robertogreco + theory   205

0675 – being smart vs being kind - 1,000,000 words by @visakanv
"When I was a child, I was told that I was smart. I wasn’t great at socializing, but I was alright. I was the class clown, the smartass, so I did have some friends. But I never really developed the deep, lasting sort of friendships that some people have for life. Sometimes I felt like I was missing out, but most of the time – even now – I think of it as, ‘that’s just what life is like for misfits’. There’s good and bad, and that’s the ‘bad’. The price you pay.

It took me two decades to really begin to aspire to be kind.

What’s so good about being smart?

1. There is a certain intrinsic pleasure to knowing things. Richard Feynman describes this beautifully in “the pleasure of finding things out”. (He was also a very kind person, I believe.)

2. There’s a practical value to it. Smartness is generally correlated with making good decisions that lead to superior outcomes. (It’s necessary but insufficient – smartness is the sharpness of the knife. You still need to handle the knife well, and apply it to the right things. Lots of smart people obsessively sharpen their knives but don’t use it for anything useful or constructive.)

If you’re smart, in the conventional sense, you should recognize opportunities (in my view this requires sensitivity, in the ‘perceptive’ sense) and take advantage of them (in my view this requires strength, in the ‘executive’ sense). You should also spot potholes and avoid them. (Spotting the pothole is perception. Avoiding it is execution. Smartness is the gap between seeing and doing – smartness is orienting and deciding, maybe.)

3. There’s also a social aspect to smartness. I’m not saying that smartness guarantees social success (though I do believe that if you’re truly smart rather than superficially smart, you’ll figure out how to achieve your social desires and/or modulate them appropriately). What I mean is that there’s a sort of global subculture that venerates smartness. Think of all the tropes of trickster type characters, and how people love brilliant assholes like Tony Stark and Dr. House. If you’re smart, you can satisfy quite a lot of your social needs by scoring points with smartness geeks.

The smartness-as-spectator-sport trap

Here’s where it gets a little dicey – winning friends in most smartness tribes – their approval requires being right. It requires Winning. I’m talking about smartness as a contact sport for spectators. You get rewarded for the most brutal takedowns (“Liberal DESTROYED conservative with simple argument, leaves him SPEECHLESS!”)

When you start to get addicted to winning, you start to get attached. You start to avoid certain things – particularly areas that you’re not so sure about. You start picking your battles according to what’s winnable, rather than what’s most interesting or useful.

This is where we get to what separates the pros from the noobs. The smartest people embrace their ignorance. They are intimately familiar with the limitations of their models, and they are excited when they discover that they’re wrong about something. (I recall this book about physics – “Time, Space and Things” – where the author would spend paragraphs explaining the imperfections of all the models he was about to show us. It was lovely.)

Where does kindness enter the picture? Kindness nourishes (not coddles) fragile things and makes them strong

I find myself thinking about Pixar’s Braintrust. It’s a sort of council of storytellers who provide advice and counsel to whoever’s working on a story. They understand that ideas in their formative stages are precious, fragile things, like babies. You can’t shake them too hard at the start, or they’ll die. You need to nourish them and let them flourish first. You need to ask lots of exploratory questions with good-faith, rather than cross-examine them looking for flaws and mistakes. Once it’s found its legs, THEN you can start to challenge it, spar with it, and it’ll grow stronger as a result.

When I was younger, I truly believed that the best way to learn and grow and progress was to subject everything to relentless scrutiny. To debate, argue, attack from all sides. I still believe that that can be true in some cases, and that individuals who are deeply committed to learning and intellectual development can benefit tremendously from welcoming such behavior. Inviting criticisms and takedowns. Soliciting negative feedback.

BUT, I’ve also grown to learn that there’s this whole other side to the picture. What you see is NOT all there is. There’s a lot that you haven’t seen, that you can’t see – and if you saw it with an open mind, you’d almost definitely revise your model of reality.

In the past, I used to argue violently with everything and everyone. Not in a vicious way, just in a high-contact way. It was a sport, it was a way of life. With every fight, I was learning. (On retrospect, I was often just learning how to fight better, or to pick fights where I’d have a higher probability of winning, but that seemed like progress at the time.)

I lost some friends along the way, which I was sad about. But I usually found a way to live with it – mostly by convincing myself that they had in some way been too sensitive.

I had a Kurt Cobain quote in mind – “Better to be hated for who you are than loved for who you’re not”. It seemed radically profound at the time, but on retrospect that’s entire oversimplistic thinking. We have more than two options. (Also, I’m now the same age Kurt Cobain was when he died, and next year I’ll be older than he’ll ever be. Just a thought.)

Here’s what you miss if you’re unkind or non-kind: people opening up to you in private.

A lot of the most interesting information in the world is locked up inside other people’s heads.

If you care about having an interesting life, you have to care about winning over other people – so that you can access that information. If you really want to be smart, you’re going to have to tap into people’s perspectives, insights, questions and so on. You can’t learn it all from books and essays – because there’s a lot of “living knowledge” that never makes it into those things.

People only started opening up to me in private in the last 3-5 years or so, and it’s completely changed my life. I mean, I did have conversations with a handful of close-ish friends a decade ago, but now I have people actively coming to me and telling me things that they wouldn’t dare say publicly. And that’s some very powerful, very interesting stuff. It’s great at many levels. And it’s a very beautiful feeling to be that person that earns other people’s trust.

Just to wrap up – it’s possible to be both smart and kind, obviously. That’s the end goal. Being smart doesn’t mean you’re going to be kind, not-kind or unkind. Being kind doesn’t mean you’re going to be smart, not-smart or stupid.

What I’m saying is – there’s definitely a subset of smart people (and people who aspire to smartness) who think that being kind is unnecessary, or tedious, or for pussies, and so on. And I think that’s extremely unfortunate. Your intelligence gets enriched by kindness. That’s the case I’m making here."
visakanveerasamy  smartness  kindness  directives  intelligence  interestedness  listening  kurtcobain  learning  howwelearn  canon  winning  competition  spectators  action  activism  theory  richardfeynman  knowitalls  social  relationships  grace  reality  argument  2017 
2 days ago by robertogreco
Editorial - e-flux Architecture - e-flux
"Syllabi are theory’s infrastructure. While they are not the same as the essays, lectures, books, case studies, films, and other media organized by them, they can and should be seen as theoretical contributions in their own right, and subjected to the same degree of critical reflection, scrutiny, and innovation. Syllabi set a program for study, give structure to vast networks of ideas, and define an interpretative stance on the world. Focusing attention on syllabi—which texts they include, and how they are organized and framed—offers a window into larger problems facing the field of architectural theory today.

Architectural theory went through an academic renaissance in the 1970s and 1980s, with scholars forging new links with groundbreaking theoretical movements of the time, from feminism and postcolonialism to semiotics, phenomenology, and deconstructivism. New syllabi were formed in architecture curricula that incorporated contemporary discursive practices, positions, and sensibilities. Yet the syllabi for such classes have not developed significantly since then. Architectural theory in academic curricula today is often addressed either through a history of theoretical concerns—from mimesis, analogy, beauty, honesty, and utopia to modernity, alienation, authenticity, regionalism, contextualism, autonomy, and postmodernity—a tabulation of theoretical frameworks—from structural linguistics, marxism, psychoanalysis, and phenomenology to feminism, deconstruction, and postcolonialism—or a roster of authors—from Vitruvius, Alberti, Laugier, Perrault, Boullée, Durand, and Ruskin to Le Corbusier, Loos, Meyer, Jacobs, Alexander, Banham, Venturi, Scott-Brown, Norberg-Schulz, Rowe, Rossi, Tafuri, Eisenman, Jencks, and Koolhaas.

Academic courses that address more urgent contemporary issues and diverse geographies are too often allocated to specialized fields, institutions, or spaces of study, such that they rarely come to challenge the canon of architectural theory’s increasingly standard model. Theory is one of the necessary ingredients for the maintenance of the discipline of architecture as a synthetic manifestation connecting history, criticism, and practice. Therefore, theory must overcome the institutional inertia of pedagogical reproduction, the neoliberalization of intellectual labor, and the disorientation of informational media, and rearticulate its necessary role. At an infrastructural level of knowledge production, theory must attend to the changing nature of cultural communication, globalization and calls for inclusivity within the social space of discourse, and the economic logics driving planetary collapse.

The starting point for any reformulation of architectural theory should be the ways we learn. The conditions of contemporary thought itself have been transformed over the past decades by new media platforms and the emergent practices of surveillance capitalism. The old attentional economy that once sustained reflective and critical thought has been replaced by an economy of distraction. The work of analyzing difficult texts has become alien to digital natives young and old, who are habituated to a culture of instant access, skimming, and the hypnotic rhythm of clicks, taps, and swipes. When video tutorials appear more engaging and specific than the seemingly dated writing styles of even a decade ago, the habits of reading, thinking, and writing common to theory’s past must be re-imagined.

This expanding space of communications has accompanied intensified intercultural exchanges brought about by global economic integration, migration, and the resultant pressing together of different peoples, cultures, and ways of life. Theory’s debt to a Western tradition of philosophical, historical, and critical reason has been brought into question. Architecture’s theoretical discourse needs to respond to the critique of Western-centrism and the calls for its provincialization. It must address the question of opening up to alternative epistemologies and broader methods of discourse production, be they poetic, practical, symbolic, moral, magical, or mythic as much as philosophical or metaphysical. Provincializing Western architectural theory is one way to address the social struggles and conflicts between identity groups that have intensified with the proverbial shrinking of the world. In this vein, theory must reflect on who constructs architecture’s theoretical canon, who speaks as a theorist, who theory speaks about, and who theory addresses as its audience. While embracing the concrete political gains in the social redistribution of power among different genders, races, sexualities, and class backgrounds, theory should also question the role of identity as an operator within discourses, institutions, and national politics, and critically reflect on both its essentializations and constructed nature.

The globalization of culture is, for better or worse, supported by global, transnational, and neoliberal economic practices and their consequent forms of ecological destruction. As much as the global can provincialize theory, the global can also further focus theory upon the new ethico-political demand created by the explicit awareness of technological convergence and impending planetary collapse. With the recent granting of a new geological epoch to our species, we have passed a threshold of irreversible awareness that modern dreams of progress, infinite economic growth, and unlimited consumerist self-expression produce the counter-effects that turn dreams into nightmares. Yet while causes remain global, their effects are often local and asymmetrical, demanding that we theorize both a new hermeneutics of our technological being and a new ethics and politics of the earth.

In challenging architectural theory, these historical factors hold the capacity to reenergize and rethink its relationship to its traditional concerns, frameworks, authors, organizations, and geographies that shape its curricula. They might even force the most basic of existential questions for architectural theory itself: what is it for, today? At its very minimum, we can understand theory to be an instrument for socializing architects into a shared vocabulary and tradition, both within and outside of the discipline, as well as a means for providing a forum for ideological debate between the many conflicting practices that compose the field of architecture. But should architectural theory seek to renew the projective avant-garde project which it was understood to be a couple of decades ago, one capable of challenging and reorienting studio culture and professional practice more widely? Or should it keep a critical distance from design, and instead focus its lens upon the formation of the subjectivity, critical consciousness, ethical comportment, and civic duty of the architect themselves?

Theory’s Curriculum is an extra-academic initiative that seeks to provide theory with a means to challenge its existing methods of pedagogical reproduction. It seeks to build a collaborative project that brings together isolated laborers to pool ideas and methods across dispersed institutions and geographies, to compare inherited models, to detect received assumptions, and to ask fundamental questions about what and how we should teach and learn when we teach and learn architectural theory.

