg, V., & Nieland, J. U. (2017). Fan (fiction) acting on media and the politics of appropriation. Media and Communication, 5(3), 15-27.

This article uses the concept of “acting on media” to look at fannish activities. Acting on media is the idea that some media consumers (for instance activists, special interest groups, etc.) not only consume media or even contribute to things like social media sites - they actively shape media infrastructures and environments. Reißmann et al. find that fans do this in two ways: we actively build our own infrastructures (like the AO3) or appropriate and shape existing infrastructures for our own ends. Remeber what Maciej Cegłowski (the Pinboard Guy) said about the fannish migration from del.icio.us to Pinboard? That’s acting on media. Equally, through our sheer stubbornness and insistance in being allowed to create and share transformative works, we also ask all sorts of uncomfortable questions about who owns culture, who gets to be an author, and why.
fanhackers 
6 weeks ago
OTW: A Decade of Serving Fans
The history of the OTW spans a full decade. To keep our work going, we need your support. Learn more and donate today
Event  Financial-support  Development-&-Membership-Committee 
6 weeks ago
OTW Finance: 2017 Budget Update
We've updated our budget for the rest of the year, and we're making plans for the future, too! Learn more here.
Announcement  Finance-Commitee  Report 
6 weeks ago
Fanhackers • Theme parks function as storytelling...
"Theme parks function as storytelling devices—material interfaces simultaneously engaging multiple..." “Theme parks function as storytelling devices—material interfaces simultaneously engaging multiple senses to immerse visitors in a variety of story worlds.”
- Godwin, Victoria. 2017. “Theme Park as Interface to the Wizarding (Story) World of Harry Potter.” Transformative Works and Cultures, no. 25.
fanhackers 
6 weeks ago
Celebrate Ada Lovelace Day 2017
Happy Ada Lovelace Day from the OTW! Learn more about Ada Lovelace and her contribution to coding here.
Event  Women-in-technology 
6 weeks ago
MTAC is Moving to the AO3
MTAC, an NCIS fanfiction archive, is moving to AO3. Did you post there? Learn more about the move and claiming your works here
Open-Doors-Committee  Fanfiction  Fannish-Histories  Television 
6 weeks ago
Fanhackers • Asked about his group’s goals, he [Daniel, the...
"Asked about his group’s goals, he [Daniel, the founder of LEGO fan group Schwabenstein 2x4]..." “Asked about his group’s goals, he [Daniel, the founder of LEGO fan group Schwabenstein 2x4] says, “The fact that LEGO is art and culture has not yet sunk in with people. And that is why I consider it important and the right thing to do that we founded this association, in order to make people aware of the fact that Lego is not just a toy, it is a means to transform your thoughts into buildings” (translated by S. E.).”
- Einwächter, Sophie Gwendolyn, and Felix M. Simon. 2017. “How Digital Remix and Fan Culture Helped the Lego Comeback.” Transformative Works and Cultures, no. 25.
fanhackers 
6 weeks ago
September 2017 Newsletter, Volume 117
In the OTW September newsletter: #OTW10 celebrations, upgrades to AO3, legal advocacy, and more! Read it all here.
Newsletter  OTW-Sections 
6 weeks ago
Five Things SoyAlex Said
In FiveThings SoyAlex relates her glittery path to Fanlore staff & why there might be future restraining orders
Five-Things  Fanlore 
6 weeks ago
OTW Guest Post: Betsy Craig
OTW guest Betsy Craig talks Hannibal fandom & the learning curve involved in launching a fan run convention: https://goo.gl/3wuKYP
Fan-conventions  Television  Fandoms  Guest-Post 
7 weeks ago
The OTW is Recruiting Graphic Designers and Translators
Are you multilingual? Do you love making graphics? The OTW is recruiting graphic designers & translators!

There is particular need for translators who know Arabic, Bengali, Catalan, Chinese, Croatian, Danish, Filipino, Finnish, Hebrew, Hungarian, Japanese, Kiswahili, Korean, Latvian, Malay, Marathi, Norwegian, Polish, Serbian, Turkish, Vietnamese, and Welsh.

