CULT OF THE SUN GOD music_ PATRICK SHIROISHI / BLACK SUN SUTRA (2013) (www.patrickshiroishi.bandcamp.com) visual_ ARIS KINDT FILMS (www.ariskindtfilms.com) Nancy J Kwon

Rachel Armstrong at our Eindhoven thing. She is brilliant.

Neon Gods & Funeral Strippers Video shot and directed by Alex Zhang Hungtai. from "The Statement" LP 4 way split Slim Twig, Dirty Beaches, Ela Orleans, U.S. Girls, 2012, Clan Destine Records clandestinerecords.bigcartel.com/ Alex Zhang Hungtai

"The extraordinary developments were captured on video, in part through the automobile dash-cams that are nearly ubiquitous in Russia."

"This film explores his life, influences and creative output, from Eno's debut with Roxy Music through to his last rock album, Before and After Science."

"Roughly hour-long interview, wherein I talk about my educational background, humanizing the Singularity concept, and why "meat fetishism" isn't so bad."

MATER SUSPIRIA VISION - The Broken Mirror of Suzanne Banyon (Official Video - Directed by Cosmotropia de Xam, 2012) Directed by Cosmotropia De Xam. Starring Aura. Fourth single off PARACUSIA / Crack Witch 2 (LP+CDR/XT-CS/CS) Extended version (10 minutes+) available from 12th november 2012 as super limited box with Vogue Witch newspaper number 5 Out via Phantasma Disques (LP+CDR/XT-CS) Order via https://phantasmadisques.bigcartel.com follow Mater Suspiria Vision on facebook facebook.com/pages/Mater-Suspiria-Vision/10150124664305212 Mater Suspiria Vision

"Adrien suffers pixeliose, an unknown disease resulting in partial pixelation of his field of vision. To cure this disease, he goes to a woman, Dr. Rittenmatter, ophthalmologist."

New Aesthetic: Time Travel Test Using my own photos from Instagram, I plotted the Lat and Longitude of each photo, taking me from London, to Liverpool, to the Scottish Border, and then Edinburgh. After looking further into the Lat and Long and how the co-ordinates were made up, I discovered time played an important part in the set up of the co-ordinates. This allowed me to then "time travel" backwards three days, to Canada, were my photos were took. All info is true, the photos WOULD have been taken there, three days before. Spooky stuff. Ellis Cullen

Stories from the New Aesthetic: James Bridle Stories from the New Aesthetic took place at The New Museum of Contemporary Art in New York City on October 11, 2012. The New Aesthetic is an ongoing research project by James Bridle, investigating the intersections of culture and technology, history and memory, and the physical and the digital. For this event, Bridle will be joined by Aaron Straup Cope and Joanne McNeil to discuss stories related to these ideas. James Bridle is a writer, publisher, and technologist. He writes a regular column for the Observer (UK) and his writing has also appeared in Wired, Domus, Icon, and widely online. He speaks worldwide on the intersections of literature, technology, and culture, and writes about what he does at booktwo.org. Aaron Straup Cope is currently Senior Engineer at the Smithsonian Institution’s Cooper-Hewitt National Design Museum. Before that, he was Senior Engineer at Flickr focusing on all things geo-, machinetag-, and galleries-related between 2004 and 2009. From 2009 to 2011, he was Design Technologist and Director of Inappropriate Project Names at Stamen Design, where he created the prettymaps project. Joanne McNeil is the editor of Rhizome. She is a 2012 USC Annenberg-Getty Arts Journalism Fellow. Her writing has appeared in Modern Painters, Wired (UK), the Los Angeles Times, and other web and print publications. Organized by Rhizome, the New Silent Series receives major support from The Andy Warhol Foundation for the Visual Arts. Additional support is provided by the New York City Department of Cultural Affairs and the New York State Council on the Arts. Rhizome

Very nice science fiction short from an Australian director

Blogmix September 14 2012 pt 1 Justin Lincoln

@grantimahara: IT BEGINS. Robot runs faster than fastest human in the world. RT @DARPA Cheetah bot sets new record. VIDEO http://t.co/2RXkvhxj http://twitter.com/grantimahara/status/243504176301219840

Kubrick // One-Point Perspective kogonada

CHAN / LI / MUNDANE Novembre is taking part to a group show at Bureau De Change, 47 rue de Lancry, 75010 Paris. The project is produced and curated by Lorca Cohen, Yang Li and Cyril Duval. Our piece consists in a video in collaboration with Carri Mundane (CassettePlaya) and Aaron Chan. Opening times are 2-8pm, Thursdays - Saturdays! Novembre Magazine

