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What’s In A Name? Understanding Classical Music Titles | Parker Symphony Orchestra
Composition Type:
Symphony, sonata, piano quintet, concerto – these are all composition types. Classical music composers wrote works in many of these forms and often the same composer wrote multiple pieces in the same type. This is why saying you enjoy listening to “the Serenade” or “the Concerto” or “the Mazurka” is confusing. Even using the composer name often does not narrow down which piece you are referring to. For example, it is not enough to say “Beethoven Symphony”. He wrote 9 of them!

Generic Name:
Compositions often have a generic name that can describe the work’s composition type, key signature, featured instruments, etc. This could be something as simple as Symphony No. 2 (meaning the 2nd symphony written by that composer), Minuet in G major (minuet being a type of dance), or Concerto for Two Cellos (an orchestral work featuring two cellos as soloists). The problem with referring to a piece by the generic name, even along with the composer, is that, again, that may not enough to identify the exact work. While Symphony No. 2 by Mahler is sufficient since it is his only 2nd symphony, Minuet by Bach is not since he wrote many minuets over his lifetime.

Non-Generic Names:
Non-generic names, or classical music nicknames and sub-titles, are often more well-known than generic names. They can even be so famous that the composer name is not necessary to clarify which piece you are referring to. Eine Kleine Nachtmusik, the Trout Quintet, and the Surprise Symphony are all examples of non-generic names.

Who gave classical music works their non-generic names? Sometimes the composer added a subsidiary name to a work. These are called sub-titles and are considered part of the work’s formal title. The sub-title for Tchaikovsky’s Symphony No. 6 in B minor is “Pathetique”.

A nickname, on the other hand, is not part of the official title and was not assigned by the composer. It is a name that has become associated with a work. For example, Bach’s “Six Concerts à plusieurs instruments” are commonly known as the Brandenburg Concertos because they were presented as a gift to the Margrave of Brandenburg. The name was given by Bach’s biographer, Philipp Spitta, and it stuck. Mozart’s Symphony No. 41 earned the nickname Jupiter most likely because of its exuberant energy and grand scale. Schubert’s Symphony No. 8 is known as the Unfinished Symphony because he died and left it with only 2 complete movements.

In many cases, referring to a work by its non-generic name, especially with the composer name, is enough to identify a piece. Most classical music fans know which work you are referring to when you say “Beethoven’s Eroica Symphony”.

Non-Numeric Titles:
Some classical compositions do not have a generic name, but rather a non-numeric title. These are formal titles given by the composer that do not follow a sequential numeric naming convention. Works that fall into this category include the Symphony Fantastique by Berlioz, Handel’s Messiah, and Also Sprach Zarathustra by Richard Strauss.

Opus Number:
Opus numbers, abbreviated op., are used to distinguish compositions with similar titles and indicate the chronological order of production. Some composers assigned numbers to their own works, but many were inconsistent in their methods. As a result, some composers’ works are referred to with a catalogue number assigned by musicologists. The various catalogue-number systems commonly used include Köchel-Verzeichnis for Mozart (K) and Bach-Werke-Verzeichnis (BWV).

https://music.stackexchange.com/questions/6688/why-is-the-key-included-in-classical-music-titles
I was always curious why classical composers use names like this Étude in E-flat minor (Frédéric_Chopin) or Missa in G major (Johann Sebastian Bach). Is this from scales of this songs? Weren't they blocked to ever use this scale again? Why didn't they create unique titles?

--

Using a key did not prohibit a composer from using that key again (there are only thirty keys). Using a key did not prohibit them from using the same key on a work with the same form either. Bach wrote over thirty Prelude and Fugues. Four of these were Prelude and Fugue in A minor. They are now differentiated by their own BWV catalog numbers (assigned in 1950). Many pieces did have unique titles, but with the amounts of pieces the composers composed, unique titles were difficult to come up with. Also, most pieces had no lyrics. It is much easier to come up with a title when there are lyrics. So, they turned to this technique. It was used frequently during the Common Practice Period.

https://fredericksymphony.org/how-are-classical-music-compositions-named/
explanation  music  classical  trivia  duplication  q-n-a  stackex  music-theory  init  notation  multi  jargon 
may 2019 by nhaliday
Commentary: Predictions and the brain: how musical sounds become rewarding
https://twitter.com/AOEUPL_PHE/status/1004807377076604928
https://archive.is/FgNHG
did i just learn something big?