Collaboration is inevitably a heuristic fiction, promising what is often difficult to sustain against the dominant structures of modern individuation, today’s entrepreneurialization of the self, and the semiotic capital of discourse. It inevitably cuts across the values of wage-labor and attribution, and blurs the boundaries between professional roles, friendship, and community spirit. Yet, as McKenzie Wark has argued, the conditions of intellectual laboring in the academy today necessitate that we adopt a more realist approach to theorizing as the cumulative task of many smaller efforts, rather than the great leaps forward once marked by grand philosophical systems or public intellectuals. With these syllabi, Theory’s Curriculum seeks to reconceptualize intellectual work as the function of a general intellect, an ecology of contributions on particular themes and ideas that, when exchanged and debated, evolve as a collective project.

These syllabi aim to indicate potential avenues for progress, and in so doing prompt a debate. They are far from exhaustive, yet are free to be used, recycled, hacked, and plundered. They are offered in the spirit of further collaboration, and with the hope that they will invite others to join this nascent enterprise in the rearticulation and teaching of architectural theory today. Ultimately, they suggest that pedagogy is not secondary to theory, but that rethinking how we teach and learn theory might be central to how we theorize anew."
syllabus  syllabi  curriculum  architecture  education  highered  deign  highereducation  academia  theory  nickaxel  josephbedford  nikolaushirsch  mckenziewark  collaboration  individuation  labor  progress  pedagogy  anthropocene  neoliberalism  globalization  economics  migration  thecanon 
9 weeks ago by robertogreco
"In this lecture performance Grada Kilomba explores forms of Decolonizing Knowledge using printed work, writing exercises, performative narrative, and visual art, as forms of alternative knowledge production. Kilomba raises questions concerning the concepts of knowledge, race and gender: “What is acknowledged as knowledge? Whose knowledge is this? Who is acknowledged to produce knowledge?” This project exposes not only the violence of classic knowledge production, but also how this violence is performed in academic, cultural and artistic spaces, which determine both who can speak and what we can speak about.To touch this colonial wound, she creates a hybrid space where the boundaries between the academic and the artistic languages confine, transforming the configurations of knowledge and power. Using a collage of her literary and visual work, Grada Kilomba initiates a dialogue of multiple narratives who speak, interrupt, and appropriate the ‘normal’ and continuous coloniality in which we reside. The audience is invited to participate, and to re-imagine the concept of knowledge anew, by opening new spaces for decolonial thinking."

[See also: ]
gradakilomba  performance  decolonization  speaking  listening  2015  knowledge  narrative  art  knowledgeproduction  unschooling  deschooling  colonialism  academia  highered  highereducation  storytelling  bellhooks  participation  participatory  theory  thinking  howwethink  africa  slavery  frantzfanon  audrelorde  knowing  portugal 
october 2018 by robertogreco
9 tools to navigate an 'uncertain future,' from new book, Whiplash - TechRepublic
[See also:

"Joi Ito’s 9 Principles of the Media Lab"

"Joi Ito Co-Author of Whiplash: How To Survive Our Faster Future" ]

""Humans are perpetually failing to grasp the significance of their own creations," write Joi Ito and Jeff Howe in Whiplash: How to Survive Our Faster Future. In the new title, released today, Ito, director of the MIT Media Lab, and Howe, a journalism professor at Northeastern University and Wired contributor, make the case that technology moves faster than our ability to understand it.

As technology quickly advances, it's important to separate inventions from use: Thomas Edison invented the phonograph, but it was Eldridge Reeves Johnson who brought it into homes and laid the groundwork for the modern recording industry. In the same way, we often don't know how modern technology—from the iPhone to the Oculus Rift—will truly be used after it is created. "What technology actually does, the real impact it will have on society, is often that which we least expect," write the authors.

Drawing from a series of case studies and research, the authors offer nine guidelines for living in our new, fast-paced world. The principles, writes Joi Ito, are often displayed on a screen at the MIT Media Lab's main meeting room.

1. Emergence over authority
According to the authors, the Internet is transforming our "basic attitude toward information," moving away from the opinions of the few and instead giving voice to the many. Emergence, they argue, is a principle that captures the power of a collective intelligence. Another piece here, the authors say, is reflected in the availability of free online education, with platforms such as edX, and communities like hackerspace that pave the way for skill-building and innovation.

2. Pull over push
Safecast, an open environmental data platform which emerged from Kickstarter funding, a strong network of donors, and citizen scientists, was an important public project that helped residents of Fukushima learn how radiation was spreading. The collaborative effort here, known as a "pull strategy," the authors argue, shows a new way of compiling resources for real-time events. "'Pull' draws resources from participants' networks as they need them, rather than stockpiling materials and information," write the authors. In terms of management, it can be a way to reduce spending and increase flexibility, they write. For the entrepreneur, it is "the difference between success and failure. As with emergence over authority, pull strategies exploit the reduced cost of innovation that new methods of communication, prototyping, fundraising and learning have made available."

3. Compasses over maps
This principle has "the greatest potential for misunderstanding," the authors write. But here's the idea: "A map implies detailed knowledge of the terrain, and the existence of an optimum route; the compass is a far more flexible tool and requires the user to employ creativity and autonomy in discovering his or her own path." This approach, the authors say, can offer a mental framework that allows for new discoveries. It's a bit like the "accidental invention" method Pagan Kennedy noticed when researching for her New York Times magazine column, "Who Made This?"

4. Risk over safety
As traditional means of manufacturing and communicating have slowed due to tech like 3D printing and the internet, "enabling more people to take risks on creating new products and businesses, the center of innovation shifts to the edges," write the authors. They spent time trying to find the reasons for the success of the Chinese city Shenzhen, one of the world's major manufacturing hubs for electronics. Its power, they found, lies in its "ecosystem," the authors write, which includes "experimentation, and a willingness to fail and start again from scratch."

5. Disobedience over compliance
Disobedience is, in part, woven into the DNA of the MIT Media Lab. Great inventions, the authors write, don't often happen when people are following the rules. Instead of thinking about breaking laws, the authors challenge us to think about "whether we should question them." Last July, to put this principle to the test, the MIT Media Lab hosted a conference called "Forbidden Research," which explored everything from robot sex to genetically modified organisms. It was a chance to move past the "acceptable" parameters of academic dialogue and bring rigorous dialogue to issues that will surely have an impact on humanity.

6. Practice over theory
"In a faster future, in which change has become a new constant, there is often a higher cost to waiting and planning than there is to doing and improvising," write the authors. We live in a world in which failure is an important, and sometimes essential, part of growth—but that can only happen when we get out there and start putting our ideas into action. The approach, the authors write, can apply to anything from software to manufacturing to synthetic biology.

7. Diversity over ability
Research shows that diverse groups, working together, are more successful than homogenous ones. And diversity has become a central piece in the philosophy of many schools, workplaces, and other institutions. "In an era in which your challenges are likely to feature maximum's simply good management, which marks a striking departure from an age when diversity was presumed to come at the expense of ability," write the authors.

8. Resilience over strength
Large companies, the authors write, have, in the past, "hardened themselves against failure." But this approach is misguided. "Organizations resilient enough to successfully recover from failures also benefit from an immune-system effect," they write. The mistakes actually help systems build a way to prevent future damage. "There is no Fort Knox in a digital age," the authors write. "Everything that can be hacked will, at some point, be hacked."

9. Systems over objects
How can we build accurate weather forecasts in an age of climate change? Or trustworthy financial predictions amid political changes? These types of issues illustrate why it may be worth "reconstructing the sciences entirely," according to neuroscientist Ed Boyden, quoted in the book, who proposes we move from "interdisciplinary" to "omnidisciplinary" in solving complex problems. Boyden went on to win the Breakthrough Prize, awarded by Mark Zuckerberg and other tech giants, for his novel development of optogenetics, in which neurons can be controlled by shining a light."
joiito  future  emergence  authority  safecast  systems  systemsthinking  small  agility  agile  donellameadows  jayforrester  influence  risk  safety  disobedience  compliance  autonomy  reslilience  decentralization  openstudioproject  lcproject  sfsh  self-organization  practice  theory  arabspring  ruleoflaw  jeffhowe  networks  mitmedialab  collectivism  collectiveintelligence  compasses  institutions  invention  innovation  failure  scale  diversity  ability  heterogeneity  homogeneity  management  interdisciplinary  transdisciplinary  omnidisciplinary  complexity  internet  web  attention  edboyden  climatechange  medialab 
july 2017 by robertogreco
Monstrous, Duplicated, Potent | Issue 28 | n+1
"On first read, I was dazzled and bewildered. Desperate to impress the organizer, who I thought brilliant, I strained over it line by line in hopes of insight. In the end, I mumbled through our meeting. I didn’t understand the Manifesto until I’d read it three more times. In truth, I probably still don’t. But for a young woman struggling to understand the world after Hurricane Katrina and a global financial crisis, Haraway beckoned. She offered a way to make sense of the things that seemed absent from politics as I knew it: science, nature, feminism.

The Manifesto proclaims itself to be against origin stories, but its own is hard to resist. In 1982, the Marxist journal Socialist Review — a bicoastal publication originally titled Socialist Revolution, whose insurrectionary name was moderated in the late 1970s as politics soured — asked Haraway to write five pages on the priorities of socialist feminism in the Reagan era. Haraway responded with thirty. It was the first piece, she claimed, she had ever written on a computer (a Hewlett-Packard-86). The submission caused controversy at the journal, with disagreement breaking down along geographic lines. As Haraway later recalled in an interview, “The East Coast Collective truly disapproved of it politically and did not want it published.” The more catholic West Coast won out, and the Manifesto was published in 1985 as “A Manifesto for Cyborgs: Science, Technology, and Socialist-Feminism in the 1980s,” though it has been known colloquially as the Cyborg Manifesto ever since.

In one sense, Haraway did what she was asked: she outlined the contemporary state of political economy from a socialist-feminist perspective. Her reading of the shift to post-Fordism was loose but lucid. The rise of communications technologies made it possible to disperse labor globally while still controlling it, she noted, scattering once-unionized factory jobs across the continents. The gender of industrial work was changing too: there were more women assembling computer chips in East Asia than men slapping together cars in the American Midwest. Automation was lighter and brighter: in place of hulking industrial machinery, our “machines are made of sunshine” — but this light, invisible power nevertheless caused “immense human pain in Detroit and Singapore.” Family structures were changing: mothers increasingly worked outside the home and headed up the household. The result was what Haraway, drawing on Richard Gordon, called the homework economy — a pointed term for what’s euphemistically and blandly called the service economy.

The Manifesto offered a new politics for this new economy. Prescient about the need to organize the feminized, if not always female, sectors, Haraway explicitly called leftists to support SEIU District 925, a prominent campaign to unionize office workers. She also criticized the idea of a universal subject, whether held up by Marxists (the proletarian) or radical feminists (the woman). A new politics had to be constructed not around a singular agent but on the basis of a patchwork of identities and affinities. How, then, to find unity across difference, make political subjects in a postmodern era, and build power without presuming consensus? “One is too few, but two are too many,” she wrote cryptically. “One is too few, and two is only one possibility.” Acting as isolated individuals leads nowhere, but the effort to act collectively cannot leave difference aside. Women of color, Haraway suggested, following Chela Sandoval, could not rely on the stability of either category; they might lead the way in forging a new, nonessentialist unity based on affinity rather than identity.

This is where the metaphor of the cyborg comes in. For Haraway, the cyborg is a hybrid figure that crosses boundaries: between human and machine, human and animal, organism and machine, reality and fiction. As a political subject, it is expansive enough to encompass the range of human experience in all its permutations. A hybrid, it is more than one, but less than two.