Learn more and apply here!
Volunteering  Fanlore-Committee  Translation-Committee 
7 weeks ago
Fanhackers • It requires a certain cultural expertise and...
"It requires a certain cultural expertise and freedom to be able to arrange cultural fragments..." “It requires a certain cultural expertise and freedom to be able to arrange cultural fragments skilfully to new ends. This is reflected in The LEGO Movie, where the most prestigious characters are so-called masterbuilders, people who have the actual ideas for new arrangements and who can build their own creations (MOCs) without instructions. Interestingly, the crime of the film’s villain consists of gluing Lego bricks together so they can no longer be used by someone else or for different purposes. The narrative can thus be read alongside popular critiques of copyright like the one undertaken by Lawrence Lessig (2008) in his book Remix where he states that cultural production has always depended on the usage of existing material and that current copyright and trademark legislations increasingly hinder cultural participation. The glue in the Lego film’s narrative can thus be interpreted as a copyright not flexible enough for creative and out-of-the-box-thinking, a threat to the masterbuilders of our culture. While subtly criticizing a copyright not fit for the digital age of remixing, The LEGO Movie pays homage to older media and to the tangibility of Lego bricks through analog cues.”
- Einwächter, Sophie Gwendolyn, and Felix M. Simon. 2017. “How Digital Remix and Fan Culture Helped the Lego Comeback.” Transformative Works and Cultures, no. 25.
fanhackers 
7 weeks ago
West Wing Fanfiction Central is Moving to the AO3
West Wing Fanfiction Central, a West Wing fanfiction archive, is being imported to AO3. Learn more here
Open-Doors-Committee  Fanfiction  Television 
7 weeks ago
Fanhackers • The collective nature of the event, with thousands...
"The collective nature of the event, with thousands of players convening on one digital space, has a..." “The collective nature of the event, with thousands of players convening on one digital space, has a disruptive effect on the gameplay of others, analogous to that of a sit-in or blockade…Players who are not aware of the event are often surprised as a large group of gnomes runs through their area; sometimes they join the event out of curiosity and learn about the charity cause along the way.”
- Collister, Lauren B. 2017. “Transformative (H)activism: Breast Cancer Awareness and the World of Warcraft Running of the Gnomes.” Transformative Works and Cultures, no. 25.
fanhackers 
7 weeks ago
Support the OTW by Reading!
Want to read about fanfiction? There are various ways to support the Organization for Transformative Works but this might be the most fun: https://goo.gl/g3DnBw
Books  Transformative-Works-and-Cultures  Financial-support  Anniversary  Academia  Studies  Fanfiction 
8 weeks ago
Fanhackers • New fan studies research post coming next week
New fan studies research post coming next week

We have to skip a week with our list of new/recent fan studies research because we’re experiencing technical issues. Apologies for the inconvenience!
fanhackers 
8 weeks ago
A Little Piece of Gundam Wing and Soul Circuit are Moving to the AO3
Coming to AO3: a little piece of gundam wing & soul circuit, fanwork archives for Gundam Wing and Koko Wa Greenwood. Find out more here.
Fanfiction  Fan-art  Anime-and-Manga  Open-Doors-Committee 
8 weeks ago
Fanhackers • [T]his essay (…) forwards an initial rereading of...
"[T]his essay (…) forwards an initial rereading of the Superman origin story as influenced by..." “[T]his essay (…) forwards an initial rereading of the Superman origin story as influenced by my own experiences of transitioning genders. Within the world of comics, an origin story typically refers to a canonized account that explains how a hero or group of heroes came into being. The assumption that one may be able to precisely locate the moment or moments during which the superhero identity began to take shape may ring familiar to trans readers, who may similarly be asked to continually locate the origins of their own gender identities—the presumption being, of course, that cis persons are not usually asked the question ‘When did you know?’ While the textual examples used in this article in some way entertain the idea that a point of origin is possible to locate, I wish to show how these narratives are perhaps the most malleable to reinterpret from a trans reading position given the overlapping and persistent preoccupation with locating identity within a specific temporal boundary.”
-

Vena, Dan. 2017. “Rereading Superman as a Trans F/Man.” Transformative Works and Cultures, no. 25.