Prerecorded music has ABSOLUTELY NO
SURVIVAL reward. Zero. It does not help
with procreation (well, unless you're the
one making the music, then you get
endless sex) and it does not help with
individual survival.
As such, one must seriously self test
(n=1) prerecorded music actually holds
you back.
If you're reading this and you try no
music for 2 weeks and fail, hit me up. I
have some mind blowing stuff to show
you in how you can control others with
music.
study  psychology  cog-psych  yvain  ssc  models  speculation  music  art  aesthetics  evolution  evopsych  accuracy  meta:prediction  neuro  neuro-nitgrit  neurons  error  roots  intricacy  hmm  wire-guided  machiavelli  dark-arts  predictive-processing  reinforcement  multi  science-anxiety 
june 2018 by nhaliday
Christianity in China | Council on Foreign Relations
projected to outpace CCP membership soon

This fascinating map shows the new religious breakdown in China: http://www.businessinsider.com/new-religious-breakdown-in-china-14

Map Showing the Distribution of Christians in China: http://www.epm.org/resources/2010/Oct/18/map-showing-distribution-christians-china/

Christianity in China: https://en.wikipedia.org/wiki/Christianity_in_China
Accurate data on Chinese Christians is hard to access. According to the most recent internal surveys there are approximately 31 million Christians in China today (2.3% of the total population).[5] On the other hand, some international Christian organizations estimate there are tens of millions more, which choose not to publicly identify as such.[6] The practice of religion continues to be tightly controlled by government authorities.[7] Chinese over the age of 18 are only permitted to join officially sanctioned Christian groups registered with the government-approved Protestant Three-Self Church and China Christian Council and the Chinese Patriotic Catholic Church.[8]

In Xi we trust - Is China cracking down on Christianity?: http://www.dw.com/en/in-xi-we-trust-is-china-cracking-down-on-christianity/a-42224752A

In China, Unregistered Churches Are Driving a Religious Revolution: https://www.theatlantic.com/international/archive/2017/04/china-unregistered-churches-driving-religious-revolution/521544/

Cracks in the atheist edifice: https://www.economist.com/news/briefing/21629218-rapid-spread-christianity-forcing-official-rethink-religion-cracks

Jesus won’t save you — President Xi Jinping will, Chinese Christians told: https://www.washingtonpost.com/news/worldviews/wp/2017/11/14/jesus-wont-save-you-president-xi-jinping-will-chinese-christians-told/

http://www.sixthtone.com/news/1001611/noodles-for-the-messiah-chinas-creative-christian-hymns

https://www.reuters.com/article/us-pope-china-exclusive/exclusive-china-vatican-deal-on-bishops-ready-for-signing-source-idUSKBN1FL67U
Catholics in China are split between those in “underground” communities that recognize the pope and those belonging to a state-controlled Catholic Patriotic Association where bishops are appointed by the government in collaboration with local Church communities.

http://www.bbc.com/news/world-asia-china-42914029
The underground churches recognise only the Vatican's authority, whereas the Chinese state churches refuse to accept the authority of the Pope.

There are currently about 100 Catholic bishops in China, with some approved by Beijing, some approved by the Vatican and, informally, many now approved by both.

...

Under the agreement, the Vatican would be given a say in the appointment of future bishops in China, a Vatican source told news agency Reuters.

For Beijing, an agreement with the Vatican could allow them more control over the country's underground churches.

Globally, it would also enhance China's prestige - to have the world's rising superpower engaging with one of the world's major religions.

Symbolically, it would the first sign of rapprochement between China and the Catholic church in more than half a century.

The Vatican is the only European state that maintains formal diplomatic relations with Taiwan. It is currently unclear if an agreement between China and the Vatican would affect this in any way.

What will this mean for the country's Catholics?

There are currently around 10 million Roman Catholics in China.

https://www.washingtonpost.com/world/asia_pacific/china-vatican-deal-on-bishops-reportedly-ready-for-signing/2018/02/01/2adfc6b2-0786-11e8-b48c-b07fea957bd5_story.html

http://www.catholicherald.co.uk/news/2018/02/06/china-is-the-best-implementer-of-catholic-social-doctrine-says-vatican-bishop/
The chancellor of the Pontifical Academy of Social Sciences praised the 'extraordinary' Communist state

“Right now, those who are best implementing the social doctrine of the Church are the Chinese,” a senior Vatican official has said.