In place of old political formations, Haraway imagined new cyborgian ones. She hoped that “the unnatural cyborg women making chips in Asia and spiral dancing in Santa Rita Jail” would together “guide effective oppositional strategies.” Her paradigmatic “cyborg society” was the Livermore Action Group, an antinuclear activist group targeting the Lawrence Livermore National Laboratory, a nuclear-weapons-research facility in Northern California. The group, she thought, was “committed to building a political form that actually manages to hold together witches, engineers, elders, perverts, Christians, mothers, and Leninists long enough to disarm the state.”

What set the Manifesto apart from other reconceptions of feminism was its embrace of science. The cyborg was a figure that only a feminist biologist — herself an unlikely figure — could imagine. While by the 1980s many feminists were wary of biological claims about sexual difference, evading charges of essentialism by separating sex from gender (biology might give you a certain body, but society conditioned how you lived in it), Haraway argued that failing to take a position on biology was to “lose too much” — to surrender the notion of the body itself as anything more than a “blank page for social inscriptions.” Distinguishing her attachment to the body from the usual Earth Mother connotations was its famous closing line: “I would rather be a cyborg than a goddess.”

Who wouldn’t? The cyborg’s popularity was no doubt fueled in part by the vision of a bionic babe it suggested — a Furiosa or the Terminator — though it couldn’t be further from her meaning. Asked what she considered a true moment of cyborgness in 1999, Haraway responded, “the sense of the intricacy, interest, and pleasure — as well as the intensity — of how I have imagined how like a leaf I am.” The point was not that she shared some biological commonality with a leaf, or that she felt leaves to be kindred spirits (though she very well might have). What made her giddy was the thought of all the work that had gone into producing the knowledge that she was like a leaf — how incredible it was to be able to know such a thing — and the kinds of relationship to a leaf that such knowledge made possible.

Despite her frequent reminders that it was written as a “mostly sober” intervention into socialist-feminist politics rather than “the ramblings of a blissed-out, techno-bunny fembot,” many still read it as the latter. Wired profiled her enthusiastically in 1997. “To boho twentysomethings,” they wrote, “her name has the kind of cachet usually reserved for techno acts or new phenethylamines.” (More recently, the entrepreneurial synthetic biologist Drew Endy deployed the Manifesto in support of his bid to label synthetic biological products as “natural” under federal guidelines to increase their appeal to cautious consumers.)

Its Reagan-era coordinates may have changed, but the Manifesto remains Haraway’s most widely read work. The cyborg became a celebrity, as did Haraway herself, both serving as signifiers of a queer, savvy, self-aware feminism. Yet she has grown weary of its success, admonishing readers that “cyborgs are critters in a queer litter, not the Chief Figure of Our Times.”

Somewhat counterintuitively, it’s Haraway herself who sometimes seems the Chief Figure. There’s no Harawavian school, though she has many acolytes. She does not belong to any particular school herself, though many have attempted to place her. You can’t really do a Harawavian analysis of the economy or the laboratory; other than the cyborg, she’s produced few portable concepts or frameworks. Her own individual prominence runs counter to her view of intellectual work as collectively produced. Yet for thirty years she’s been ahead of intellectual trends, not by virtue of building foundational frameworks but by inspiring others to spawn and spur entire fields, from feminist science studies to multispecies ethics. Her work tends to emerge from problems she sees in the world rather than from engagement with literatures, thinkers, or trends, yet it manages to transcend mere timeliness.

Her new book, Staying with the Trouble, is a commentary on the most pressing threat of our era: catastrophic climate change. It’s hard to think of someone better suited to the task. Climate change requires ways of thinking capable of confronting the closely bound future of countless humans and nonhumans, the basis for certainty in scientific findings, the political consequences of such knowledge, and the kinds of political action that such consequences call for. If Haraway has long practiced such hybrid thinking, that also means the problem best suited to challenging her thought — to testing its mettle, and its usefulness to our political future — has decisively arrived."

"Under Hutchinson’s supervision, she wrote a dissertation heavily influenced by Thomas Kuhn’s 1962 landmark The Structure of Scientific Revolutions. Kuhn had caused an uproar with his argument that rather than steadily progressing toward truth, the production of scientific knowledge was marked by conflict and upheaval. What scientists had once been certain was true would eventually be considered wrong. Each emerging framework was often incommensurable with what had come before. Kuhn called this phenomenon a “paradigm shift.” A classic example was the transition from Newtonian physics to Einsteinian relativity."

[See also: "Cthulhu plays no role for me" ]
donnaharaway  2017  science  scientism  feminism  cyborgs  serviceeconomy  economics  academia  philosophy  1982  1985  california  ucsantacruz  queerness  biology  nancyhartstock  marxism  fredericjameson  hueynewton  angeladavis  historyofconsciousness  teresadelauretis  climatechange  anthropocene  naomiklein  blockadia  rustenhogness  kinstanleyrobinson  cyborgmanifesto  jamesclifford  histcon  alyssabattistoni  blackpantherparty  bobbyseale  jayemiller  historyofscience  radicalism  radicalscience  multispecies  animals  praxis  gregorybateson  systemsthinking  language  storytelling  politics  intersectionality  situatedknowledge  solidarity  perspective  thomaskuhn  epistemology  reality  consciousness  primatology  theory  empiricism  octaviabutler  sciencefiction  scifi  patriarchy  colonialism  racism  ignorance  objectivity  curiosity  technology  biotechnology  technofuturism  companionspecies  dogs  ethics  chthulucene  capitalocene  ursulaleguin  utopia  mundane  kinship  families  unity  friendship  work  labor  hope  sophielewis  blackpanthers 
may 2017 by robertogreco
Janwaar Castle Our Principles - Janwaar Castle
"Janwaar Castle is a sandbox project for which the principles are clearly defined (without being taught or said) and inside this sandbox everything is possible. It is up to the children what we take forward. The options are manifold. Our principles are simple:

Systems over objects
We believe in networks and we think in networks. Janwaar Castle is a network based model. Therefore we put systems over objects and constantly ask ourselves how do we responsibly participate in the village and the area around us.

Emergence over authorities
We don’t tell the children what to do. We let them do, observe and then guide them in the things they’ve chosen to do. It’s not on us to decide what will be done or what is right or wrong. And they don’t need to ask for permission. They can simply go ahead and do.

Pull over push
Janwaar Castle pulls from the network as it needs it rather than keep everything in stock. We are agile. Resources one considers as assets actually become liabilities when one wants to be agile.

Resilience over strength
It is not the fittest or strongest who keeps Janwaar Castle running, it’s the one who is ready to go the long distance if needed and to achieve balance within the Janwaar Castle ecosystem.

Disobedience over compliance
This is a tough one for India. You don’t win Nobel prizes for doing what you’re told. We need to create environments that are resilient to the automatization of the world, and that require disobedience and encourage to ask questions. A lot of civics is about disobedience.

Compasses over maps
At Janwaar Castle it’s much more important to navigate and find your own way in life than following a pre-defined path or a standardized curriculum.

Learning over education
Education is something what you do to others. Learning is what you do to yourself. And this is what Janwaar Castle is all about.

Practice over theory
We do. We build stuff. We fail. We do it again differently. We might fail again. Then we do it again. And we learn by doing so. We succeed. This way the kids for instance have learnt to fix their skateboards, to use their tablets and to skateboard. Without instruction. What they’ve learnt will stay with them.

We over me
Janwaar Castle is community oriented, it doesn’t focus on the individual. This is a natural outcome of the network and the system thinking we’ve embraced."

[See also:
"Why A German Woman Built A Skatepark In Rural Madhya Pradesh"

"The first hurdle was bringing the children from the Adivasi and Yadav communities together.

"In the village we have Adivasis and Yadavs -- they are strictly separated in their houses. First the Yadav kids came to the skatepark, they were 'pushing out' the Adivasis," she said.

The Adivasi and the Yadav children wouldn't skate together. They had different timings.

But, slowly, things changed. "Now the skatepark has a mix of Adivasi and Yadav, boys and girls, and all age groups," she said.

Recalling an incident, she said, "A key moment in this was in one of our morning sessions. There was a little Adivasi girl standing in the middle of our circle. She was dirty like hell, no one wanted to give her the hand and include her in the circle. So, I did. A few seconds later a Yadav boy took the other hand and she was included."" ]
janwaarcastle  education  learning  resilience  systemsthinking  systems  emergence  emergentcurrciulum  sfsh  disobedience  compliance  democracy  practice  theory  praxis  skateboarding  skating  skateparks  lcproject  openstudioproject  children  empowerment  standardization  curriculum  via:willrichardson  standards  community  individualism  networks  india  madhyapradesh  inclusion  inclusivity  skateboards 
september 2016 by robertogreco
Against Interpretation
[before quoting the entirety, quoting one line:

"What is important now is to recover our senses. We must learn to see more, to hear more, to feel more."]

"“Content is a glimpse of something, an encounter like a flash. It’s very tiny - very tiny, content.”
- Willem De Kooning, in an interview

“It is only shallow people who do not judge by appearances. The mystery of the world is the visible, not the invisible.”
- Oscar Wilde, in a letter


The earliest experience of art must have been that it was incantatory, magical; art was an instrument of ritual. (Cf. the paintings in the caves at Lascaux, Altamira, Niaux, La Pasiega, etc.) The earliest theory of art, that of the Greek philosophers, proposed that art was mimesis, imitation of reality.

It is at this point that the peculiar question of the value of art arose. For the mimetic theory, by its very terms, challenges art to justify itself.

Plato, who proposed the theory, seems to have done so in order to rule that the value of art is dubious. Since he considered ordinary material things as themselves mimetic objects, imitations of transcendent forms or structures, even the best painting of a bed would be only an “imitation of an imitation.” For Plato, art is neither particularly useful (the painting of a bed is no good to sleep on), nor, in the strict sense, true. And Aristotle’s arguments in defense of art do not really challenge Plato’s view that all art is an elaborate trompe l’oeil, and therefore a lie. But he does dispute Plato’s idea that art is useless. Lie or no, art has a certain value according to Aristotle because it is a form of therapy. Art is useful, after all, Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.

In Plato and Aristotle, the mimetic theory of art goes hand in hand with the assumption that art is always figurative. But advocates of the mimetic theory need not close their eyes to decorative and abstract art. The fallacy that art is necessarily a “realism” can be modified or scrapped without ever moving outside the problems delimited by the mimetic theory.

The fact is, all Western consciousness of and reflection upon art have remained within the confines staked out by the Greek theory of art as mimesis or representation. It is through this theory that art as such - above and beyond given works of art - becomes problematic, in need of defense. And it is the defense of art which gives birth to the odd vision by which something we have learned to call “form” is separated off from something we have learned to call “content,” and to the well-intentioned move which makes content essential and form accessory.

Even in modern times, when most artists and critics have discarded the theory of art as representation of an outer reality in favor of the theory of art as subjective expression, the main feature of the mimetic theory persists. Whether we conceive of the work of art on the model of a picture (art as a picture of reality) or on the model of a statement (art as the statement of the artist), content still comes first. The content may have changed. It may now be less figurative, less lucidly realistic. But it is still assumed that a work of art is its content. Or, as it’s usually put today, that a work of art by definition says something. (“What X is saying is . . . ,” “What X is trying to say is . . .,” “What X said is . . .” etc., etc.)


None of us can ever retrieve that innocence before all theory when art knew no need to justify itself, when one did not ask of a work of art what it said because one knew (or thought one knew) what it did. From now to the end of consciousness, we are stuck with the task of defending art. We can only quarrel with one or another means of defense. Indeed, we have an obligation to overthrow any means of defending and justifying art which becomes particularly obtuse or onerous or insensitive to contemporary needs and practice.

This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism.

Though the actual developments in many arts may seem to be leading us away from the idea that a work of art is primarily its content, the idea still exerts an extraordinary hegemony. I want to suggest that this is because the idea is now perpetuated in the guise of a certain way of encountering works of art thoroughly ingrained among most people who take any of the arts seriously. What the overemphasis on the idea of content entails is the perennial, never consummated project of interpretation. And, conversely, it is the habit of approaching works of art in order to interpret them that sustains the fancy that there really is such a thing as the content of a work of art.