Citronnade Les presentamos Citronnade, nuestro nuevo ID, junto a el proceso de trabajo y creativo que tenemos en Grymo mirado desde otra perspectiva. Direction, Animation & Design: Grymo Model: Antonia Balmaceda Production: NJ López + Chicle Clip 2d & 3d Animation: Juan Manuel Arzola Roberto Delgado Guillermo Gómez Camila Mella David Zamorano MakeUp: Belén Cámbara Music & Foley: PDM Producciones Special Thanks: Camila Labra Josefina Sumar Grymo

EXISTENCE A TIMELAPSE PROJECT It’s been almost a year since I started my journey into time-lapse photography. This project has been an ongoing process for about 4 months. There was a lot of trial and error involved, and I spent many sleepless nights in many different unexpected places. Creating this film has taught me about patience, and what it really takes to achieve the shot that you dream about in your head. I realized through the process that the gear isn't as important as the passion you put within your work. This short video is called EXISTENCE. The video is a statement not only about time and progression, but also a statement about the world we have created for ourselves. The basis of the video contrasts the two extremes of life itself: the urban metropolis, and the beauty outside the city. I love to stargaze. Watching the milky-way float across the sky is one of the most therapeutic experiences I have ever felt. If you haven’t experienced it, then I strongly recommend taking the time to do so. Enjoy. Directed: Michael Shainblum Filmed & Edited: Michael Shainblum http://shainblumphoto.com/ http://www.facebook.com/shainblum Music: Phaeleh Track: Phaeleh - Should Be True www.phaeleh.co.uk facebook.com/Phaeleh Dolly Sliders: Dynamic Perception http://dynamicperception.com/ Michael Shainblum

Marconi's Shipwreck A fairly heavily crunched version, it's not the easiest to fit 72 minutes of audio/video in a file less than 500mb. Marconi, pioneer of radio once hypothesized that soundwaves, once generated, never die, that they fade, but continue to resonate indefinitely through the universe. From the age of radio onwards, we have been cast adrift in a sea of technology, waves of information crashing against our hull. Technology has the ability to connect people, it conversely can also lead to intense feelings of isolation, lack of human contact and disconnection. And so, I find myself scuttled, clinging to the wreckage I drift, trying to make sense of these new horizons which I inhabit. This is a collected series of audio sketches made as immediate, response pieces to specific mental and emotional situations which I have found myself in over a period of two/three months. Composed as a series of sonic self portraits (self landscapes?) using modular synthesis, the individual movements have been compiled into a single, continuous 72 minute piece for performance and recording as a long-form, sculptural exposition of the internal spaces which are brought into being in an attempt to give them solid form and allow the exploration and understanding of them. Thematically following on from the concept of the audio, a visual treatment has also been produced. This uses visual analogue noise and feedback loops as a signifier of the times we live in where noise reigns over content, the illusion of social interaction brought about by the proliferation of Facebook where information is posted to be seen rather than to open dialogue, the pretence of connections and communication, the devaluation of the concept of ‘liking’ something to the push of a button on a website. The modern social environment has become little more than hundreds of people shouting and nobody listening. The visual treatment presents the viewer/listener with a world of broken signal, of anomolous patterns, a world of noise in which to scry for visions, for synchronous elements and some form of order embedded in the chaos. Note: The premiere performance of this piece was at The Outer Church in Brighton, 20th January 2012. Marconi's Shipwreck will be available on DVD via Broken20 in summer 2012. Erstlaub

"Sanguine Futures" by High aura'd "River Runs Like Jewels", from the LP "Sanguine Futures". BATH63. Video by Omar Mashaal. http://omashaal.com Bathetic Records

Exclusive Print ( Death Tarot ) Upcoming exclusive Kickstarter print by Ben Templesmith and menton3 for 44FLOOD. The Kickstarter Campaign will start on June 25 2012, please keep your eyes out. video and all contents are © 2012 44FLOOD LLC Ben Templesmith

@ubuweb: Erkki Kurenniemi's "Electronics in the World of Tomorrow" (1964) Techno-fetishist film of diagrams, chips, machines: http://t.co/lxZ0w42I http://twitter.com/ubuweb/status/211133532154765313

Evan Caminiti - A Memory or a Mirage "A Memory or a Mirage" is from the Evan Caminiti album "Night Dust" out now on Immune immunerecordings.net/catalog/night-dust/ Video by Evan Caminiti All footage was sourced from YouTube Immune Recordings

"Where to watch free movies online? Let’s get you started. We have listed here 500+ quality films that you can watch online. The collection is divided into the following categories: Comedy & Drama; Film Noir, Horror & Hitchcock; Westerns & John Wayne; Silent Films; Documentaries, and Animation."