Dan Vena’s essay intertwines his experience as a trans man and trans fan with his reading and “transing” of Superman, as well as theories of comic books, superheroes, and gender. His rereading of Superman as a trans character allows him to ask questions about ideas of boyhood, masculinity, and becoming a man - for both trans and cis men. Vena’s personal narrative of his experiences of transition and his relationship with SUperman as a fan object is a running theme throughout the essay, making it a very accessible piece of scholarship.
fanhackers 
8 weeks ago
This Week in Fandom, Volume 63
This Week in Fandom: A victory for fair use, American Ninja Warrior inspired fitness, pop music stan life, and more!
This_Week_in_Fandom  Music  Theater  Television  Gender-and-Sexuality  Fannish-Practices  Intellectual-Property 
8 weeks ago
Could You Win an OTW Trivia Contest?
Would you like to find some OTW trivia? If so, we've got prizes for you! How many questions can you answer?
Books  Anniversary  Event  Communications-Committee 
8 weeks ago
Fanhackers • Contemporary fan fiction is overwhelmingly digital...
"Contemporary fan fiction is overwhelmingly digital in both publication and dissemination; it has..." “Contemporary fan fiction is overwhelmingly digital in both publication and dissemination; it has never been easier to access this subculture of writers and writing. However, fan fiction in print has likewise never been so accessible, as a slew of recent popular novels proudly proclaim their fannish origins and make claims such as “More Than 2 Million Reads Online—FIRST TIME IN PRINT!” Further, traditional fannish mores insist that fan work should never be done for profit, and yet numerous print works adapted from fan fiction have become best sellers. I would like to problematize how we consider form and content in both creation and reception, how the popular value of work waxes and wanes in relation to its fan fiction status. In other words, how can we read fan fiction as part of a continuum of historical publication practices by women, and problematize our hierarchies of value between print and digital?”
- Coker, Catherine. 2017. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25.
fanhackers 
8 weeks ago
OTW Guest Post: Henry Jenkins
For our anniversary Henry Jenkins talks fan studies, students, fandom changes over the years & why it's worth fighting for: http://goo.gl/fm19m5
Guest-Post  Academia  Anniversary  Transformative-Works-and-Cultures 
9 weeks ago
Fanhackers • Beginning with a general overview of the...
"Beginning with a general overview of the historical roots of slash fan fiction and its theoretical..." “

Beginning with a general overview of the historical roots of slash fan fiction and its theoretical interest to feminist and gender studies scholars, we posit three waves in the relationship between slash and queer culture:

1. Initial woman-centric slash that consciously used male protagonists and male bodies to envision ideal relationships and fantasise about sexual experimentation, often within deeply committed romantic relationships.

2. A politically self-aware movement towards realism that confronted these fantasy men not only with the realities of male bodies and sexualities, but also with the cultural realities of gay lives.

3. Slash fiction that is deeply embedded within a self-defined queer space, neither fantastically creating nor idealising yet othering gay men, but rather writing multiple genders and sexualities as both reflections and fantasies of the complexly diverse community of readers and writers.


-

Busse, K. and Lothian, A. (2018). “A history of slash sexualities: Debating queer sex, gay politics and media fan cultures”. In Smith, C., Attwood, F. and McNair, B. (Eds.) The Routledge Companion to Media, Sex and Sexuality. Oxon: Routledge.

This is a really neat essay that returns to and updates for the 21st century what I jokingly refer to as the Foundational Question of Fan Studies: why do straight women write about men banging? The breakdown into the three waves is a useful structure both for those who’ve been kicking around slash fandom forever and for those of us who joined somewhere along the way. Busse and Lothian back up their analysis with a range of examples of fan fiction from all three waves, and “which of these have I read” is a fun game to play with this essay.
fanhackers 
9 weeks ago
Fanhackers • New fan studies research - September 19th, 2017
New fan studies research - September 19th, 2017

A weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).

Also make sure to check out the new issue of Transformative Works and Cultures that just came out-individual articles will be included in next week’s update.

If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!

Open access:

Andò, Romana. 2017. “Girls and the Media: Girlhood Studies Agenda and Prospects in Italy.” Issue: Gender/Sexuality/Italy, 4 (2017). http://ift.tt/2hipQxI

Marjuni, Nasrum, and Andi Bungawati. 2017. “The Perception of Makassar’s Teenagers toward Korean Drama and Music (Case Study on Makassar Korean Lovers Community).” English and Literature Journal 2 (01): 66–80. http://ift.tt/2hgHuFO

Morimoto, Lori. 2017. “‘First Principles’: Hannibal, Affective Economy, and Oppositionality in Fan Studies.” http://ift.tt/2hipR4K

Sieders, Kimberley Johanna Arendina. 2017. “Make Campaigning Great Again: Fan’s Appropriation of the Mythology of Drumpf’s 2016 Presidential Campaign.” MA thesis. http://ift.tt/2hf48hQ

Vojtíšková, Tereza. 2017. “The South Korean Body Factory: Celebrity Culture, Mass Media and Cosmetic Surgery.” BA thesis, Empire State College. http://ift.tt/2hipSpk

Not open access:

Biggin, Rose. 2017. “Fan Interactivity: Communicating Immersive Experience.” In Immersive Theatre and Audience Experience, 97–112. Springer. http://ift.tt/2heCWzV

Chen, Lu. 2017. Chinese Fans of Japanese and Korean Pop Culture: Nationalistic Narratives and International Fandom. Routledge. http://ift.tt/2hipTto

