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In news that will shock, er, actually a few of you, Amazon backs down in dispute with booksellers • The Register
"Booksellers from across the globe were incensed earlier this month when Amazon's AbeBook, an online souk for books, art and other valuables, informed its partners in four countries – Hungary, the Czech Republic, South Korea and Russia – that it was simply cutting them off at the end of November, citing a shift to a new payments processing company. (..)
But Amazon underestimated the camaraderie of fellow booksellers, and was surprised to find that within days of sending the notices, no less than 600 booksellers from nearly 30 countries had decided to take a "vacation" from the service – pulling more than three million titles. (..)
There is actually an "International League of Antiquarian Booksellers," and that organization's Latin motto "Amor librorum nos unit" – meaning "our love of books unites us" – was used to spirit a defense against the American corporate monster.
The president of the ILAB met AbeBook's CEO on Wednesday, and they agreed to extend the deadline to the end of the year after which Amazon promises to find an "indefinite" solution so the formerly cut-off booksellers can continue to sell through the service."
amazon  books  used  booksellers  abebooks  solidarity 
12 hours ago by gohai
Alexandria Ocasio-Cortez Talks Winning Congressional Primary Election in New York, by Madison Feller – ELLE
“I was invited on this TV show and before I went on they were like, 'The defining star of the progressive movement,' and I was like, 'Noooo!' There is no one person. This is the danger, the idea that any one person is going to save us is not true. I’m not going to save us. Only we can save us. And I’m only as useful or powerful as the amount of people knocking on doors and talking to their neighbors."
solidarity  politics 
4 days ago by timmarkatos
Twitter
So inspired by the teachers, fast food, cafeteria, security guards, and hotel workers!!

✊🏻✊🏼✊🏽✊🏾✊🏿
Solidarity  from twitter_favs
8 days ago by ali.alkhatib
Twitter
Mad respect and to all the incredible organizers who have been putting in work fig…
Solidarity  HamOnt  from twitter_favs
10 days ago by jbfink
St. Paul interfaith community fills synagogue in a show of unity and mourning | Pioneer Press | October 30, 2018
Nearly 2,000 people packed Mount Zion Temple in St. Paul to mourn the 11 people shot to death at the Tree of Life Synagogue in Pittsburgh. Also there were more than 100 students, faculty and staff members from Macalester who walked to Mount Zion to participate in the service. David Wheaton, Vice President of Administration and Finance, was quoted.
macnews  MacStudents  MacStaff  macfaculty  solidarity 
13 days ago by macalestercollege
(429) https://twitter.com/i/web/status/1056133691930488833
All around us some dreadful shit is going down and people are STILL coming up with what's needed.
solidarity  from twitter_favs
16 days ago by suzicatherine
Nostalgia Mining | Amber A’Lee Frost
The real commonality among these films, though, is their affection for miners but not so much for workers. To put it another way, the films seem to like miners best when they’re playing a flugelhorn, marching in gay pride parades, or driving their creative children far away from the coalfields so they can dance ballet. Miners were always more than just miners, but it’s a lot harder to talk about the actual jobs they were fighting for. I don’t blame the filmmakers too much for falling short here; it’s hard to explain why preserving such difficult, dangerous, and unhealthy work was so politically strategic, but those jobs gave working-class Brits a hand on the lever of both the welfare state and the industrial policy of the United Kingdom. It’s not that there’s some overlooked romance in pickaxes and pit ponies; workers controlling mining meant that the workers who built the country might be able to run it too, and not in some symbolic, protesty, “whose streets? our streets!” kind of way. I mean really run the country. And they came so damn close.

My fixer says he worries that a recently invigorated love for the miners might have something to do with the fact that they’re no longer a threat to power, and I can’t say I don’t share his concerns. It’s true that there was plenty of vocal support for the miners during the strike, but the difference between mercy and solidarity has become ever-blurrier amid the disastrous global decline of the labor movement. Mercy is for Christians, and solidarity is for socialists. It’s not that the two categories are mutually exclusive (and a little mercy certainly makes the world more bearable), but one is hardly a substitute for the other. Mercy dictates support for the miners because they were wickedly and ruthlessly felled; solidarity dictates support for the miners because the union makes us strong.
UK  mining  miners  coal  MinersStrike  NUM  tradeUnions  history  RedHills  Durham  nostalgia  preservation  ScargillArthur  Stalin  class  film  solidarity 
20 days ago by petej
Twitter
RT : We were overwhelmed with for last week. Now we're sending to and…
UCstrike  solidarity  from twitter
20 days ago by wragge
Twitter
Say it loud say it clear refugees are welcome here! Klare Worte, die auch parteipolitische…
solidarity  unteilbar  from twitter_favs
29 days ago by reinhard_codes
Twitter
240.000 people gathered yesterday in to protest against rising , and for ,…
populism  Berlin  solidarity  racism  from twitter_favs
29 days ago by codepo8
RnB sensation Janelle Monáe is here because we need her | London Evening Standard
"It's her loyalty to a shirt and trousers that led many to assume that she is a lesbian. She responded: "I only date androids" (referring to her EP and album, which together tell the story of her android alter-ego Cindy Mayweather, liberator of the android race).