Dawn Above the Cloud Sea After hiking 13km up HuangShan on the first day, we got up at 4am (after only 5hrs of sleep) to go see the sunrise over the mountain. At first it was a tease - the sky got brighter but we did not see the disk of the sun. When it finally began emerging from the grayness of the horizon, a large cloudmist swooped in to block its ascent from view. (the crowd was certainly displeased!) But at long last the mist dissipated, and the glow of morning illuminated the rolling waves of the cloudsea beneath. We were at 猴子视海 vista (hou zi guan hai) (monkey gazing at the cloudsea) Equipment: Nikon D300, Tokina 12-24mm, Nikon 35mm 2.0, Nikon 85mm 1.8 Music: Epoch in Dmaj - Caspian James Leng

Go Dugong feat. Welcome Back Sailors - "White Sun" Taken from the forthcoming release "WHITE SUN" EP. © AMDISCS: Futures Reserve Label Go Dugong

B.E.D. B.E.D.Building Emotion Detector is an initiative to help people understand their impacts to the surrounding space.By analyzing,recording,translating people s presents and volume of voice, the installation itself is able to give feedback to the occupants. It overthrows the general knowledge that buildings are cold,passive,incapable of having emotions and establishes a novel type of communication between people and architecture. qi su

@mothninja: Lovely BBC4 doco on the Antikythera mechanism http://t.co/mkhqZ8gV (FAO @woofbarkyap amongst others) http://twitter.com/mothninja/status/201734655739830272

"This seems to be a growing trend, video trailers for single issues of magazines..."

"The footage in this little film was captured by the hardworking men and women at NASA with the Cassini Imaging Science System." This is amazing. There's the germs of whole new aesthetics in here. (crossref: video glitch)

"Slow Action is a post-apocalyptic science fiction film that brings together a series of four 16mm works which exist somewhere between documentary, ethnographic study and fiction." Post-flood, post-end-of-THREADS Somerset

"Set in the deserted grounds of Paypal founder Elon Musk’s Space X jet lab in Hawthorne, California, the film was inspired by the pioneering spirit of the space race, which, according to Rodarte’s Kate and Laura Mulleavy, “has defined generations of artists in their desire to use new mediums and question the established rules they were taught to follow.” This cinematic collision between rocket science and visual daring is an apt match for Rodarte’s spring 2010 collection—a symphony of flesh-colored crochet knits, fluorescent fibres, leather bandages and distressed plaid. Costumed in a series of these exquisite creations, Van Seenus blurrily emerges from a shimmering seascape before running through the starkly alluring spaces of the Space X facility... Van Seenus’ hallucinatory journey, punctuated by glimpses of mysterious experiments and sudden rocket blasts, is chillingly soundtracked by LA noise-merchants No Age."

"This film by Oscar-winning filmmaker Robert Snyder, like his other documentaries on "the greats" (Michelangelo, Henry Miller, Willem de Kooning, Pablo Casals, among others), transports the viewer into Fuller's mind and soul. Told entirely in his own words, the film is an intimate, personal and inspiring message from Fuller to our fragile world."

"An original occult thriller webseries being independently produced in Colchester Essex. Created by Will Wright and written by Tobias Bowman. To be cast and crewed locally, soundtrack by local artists. This blog will be a diary of the the production."

"This film records an in-depth interview with Duchamp which took place five years before his death, at the time of his first ever one-man show (at the Pasadena Art Museum). It records for posterity Duchamp talking about his life, his ideas on art, why he chose to continue living in America after fleeing France in 1915, and why he virtually abandoned his work as an artist in 1923"

"Title sequence to never-broadcast TV series. Filmed by Southern TV in 1975, and abandoned for reasons that have never been fully explained (though all sorts of rumours abound). Even the subject of the series is unclear, some claiming it is a straightforward drama about shortwave number stations, and others that it's a supernatural story about a a boy who can communicate with ghosts that have been trapped by pylons in a field near his home..."

another excellent BBC music documentary

Andrew Wonder and Steve Duncan exploring the NYC underground. Thanks to Siege for passing me the link.

God, I remember this. Absolutely mad. I vividly recall watching it with my dad, and afterwards looking at each other and saying "...what in hell WAS that?"