Hutchinson, Jonathon. 2017. “Alternative Forms of Participation in Media Organizations.” In Cultural Intermediaries, 175–200. Springer. http://ift.tt/2hfTQ1d

Jang, Won ho, and Jung Eun Song. 2017. “The Influences of K-Pop Fandom on Increasing Cultural Contact: With the Case of Philippine Kpop Convention, Inc.” 지역사회학 18: 29–56. http://ift.tt/2hipU0q
fanhackers 
9 weeks ago
25 Things to Know About the OTW
We've been around a while now, so as part of celebrating #otw10 here are 25 things to know about the OTW! https://goo.gl/FuuMWS
Event  Anniversary  OTW-Sections  Fannish-Histories 
9 weeks ago
Transcript of OTW 10th Anniversary Chat with Seanan McGuire & Martha Wells
Did you miss our chat with Seanan McGuire & Martha Wells? If so check out the transcript of their talk https://goo.gl/Q3Wu6P
Event  Books  Communications-Committee  Anniversary 
9 weeks ago
Fanhackers • TWC No. 25 is published
TWC No. 25 is published

transformativeworksandcultures:

Table of Content

Editorial
Editor, Copyright and Open AccessTheory
Catherine Coker, The margins of print? Fan fiction as book history
E. J. Nielsen, Christine de Pizan’s The Book of the City of Ladies as reclamatory fan work
Lesley Autumn Willard, From co-optation to commission: A diachronic perspective on the development of fannish literacy through Teen Wolf’s Tumblr promotional campaigns
Shannon Howard, Surrendering authorial agency and practicing transindividualism in Tumblr’s role-play communities
Milena Popova, “When the RP gets in the way of the F”: Star Image and intertextuality in real person(a) fiction
Dan Vena, Rereading Superman as a trans f/manPraxis
Lauren B. Collister, Transformative (h)activism: Breast cancer awareness and the World of Warcraft Running of the Gnomes
Ludi Price and Lyn Robinson, Fan fiction in the library
Rachel Elizabeth Linn, Bodies in horrifying hurt/comfort fan fiction: Paying the toll
Victoria Godwin, Theme park as interface to the wizarding (story) world of Harry Potter
Sophie Gwendolyn Einwächter amd Felix M. Simon, How digital remix and fan culture helped the Lego comeback
Seth M. Walker, Subversive drinking: Remixing copyright with free beerSymposium
Kevin D. Ball, Fan labor, speculative fiction, and video game lore in the Bloodborne community
Babak Zarin, “Can I take your picture?“—Privacy in cosplay
Kelli Marshall, Milk and mythology in Singin’ in the Rain
Liza Potts, A case of Sherlockian identity: Irregulars, feminists, and millennialsReview
Bethan Jones, Post-object fandom: Television, identity and self-narrative, by Rebecca Williams
Amanda D. Odom, Role playing materials, by Rafael Bienia
Kathryn Hemmann, Anime fan communities: Transcultural flows and frictions, by Sandra Annett
Sandra Annett, Boys love manga and beyond: History, culture, and community in Japan, edited by Mark McLelland et al.Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works. TWC is a member of DOAJ. Contact the Editor with questions.
fanhackers 
9 weeks ago
Transcript for 10th Anniversary Chat with Christina Lauren and Catherine Roach
Did you miss our chat with Christina Lauren & Catherine Roach? If so check out the transcript of their talk! https://goo.gl/8DR1PG
Event  Anniversary  Books  Communications-Committee 
9 weeks ago
Transformative Works and Cultures releases No. 25
TWC's issue 25 is out! Essay topics include book history, women's writing, Teen Wolf, World of Warcraft, Sherlock, cosplay, Lego, Harry Potter & more
Transformative-Works-and-Cultures  Announcement  Journal-Committee  Fandoms  Academia  Studies 
10 weeks ago
Five Things Naomi Novik Said
As part of our Five Things an OTW Volunteer Said series, we have a special anniversary edition with OTW co-founder Naomi Novik. She discusses its evolution during her 10 yrs volunteering for it: https://goo.gl/nJXJrY
Five-Things  OTW-Board  Fannish-Histories 
10 weeks ago
This Week in Fandom, Volume 62
This Week in Fandom: The author of My Immortal and her story, the Not Now I'm Reading podcast talks fanfic and AO3, and more
This_Week_in_Fandom  Activism  Books  Fanfiction  Fannish-communities  Fannish-Histories  Podcasts 
10 weeks ago
Transcript of the 10th Anniversary Chat with Lev Grossman
Did you miss the chat with author Lev Grossman? If so you can check out the transcript of his talk at https://goo.gl/KGa7sw
Event  Anniversary  Books  Television  Communications-Committee 
10 weeks ago
Fanhackers • But in the middle of the decade, one manga and its...
"But in the middle of the decade, one manga and its anime not only saved dōjinshi fandom from near..." “

