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Documentary Producers Alliance
BEST PRACTICES IN DOCUMENTARY CREDITING
filmmaking 
17 hours ago by OhMYPro
Dear Producer | Amplifying the Voices of Producers
You’ve come to a place that is specifically curated for you, the producer. A platform where you can share stories, celebrate achievements, and provide mentorship for the next generation, helping to shape and guide the world of film from the inside out.

Speaking of reshaping the world, Dear Producer was also created so we can unify our power – to challenge archaic business models that stifle diverse and original voices and to advocate for innovation, transparency, and fiscal responsibility from our industry.
filmmaking  film_distribution  blogs  film_production  articles  film_funding 
21 hours ago by gryphonent
Acme Directory for Film & TV
THE ACME DIRECTORY: Find products, services & craftspeople to design, build, buy or rent...just about anything for film & television production design, decor & fashion
film_production  information  database  resource  television_production  filmmaking  film_funding 
4 days ago by gryphonent
Fountain
"a simple markup syntax for writing, editing and sharing screenplays in plain, human-readable text."
based on markdown, "Fountain supports everything a screenwriter is likely to need in the early, creative phases of writing. Not included are production features such as MOREs, CONTINUEDs, revision marks, locked pages, or colored pages."
"not even really a file format. It's a simple set of straightforward rules for writing a screenplay in plain text. "
writing  tools  software  format  markdown  filmmaking 
5 days ago by mechazoidal
Final Draft screenwriting software
the Industry Standard(tm)? Uses the FDX file format.
writing  tools  filmmaking  software 
5 days ago by mechazoidal
Ang Lee warns Chinese filmmakers to slow down | News | Screen
https://ift.tt/2Vlg5Cb “I don’t want to hold [directors] back from development, but they shouldn’t grow too fast. This is an emerging industry and the start of a golden age - it’s not the peak, it’s just the beginning,” said Lee, speaking at a SIFForum session hosted by digital giant Tencent on Monday (June 13).

With an over-supply of finance and shortage of creative talent, relatively inexperienced directors often find themselves shooting big-budget but under-developed projects.

“We have the same hardware in China and the US but the software is different,” Lee concluded. “This is the start of the golden age so please seize this opportunity and create a virtual cycle. It’s quite natural to get bigger, but film is all about culture, so we have to be patient.”
Lee described himself as a late bloomer, starting his career at the age of 26, and said he had “a long period of immaturity” as a filmmaker.
DONote  ang-lee  China  filmmaking  film 
17 days ago by akiraman

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