Of course, I don’t mean interpretation in the broadest sense, the sense in which Nietzsche (rightly) says, “There are no facts, only interpretations.” By interpretation, I mean here a conscious act of the mind which illustrates a certain code, certain “rules” of interpretation.

Directed to art, interpretation means plucking a set of elements (the X, the Y, the Z, and so forth) from the whole work. The task of interpretation is virtually one of translation. The interpreter says, Look, don’t you see that X is really - or, really means - A? That Y is really B? That Z is really C?

What situation could prompt this curious project for transforming a text? History gives us the materials for an answer. Interpretation first appears in the culture of late classical antiquity, when the power and credibility of myth had been broken by the “realistic” view of the world introduced by scientific enlightenment. Once the question that haunts post-mythic consciousness - that of the seemliness of religious symbols - had been asked, the ancient texts were, in their pristine form, no longer acceptable. Then interpretation was summoned, to reconcile the ancient texts to “modern” demands. Thus, the Stoics, to accord with their view that the gods had to be moral, allegorized away the rude features of Zeus and his boisterous clan in Homer’s epics. What Homer really designated by the adultery of Zeus with Leto, they explained, was the union between power and wisdom. In the same vein, Philo of Alexandria interpreted the literal historical narratives of the Hebrew Bible as spiritual paradigms. The story of the exodus from Egypt, the wandering in the desert for forty years, and the entry into the promised land, said Philo, was really an allegory of the individual soul’s emancipation, tribulations, and final deliverance. Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he can’t admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning. However far the interpreters alter the text (another notorious example is the Rabbinic and Christian “spiritual” interpretations of the clearly erotic Song of Songs), they must claim to be reading off a sense that is already there.

Interpretation in our own time, however, is even more complex. For the contemporary zeal for the project of interpretation is often prompted not by piety toward the troublesome text (which may conceal an aggression), but by an open aggressiveness, an overt contempt for appearances. The old style of interpretation was insistent, but respectful; it erected another meaning on top of the literal one. The modern style of interpretation excavates, and as it excavates, destroys; it digs “behind” the text, to find a sub-text which is the true one. The most celebrated and influential modern doctrines, those of Marx and Freud, actually amount to elaborate systems of hermeneutics, aggressive and impious theories of interpretation. All observable phenomena are bracketed, in Freud’s phrase, as manifest content. This manifest content must be probed and pushed aside to find the true meaning - the latent content - beneath. For Marx, social events like revolutions and wars; for Freud, the events of individual lives (like neurotic symptoms and slips of the tongue) as well as texts (like a dream or a work of art) - all are treated as occasions for interpretation. According to Marx and Freud, these events only seem to be intelligible. Actually, they have no meaning without interpretation. To understand is to interpret. And to interpret is to restate the phenomenon, in effect to find an equivalent for it.

Thus, interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities. Interpretation must itself be evaluated, within a historical view of human consciousness. In some cultural contexts, interpretation is a liberating act. It is a means of revising, of transvaluing, of escaping the dead past. In other cultural contexts, it is reactionary, impertinent, cowardly, stifling.


Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.

Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of “meanings.” It is to turn … [more]
art  interpretation  philosophy  theory  essays  susansontag  plato  artistotle  film  representation  innocence  nietzsche  proust  kafka  tennesseewilliams  jean-lucgodard  rolandbarthes  erwinpanofsky  northropfrye  walterbenjamin  yasujirōozu  robertbresson  culture  thought  senses  oscarwilde  willemdekooning  content  appearances  aesthetics  invisibile  myth  antiquity  karlmarx  freud  jamesjoyce  rainermariarilke  andrégide  dhlawrence  jeancocteau  alainresnais  alainrobbe-grillet  ingmarbergman  ezrapund  tseliot  dgriffith  françoistruffaut  michelangeloantonioni  ermannoolmi  criticism  pierrefrancastel  mannyfarber  dorothyvanghent  rndalljarrell  waltwhitman  williamfaulkner 
july 2016 by robertogreco
An American Utopia: Fredric Jameson in Conversation with Stanley Aronowitz - YouTube
"Eminent literary and political theorist Fredric Jameson, of Duke University, gives a new address, followed by a conversation with noted cultural critic Stanely Aronowitz, of the Graduate Center. Jameson, author of Postmodernism: The Cultural Logic of Late Capitalism and The Political Unconscious, will consider the practicality of the Utopian tradition and its broader implications for cultural production and political institutions. Co-sponsored by the Writers' Institute and the Ph.D. Program in Comparative Literature."

[via: "@timmaughan saw a semi-serious proposal talk from Frederic Jameson a few years ago about just that; the army as social utopia."

"@timmaughan this looks to be a version of it here, in fact: …" ]
fredricjameson  utopia  change  constitution  2014  us  military  education  capitalism  history  culture  society  politics  policy  ecology  williamjames  war  collectivism  crisis  dictators  dictatorship  publicworks  manufacturing  labor  work  unions  postmodernism  revolution  occupywallstreet  ows  systemschange  modernity  cynicism  will  antoniogramsci  revolutionaries  radicals  socialism  imagination  desire  stanelyaronowitz  army  armycorpsofengineers  deleuze&guattari  theory  politicaltheory  gillesdeleuze  anti-intellectualism  radicalism  utopianism  félixguattari  collectivereality  individuals  latecapitalism  collectivity  rousseau  otherness  thestate  population  plurality  multiplicity  anarchism  anarchy  tribes  clans  culturewars  class  inequality  solidarity  economics  karlmarx  marxism  deleuze 
january 2016 by robertogreco
bell hooks: Buddhism, the Beats and Loving Blackness - The New York Times
"G.Y.: Absolutely. You’ve talked about how theory can function as a place of healing. Can you say more about that?

b.h.: I always start with children. Most children are amazing critical thinkers before we silence them. I think that theory is essentially a way to make sense of the world; as a gifted child growing up in a dysfunctional family where giftedness was not appreciated, what held me above water was the idea of thinking through, “Why are Mom and Dad the way they are?” And those are questions that are at the heart of critical thinking. And that’s why I think critical thinking and theory can be such a source of healing. It moves us forward. And, of course, I don’t know about other thinkers and writers, but I have the good fortune every day of my life to have somebody contacting me, either on the streets or by mail, telling me about how my work has changed their life, how it has enabled them to go forward. And what greater gift to be had as a thinker-theorist, than that?"

"G.Y.: Is there a connection between teaching as a space of healing and your understanding of love?

b.h.: Well, I believe whole-heartedly that the only way out of domination is love, and the only way into really being able to connect with others, and to know how to be, is to be participating in every aspect of your life as a sacrament of love, and that includes teaching. I don’t do a lot of teaching these days. I am semi-retired. Because, like any act of love, it takes a lot of your energy."

"G.Y.: You’ve conceptualized love as the opposite of estrangement. Can you say something about that?

b.h.: When we engage love as action, you can’t act without connecting. I often think of that phrase, only connect. In terms of white supremacy right now for instance, the police stopped me a few weeks ago here in Berea, because I was doing something wrong. I initially felt fear, and I was thinking about the fact that in all of my 60-some years of my life in this country, I have never felt afraid of policemen before, but I feel afraid now. He was just total sweetness. And yet I thought, what a horrible change in our society that that level of estrangement has taken place that was not there before.

I know that the essential experience of black men and women has always been different, but from the time I was a girl to now, I never thought the police were my enemy. Yet, what black woman witnessing the incredible abuse of Sandra Bland can’t shake in her boots if she’s being stopped by the police? When I was watching that video, I was amazed the police didn’t shoot her on the spot! White supremacist white people are crazy.

I used to talk about patriarchy as a mental illness of disordered desire, but white supremacy is equally a serious and profound mental illness, and it leads people to do completely and utterly insane things. I think one of the things that is going on in our society is the normalization of mental illness, and the normalization of white supremacy, and the evocation and the spreading of this is part of that mental illness. So remember that we are a culture in crisis. Our crisis is as much a spiritual crisis as it is a political crisis, and that’s why Martin Luther King, Jr. was so profoundly prescient in describing how the work of love would be necessary to have a transformative impact.

G.Y.: And of course, that doesn’t mean that you don’t find an important place in your work for rage, as in your book “Killing Rage”?

b.h.: Oh, absolutely. The first time that I got to be with Thich Nhat Hanh, I had just been longing to meet him. I was like, I’m going to meet this incredibly holy man. On the day that I was going to him, every step of the way I felt that I was encountering some kind of racism or sexism. When I got to him, the first thing out of my mouth was, “I am so angry!” And he, of course, Mr. Calm himself, Mr. Peace, said, “Well, you know, hold on to your anger, and use it as compost for your garden.” And I thought, “Yes, yes, I can do that!” I tell that story to people all the time. I was telling him about the struggles I was having with my male partner at the time and he said, “It is O.K. to say I want to kill you, but then you need to step back from that, and remember what brought you to this person in the first place.” And I think that if we think of anger as compost, we think of it as energy that can be recycled in the direction of our good. It is an empowering force. If we don’t think about it that way, it becomes a debilitating and destructive force.

G.Y.: Since you mentioned Sandra Bland, and there are so many other cases that we can mention, how can we use the trauma that black people are experiencing, or reconfigure that trauma into compost? How can black people do that? What does that look like therapeutically, or collectively?

b.h.: We have to be willing to be truthful. And to be truthful, we have to say, the problem that black people face, the trauma of white supremacy in our lives, is not limited to police brutality. That’s just one aspect. I often say that the issue for young black males is the street. If you only have the streets, you encounter violence on all sides: black on black violence, the violence of addiction, and the violence of police brutality. So the question is why at this stage of our history, with so many wealthy black people, and so many gifted black people, how do we provide a place other than the streets for black males? And it is so gendered, because the street, in an imperialist white supremacist capitalist patriarchy, is male, especially when it is dark. There is so much feeling of being lost that it is beyond the trauma of racism. It is the trauma of imperialist white supremacist capitalist patriarchy, because poverty has become infinitely more violent than it ever was when I was a girl. You lived next door to very poor black people, but who had very joyful lives. That’s not the poverty of today.

G.Y.: How is the poverty of today different?

b.h.: Let’s face it, one of the things white people gave us when they gave us integration was full access to the tormenting reality of desire, and the expectation of constant consumption. So part of the difference of poverty today is this sort of world of fantasy — fantasizing that you’ll win the lottery, fantasizing that money will come. I always cling to Lorraine Hansberry’s mama saying in “A in Raisin in the Sun,” “Since when did money become life?” I think that with the poverty of my growing up that I lived with and among, we were always made to feel like money is not what life is all about. That’s the total difference for everyone living right now, because most people in our culture believe money is everything. That is the big tie, the connecting tie to black, white, Hispanic, native people, Asian people — the greed and the materialism that we all invest in and share.

G.Y.: When you make that claim, I can see some readers saying that bell is pathologizing black spaces.

b.h.: As I said, we have normalized mental illness in this society. So it’s not the pathologizing of black spaces; it’s saying that the majority of cultural spaces in our society are infused with pathology. That’s why it’s so hard to get out of it, because it has become the culture that is being fed to us every day. None of us can escape it unless we do so by conscious living and conscious loving, and that’s become harder for everybody. I don’t have a problem stating the fact that trauma creates wounds, and most of our wounds are not healed as African-Americans. We’re not really different in that way from all the others who are wounded. Let’s face it — wounded white people frequently can cover up their wounds, because they have greater access to material power.