But in the middle of the decade, one manga and its anime not only saved dōjinshi fandom from near extinction but was responsible for its biggest boom yet. Takahashi Yōichi’s Captain Tsubasa (1981–88, Kyaputen tsubasa), about boys competing in the then-exotic sport of soccer, felt like a mixture of shōnen and shōjo manga in its depiction of both competition and friendship between boys (in contrast to thegekiga-esque martial arts manga that had formerly dominated the sports genre). From 1986, bishōnen soccer stars’ homo erotic and homosexual dōjinshi exploits stoked female fans and creators’ fantasies and shifted yaoi to the center of female otaku-ism, which today is known as fujoshi culture. Within a year, attendance at Comike nearly doubled (to approximately sixty thousand in winter 1987), and a majority of attendees were again women. Popular titles like Seint Seiya (1986–90) and the anime Ronin Warriors (1988–89, Yoroiden samurai trooper) held women’s interest after Captain Tsubasa ended serialization.

In contrast to the earlier aniparo phenomenon, the yaoi boom was dominated by young women just out of high school who—unlike their counterparts in earlier decades—now had everything they needed to create dōjinshi: manga drawing techniques and tools. Photocopiers had become common, and an entire rapid-printing industry had arisen, offering all-inclusive services from manuscript touchup to professional offset printing, to delivery direct to Comike for reasonable prices. New dōjinshi conventions appeared, and manga shops began selling dōjinshi on commission. Comparatively lush, custom-made, oversized dōjinshi with more than one hundred pages became common, and popular circles could now live on their fanworks’ profits.


- Fan-Yi Lam, Comic Market: How the World’s Biggest Amateur Comic Fair Shaped Japanese Dōjinshi Culture
fanhackers 
10 weeks ago
August 2017 Newsletter, Volume 116
In the OTW August newsletter: Election success, legal advocacy & the DMCA, updates to AO3, and more!
Newsletter  OTW-Sections 
11 weeks ago
The OTW is Recruiting Abuse, Communications, and Systems Committee Staffers and Tag Wrangling Volunteers!
Are you a Linux pro? Want to wrangle tags or help Ao3 users w/ issues? Are you a Comms master? OTW is recruiting! https://goo.gl/nmGdnu
Announcement  Volunteering 
11 weeks ago
Fanhackers • New fan studies research - September 5th, 2017
New fan studies research - September 5th, 2017

A weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).

If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!

Open access

Möller, Jessica. 2017. “A Look at Improvement Possibilities of Online Dating Considering Personal Interests and Fandoms.” Accessed September 5. http://ift.tt/2vIRazk

Nugraha, Raindra Yudha. 2017. “Subtitling Strategies of Taboo Words Used in Fans Sub and Pro Sub in ‘The Wolf of Wall Street’ Movie.” Dian Nuswantoro University. http://ift.tt/2wEDX7R

Pillai, Meena T. 2017. “The Many Misogynies of Malayalam Cinema.” Economic & Political Weekly 52 (33): 53. http://ift.tt/2vIwasB

Russell, N’Donna Rashi. 2017. “Make-up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime.” Thesis. http://ift.tt/2wEktAz

Shepherd, Dustin L. 2017. “The Functionality of Reboots.” MA thesis. http://ift.tt/2vIr4N0

Yildiz, Buket Nur, and others. 2017. “K-Wave Experience in Turkey-Handling Subjugation in a Patriarchal Society.” http://ift.tt/2wEIA1O  

Not open access

Brown, Kenon A., Andrew C. Billings, Breann Murphy, and Luis Puesan. 2017. “Intersections of Fandom in the Age of Interactive Media: ESports Fandom as a Predictor of Traditional Sport Fandom.” Communication & Sport, August, 2167479517727286. doi:10.1177/2167479517727286

Brown-Devlin, Natalie, Michael B. Devlin, and Phillip W. Vaughan. 2017. “Why Fans Act That Way: Using Individual Personality to Predict BIRGing and CORFing Behaviors.” Communication & Sport, August, 2167479517725011. doi:10.1177/2167479517725011

Castellano, Mayka, and Heitor Leal Machado. 2017. “‘Please Come to Brazil!’ The Practices of RuPaul’s Drag Race’s Brazilian Fandom.” In RuPaul’s Drag Race and the Shifting Visibility of Drag Culture, 167–77. Palgrave Macmillan, Cham. doi:10.1007/978-3-319-50618-0_12