Bishop Marcelo Sánchez Sorondo, chancellor of the Pontifical Academy of Social Sciences, praised the Communist state as “extraordinary”, saying: “You do not have shantytowns, you do not have drugs, young people do not take drugs”. Instead, there is a “positive national conscience”.

The bishop told the Spanish-language edition of Vatican Insider that in China “the economy does not dominate politics, as happens in the United States, something Americans themselves would say.”

Bishop Sánchez Sorondo said that China was implementing Pope Francis’s encyclical Laudato Si’ better than many other countries and praised it for defending Paris Climate Accord. “In that, it is assuming a moral leadership that others have abandoned”, he added.

...

As part of the diplomacy efforts, Bishop Sánchez Sorondo visited the country. “What I found was an extraordinary China,” he said. “What people don’t realise is that the central value in China is work, work, work. There’s no other way, fundamentally it is like St Paul said: he who doesn’t work, doesn’t eat.”

China reveals plan to remove ‘foreign influence’ from Catholic Church: http://catholicherald.co.uk/news/2018/06/02/china-reveals-plan-to-remove-foreign-influence-from-catholic-church1/

China, A Fourth Rome?: http://thermidormag.com/china-a-fourth-rome/
As a Chinaman born in the United States, I find myself able to speak to both places and neither. By accidents of fortune, however – or of providence, rather – I have identified more with China even as I have lived my whole life in the West. English is my third language, after Cantonese and Mandarin, even if I use it to express my intellectually most complex thoughts; and though my best of the three in writing, trained by the use of Latin, it is the vehicle of a Chinese soul. So it is in English that for the past year I have memed an idea as unconventional as it is ambitious, unto the Europæans a stumbling-block, and unto the Chinese foolishness: #China4thRome.

This idea I do not attempt to defend rigorously, between various powers’ conflicting claims to carrying on the Roman heritage; neither do I intend to claim that Moscow, which has seen itself as a Third Rome after the original Rome and then Constantinople, is fallen. Instead, I think back to the division of the Roman empire, first under Diocletian’s Tetrarchy and then at the death of Theodosius I, the last ruler of the undivided Roman empire. In the second partition, at the death of Theodosius, Arcadius became emperor of the East, with his capital in Constantinople, and Honorius emperor of the West, with his capital in Milan and then Ravenna. That the Roman empire did not stay uniformly strong under a plurality of emperors is not the point. What is significant about the administrative division of the Roman empire among several emperors is that the idea of Rome can be one even while its administration is diverse.

By divine providence, the Christian religion – and through it, Rome – has spread even through the bourgeois imperialism of the 19th and 20th centuries. Across the world, the civil calendar of common use is that of Rome, reckoned from 1 January; few places has Roman law left wholly untouched. Nevertheless, never have we observed in the world of Roman culture an ethnogenetic pattern like that of the Chinese empire as described by the prologue of Luo Guanzhong’s Romance of the Three Kingdoms 三國演義: ‘The empire, long divided, must unite; long united, must divide. Thus it has ever been.’1 According to classical Chinese cosmology, the phrase rendered the empire is more literally all under heaven 天下, the Chinese œcumene being its ‘all under heaven’ much as a Persian proverb speaks of the old Persian capital of Isfahan: ‘Esfahān nesf-e jahān ast,’ Isfahan is half the world. As sociologist Fei Xiaotong describes it in his 1988 Tanner Lecture ‘Plurality and Unity in the Configuration of the Chinese People’,

...

And this Chinese œcumene has united and divided for centuries, even as those who live in it have recognized a fundamental unity. But Rome, unlike the Chinese empire, has lived on in multiple successor polities, sometimes several at once, without ever coming back together as one empire administered as one. Perhaps something of its character has instead uniquely suited it to being the spirit of a kind of broader world empire. As Dante says in De Monarchia, ‘As the human race, then, has an end, and this end is a means necessary to the universal end of nature, it follows that nature must have the means in view.’ He continues,