I find it fascinating that every day you go to the supermarket, and you look at the people, and you look at us, and you look at all of this media that is parading the sorrows and the mental illnesses of the white rich in our society. And it’s like everybody just skips over that. Nobody would raise the question, “why don’t we pathologize the rich?” We actually believe that they suffer mental illness, and that they deserve healing. The issue for us as black people is that very few people feel that we deserve healing. Which is why we have very few systems that promote healing in our lives. The primary system that ever promoted healing in black people is the church, and we see what is going on in most churches today. They’ve become an extension of that material greed.

G.Y.: As you shared being stopped by police, I thought of your book “Black Looks: Race and Representation,” where you describe whiteness as a site of terror. Has that changed for you?

b.h.: I don’t think that has changed for most black people. That particular essay, “Representations of Whiteness in the Black Imagination,” talks about whiteness, the black imagination, and how many of us live in fear of whiteness. And I emphasize the story about the policeman because for many of us that fear of whiteness has intensified. I think that white people, for the most part, never think about black people wanting to be in black only spaces, because we do not feel safe.

In my last book, “Writing Beyond Race: Living Theory and Practice,” I really wanted to raise and problematize the question: Where do we feel safe as black people? I definitely return to the home as a place of spiritual possibility, home as a holy place.

I bought my current house from a conservative white male capitalist who lives across the street from me, and I’m so happy in my little home. I tell people, when I open the doors of my house it’s like these arms come out, and they’re just embracing me. I think that is part of our radical resistance to the culture of domination. I know that I’m not who he imagined in this little house. He imagined a nice white family with two kids, and I think on some level it was very hard for … [more]
bellhooks  2015  georgeyancy  buddhism  christianity  spirituality  religion  race  class  patriarchy  racism  classism  mentalillness  money  greed  mentalhealth  society  capitalism  consumerism  materialism  domination  power  gender  feminism  idenity  listening  love  humor  martinlutherkingjr  cornelwest  allies  influence  homes  intellectualism  theory  practice  criticalthinking  pedagogy  writing  children  unschooling  deschooling  teaching  howweteach  oedagogy  solitude  workinginpublic  publicintellectuals  narcissism  healing  malcolmx  blackness  whitesupremacy  abandonment  betrayal  anger  masculinity  markmcleodbethune  resistance  safety  whiteness  terror  wealth  imperialism  inequality  pathology  poverty  truth  truthfulness  sandrabland  thichnhathanh  activism  estrangement  everyday  humanism  humanization  humility  grace  change  changemaking  transformation  canon  empowerment  composting  desire  lotteries  lorrainehansberry  araisininthesun  culture  trauma  sorrow  leadership  psychology  self-determination  slow  small  beatpoets  jackkerouac  garysnyder  beatpoetry  ethics 
december 2015 by robertogreco A Fieldnote on Theory and Practice
"Thomas Steele-Maley @steelemaley:
@mosspike @mpowers3 @AshAusp @TheHeadKnuckle on that list—see Roberts (2012) Beyond Learning by Doing….and Stilgoe (2009) Outside Lies Magic

David Sebek @TheHeadKnuckle:
@steelemaley @mosspike @mpowers3 @AshAusp Stilgoe gets inconsistent feedback on Amazon, is it more theory or is it practical? #dtk12chat
5:47 AM - 16 Jul 2015

– It depends on the person, I suppose and our view of theorizing fields prior, amongst and after “practice”. Both Stilgoe and Roberts demand intellect from the reader, but are accessible in that they cause flights of imagination, aha moments, and connections. When we talk of teachers in the field, their experiences will have longer term benefit in terms of phenomenology and beyond, if they can grasp through narrative and theory their purpose of doing what we want them to do outside the school walls/in the field…. How many, will walk outside the school walls and do an experiential activity – love it and start to mutate the system of schooling they see for their kids– a few…. But more, may see the experience as a fun part of a training and grasp to connect and make pathways to learning anytime, anywhere – instead defaulting to the conventional (sometimes monolithic feeling) school structures and ideology. So yes, practical field guides to practice are nice at times and there *is* an elephant in every school which parlays the belief that teachers need guidebooks to follow…. To me, if teachers are outside more, seeing time differently, spending more time to drive their own learning and exploring – they are starting to see the unseen – one of the purposes of Stilgoe and Roberts work – and mine also. So whatever causes that to happen is better than it not happening. To turn catalyst moments to pathways of innovation in education though – we must theorize (research), design, prototype,experiment, retheorize…."
thomassteele-maley  johnstilgoe  jayroberts  theory  2015  education  practice  fieldguides  davidsebek  teaching  learning  outsideliesmagic  experience  experientiallearning  howwelearn  howweteach  outside  exploration  praxis 
july 2015 by robertogreco
Learning in Landscapes: Research, Design, Praxis | T. Steele-Maley
"One of my summer research strands is to extend the work and design I am doing around participatory and practice based learning. I have found a few works exceptionally helpful and thought I would list them here in hopes others will too.

On my desk and causing an outpouring of thought and design is Learning in Landscapes of Practice: Boundaries, identity, and knowledgeability in practice-based learning.

What I like about this work is that it builds previous works of Wenger and Lave on situational learning, perspective and identity specifically: Wenger (1998) Communities of Practice: Learning, Meaning, and Identity: Learning in Doing: Social, Cognitive and Computational Perspectives on CoP’s and the foundational work of Lave and Wenger on situational learning (1991) Situated Learning: Legitimate Peripheral Participation: Learning in Doing: Social, Cognitive and Computational Perspectives . I will also add the book all in education should read on critical ethnography by Lave (2011) Apprenticeship in Critical Ethnographic Practice .

I find each of these works intriguing and valuable towards the design of new professional development, organizational, and ultimately educational ecologies. Learning in Landscapes of Practice…. resonates because the concept of knowledgeability is so salient to schools and educational ecologies. In education, our silos for competency are legion and attempts to integrate professional development and participatory learning for the whole organization are very difficult. One of the main reasons for this, is our lack of robust frameworks to understand and critique the whole educational system that exists, quite often at this point, to perpetuate itself, as opposed to the needs of learners and communities.

This is tough work to tackle and the space of theory in schools often neglected. A common refrain in K-12 schools, “We do not have enough time for theory, we just need to….”, or, “we will leave that to the experts”. These views are at opposition with the reality that education is a social construct, that must be theorized, constructed/reconstructed through praxis, and care-taken by individuals in the community. No educator, parent or policymaker should leave the spaces of education, specifically praxis, unexamined. So where theory can open your eyes to a million valleys of thought and wonder, ultimately praxis allows for experience, knowledge building and networking towards both the boundaries and possibilities of education. These are critical conversations to have in education and society and I feel we need to tae a much closer look at what we are doing.

If you have considered these works in the K-12, Higher Ed or informal learning space please do reach out, via comment here or by way of Twitter, email…."
thomassteelemaley  lcproject  openstudioproject  experientialeducation  education  interdisciplinary  systemsthinking  raxis  2015  étiennewenger  ethnography  theory  practice  jeanlave  situationist  situatedlearning  community  communitiesofpractice  school  tcsnmy  professionaldevelopment  educationalecologies  knowledgeability  silos  transdisciplinary  organizations  organizationaldesign  socialconstructs  society  meta  experientiallearning 
june 2015 by robertogreco
Why Wikipedia Works Really Well in Practice, Just Not in Theory, with Jonathan Zittrain - YouTube
"Harvard University's Jonathan Zittrain explores the amazing success of Wikipedia, a concept that "works really well in practice, just not in theory." Not only is it a remarkable and unique model of a self-regulating entity, its governors and stakeholders are both members of the public at large. Zittrain examines whether Wikipedia is something that can be sustained long term, whether it will need to adapt or grow in the future, and whether such adaptations and growth could potentially scuttle the entire operation. Finally, Zittrain offers up a suggestion for how to apply Wikipedia in an academic setting: Why not turn Wikipedia articles into long-term research projects?"

[See also page with transcript:

"Jonathan Zittrain: There's a great saying that Wikipedia works really well in practice, just not in theory. And that is true. Wikipedia's success is so singular, so spectacular that figuring out whether it's a model for anything other than Wikipedia is a puzzle that even the folks behind Wikipedia have faced as they've tried to do Wikisearch, Wikinews, and Wiktionary at different times. But the idea of having a scheme where the day-to-day governance, the day-to-day edits, whether done for substance to improve the truth level of an article in the view of the editor or done for process, oh that edit shouldn't have been made; it breaks the following rule; I'm going to revert it. To have the people doing that be members of the public at large is an extraordinary devolution of responsibility out to people who are in one way or another, implicitly or explicitly sort of taking an oath to subscribe to the principles behind Wikipedia of neutrality, of fairness, of learning — kind of the values of the enlightenment. And can that survive itself over the long haul? I don't know. As you get more and more importance attached to Wikipedia, more and more places that draw from Wikipedia as a source of data, whether it's something like the Wolfram Alpha Knowledge engine or Google to assemble basic facts for results in a search. There may be more and more reason for entities to want to game the results.

If you can just put yourself in the Guinness Book of World Records for having the longest beard or something and you don't actually have to grow anything, it's like well why not? I'll vote myself rich. These are problems that Wikipedia has had to deal with so far relatively successfully. And there's a level of humility that I think it has to maintain in order to recognize new problems, to recognize where there might the structural forms of bias or discrimination going on. And to be able to endure the more targeted intentional attempts to basically poison the well of truth that Wikipedia at least aspires to be. What would I propose as a longer-term way of shoring it up? I think we should solve a problem with a problem. We haven't really figured out in the early 21st century what to do with kids who are in school for hours at a time every day sort of warehoused in daycare; I think it would be wonderful to make as part of the curriculum from, say, sixth grade onward part of your task and what you'll be graded on is to edit and make the case for your edits to an article on a service like Wikipedia and then we'll have new ranks of people being supervised by teachers who are working on the articles and on the product and that maybe even will apprentice to the norms by which you have an argument over what is true and what isn't. And maybe some of them will choose to continue on as Wikipedians even after the assignment is over. So to me if I think of an advanced civics class, it's great to learn that there are three branches of government and X vote overrides a veto, but having the civics of a collective hallucination like Wikipedia also be part of the curriculum I think would be valuable." ]
wikipedia  2015  jonathanzittrain  theory  practice  governance  praxis  neutrality  fairness  humility  bias  discrimination  education  daycare  curriculum  classideas 
april 2015 by robertogreco
Winning Isn’t Everything — Matter — Medium
"I used to think that games would be the dominant medium of the 21st century. The reality? They’re too big, too complex, and too smart for that to be true."

"Despite all the aspirational chatter, a decade and a half into the 21st century a ludic century seems unlikely. Impossible, even. Perhaps it’s time to take a step back from grand proclamations about the past or the future of media, and instead treat it with the attention to detail systems thinking supposedly offers.

There’s a paradox at work in systems literacy. For games to embrace a role as windows onto complexity, as depictions of interconnected systems, they must also reject the very idea of dramatic, revolutionary, disruptive change that drives so much of our contemporary understanding about technology — or about anything whatsoever.

Real systems thinking assumes simple answers are always wrong. Yet when we talk about the future—even the future of games or of systems literacy—we tend to assume that they will unleash their transformative powers in a straightforward way, through ideas like a century with a dominant medium. We are meant to speak like Pollyannas about “changing the world,” rather than admitting that the very notion of changing the world is anathema to the fundamental promise of systems literacy, namely a rejection of simplicity and a distrust of singular answers.

