asterisk2a + itunes   25

Why podcasts are suddenly “back” – Marco.org
>> listening to podcast eats time away from the existing pie pieces of other forms of entertainment, escapism, and snacking. But it shares similarities with Music, TV, Movie, ... you can let it run in the background and do something different and listening in.
Podcast  podcasting  Multimedia  Entertainment  Escapeism  snacking  user  behaviour  commuting  TV  Television  Radio  Social  Media  Music  Movie  content  discovery  content  distribution  vertical  category  community  Personal  Brand  Branding  YouTube  Tumblr  Facebook  Twitter  mobile  homescreen  mobile  first  mobile  phone  iPod  Apple  Android  distribution  model  iTunes  Soundcloud 
august 2015 by asterisk2a
Paul Krugman: Amazon’s Book Monopsony Is 'Not OK' - YouTube
- Monopsony - the single buyer of good, thus can demand prices. // Facebook owns over 70% of social media spending. can demand prices. thus its moves to demand more and more money through changes in Newsfeed algo to make people pay to show up in peoples Newsfeed. Under the guise of User Experience!
Amazon  Monopsony  Facebook  antitrust  Platform  TOS  Social  Media  monopoly  oligopol  oligopoly  Apple  Google  iTunes  Apple  Music  Music  Industry  360-music-contract 
july 2015 by asterisk2a
Apple aims for bigger bite of music market - BBC News
Spotify can be a "very comfortable number two" after Apple. Some investors appear to agree. Despite the imminent arrival of Apple Music, Spotify said in June that it had raised $526m (£334m) in new funding and was now valued at $8.5bn (£5.4bn). That's more than household names such as Sainsbury and Royal Mail are worth. Unsurprisingly, Spotify also thinks it can survive the Apple onslaught. Mark Williamson, its head of artist services, says the company has only just "scratched the surface" after getting people to pay for music again. (To be fair, Apple probably deserves some of that credit for its iTunes store.) [...] The big challenge for Spotify is continuing to grow if it has any hope of becoming profitable. The company reported a net loss of €162m (£117m) last year - largely because its agreement with record companies and publishers requires it to pay 70% of revenues to performers and writers. [...] Live music is worth more than sales of recorded music in the UK.
Apple  Music  Spotify  Music  Industry  freemium  subscription  model  business  model  Android  iOS  Platform  TOS  iTunes  Indie  Music  360-music-contract  offline  experience  shared  experience 
june 2015 by asterisk2a
Is Spotify doomed because of Apple Music? No — Spotify’s been doomed from the start | PandoDaily
Spotify is really the only legitimate competitor left. But its fate, like that of every streaming music service, is also subject to forces outside of its control — forces that are guided by the three-headed hydra of Warner, Universal, and Sony. [...] Although Apple Music and Spotify’s paid tier offer perks that free subscriptions do not — namely, full mobile access and no ads between songs — the majority of users will not pay for something they can basically get for free, even if they miss out on a handful of features. The percentage of Spotify users who pay for the service bears this out, having held steady for years at only 25%. And this trend shows no sign of abating — according to the most recent figures, paid users as a percentage of the whole crept up a hair but still sits at only 26.7%. [rather spend limited disposable income (and time) on weed and other offline experiences (leisure activities) with friends. -VS- The time of u and ur buddy(s) listening 2 new vinyl release]
Apple  Music  iTunes  Spotify  Soundcloud  subscription  model  business  model  Music  Industry  360-music-contract  Indie  Music  self-publishing  The  Content  Wars  attention  span  user  behaviour  snacking  Pandora  Deezer  Radio  8tracks  Tidal  YouTube  marginal  cost  economics  of  abundance  abundance  friction  frictionless  convenience  Netflix  disposable  income  offline  experience  shared  experience  Millennials  generationy  aspirational  product  Apple  status  anxiety  status  symbol  socioeconomic  status  social  status  commodity  business  commoditization  commodities  Media  mass  market  consumerist  consumer  product  antitrust  freemium  Venture  Capital  value  creation  Core  Proposition  Proposition  intangible  value  added  value  Start-Up  lesson  Start-Up  advice  Silicon  Valley  corporate  strategy  exit  strategy  business  strategy 
june 2015 by asterisk2a
Apple Music: Neuer Streamingdienst verschlägt der Konkurrenz die Sprache - SPIEGEL ONLINE
Es kommt wie erwartet, und doch ist die Branche in Aufruhr: Bei der Entwicklerkonferenz WWDC hat Apple seinen neuen Streamingdienst Apple Music angekündigt. Umfang und Art des Angebots dürften der Konkurrenz das Leben schwer machen. [...] Apple muss damit nicht reich werden Allerdings sind die Ausgangspunkte sehr unterschiedlich. Bei einem Umsatz von 1,3 Milliarden Dollar machte Spotify im vergangenen Jahr 197 Millionen Euro Verlust. Mit dem Geldverdienen klappt es also nicht einmal beim Marktführer so richtig. Und trotzdem wird das schwedische Unternehmen mit acht Milliarden Dollar bewertet. Für Apple aber ist es viel einfacher: Der kalifornische Konzern muss mit seinem Angebot gar kein Geld verdienen. Der iTunes Store und der App Store dienen in erster Linie dazu, Kunden an Apples Plattformen zu binden und damit den Verkauf der viel profitableren Apple-Hardware anzukurbeln. Genauso ist es auch mit Apple Music.
Apple  Music  Apple  Spotify  Tidal  Pandora  Rdio  Deezer  Platdorm  Silo  aspirational  product  Branding  Brand  iTunes  Apple  App  Store  ecosystem  marginal  cost  margin  cash  cow  business  model  multi-product  company  freemium  subscription  model  commodity  business  commoditization  Software  Is  Eating  The  World  Google  Play  Amazon  Netflix  differentiate  differentiation 
june 2015 by asterisk2a
After years of false starts, Apple is finally poised to kill Spotify and take over streaming music. There’s just one catch… | PandoDaily