"That's great, they can claim me as well as the straight community, as well as androids," she says. "I speak about androids because I think the android represents the new 'other'. You can compare it to being a lesbian or being a gay man or being a black woman ... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am'.""
janellemonáe  2011  oppression  others  othering  androids  solidarity  sexuality  sexualidentity 
4 weeks ago by robertogreco
M.I.A. Talks 'Maya,' Sri Lanka, and Political Pop - The Atlantic
"Kornhaber: This is what your documentary is in large part about—your career-long attempt to get the world to care about Sri Lanka. Do you think the film will receive a different response than, say, you did in 2009, when you were protested and dismissed while trying to bring attention to the shelling of Tamil civilians?

Arulpragasam: When I was met with pushback back then, it was by people who had optimism toward state oppression. [They believed] that there would be an effort to change. But after 10 years of waiting for justice, Tamils not being heard, the [increasing] militarization in Sri Lanka, and the country being billions of dollars in debt to China, hopefully people are understanding and won’t see me as a flippant pop star who is using this for fame.

A million diasporic Tamil people abroad were silenced when the war ended. They were called terrorists. They were told not to be proud of who they are and their flag. After 10 years of waiting, there’s been no progress in the Sri Lankan state getting rid of extremism on their side. Extreme Buddhist chauvinism and fascism is inciting hateful actions toward not just Tamils but Muslims, as well. We’ve seen Sri Lanka’s template spread like cancer to other countries, like Burma. You’ve had the Killing Fields documentary that’s come out. Hopefully these all add to people making the right decision on Sri Lanka.

Kornhaber: If people are fans of yours, is it their responsibility to be with you on these issues—to be paying attention and to be vocal on Sri Lanka?

Arulpragasam: I’ve never asked them to be with me before, but I think I do need them to be with me now. Because especially in America, you can’t discuss the concept of activism, standing up against Donald Trump, standing up against a right-wing government, females standing up against sexual violence, or racism, genocide—you can’t stand up against any of these things if you don’t stand up for somebody else going through the same thing. We live in a global community now. The days of hypocrisy and seeing your problems in isolation are over.

The struggles of the Tamil people connect with the struggles of the spirit of people across the world fighting state oppression. If you are a Tamil, you can relate to what’s going on in the African American community in America. You can relate to what’s happening in Yemen. You can relate to what’s happening to the Rohingya dissidents. It’s very difficult to talk about immigration or refugee problems without discussing how people get made to fall into those categories and what makes them refugees.

Kornhaber: When the documentary first premiered, you said you were surprised it didn’t focus more on your music. Did that reaction stem from a general feeling that people think of you more in terms of politics than art?

Arulpragasam: It’s very difficult to separate the two. It’s a luxury not to be political in your work. If I lived in the land of marshmallows with unicorns flying around, that is what my art would be about. But unfortunately, what I know is what I know. And that’s what I make work about. As the only [mainstream] Tamil musician who made it to the West ever, it was not an option to remove that. I just happened to have people who loved me and people who hated me for it. The whole idea is to encourage discussion and give people something they might not get from anybody else.

Kornhaber: But when you watch the documentary, do you come to feel like the twists and turns of your career stemmed more from your musical choices or more from controversies outside of music? After the success of “Paper Planes,” you made Maya, which was a gonzo, challenging album. But its reception coincided with backlash over a brutal music video and a New York Times profile.

Arulpragasam: It was about all of it. Up to that point, I had a very romantic idea about the West and America and creativity and the internet. I didn’t just pick up a guitar and make acoustic music. I brought you an entire brand-new genre. I brought so much to the table that didn’t exist before, and that has inspired what you’ve seen for the last 15 years in the mainstream. They made millions out of my experiences—how I traveled, how I met people, how I was the outcast that had to fight the boring system. I fed this society. I fed the West.

And when it came to the crunch, the West chose to back the oppressors. They backed a genocide. They chose to back the [state] that bombed [hundreds of thousands of] people on a strip of beach. The UN said, Yeah, there’s war crimes, but they couldn’t really penetrate into changing the Sri Lanka government. Everybody was like, Oh look, it’s great they’ve defeated terrorism. It was heartbreaking to see that the survival of the fittest, survival of the richest, survival of the biggest guns is what people want. To me, that’s way more violent than what the Tamil side was accused of.

Do you think I’m going to make a celebratory album after that and give them the same thing I gave them before? Absolutely not. Because you literally are dealing with a separation. It was a divorce. I’m not looking for acceptance. I’m looking to say, as a society, you should make the right decisions.

Kornhaber: As you look around at pop music and hip-hop in the West these days, do you feel influential?

Arulpragasam: Yeah. I think the fact that your charts have been filled with Diplo songs for the last five years is something I did. People being activists overnight is something I did. Where you have mainstream artists—who encouraged girls shaking booties in front of mirrors and singing into hairbrushes for 10 years—turn their fan base into politicized beings, that’s my influence, but without substance. It wasn’t easy to speak up for all of these things back in 2009. I didn’t get invited to the White House. I wasn’t given a Grammy, and I wasn’t celebrated for speaking out.