If these things are true, there is no doubt but that nature set apart in the world a place and a people for universal sovereignty; otherwise she would be deficient in herself, which is impossible. What was this place, and who this people, moreover, is sufficiently obvious in what has been said above, and in what shall be added further on. They were Rome and her citizens or people. On this subject our Poet [Vergil] has touched very subtly in his sixth book [of the Æneid], where he brings forward Anchises prophesying in these words to Aeneas, father of the Romans: ‘Verily, that others shall beat out the breathing bronze more finely, I grant you; they shall carve the living feature in the marble, plead causes with more eloquence, and trace the movements of the heavens with a rod, and name the rising stars: thine, O Roman, be the care to rule the peoples with authority; be thy arts these, to teach men the way of peace, to show mercy to the subject, and to overcome the proud.’ And the disposition of place he touches upon lightly in the fourth book, when he introduces Jupiter speaking of Aeneas to Mercury in this fashion: ‘Not such a one did his most beautiful mother promise to us, nor for this twice rescue him from Grecian arms; rather was he to be the man to govern Italy teeming with empire and tumultuous with war.’ Proof enough has been given that the Romans were by nature ordained for sovereignty. Therefore the Roman … [more]
org:ngo  trends  foreign-policy  china  asia  hmm  idk  religion  christianity  theos  anomie  meaningness  community  egalitarianism-hierarchy  protestant-catholic  demographics  time-series  government  leadership  nationalism-globalism  org:data  comparison  sinosphere  civic  the-bones  power  great-powers  thucydides  multi  maps  data  visualization  pro-rata  distribution  geography  within-group  wiki  reference  article  news  org:lite  org:biz  islam  buddhism  org:euro  authoritarianism  antidemos  leviathan  regulation  civil-liberty  chart  absolute-relative  org:mag  org:rec  org:anglo  org:foreign  music  culture  gnon  org:popup  🐸  memes(ew)  essay  rhetoric  conquest-empire  flux-stasis  spreading  paradox  analytical-holistic  tradeoffs  solzhenitsyn  spengler  nietzschean  europe  the-great-west-whale  occident  orient  literature  big-peeps  history  medieval  mediterranean  enlightenment-renaissance-restoration-reformation  expansionism  early-modern  society  civilization  world  MENA  capital  capitalism  innovation  race  alien-character  optimat 
january 2018 by nhaliday
Deliberate Practice and Performance in Music, Games, Sports, Education, and Professions: A Meta-Analysis
We found that deliberate practice explained 26% of the variance in performance for games, 21% for music, 18% for sports, 4% for education, and less than 1% for professions. We conclude that deliberate practice is important, but not as important as has been argued.
pdf  study  psychology  cog-psych  social-psych  teaching  tutoring  learning  studying  stylized-facts  metabuch  career  long-term  music  games  sports  education  labor  data  list  expert-experience  ability-competence  roots  variance-components  top-n  meta-analysis  practice  quixotic 
december 2017 by nhaliday
Croppies Lie Down - Wikipedia
"Croppies Lie Down" is a loyalist anti-rebel folksong dating from the 1798 rebellion in Ireland celebrating the defeat and suppression of the rebels. The author has been reported as George Watson-Taylor.[1]

This song illustrates the deep divisions which existed in Ireland at the time of the 1798 rebellion. Irish Catholics, and to a lesser extent Dissenters, were legally excluded from political and economic life. The United Kingdom was at war with revolutionary France at the time, and Irish republicans were encouraged by rumours that France would invade the island. The lyrics describe the rebels as treacherous cowards and those fighting them as brave defenders of the innocent. "Croppies" meant people with closely cropped hair, a fashion associated with the French revolutionaries, in contrast to the wigs favoured by the aristocracy. In George Borrow's 1862 travel book Wild Wales, the author comes upon an Anglo-Irish man singing the tune.

...

Oh, croppies ye'd better be quiet and still
Ye shan't have your liberty, do what ye will
As long as salt water is formed in the deep
A foot on the necks of the croppy we'll keep
And drink, as in bumpers past troubles we drown,
A health to the lads that made croppies lie down
Down, down, croppies lie down.

https://twitter.com/gcochran99/status/901517356266004480
Scotch, Irish, Scotch-Irish, Welsh, English. I can sing "croppies lie down" to myself.

https://westhunt.wordpress.com/2012/08/10/new-mexico/#comment-4390
Here’s a good old Anglo-Irish song:

...