No wonder streaming platforms can barely make a profit — if at all — while most artists have been forced to view streaming not as a legitimate revenue source but merely a form of exposure. That’s why Apple’s refusal to offer a free option makes perfect sense. But will users agree to pay, especially with free options on the table? Possibly not. And if they don’t it will be because of the greed of record labels, not Apple. [...] labels rejected Apple’s $5 price-point. So the company offered a compromise: $7.99 a month. But the labels still claimed that’s still too low. And so now Apple is back to offering $9.99 a month — the same amount Spotify charges and the same amount 75 percent of its users refuse to pay and will continue to refuse to pay as long as the company stays in business. So now Apple is rightly worried that listeners won’t choose its service over a free one, even if it can offer a deeper catalog with more exclusive content.
Music  Industry  360-music-contract  Indie  Music  content  discovery  content  distribution  Spotify  Deezer  Rdio  Pandora  Apple  iTunes 
may 2015 by asterisk2a
Apple’s possibly illegal plan to kill Spotify’s free service is reportedly under investigation by the FTC | PandoDaily
[ history rhymes - Google Search and Apple iTunes ]FTC officials have discussed Apple’s practices with more than one record label, according to music-industry executives with knowledge of the matter. The FTC’s investigators, still in the early stages, of their inquiry, are asking whether Apple’s efforts will change the way music labels work with other streaming services, for example curtailing ad-supported music and pushing more songs into paid tiers of service at higher rates, according to one of the people. // &! http://pando.com/2015/05/04/apple-reportedly-plays-dirty-to-kill-spotifys-free-tier-and-i-hope-it-gets-away-with-it/ - Apple reportedly plays dirty to kill Spotify’s free tier
FTC  antitrust  abuse  of  power  corruption  Apple  Microsoft  Google  Search  iTunes  Spotify  Rdio  Pandora  Deezer  Music  Industry  360-music-contract  Indie  Music  YouTube  Google 
may 2015 by asterisk2a
3 biggest misconceptions about the music industry and Jay-Z’s Tidal (which is doomed anyway) | PandoDaily
But the reason most artists are not compensated properly for their work has been the same since the advent of recorded music: Record labels. According to a report from the audit firm Ernst & Young, record labels net 45.6 percent of the revenue created by streaming music. The supposedly evil, greedy platform itself — which in this particular study was limited to Spotify and Deezer — only takes home 20.8 percent. After 16.7 percent is taken out for taxes, that leaves 10 percent for songwriters and publishers, and 6.8 percent for artists. And even if Tidal makes users pay (upwards of $20 for the highest sound quality!) artists will still have the same shitty record deals and see the same shitty ratios they’ve had for decades. [...] Even as Spotify has grown its total user base, the number of paid subscribers has held steady at only 25 percent. [ future is to divorce content discovery & distribution from revenue/income streams, bc digital is commodity! ] &! TC Rant Video tcrn.ch/1BYSfL2
Music  Industry  360-music-contract  Indie  Music  content  creator  Pandora  Tidal  Spotify  Deezer  Rdio  iTunes  Apple  Beats  freemium  business  model  content  discovery  content  distribution  digital  artist  digital  content  digital  economy  convenience  frictionless  friction  commoditization  commodity  business  economics  of  abundance  abundance  marginal  cost  Age 
april 2015 by asterisk2a
Zane Lowe to leave Radio 1 in March - BBC Newsbeat
[ is Apple getting into content? Or is Zane Lowe going to be an editor for 'featuring' new albums and artists on its new streaming platform?! ] --- BBC Radio 1 DJ @ZaneLowe stepping down in March to move to US & work for Apple, BBC reports; Lowe joined station in '03; known for championing emerging artists & for his 'Masterpieces' series, in which he plays a full album & interviews artist; Apple's subscription music streaming service expected to launch this summer
Apple  iTunes  Spotify  Deezer  Rdio  Pandora  content  curation  Signal  vs.  Noise  filter  bubble 
february 2015 by asterisk2a
Musik-Downloads in den USA erstmals seit zehn Jahren rückläufig - SPIEGEL ONLINE
Der Musikindustrie bieten Streaming Dienste wie Rdio, Deezer oder Spotify neue Absatzmöglichkeiten, auch Internetgiganten wie Google wollen den Boom nutzen. Einzelne Musiker und Bands sehen den Streaming-Trend jedoch mit Sorge. Unter anderem beklagten "Radiohead"-Sänger Thom Yorke und der einstige "Talking Heads"-Frontmann David Byrne, dass diese Dienste mit ihren geringeren Auszahlungen Künstlern auf Dauer kein ausreichendes Einkommen bieten könnten. + http://www.digitaltrends.com/mobile/how-to-improve-music-streaming/ + http://www.spin.com/articles/music-documentaries-netflix-best-streaming-movies/ + Internet Radio Stations (Amazingradio, Capitalxtra).
RIAA  MPAA  Music  Industry  streaming  Spotify  Apple  iTunes  Rdio  Deezer  Google  Google  Play  Music  freemium  digital  content  digital  artist  digital  natives  digital  economy  Gary  Vaynerchuk  YouTube  distribution  content  distribution  Simfy  Smartphone  Tablet  attention  attention  span  youthification  Napster  Juke  Grooveshark  Soundcloud  Facebook  Xbox  Playstation  Pandora  streaming  service  internet  culture  Radio 
january 2014 by asterisk2a
Media Apps and the iPad: Surprise! Free Is Better
Kevin Anderson, former blog editor at The Guardian, said that iPad app pricing is “a last act of insanity by delusional content companies.” And the sense that media apps are trying to wall off their content from the broader Internet is also likely to be disconcerting to some, says Josh Benton of Harvard’s Nieman Journalism Lab. Meanwhile, some newspaper and magazine companies are still reluctant to embrace the iPad because they are afraid of ceding too much control — and giving up too much revenue to Apple,
Publishers are worried that paying Apple 30 percent of their sales from the device will eat into their revenues too much, and are also concerned that the computer company will wind up controlling access to the subscriber data that comes from the iPad. Several major media companies including News Corp. and the four largest magazine publishers are apparently trying to create their own digital storefront for content because they dont want Apple to control access to their publications
iPad  publishing  publishing2.0  newspapers  apple  itunes  ibooks  newspaper  NYTimes  WSJ  guardian  jeffjarvis 
april 2010 by asterisk2a
Apple Plots Reboot of iTunes for Web - WSJ.com
Apple is exploring an overhaul of the way it sells and stores music that is aimed at extending its influence to the Web, according to people briefed on the strategy.

