Hikikomori: The Postmodern Hermits of Japan | Warscapes


17 bookmarks. First posted by aktaplin march 2017.


via Pocket - Hikikomori: The Postmodern Hermits of Japan - Added March 17, 2017 at 08:16PM
IFTTT  Pocket 
june 2017 by simonf
Hikikomori: The Postmodern Hermits of Japan -
from twitter
march 2017 by 1vq9
Nothing in the cryof cicadas suggests they  are about to die -Matsuo Bashō
march 2017 by joeo10
'...the typical image: a meal left at the door by his parents. Another: the room’s window covered with all sorts of rags and papers to avoid light filtering through. This self-reclusive nest is strewn with few possessions: books, video games, music instruments, plastic bottles, a random aquarium, a TV set, an empty bento box. In their enclosed space objects come to life and assume their own order and independence; becoming worlds within worlds. And here resides the Hikikomori like a mythological god in his own tomb. -- ... The complexity of the Otaku obsessions with collecting and idolizing is said to have a cultural relation, a crossroad of sort, to the Hikikomori. Both are born out of marginality and a desire for self-expression beyond the given boundaries of Japanese society and some Otaku indeed turn Hikikomori. But the Hikikomori tap into a larger sphere of revolt and, at times, self-destruction. -- Within the Hikikomori context, marginality finds its expression in the ultimate slow deliberate implosion, social withdrawal, or better reclusiveness that becomes a spark for an involuntary form of counter-culture. This instance of rebellion is born within a desperate and genuine desire to fade and yet be alive and, most of all, connected while being disconnected. -- Yes, the Hikikomori is the grand ball of contradictions, tomorrow’s dreams and nightmares are calcified together. For some Hikikomori, technology becomes a final connection to life, one that is manipulated by a fantasy that, while sinking into pain, it frees itself in suspended narrations of virtual love, communities and cyber identities. Implosions, distance from the over-exposure of contemporary life, degree zero of human interactions, anonymous virtual connection, giving form to sexless love, tearing apart imposed models of beauty; the Hikikomori find their center in the fluctuation of these narratives. -- Our consumer universe thrives on the addictive mind. The greatest achievement of our schizophrenic contemporary culture is the selling of distraction; while it claims to love life, it starves it with super imposed addictions. The Hikikomori spark out of the in-between space of this specific culture of addiction and distraction. It is almost as if they inhabit the nowhere where we all come from, tapping into that suspended space of non-action that from time to time keeps us company. The fundamental difference is that they make it the center of their lives.'
japan  psychology  solitude  hikikomori  regression  womb  OttoRank 
march 2017 by adamcrowe
Nothing in the cry of cicadas suggests they are about to die -Matsuo Bashō After years of self-imposed isolation, literally having never left his parents’…
from instapaper
march 2017 by alexdunae
Nothing in the cry of cicadas suggests they are about to die -Matsuo Bashō After years of self-imposed isolation, literally having never left his parents’…
from instapaper
march 2017 by evanwalsh
Nothing in the cry of cicadas suggests they are about to die -Matsuo Bashō After years of self-imposed isolation, literally having never left his parents’…
from instapaper
march 2017 by aktaplin