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NYT: Proximity to Darkness
"Michaels's sentences, musical in their attention to rhythm and phrasing, were his greatest stunts and assets. 'She didn't like me,' a story begins. 'So I phoned her every day.' 'My name was Phillip, my style New York City.' "
story  writing  fiction  nyc  judaism  comedy  humor  aesthetics  language 
june 2007 by allaboutgeorge
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