Personally, I’m surprised that the Irish didn’t kill them all.

https://en.wikipedia.org/wiki/Is_There_for_Honest_Poverty
"Is There for Honest Poverty", commonly known as "A Man's a Man for A' That", is a 1795[1] Scots song by Robert Burns, famous for its expression of egalitarian ideas of society, which may be seen as expressing the ideas of liberalism that arose in the 18th century.

https://www.scotsconnection.com/t-forathat.aspx

http://www.forathat.com/a-mans-a-man-for-a-that.html
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september 2017 by nhaliday
America's Ur-Choropleths
Gabriel Rossman remarked to me a while ago that most choropleth maps of the U.S. for whatever variable in effect show population density more than anything else. (There’s an xkcd strip about this, too.) The other big variable, in the U.S. case, is Percent Black. Between the two of them, population density and percent black will do a lot to obliterate many a suggestively-patterned map of the United States. Those two variables aren’t explanations of anything in isolation, but if it turns out it’s more useful to know one or both of them instead of the thing you’re plotting, you probably want to reconsider your theory.

https://www.nytimes.com/interactive/2016/12/26/upshot/duck-dynasty-vs-modern-family-television-maps.html
https://www.nytimes.com/interactive/2017/08/07/upshot/music-fandom-maps.html
scitariat  sociology  data  maps  usa  visualization  dataviz  within-group  degrees-of-freedom  roots  regularizer  population  density  race  demographics  things  phalanges  society  multi  news  org:rec  culture  tv  media  politics  american-nations  org:data  urban  polarization  class-warfare  music  urban-rural 
august 2017 by nhaliday
The Maid Freed from the Gallows - Wikipedia
In the Led Zeppelin version of the song, despite the bribes which the hangman accepts, he still carries out the execution.

Oh yes, you got a fine sister, she warmed my blood from cold,
She warmed my blood to boiling hot to keep you from the Gallows Pole,
Your brother brought me silver, and your sister warmed my soul,
But now I laugh and pull so hard to see you swinging on the Gallows Pole
usa  britain  anglo  wiki  culture  music  rock  death  order-disorder  leviathan  criminal-justice  crime  quotes  nihil  vulgar 
june 2017 by nhaliday
Beyond Sushiology: Does Diversity Work? | Brookings Institution
If your friends and colleagues are like mine, they tend to orient their domestic travel plans around cherished ethnic restaurants. So do I. But many carry their enthusiasm a step further, seeing the extraordinary variety and quality of ethnic cuisine now available in the United States as evidence of the unalloyed benefits flowing from our racial and ethnic diversity. I call this syndrome “sushiology.”

the song: https://www.youtube.com/watch?v=bI7UCJN-mu8
org:ngo  wonkish  rhetoric  contrarianism  diversity  putnam-like  cost-benefit  food  aphorism  migration  asia  collaboration  innovation  labor  class  vampire-squid  crime  criminal-justice  criminology  race  latin-america  religion  christianity  culture  realness  westminster  info-dynamics  identity-politics  lol  multi  video  music  rock 
may 2017 by nhaliday
Over There - Wikipedia
Johnny,[8] get your gun, get your gun, get your gun.
Take it on the run, on the run, on the run.
Hear them calling you and me,
Every Sons of Liberty.
Hurry right away, no delay, go today.
Make your Daddy glad to have had such a lad.
Tell your sweetheart not to pine,
To be proud her boy's in line.
music  history  mostly-modern  war  martial  wiki  military  quotes  world-war  courage 
april 2017 by nhaliday
Rain Dogs - Wikipedia
Rain Dogs is the eighth album by American singer-songwriter Tom Waits, released in September 1985 on Island Records.[1] A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.[2]

The album, which includes appearances by guitarists Keith Richards and Marc Ribot, is noted for its broad spectrum of musical styles and genres, described by Rolling Stone as merging "Kurt Weill, pre-rock integrity from old dirty blues, [and] the elegiac melancholy of New Orleans funeral brass, into a singularly idiosyncratic American style."[3]

The album peaked at #29 on the UK charts[4] and #188 on the US Billboard Top 200. In 1989, it was ranked #21 on the Rolling Stone list of the "100 greatest albums of the 1980s." In 2003, the album was ranked number 397 on the magazine's list of "The 500 Greatest Albums of All Time".
music  classic  vulgar  wiki  tapes  brooks 
march 2017 by nhaliday
The History of Rock Music. Beatles: biography, discography, reviews, links
This old article by Piero Scaruffi has won several international awards as the most professional analysis of the career of pop group the Beatles ever written. While the interests of the author have long left popular music behind, the vast success of the article makes him believe it should continue to be posted here.
music  review  rant  critique  history  scaruffi  chan  🐸  contrarianism  aesthetics  rock 
january 2017 by nhaliday
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