Jowett, Lorna, Stacey Abbott, and Bronwen Calvert. 2017. “Buffy at 20 - a Round Table Discussion with Some Senior Scoobies.” University of Huddersfield. http://ift.tt/2vIr67A.  
fanhackers 
11 weeks ago
Today is the OTW's 10th Anniversary
Today's our 10th anniversary but we have events planned ALL month. Check out our schedule & make some plans to join us:
Event  OTW-Sections  Anniversary 
11 weeks ago
The Alpha Gate is Moving the the AO3!
The Alpha Gate, a Stargate SG-1 fanfiction archive, is being imported to AO3! Learn more here.
Open-Doors-Committee  Fanfiction 
12 weeks ago
Elections Statistics for 2017
Voter turnout statistics are now available for the 2017 OTW Board election. Find out more here: https://goo.gl/kRRFs9
Announcement  Elections  Report 
12 weeks ago
This Week in Fandom, Volume 61
This Week in Fandom: The New Yorker's article on fanfic, New York Times bestseller scandal in YA fiction, "El Patito" & more.
This_Week_in_Fandom  Books  Fanfiction  Fannish-endings  Gender-and-Sexuality 
12 weeks ago
Fanhackers • Shipping idols together is a common pastime in...
"Shipping idols together is a common pastime in Asian idol fandom. The first episode of SNL Korea..." “Shipping idols together is a common pastime in Asian idol fandom. The first episode of SNL Korea featured a skit recreating the events of a famous boy band fan fiction story. There’s international academic scholarship on idol femslash (Yang and Bao 2012). Idol shipping is fairly popular even outside of Asia. On the highest ranked international K-pop fan site, Allkpop (http://www.allkpop.com/), articles have titles such as “10 of the Most Popular K-Pop Fan-Fictions Out There,” “11 Ships You Wish Were Real,” and “7 Times Hani Proved to Be Totally Shippable.” On the J-pop fan forum site JPHIP (http://forum.jphip.com/), there are two forums dedicated to idol pairings and about half a dozen forums and archives dedicated to idol fan fiction. The lesbiansubtextinkpop Tumblr posted over 2,300 posts from 2011 to 2013. On the Archive of Our Own (AO3; http://ift.tt/1ffprbE), there are over 6,000 fan stories tagged J-pop, over 60,000 tagged K-pop, and several dozen tagged C-pop.”
- Lin, Elaine Han. 2017. “Unseen International Music Idol Femslash.” In “Queer Female Fandom,” edited by Julie Levin Russo and Eve Ng, special issue, Transformative Works and Cultures, no. 24.
fanhackers 
12 weeks ago
Want to talk about Fanworks & Fan Communities?
The OTW’s Fanlore Committee will be holding an open house to chat about Fanworks and Fan Communities with you on Sunday, September 3 from 19:00 to 21:00 UTC. Come talk about your favorites and the ones you've known. Check out the pages for them on Fanlore and brainstorm suggestions for more information that could be added to the site!
Fanlore  Announcement  Event 
august 2017
OTW Guest Post: Mel Stanfill
Mel Stanfill wrote about fan labor in 2014 and about femslash in 2017. We take a look at fandom then & now https://goo.gl/qiUhYL
Transformative-Works-and-Cultures  Academia  Fannish-Histories  Fannish-Practices  Guest-Post 
august 2017
Fanhackers • In football, “no single game ever represents the...
"In football, “no single game ever represents the game for players or spectators”..." “In football, “no single game ever represents the game for players or spectators” (Hughson and Free 2006, 76), as each game is part of the narrative of the season or the tournament, and each season or tournament is part of the seasons or tournaments that came before it and that will come after. These games rotate around the comings, goings, and doings of the players (and managers) that perform in them. In combination, these two elements are what keep football engaging and entertaining to the majority of its fans. They are heavily discussed and promoted in all facets of the football media, contributing to an ongoing, long-term interest in the narratives by the fans who continually discuss and debate them. As a result, to truly understand football, one must look at not only the 90 minutes of the match but also the surrounding media, which function as necessary paratexts.”
-

Waysdorf, Abby. 2015. “The Creation of Football Slash Fan Fiction.” In “European Fans and European Fan Objects: Localization and Translation,” edited by Anne Kustritz, special issue, Transformative Works and Cultures, no. 19.