Kornhaber: Do you want to talk about any specific examples of political pop that rub you the wrong way?

Arulpragasam: I encourage people becoming politicized. And women being more empowered. But the idea of female empowerment in America excludes the women who are exposed to the heavily militarized Sri Lankan state, who are raping and murdering. Sri Lankan women are not invited to that conversation about feminism and uprising and empowerment, because that conversation is being held in America. When will these women get brought to the table to join in that conversation? How do we open up that discussion so it doesn’t only include shiny Hollywood girls?

Kornhaber: Do you worry it’s going to be even harder to get Westerners to care about these issues when all eyes are on the crises in America under Trump?

Arulpragasam: They need to understand the root of Donald Trump: not being conscious of your effect on the world, and not being conscious that you have been living the good life the last 20 years and that the wars across the world have helped the American economy. Greed is what put Donald Trump there. The obsession with our celebrity culture is what put Donald Trump there. All of these things are what we champion in the mainstream—through movies, through music, through the news.

Everyone has to be more conscious of what we support. You don’t like refugees; you don’t like immigrants? Well, stop creating them!

Kornhaber: Do you take inspiration from any figures in musical history who’ve changed public opinion with their work?

Arulpragasam: Back in the day, I romanticized American artists who worked together through music to change the culture to oppose the Vietnam War. I don’t think that’s happened since. It’d be a beautiful thing if that could happen again, to where citizens are that empowered and artists encourage change. But that’s real change, where you can actually stop people from dying and not look after the interests of just America.

Now [the U.S. government is] talking about getting rid of the International Criminal Court. And that’s what [the international community] told the Tamils was the solution: Don’t worry. Just lose, just die, and then spend 10 years trying to get somebody convicted in the criminal court. Then, boom, out of nowhere Trump comes in and says, That thing is bullshit. So we’re left with nothing. This is why Americans and my fans need to know that everything is connected.

Kornhaber: The documentary is such a personal story, delving into your life and your family. Is that personal approach the best way to get people to care about big issues?

Arulpragasam: What happened to [the] Tamils is a collective experience. It’s not just an individual experience. But right now, discussing individual experiences has become trendy in America. So even when documenting human-rights violations by the Sri Lankan government, we had to reduce it to talking about it on a personal level: [This person] from this little village was raped by the Sri Lankan government and here’s her particular story. You have to isolate the experience in order to communicate to the West, because, at the moment, that’s how they’re engaged in the rest of the world. Whether you’re a girl from Saudi Arabia who can drive, a girl from Pakistan who’s wanting to wear a short dress on Instagram, a trans girl in New York, or a woman who’s pro-abortion in South America, you cannot be a movement. You have to reduce it to personal stories."
mia  srilanka  activism  feminism  race  resistance  protest  solidarity  2018  yemen  burma  fascism  isolationism  myanmar  rohingya  oppression  genocide  storytelling  us 
4 weeks ago by robertogreco
Twitter
Hey, , , and —this is how you do , just in case you were wondering.

So proud…
solidarity  from twitter_favs
4 weeks ago by Qriator
The Promise of Misery, Becca Rothfeld – The Baffler
It’s not that there’s anything intrinsically wrong with calm, or with washing the dishes, or with the meditation techniques and modes of positive self-address that so many people (most of them male) have recommended (mostly without prompting of any kind). And it’s not that I begrudge anyone any curative measure that works, whether or not it’s a nostrum. It’s just that the cultists of therapy and self-help impose uneven obligations, demanding the most conspicuous happiness from people with the greatest reason to be unhappy and the fewest resources for becoming happier. The feel-good mantras and fuzzy exhortations to optimism that are rapidly becoming ubiquitous shift the burden of reform away from society, away from a whole culture of men smirking and asking if you’re angry, away from the civility chorus smugly intoning Calm Down! in the face of every human pang, and onto those too uncalm to alchemize their anger into cool glass balls.

***

Perhaps the purpose of this whole song and dance is to convince the marginalized that they are to blame for their own marginalization—to prevent ill-treated female caretakers (and of course the bulk of caretakers are female and many of them are ill-treated) from comparing notes. Or perhaps self-help is supposed to insulate men from the unseemly display of female frustration. “It is often a requirement upon oppressed people that we smile and be cheerful,” writes philosopher Marilyn Frye. “Anything but the sunniest countenance exposes us to being perceived as mean, bitter, angry, or dangerous.” Whether it is designed to sabotage sad women or console uncomfortable men, the happiness industry has gone a long way toward stigmatizing public admissions of suffering. The self isn’t even the one that self-help is helping: it merits its name only insofar as it perpetuates the illusion that social problems are located at the level of the individual—only insofar as it isolates the marginalized, sealing them off from the social body.

***

That unhappiness is never public is the mechanism of its pathologization, for isolation is discrediting.
feminism  solidarity  inequality  mental.health 
6 weeks ago by timmarkatos

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