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The Silences Of Biosphere. Neo Baroque And Aware Intimacy | Digicult | Digital Art, Design and Culture
Absolutely, I work a lot on the fragment. Even when I am in the studio, I think it is the unit of language which then develops the rest. Even in the approach to Monteverdi, I worked on the fragment, I would say even on the fragmented nature of the creative process: I worked on sound tissue sampling and processing an enormous amount of material taken from all releases, on vinyl and tape, of “Poppea” that I found on e-bay and other e-commerce sites, and that I bought from consumers around the world, especially Italian. These old records, many of them damaged by time, have provided sound materials of great interest, such as glitch, skratch, krakle, on which I built the weaving of sound performance.
interviews  music:biosphere  music  production  sampling  art  dance  performance 
december 2016
Nazi-Era Snapshots and the Banality of Evil - VICE
Yes, these guys went home to their wives and children, and maybe they sang them nice German lullabies, but it's not an exoneration. I mean, Hitler loved dogs, and he was a vegetarian. Great. But, it's all kind of irrelevant. At the end of the day these things are reconcilable. No, not exactly reconcilable, but they coexist. The evil and the not-evil coexist in a person. But, in Nuremberg, it didn't come up that they were nice to their wives because it didn't matter.
nazism  Vice  photography 
december 2016
Elektronauts — The Bug
Dub is at the core of what I do. I see dub as a methodology, not just as a production process. I think dubbing a life is a way of seeing a life: seeing life as this post-structural collage that it is, now. We all live in the most messed up jigsaw puzzle, and we just try and re-put those pieces together.
music  production  dub  elektron  hardware  interviews 
july 2016
Jewish Punks Embrace Nazi Rhetoric and Imagery - New Vilna Review
A look at Jewish punk musicians who flirt with Nazi imagery, perhaps treading a fine line between discussion of a dangerous ideology and falling for that ideology. At what point does discussion of ideology become propagation of that ideology?

Opens with blurb about Guy Tavares' punk band. Tavares is better known for founding and running Bunker Records, an influential electro / acid house label based in The Hague. Bunker's logo is reminiscent of a powerful angular image like the swastika.
judaism  religion  WaybackMachine  punk  music  wwii  nazism  propaganda  BunkerRecords  Tavares-G  ideology 
january 2016
Language Log » Open Letter to Terry Gross
Not only is it inaccurate to label minorities as the only ones who convey their identities through their speech, it also perpetuates a misguided belief that there is a “natural” way to speak, or a way to speak that has no “styles”. This concept of “naturalness” or “authenticity”, which came up many times in your interview, assumes that only some people (i.e. minorities) are adopting “styles”, deviating from “natural” speech in order to convey their identity.
feminism  language  NPR  queer 
july 2015
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