After all, it’s not clear at all that the 20th century is best summarized as a century of the moving image, anyway. Too much happened to pin down a single influence or media form as dominant. Systems thinking would force us to admit that any singular innovation is caught up in a web of others. We could just as easily call the last century the “electric century,” because so many of its inventions and innovations were bound up in the rollout and use of electric power. Or perhaps the “recorded century,” because photography, phonography, and other methods of analog capture and preservation rose to prominence (eventually fusing into film) — not to mention digital information storage. Cinema itself relied on the rise of leisure and the desire for escape, facilitated by two decades of economic catastrophe and war during the Great Depression and World War II. Those features were only further amplified by the rise of suburbanism and automobile culture of the 1950s, where cinema coupled to youth, desire, and freedom.

As the media theorist Marshall McLuhan put it (in 1964, I might add), “a new medium is never an addition to an old one, nor does it leave the old one in peace. It never ceases to oppress the older media until it finds new shapes and positions for them.” McLuhan thinks about media in relation to one another, as a media ecosystem subject to analysis through media ecology. There are just too many elements at work in a medium’s development and decay to single one of them out for special treatment.

When we think about a ludic century or an age of systems literacy, we do so by putting games at the center of the media ecosystem and pondering their influences on our senses and our communities. But such an idea is a fantasy. And there’s no better way of revealing that fantasy than asking instead what conditions would have to exist in order to produce the kind of age that Zimmerman, Spector, Gee, or I have imagined.

A ludic century wouldn’t just be one in which games, play, process, and systems thinking are enhanced, to use one of McLuhan’s terms. It would also be one in which the purportedly non-systemic, non-ludic formats that have reigned in the age of information — namely speech, writing, image, and the moving image — are made obsolete. For systems thinking to reign, linear and narrative thinking would have to wane.

But just the opposite has happened. We’ve never been more surrounded with text and pictures and moving images than we are in the digital era. Over half a century ago, the MIT computer scientist Alan J. Perlis imagined an age of “procedural literacy” brought about by new computational expertise — an early version of the dream of the ludic century. But instead, digital technology has accelerated the rate of production and consumption of “legacy” media formats like writing and photography.

Mostly we use computers to read, write, and look at things — not to build or experience models of complex worlds, real or imagined. It’s as if the horse still pulled the automobile rather than being displaced by it, or if the phone booth had enjoyed a sustained new fashion as a venue to make private calls, texts, or Snapchats from your smartphone."

"Games are ancient, and they are not going anywhere anytime soon. But their stock is not rising at the rate that their fans’ Twitter streams and Web forums might suggest. Instead of a ludic age, perhaps we have entered an era of shredded media. Some forms persist more than others, but more than any one medium, we are surrounded by the rough-edged bits and pieces of too many media to enumerate. Writing, images, aphorisms, formal abstraction, collage, travesty. Photography, cinema, books, music, dance, games, tacos, cats, car services. If anything, there has never been a weirder, more disorienting, and more lively time to be a creator and a fanatic of media in all their varieties. Why ruin the moment by being the one trying to get everyone to play a game while we’re letting the flowers blossom? A ludic century need not be a century of games. Instead, it can just be a century. With games in it."
ianbogost  2014  games  gaming  systemsthinking  disruption  culture  systemsliteracy  videogames  media  theory  marshallmcluhan  play  film  linear  linearity  photography  video  narrative  alanjperlis  proceduralliteracy  computation  computers  digital  consumption  writing  complexity  ericzimmerman  tomchatfield  warrenspector  austinwintory  jamespaulgee 
march 2015 by robertogreco
Haecceity - Wikipedia
"Haecceity (/hɛkˈsiːɪti, hiːk-/; from the Latin haecceitas, which translates as "thisness") is a term from medieval scholastic philosophy, first coined by Duns Scotus, which denotes the discrete qualities, properties or characteristics of a thing which make it a particular thing. Haecceity is a person or object's "thisness", the individualising difference between the concept 'a man' and the concept 'Socrates' (a specific person).[1] Haecceity is a literal translation of the equivalent term in Aristotle's Greek to ti esti (τὸ τί ἐστι)[2] or "the what it is."

Charles Sanders Peirce later used the term as a non-descriptive reference to an individual.[3]"

[via: “so this word came up in class yesterday the thisness, the ‘what-it-is’” ]
epistemology  thisness  theory  distinction  haecceity  qualities  characteristics  difference  individuality 
february 2015 by robertogreco
There is no “proof” here. I post evidence, and I... - People of Color in European Art History
“There is no “proof” here.

I post evidence, and I post informed interpretations of that evidence. I have my own interpretations as well, and I invite people to add theirs.

Since we seem to be at this point again, I wanted to reiterate that I do not “prove” things in the sense that people generally mean. This is also why I am not in the business of convincing the belligerently unconvinced. I am not emotionally invested in hand-holding people who believe I have photoshopped thousands of artworks to appear to support what I say (yes, that is a thing* ), for the same reason I am not emotionally invested in convincing people who go around saying “Evolution is only a THEORY!” that they are mistaken. I fail to see how that is my problem.

What I’m talking about in the above tweets and in this post are more or less the same thing; what frustrates me is that the lack of interdisciplinary cooperation leaves massive lacunas in our body of information regarding the topics covered at medievalpoc. In other words, science (usually) understands that “proof” is not a thing; unfortunately, many people in history and art history did not get the memo.

And in this din of miscommunication, people shove things where they don’t belong: assumptions that the race of people in ancient history can be “proven” with DNA testing, the misappropriation of Classical Demography to support entirely modern notions about human history, and laid over it all, the relentless assumption that history is a ubiquitous and temporal progress of humankind from “Worse” to “Better”.

We are not objective. That is just not how people work. And we’ve known this for decades; centuries; millennia. The pretense that we can somehow remove ourselves from our observations and find a universal and inhuman truth in them is a rather poisonous ideal that leads us ultimately to betray the truths we CAN know.

Injustice occurs when information is destroyed or purposely withheld from people in order to oppress them. To take something away from them, to cause them to be disenfranchised, to excuse terrible violence done to them. To make them seem less than human. And that is the reality of what has been done and is still being done to people of color. Histories, cultures, lineages, physical documents and works of art are suppressed, ignored, misrepresented, painted over, or completely destroyed in order to support the fictions of white supremacy.

People being so caught up in their own perspectives that they universalize these experiences is the reason I get so many messages that question why this project exists, because “everyone already knows [whatever]” , and the same amount of messages positing that every single thing here is some sort of elaborate ruse perpetrated for nefarious reasons.

What is touted as “objectivity” is nothing more than individuals projecting their own experiences, values, constructs of “self” and “other”, perspectives and opinions on everyone else. What we learn of logic, reason, philosophy, is often nothing more than the same ten white men who died centuries ago, and hold it up as the One True Way of understanding ourselves and the world. We teach the aesthetics of Immanuel Kant as if they come unfiltered through his perspective from some universal authority, and yet we completely ignore how they were shaped by his racism. there are countless examples, but over it all is the same internal illogic that ignores its own hypocrisy.

That is where we are at right now, and that is the point I am starting from. Claiming I am unaffected by these truths or that I am somehow outside of my own society or culture would be a lie. Each individual comes to the table of evidence with their own baggage, their own culture, their own individuality. Pretending that we don’t is much like pretending that these inequalities don’t exist; they do, and until we correct them, they will remain uncorrected.


* Mostly espoused by people who do not seem to understand that I post photographs of artwork, and that multiple photographs of the same artwork can look different. The original paintings or drawing themselves are not actually embedded somehow in your computer. My apologies if this comes as a shock.”
evidence  proof  science  objectivity  2015  truth  theory  information  knowing  perspective  truths  individuality  history  universality  miscommunication  communication  race  culture  constructs  othering  opinions  authority  hypocrisy  racism 
january 2015 by robertogreco
Veblenian dichotomy - Wikipedia, the free encyclopedia
"The Veblenian dichotomy is a concept first suggested by sociologist and economist Thorstein Veblen in 1899, in The Theory of the Leisure Class: An Economic Study of Institutions. Veblen made the concept fully into an analytical principle in his 1904 book, The Theory of Business Enterprise.[1] Throughout these and many other writings by Veblen, this analytical principle was a distinction between what he called "institutions" and "technology".

To Veblen, institutions determine how technologies are used. Some institutions are more "ceremonial" than others. A project for Veblen's idealized economist is to be identifying institutions that are too wasteful, and pursuing institutional "adjustment" to make instituted uses of technology more "instrumental". Veblen defines "ceremonial" as related to the past, supportive of "tribal legends" or traditional conserving attitudes and conduct; while the "instrumental" orients itself toward the technological imperative, judging value by the ability to control future consequences.[2]

The theory suggests that although every society depends on tools and skills to support the life process, every society also appears to have a "ceremonial" stratified structure of status that runs contrary to the needs of the "instrumental" (technological) aspects of group life.[3]"

[via: ]
economics  theory  thorsteinveblen  leisureclass  technology  institutions  waste  wastefulness  status 
january 2015 by robertogreco
Anarchism 101 | Human Iterations
"The freedom of all is essential to my freedom. I am truly free only when all human beings, men and women, are equally free. The freedom of other men, far from negating or limiting my freedom, is, on the contrary, its necessary premise and confirmation." –Mikhail Bakunin


For anarchists who do know something about anthropology, the arguments are all too familiar. A typical exchange goes something like this:

Skeptic: Well, I might take this whole anarchism idea more seriously if you could give me some reason to think it would work. Can you name me a single viable example of a society which has existed without a government?

Anarchist: Sure. There have been thousands. I could name a dozen just off the top of my head: the Bororo, the Baining, the Onondaga, the Wintu, the Ema, the Tallensi, the Vezo… All without violence or hierarchy.

Skeptic: But those are all a bunch of primitives! I’m talking about anarchism in a modern, technological society.

Anarchist: Okay, then. There have been all sorts of successful experiments: experiments with worker’s self-management, like Mondragon; economic projects based on the idea of the gift economy, like Linux; all sorts of political organizations based on consensus and direct democracy…

Skeptic: Sure, sure, but these are small, isolated examples. I’m talking about whole societies.

Anarchist: Well, it’s not like people haven’t tried. Look at the Paris Commune, the free states in Ukraine and Manchuria, the 1936 revolution in Spain…

Skeptic: Yeah, and look what happened to those guys! They all got killed!


"The dice are loaded. You can’t win. Because when the skeptic says “society,” what he really means is “state,” even “nation-state.” Since no one is going to produce an example of an anarchist state—that would be a contradiction in terms—what we‟re really being asked for is an example of a modern nation-state with the government somehow plucked away: a situation in which the government of Canada, to take a random example, has been overthrown, or for some reason abolished itself, and no new one has taken its place but instead all former Canadian citizens begin to organize themselves into libertarian collectives. Obviously this would never be allowed to happen. In the past, whenever it even looked like it might—here, the Paris commune and Spanish civil war are excellent examples—the politicians running pretty much every state in the vicinity have been willing to put their differences on hold until those trying to bring such a situation about had been rounded up and shot.

There is a way out, which is to accept that anarchist forms of organization would not look anything like a state. That they would involve an endless variety of communities, associations, networks, projects, on every conceivable scale, overlapping and intersecting in any way we could imagine, and possibly many that we can’t. Some would be quite local, others global. Perhaps all they would have in common is that none would involve anyone showing up with weapons and telling everyone else to shut up and do what they were told. And that, since anarchists are not actually trying to seize power within any national territory, the process of one system replacing the other will not take the form of some sudden revolutionary cataclysm—the storming of a Bastille, the seizing of a Winter Palace—but will necessarily be gradual, the creation of alternative forms of organization on a world scale, new forms of communication, new, less alienated ways of organizing life, which will, eventually, make currently existing forms of power seem stupid and beside the point. That in turn would mean that there are endless examples of viable anarchism: pretty much any form of organization would count as one, so long as it was not imposed by some higher authority, from a klezmer band to the international postal service." –David Graeber


"See, what we always meant by socialism wasn’t something you forced on people, it was people organizing themselves as they pleased into co-ops, collectives, communes, unions. …And if socialism really is better, more efficient than capitalism then it can bloody well compete with capitalism. So we decided, forget all the statist shit and the violence: the best place for socialism is the closest to a free market you can get!" –Ken Macleod


"But where would these ne’er-do-wells be taken, once they were brought into “custody”? Specialized firms would develop, offering high security analogs to the current jailhouse. However, the “jails” (or rehabilitation programs) in market anarchy would compete with each other to attract criminals.