In this paper, Abby Waydorf goes beyond the traditional conception of the authentic sports fan as someone who is not affected my the media spectacle surrounding the sport. She uses the case study of Football (soccer!) RPF to show how a range of authentic fannish engagements are possible, and how mediation of sports - like the marketing of individual star players, and wider narratives spanning multiple seasons - makes European football (and other sports) really attractive to fan fiction writers. In sports, we find characters and story arcs similar to those we love in our favourite TV shows. Players rise from obscurity to stardom, are traded and build relationships within their teams, retire in glory or back in obscurity. Teams have intense rivalries, they win and lose games, championships and trophies. Those are all classic elements that fan fiction writers can pick up on and take as the jumping-off point for fic, just like we use characters and plots from other media. These expressions of fandom are no less authentic (though they are frequently denigrated and marginalised) than attending games, wearing your team’s scarf, and cheering them on through their ups and downs.
fanhackers 
august 2017
This Week in Fandom, Volume 60
This Week in Fandom: Orphan Black and its Clone Club, legal issues with celebrity avatars in virtual reality, and more.
This_Week_in_Fandom  Television  Technology  Fannish-communities  Intellectual-Property 
august 2017
Fanhackers • […] fans are well positioned for politicization...
"[…] fans are well positioned for politicization because they already have communities built..." “[…] fans are well positioned for politicization because they already have communities built around the kinds of intense affective investments that often drive political action, which has greatly facilitated the organization of HPA and the Nerdfighters. HPA is the most prominent of these civic-minded fan groups, with chapters in 300 community institutions nationwide and abroad; its members engage in a wide variety of cultural, educational, philanthropic, and more traditional political activities that often overlap and converge.”
- McCracken, Allison. 2017. By Any Media Necessary: The New Youth Activism, by Henry Jenkins et al. [book review]. In “Queer Female Fandom,” edited by Julie Levin Russo and Eve Ng, special issue, Transformative Works and Cultures, no. 24.
fanhackers 
august 2017
Fanhackers • Media fandom is an ephemeral culture, and online...
"Media fandom is an ephemeral culture, and online fandom even more so. A printed zine from the 1970s..." “Media fandom is an ephemeral culture, and online fandom even more so. A printed zine from the 1970s may last longer than a story published online in the last six months. In fact, continual changes in publication preference and fannish infrastructure have impacted the accessibility and permanence of fan fiction: zines may have a much lower initial circulation, but hard copies have a permanence that newsgroup posts, mailing-list e-mails, or blog posts may lack. Even as fandom as a whole has become more widely accepted and openly public, distribution patterns have moved away from public archives toward individual fan archiving, which allows writers to maintain greater control.”
-

Versaphile. 2011. “Silence in the Library: Archives and the Preservation of Fannish History.” Transformative Works and Cultures, no. 6.

This piece by fan writer and archivist Vesaphile is a great overview of the technical challenges fannish communities have historically faced in the preservation of our fan works, culture, and history. Published in 2011, it covers everything from zines and bulletin boards to mailing lists and LiveJournal. It predates fandom’s big migration to Tumblr and only touches on the Archive of Our Own, but it also makes some quite prescient comments about the ways in which fannish online presence and archiving efforts might develop. Versaphile speaks from her own lived experience as a long-time fan archivist, and it’s great to see that knowledge recognised and preserved in an academic journal.
fanhackers 
august 2017
This Week in Fandom, Volume 59
This Week in Fandom: Hugo Awards wins for women of colour, casting news for the Good Omens tv series, and more.
This_Week_in_Fandom  Books  Television  Music  Gender-and-Sexuality  Race-Ethnicity-and-Nationality 
august 2017
Fanhackers • New fan studies research - August 15th, 2017
New fan studies research - August 15th, 2017

A weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).

If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!

Open access

Cavcic, Antonija. 2017. “Boys’ Love for the Love of It: Progressive Prosumers and the Proliferation of Queer Culture through Manga.” PhD dissertation, Murdoch University. http://ift.tt/2x1VvtE

Kolehmainen, Pekka. 2017. “Social Media Narratives as Political Fan Fiction in the 2016 US Presidential Election.” European Journal of American Studies 12 (12–2). http://ift.tt/2w7Pn6Q

Valero Porras, María José; Cassany, Daniel. 2017. “Translation by Fans for Fans : Organization and Practices in a Spanish-Language Community of Scanlation.” BiD: Textos Universitaris de Biblioteconomia i Documentació, no. 38

Yang, Benny Chen-heng. 2017. “Why Godzilla? The Factors for Global Fame of Tokusatsu Giant Monsters.” International Journal of Liberal Arts and Social Science 5 (5). http://ift.tt/2x1D34o

Not open access

Buozis, Michael. 2017. “Doxing or Deliberative Democracy? Evidence and Digital Affordances in the Serial SubReddit.” Convergence, August, 1354856517721809. doi:10.1177/1354856517721809