The key vehicle for the move is Apple's newly acquired music-streaming service La La Media Inc. for which Apple paid $85 million, according to people familiar with the matter. Where Apple's iTunes requires users to download music onto a specific computer, Lala.com lets users buy and listen to music through a Web browser, meaning its customers can access purchases from anywhere, as long as they are connected to the Internet.

Apple is considering adopting that same model for songs sold on iTunes, a change that would give consumers more ways

That new business model extends Apple's grip on the music business, giving it the ability to sell music through search engines and other Web sites and broaden its reach beyond people who come to its virtual store.
apple  itunes  Lala  music  technology  cloudcomputing  cloud  online  streaming  musicindustry  strategy 
december 2009 by asterisk2a
Pop-Bestseller Black Eyed Peas: "Klar, die Plattenfirmen haben viel Mist gebaut" - SPIEGEL ONLINE - Nachrichten - Kultur
Will.I.am: Wenn ich wetten müsste, würde ich mein Geld auf die Plattenfirmen setzen. Nicht, weil sie in der Vergangenheit all die großen Künstler und Legenden wie Otis Redding vergewaltigt haben. Die Labels haben viel Mist gebaut, das ist klar. Aber dann muss man auch sehen, wie viele gute Dinge durch die Plattenfirmen entstehen konnten, die unser Leben bereichert haben: Michael Jackson, die Beatles! Ich weiß nicht, wer zukünftige Idole aufbauen und entwickeln soll, wenn nicht die Industrie.

Es geht um das Kuratieren von Musik, um die Entwicklung, die Formung und Betreuung von Künstlern. Im ganzen Internet gibt es keine Abteilung, die das im gleichen Maße leisten kann.
musicindustry  businessmodel  medienwandel  mediachange  music  apple  itunes  artists  360-music-contract  Will.I.Am  curation 
december 2009 by asterisk2a
Why iTunes is not a workable model for the newspaper business « Clay Shirky
Newspapers / News are not a monopoly/oligopoly - is a perfect competitive market.
Where Music with - Sony, EMI, Universal, and Warner. is a oligopoly. // They want the highest price for their good - and get it in fact.
.
>> Thus an iTunes model won't work because of the sheer amount of competitors and the fact that some are willing and do offer free news/content.
.
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newspaper  newspapers  monopoly  business  model  music  itunes  payment  payments  micropayment  micropayments 
october 2009 by asterisk2a

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