Consider: No insurance company would vouch for a serial killer if he applied for a job at the local library, but they would deal with him if he agreed to live in a secure building under close scrutiny. The insurance company would make sure that the “jail” that held him was well-run. After all, if the person escaped and killed again, the insurance company would be held liable, since it pledges to make good on any damages its clients commit.

On the other hand, there would be no undue cruelty for the prisoners in such a system. Although they would have no chance of sudden unchaperoned escape (unlike government prisons), they wouldn’t be beaten by sadistic guards. If they were, they’d simply switch to a different “jail,” just as travelers can switch hotels if they view the staff as discourteous. Again, the insurance company (which vouches for a violent person) doesn’t care which jail its client chooses, so long as its inspectors have determined that the jail will not let its client simply escape into the general population and do harm." –Robert Murphy


"Knowledge is an immense power. Man must know. But we already know much! What if that knowledge should become the possession of all? Would not science itself progress in leaps, and cause mankind to make strides in production, invention, and social creation, of which we are hardly in a condition now to measure the speed?" –Peter Kropotkin


"To the daring belongs the future." –Emma Goldman



“Towards Anarchy” – Errico Malatesta, 1920
[ ]

“Anarchy Works” – Peter Gelderloos, 2010
[ ]



The Possibility of Cooperation – Michael Taylor
An influential work in game theory, Taylor covers how most of the collective action problems used to justify the state are misdiagnosed and/or solvable through alternative means. pdf torrent | amazon

Organization Theory: A Libertarian Perspective – Kevin Carson
A comprehensive survey of the economic dynamics that pressure for and against large organizations and hierarchies, as well as the historical and political causes of our present situation. full text | direct purchase | amazon

How Nonviolence Protects The State – Peter Gelderloos
How nonviolence is rarely responsible for the historical victories often claimed in its name, the difficulty of defining “violence” and the problems with absolutist constraints on tactics. full text | printable booklet | amazon

Markets Not Capitalism: Individualist Anarchism Against Bosses, Inequality, Corporate Power, and Structural Poverty – ed. Charles Johnson & Gary Chartier
A collection of pieces on a variety of topics, united by a focus on the centrifugal dynamics within truly freed markets that equalize wealth and facilitate broad resistance to power dynamics. pdf | direct purchase | amazon | audiobook

Anarchy and the Law: The Political Economy of Choice – ed. Edward Stringham
Writings on conflict mediation mechanisms in societies with polycentric social norms and arbitration courts. amazon | direct purchase"
anarchism  mikhailbakunin  favidgraeber  introduction  emmagoldman  peterkropotkin  robertmurphy  kenmacleod  theory  primers  anarchy  petergelderoos  kevincarson  michaeltaylor  edwardstringham  charlesjohnson  garychartier  capitalism  inequality  power  horizontality  law  legal  nonviolence  gametheory 
january 2015 by robertogreco
10 (Not Entirely Crazy) Theories Explaining the Great Crime Decline | The Marshall Project
"Over the course of the 1990s, crime rates dropped, on average, by more than one-third. It was a historic anomaly; one that scholar Frank Zimring dubbed “the great American crime decline.” No one was sure how long the trend would last. Then, in 2010, the Bureau of Justice Statistics announced that the homicide rate had reached a four-decade low. (Since then, overall crime rates have remained relatively flat.)While everyone agrees this is fantastic news, no one, least of all researchers and experts, can agree on exactly why it happened. Below are 10 popular theories for the decline, from abortion to lead to technology to the broken windows theory, with unvarnished views from three leading researchers—Zimring; Richard Rosenfeld, chairman of a National Academy of Sciences roundtable on crime trends; and John Roman of The Urban Institute—on which are the most plausible.

The “abortion filter” […]

The happy pill thesis […]

The lead hypothesis […]

Aging boomers […]

The tech thesis […]

Crack is whack […]

The roaring ’90s (and Obama-mania) […]

The prison boom […]

Police on the beat […]

Immigration and Gentrification […]"
crime  theories  theory  marshallproject  abortion  lead  prozac  ritalin  behavior  moods  babyboomers  population  demographics  technology  airconditioning  television  tv  cars  debitcards  currency  transactions  crack  drugs  economics  unemployment  greatrecession  recession  prison  incarceration  police  lawenforcement  gentrification  immigration  boomers 
november 2014 by robertogreco
Three Uncertain Thoughts, Or, Everything I Know I Learned from Ursula Le Guin | Design Culture Lab

In her 1969 novel The Left Hand of Darkness, Ursula K Le Guin writes, “The unknown, [...] the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action . . . [T]he only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.”

If the only certainty is death, then to deny uncertainty is to deny life.

My work (creative? social science?) is vital not in the sense of being necessary or essential, but energetic, lively, uncertain. In a short 2006 piece in Theory, Culture & Society, Scott Lash argues that the classical concept of vitalism has re-emerged in the face of global complexity and uncertainty, manifesting itself in cultural theory that acknowledges that “the notion of life has always favoured an idea of becoming over one of being, of movement over stasis, of action over structure, of flow and flux.”

In my research I take seriously the idea that what I am seeing, doing and making is emergent; I cannot know how — when, where, for whom or why — it will all end. I can only live with, and through, it. This means I do not want to convince others that I am right. (Have you ever noticed that Le Guin’s stories unfailingly explore ethics and morality without dealing in absolutes?)

I only — as if this were a small thing! — invite you to accompany me for a while, and see what we can become together. This is just — as if this too were a small thing! — one way of knowing the world.


In a 2014 interview for Smithsonian Magazine, Le Guin explains that the future is where “anything at all can be said to happen without fear of contradiction from a native. [It] is a safe, sterile laboratory for trying out ideas in, a means of thinking about reality, a method.”

My work makes things, and explicitly makes things up, in some near or far future. I practice different worlds.

Fictions and futures give me (you? us?) space to move, and be moved. This is the space of utopia, but not an idealist utopia set against a pessimist dystopia. Fictions and futures are literally no-places: real but not actual, and always vital. I feel as though I thrive in these spaces, both grounded and reaching toward the sky, open to the elements, potential.

But here’s something I’ve learned: I can’t make up anything and expect it to work. The stories need to resonate. And that means they need to be internally coherent and consistent, plausible. So I locate others and myself empirically, ethnographically. I look to the hopes and promises that bind us together, to the threats that rip us apart, and I look to the expectations that constrain and orient us along particular, but not certain, paths.

And then I imagine it (me, you, us) otherwise.


In her 2007 essay “The Critics, the Monsters, and the Fantasists,” Le Guin clarifies “although the green country of fantasy seems to be entirely the invention of human imaginations, it verges on and partakes of actual realms in which humanity is not lord and master, is not central, is not even important.”

My imagination has sought out this vital, “green country of fantasy” by focussing on possible futures for multispecies, more-than-human, agents. But I’ve yet to be successful in my quest to avoid anthropocentrism. (My dragons remain stubbornly human!)

Still: I follow Donna Haraway’s argument, in 2007’s When Species Meet, that “animals enrich our ignorance.” When I look at people and technology and design and everyday life with — and through — animals I am never more uncertain about what they all mean. To take animals (and other nonhumans) seriously forces me to let go of many preconceptions, even when I fail to imagine a plausible alternative.

But perhaps that uncertainty is only appropriate, too."
annegalloway  2014  ursulaleguin  unknown  uncertainty  unproven  certainty  death  life  scottlash  vitalism  complexity  culture  theory  morality  ethics  absolutism  knowing  unknowing  future  futures  fiction  worldbuilding  process  method  making  speculativefiction  designfiction  ethnography  imagination  utopia  dystopia  potential  fantasy  invention  design  anthropocentrism  multispecies  donnaharaway  ignorance  technology  preconceptions  posthumanism 
october 2014 by robertogreco
We Don’t Need New Models, We Need a New Mindset | Art Museum Teaching
"The old models we’re using aren’t matching up with the deeply complex challenges we’re faced with right now.

Old model: Ticket sales + government + foundation + corporate + wealthy patrons + small donors + endowment income = Balanced budget
New challenge: To generate new sources of sustained revenue and capital

Audience development
Old model: Sell subscriptions and market shows
New challenge: To engage new and more diverse groups of people in meaningful arts experiences

Old model: Give/get boards focused on fiduciary oversight and maintaining stability
New challenge: To cultivate boards that are partners in change

Old model: More ticket sales, more revenue, bigger budget, nice building = Success!
New challenge: To evaluate the success of our organizations based on the value they create in people’s lives

Leadership development
Old model: Attend leadership conferences and seminars, build your network, wait for your boss to finally leave/retire/die. (Alternatively, change jobs every year.)
New challenge: To develop a generation of new leaders equipped with the tools they’ll need to tackle the wickedly complex challenges the future has in store

Artistic development
Old model: MFA programs, residencies, commissions, occasionally a grant, get a day job
New challenge: To support artists in making a living and a life

Strategic planning
Old model: Decide where you want to be in 5 years. Outline the steps to get there in a long document no one will read.
New challenge: To plan for the future in a way that allows us to stay close to our core values and make incremental improvement while also making room for experimentation, failure, and rapidly changing conditions.

Funding allocation
Old model: The money goes to whoever the funder says it to goes to. Usually bigger organizations run by white people in major cities.
Our challenge today: To distribute funds in a way that is equitable, geographically diverse, and creates the most value

Note: I decided I was too ignorant in the areas of creative placemaking, advocacy and arts education to weigh in. I’ll leave that to my colleagues.

Here’s my main argument

Over 60 years in the field, we’ve developed standard practices, or models, in all these different areas. They worked for a while. Now they don’t. This has given us a false notion that we need new models in each area. This is wrong.

Models, best practices, recipes, and blueprints work only when your challenge has a knowable, replicable solution. Sure, there are some challenges that fit this mold. I’d argue that having a great website, designing an effective ad, doing a successful crowd funding campaign, and producing a complicated show are all challenges where best practices, models, and experts are really valuable. You might not know the solution, but someone does, and you can find it out.

But what happens when there actually isn’t a knowable solution to your challenge? When there is no expert, no model to call upon? When the only way forward is through experimentation and failure?

I’d argue that every one of the big challenges I name above falls into the realm of complexity, where the search for replicable models is fruitless. There isn’t going to be a new model for generating revenue that the field can galvanize around that will work for every or even most arts organizations. Nor is there going to be a long lasting model for community engagement that can be replicated by organizations across the country. For the deeply complex challenges we face today, there simply isn’t a knowable solution or model that can reliably help us tackle them. These kinds of challenges require a new way of working.

We don’t need new models, we need a new theory of practice

Instead of new models, I’d argue that we need a new theory of practice, one that champions a different set of priorities in how we do our work.

Our old models imply a vision of success that’s rooted in growth, stability, and excellence. They drive us towards efficiency and competition by perpetuating an atmosphere of scarcity. They are not as creative as we are.

What if a new vision of success in our field could prioritize resilience, flexibility, and intimacy? What if we could be enablers, not producers? What if we could harness the abundance of creative potential around us?

This new vision of success doesn’t demand consensus around a new set of standards, best practices, or “examples for imitation,” it demands a new way of thinking and acting that empowers us to shift and change our routines all the time, as needed.