Carviou, James. 2017. “Modern Family and Family Guy: Representation and Relevancy among Twitter Fans.” PhD dissertation, University of Iowa. http://ift.tt/2w7Sb3V

Creekmur, Corey, Melanie Kohnen, Jonathan McIntosh, Lori Morimoto, Katherine Morrissey, Suzanne Scott, and Louisa Stein. 2017. “Roundtable: Remix and Videographic Criticism.” Cinema Journal 56 (4): 159–84. doi:10.1353/cj.2017.0044

Kyriakidou, Maria, Michael Skey, Julie Uldam, and Patrick McCurdy. 2017. “Media Events and Cosmopolitan Fandom: ‘Playful Nationalism’in the Eurovision Song Contest.” International Journal of Cultural Studies, 1367877917720238. http://ift.tt/2x1QRMq

Wu, Jingsi Christina. 2017. “Voting for the Next Super Girl and Political Talk.” In Entertainment and Politics in Contemporary China, 89–130. East Asian Popular Culture. Palgrave Macmillan, Cham. doi:10.1007/978-3-319-48264-4_3
fanhackers 
august 2017
2017 Election Results
The Elections Committee is proud to present the following new Directors: Claire P. Baker, Danielle Strong, and Jessie Camboulives. Learn more here.
Announcement  Elections 
august 2017
The Fandom Haven Story Archive is Moving to the AO3
The Fandom Haven Story Archive, a multifandom fanfiction archive, is being imported to AO3. Learn more here.
Open-Doors-Committee  Fanfiction  Announcement 
august 2017
Fanhackers • During the 2006–7 television season, the...
"During the 2006–7 television season, the production team and cast for Grey’s Anatomy (2005–)..." “

During the 2006–7 television season, the production team and cast for Grey’s Anatomy (2005–) dealt with a series of unfortunate industry events that significantly affected the writers’ room, cast, and ongoing story lines of the show. An actor uttered a homophobic slur, which received wide media coverage, and which ultimately led Grey’s Anatomy to create a compelling, true-to-life lesbian story line.

This essay examines the discourse surrounding these events, including news reports and audience reaction to the story lines developed in response to the scandal. The LGBT fan community I examine here is Erica_Callie, a LiveJournal (LJ) community, which was highly active during the 2008–9 TV season, with over 1,800 individual posts and tens of thousands of comments.

The production response to real-life events relies on underlying production-culture knowledge of media concepts, such as authenticity, audience identification, and emotional realism, as a remedy for the damage inflicted by the scandal on both the show and the affected LGBT audience. The development of the lesbian story line in Grey’s Anatomy was an act of industry public relations; the story line was constructed to develop and resonate with LGBT audiences.


- Zuk, Tanya D. 2017. “Coming Out on Grey’s Anatomy: Industry Scandal, Constructing a Lesbian Story Line, and Fan Action.” In “Queer Female Fandom,” edited by Julie Levin Russo and Eve Ng, special issue, Transformative Works and Cultures, no. 24.
fanhackers 
august 2017
Five Things Chien Said
In Five Things Chien discusses life as an OTW volunteer without wifi, & how her work can be a conversation starter
Translation-Committee  Five-Things 
august 2017
Fanhackers • Corporate sales, creator identity, and audience...
"Corporate sales, creator identity, and audience heterogeneity lead yuri to an awkward place in terms..." “Corporate sales, creator identity, and audience heterogeneity lead yuri to an awkward place in terms of genre identity. Is yuri the schoolgirl romance created by men for a male audience who consider love between girls pure, or is it the girl’s romance that has roots in S literature for a female audience who fondly remember their days admiring upperclassmen at all-girls schools? Or is it for lesbians, whose stories are nominally acknowledged in narratives of self-awareness of love for a member of the same sex or feelings of being different, without any use of the word lesbian? The heterogeneity of creator and audience causes difficulty in both definition and scholarship. Who gets to define yuri?”
-

Friedman, Erica. 2017. “On Defining Yuri.” In “Queer Female Fandom,” edited by Julie Levin Russo and Eve Ng, special issue, Transformative Works and Cultures, no. 24.

This piece looks at the history of and the different influences on yuri - the Japanese genre depicting love and relationships between women. Friedman’s main point is that the creators, publishers, and audiences for yuri are hugely diverse and frequently have diverging interests, resulting in a genre (or possibly collection of genres) that is difficult to pin down. Some works are aimed women (queer and/or straight), some are aimed at straight men, some depict love between women without touching on lesbian and queer identities, some are by lesbian creators, though many are not. The paper is relatively short and covers a lot of ground - I’d love to see a longer piece elaborating on some of the aspects this only hints at.
fanhackers 
august 2017
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