A proposed theory of practice for the future

Here is my call to the field: a proposed set of practices that align with the world as it is today, not as it was before:

• Let’s get clear about the challenges we’re facing and if they’re complex, treat them as such
• Let’s ask hard questions, listen, do research, and stay vulnerable to what we learn.
• Let’s question our assumptions and let go of what’s no longer working.
• Let’s embrace ambiguity and conflict as a crucial part of change
• Let’s bring together people with different experiences and lean into difference
• Let’s experiment our way forward and fail often
• Let’s recognize the system in which we’re operating.
• Let’s rigorously reflect and continuously learn

In conclusion

When I set out to write this post, I wanted to question the premise that a conversation about “broken models” could even be useful in a time when expertise, excellence and replicability are the values of the past. I wanted to propose that we move past the very notion of models – let’s jettison the word itself from our vocabulary.

In the end, I guess you could call what I’ve proposed a kind of “new model.” But I’d rather think of it as a new mindset."
change  museums  museumeducation  2014  complexity  organizations  models  paradigmshifts  theory  karinamangu-ward  practice  bestpractices  experience  difference  funding  strategicplanning  corevalues  values  experimentation  failure  art  arteducation  leadership  evaluation  purpose  governance  audience  income  revenue 
september 2014 by robertogreco
Notes from my FooCamp 2014 session: “All of this has happened before and will happen again” | Magical Nihilism
"The session I staged at FooCamp this year was deliberately meant to be a fun, none-too-taxing diversion at the end of two brain-baking days.

It was based on (not only a quote from BSG) but something that Matt Biddulph had said to me a while back – possibly when we were doing some work together at BERG, but it might have been as far-back as our Dopplr days.

He said (something like) that a lot of the machine learning techniques he was deploying on a project were based on 1970s Computer Science theory, but now the horsepower required to run them was cheap and accessible in the form of cloud computing service.

This stuck with me, so for the Foo session I hoped I could aggregate a list people’s favourite theory work from the 20thC which now might be possible to turn into practice.

It didn’t quite turn out that way, as Tom Coates pointed out in the session – about halfway through, it morphed into a list of the “prior art” in both fiction and academic theory that you could identify as pre-cursors to current technological preoccupation or practice.

Nether the less it was a very fun way to spend an sunny sunday hour in a tent with a flip chart and some very smart folks. Thanks very much as always to O’Reilly for inviting me.

Below is my photo of the final flip charts full of everything from Xanadu to zeppelins…"

[See also: ]
mattjones  design  futurism  2014  foocamp  retrofuturism  excavatingthepast  tomcoates  mattbiddulph  recyclingideas  ideas  theory  thetimeisright  timing  readiness  zeppelins  dirigibles 
june 2014 by robertogreco
“A Question of Silence”: Why We Don’t Read Or Write About Education
"The lack of imagination evident in these narratives reflects the lack of real-world alternatives. In the real-world fantasylands of schooling (e.g., Finland, Cuba, Massachusetts) education looks more or less the same as it does everywhere else. In short, the system is missing—or ignores—its real antithesis, its own real death. Without that counter-argument, educational writing loses focus. Educationalists present schooling as being in a constant state of crisis. Ignoring for a second the obvious fact that without a crisis most educationalists would be out of a job—i.e., closing our eyes to their vested interest in the problem’s persistence—what does this crisis consist of? Apparently, the failure of schools to do what they are supposed to do. But what are they supposed to do? What is their purpose? And why should we stand behind their purpose? This is the line of inquiry that—can you believe it—is ignored.

Of all the civic institutions that reproduce social relations, said Louis Althusser, “one… certainly has the dominant role, although hardly anyone lends an ear to its music: it is so silent! This is the School.” That statement was made in 1970, by which time school buses zigzagged the cities every working morning and afternoon, school bells rang across city and countryside, the words “dropout” and “failure” had become synonymous, education schools were in full swing, and school reform had gained its permanent nook on the prayer-wheel of electoral campaigns. In other words: what silence?

Althusser, of course, was referring to the absence of schooling as a topic in critical discourse. In this regard he was, and continues to be, accurate. The few paragraphs that he appended to the above-quoted statement may well be the only coherent critique of schooling in the upper echelons of critical theory. Critical theory, which has written volumes on Hollywood, television, the arts, madhouses, social science, the state, the novel, speech, space, and every other bulwark of control or resistance, has consistently avoided a direct gaze at schooling (see footnote). ((Here follows a cursory tally of what critical theorists (using the term very loosely to include some old favorite cultural critics) have written on education. I won’t be sad if readers find fault with it:

Horkheimer is silent. Barthes and Brecht, the same. Adorno has one essay and one lecture. Marcuse delivered a few perfunctory lectures on the role of university students in politics—but he makes it clear that you can’t build on them (university politics as well as the lectures, sadly). Derrida has some tantalizing pronouncements, particularly in Glas (“What is education? The death of the parents…”), but they are scattered and more relevant to the family setting than the school. Something similar, unfortunately, could be said of Bachelard—why was he not nostalgic about his education? Baudrillard, Lefebvre, and Foucault all seem interested in the question, if we judge by their interviews and lectures—and wouldn’t it be lovely to hear from them—but they never go into any depth. Even Althusser’s essay, Ideology and Ideological State Apparatuses, which contains the above quote, quickly shies away from the topic: instead, he concentrates on the Church. In short, professional critical philosophy might have produced a more interesting study of Kung Fu Panda (see Žižek, who is also silent) than of the whole business of education. The one exception would be Rancière’s The Ignorant Schoolmaster, which I will discuss.)) Even Foucault, champion of enclosures, keeps out of the schoolhouse. ((Part III of Discipline and Punish includes a discussion, but his analysis there is mixed with all the other institutions that exercise punishment. The only direct references are in two lecture-discussions with students, both from 1971.)) The silence is particularly striking if we see radical philosophy itself as an educational endeavor, an enterprise concerned with ways of seeing and doing.

It’s not that there are no critical conversations within education—there are, and I will discuss them soon. But I think the silence of radical philosophers is emblematic of some special problems in the relationship between education and society."

"Progressive educators, who as a rule crave resources and ideas from outside their field, nonetheless did not seem bothered by the new seclusion. They even welcomed it. Today, every schoolteacher, admin, or researcher learns as part of her training to show open disdain for any opinion on education that doesn’t come from inside the field (“but has she taught?”). In American education schools, it’s possible to get a doctorate without having been assigned a single book from outside your field. Education is such an intensely social process (think of any classroom vignette, all the forces at play) that this intellectual swamp could only survive by a sheer will to isolation. Educationalists need this privacy partly because it allows them to ignore the core contradictions of their practice. The most important of these contradictions is that they have to uphold public schooling as a social good, and at the same time face up to the fact that schooling is one of the most oppressive institutions humanity has constructed. It has to be built up as much as it needs to be torn down brick by brick.

This dilemma bedevils the majority of writing by the most active educationalists. The redoubtable Deborah Meier is a good example—good, because she really is. Meier is the godmother of the small school movement in the United States. She has dedicated her life to making schools more humane and works with more energy than entire schools of education put together. Her philosophical base is one of Dewey’s pragmatism and American-style anarchism. She is also in a unique position to understand the contradictions of schooling, because she has built alternative schools and then watched them lose their momentum and revert to traditional models. What’s more, Meier can write. But when she writes, her books take titles like Keeping School and In Schools We Trust. In which schools, exactly? Not the same ones through which most of us suffered, I assume; rather, the progressive, semi-democratic ones on the fringes of the public system. The problem, apparently, is not schooling itself. It’s just that, inexplicably, the vast majority of schools fail to get it right. The “reformed school” is a sort of sublime object: something that does not quite exist, but whose potential existence justifies the continuation of what is actually there.

We are all familiar with this type of “we oppose the war but support the troops” liberal double-talk, a pernicious language game that divests all ground agents of responsibility—as if there could be a war without soldiers (though we seem to be moving that way) or bad classrooms without teachers. Now, it wouldn’t be fair to place the blame squarely on the teachers’ shoulders—considering the poor education they themselves receive in the first place—but we must also expose this kind of double-talk for what it really is: an easy out. And it is an easy out that abandons the oppressed: in this case, those students who actively resist teachers, those last few who have not been browbeaten or co-opted into submission. ((When Michelle Rhee, the (former) chancellor of public schools in Washington D.C., began shutting down schools, liberals tore their shirts and pulled their hair and finally ousted her. Very few people mentioned that those schools—a veritable prison system—should have been shut down. The problem was not the closures—the problem was that Rhee, like other Republican spawns of her generation, is a loudmouth opportunist who offered no plan beyond her PR campaign. What’s striking is that Rhee was using the exact same language of “crisis” and “reform” as progressives, and nothing in the language itself made her sound ridiculous. Since then, progressives have eased up a little on the crisis talk.))

Because the phenomenon of student resistance to education so blatantly flies in the face of the prevailing liberal mythology of schooling, it is a topic that continues to attract some genuine theorization. ((For a review of literature and some original thoughts, see Henry Giroux’s Resistance and Theory in Education (1983). For a more readable discussion of the same, see Herbert Kohl’s I Won’t Learn From You (1991).)) It’s also a topic that is closely tied to another intractable bugaboo of the discussion: the staggering dropout rate, in the US at least, among working class and immigrant students, and particularly among blacks and Latinos. Education is the civil rights issue of our time—Obama and Arne Duncan’s favorite slogan—was originally a rallying cry among black educationalists. ((The latter, in case you don’t know, is Obama’s Secretary of Education. A (very thin) volume could be written on the absolute lack of political and intellectual gumption that he epitomizes. To the Bush-era, bipartisan No Child Left Behind Act (a severe and ineffective set of testing requirements), Duncan added the Race to the Top initiative, thus bringing much unintentional clarity to the discourse: education reform is a race in which no one’s left behind.)) But if we understand a “civil rights struggle” to be, fundamentally, the story of the disenfranchised and the marginalized classes’ resistance to structural oppression, then this seemingly simple phrase is haunted by a kind of dramatic irony—since a great deal of research shows that what many black and working class students actively resist is schooling itself. Further studies showed that even those underserved students who succeed in schools persevere by dividing their identities; by cordoning off their critical impulses; by maintaining their disaffection even while they keep it well out of the teacher’s sight."

"A fundamental problem is that education demands a scientific foothold … [more]
education  unschooling  canon  houmanharouni  2013  criticaleducation  theory  eleanorduckworth  deborahmeier  jeanpiaget  paulofreire  ivanillich  karlmarx  society  schooling  oppression  class  liberals  progressive  progressives  theleft  paulgoodman  sartre  theodoreadorno  michellerhee  reform  edreform  nclb  rttt  radicalism  revolution  1968  herbertmarcuse  power  policy  politics  teaching  learning  jaquesrancière  arneduncan  foucault  louisalthusser  deschooling  frantzfanon  samuelbowles  herbertgintis  jenshoyrup  josephjacotot  praxis  johndewey  philosophy  criticaltheory  henrygiroux  herbertkohl  jeananyon  work  labor  capitalism  neoliberalism  liberalism  progressiveeducation  school  schooliness  crisis  democracy  untouchables  mythology  specialization  isolation  seclusion  piaget  michelfoucault  althusser  jean-paulsartre 
december 2013 by robertogreco
Aesthetics of Dispersed Attention: Interview with German Media Theorist Petra Löffler :: net critique by Geert Lovink
"GL: You got a fascinating chapter in your habilitation about early cinema and the scattering of attention it would be responsible for. The figure of the nosy parker that gawks interests you and you contrast it to the street roaming flaneur.

PL: Yes, the gawker is a fascinating figure, because according to my research results it is the corporation of the modern spectator who is also a member of a mass audience––the flaneur never was part of it. The gawker or gazer, like the flaneur, appeared at first in the modern metropolis with its multi-sensorial sensations and attractions. According to Walter Benjamin the flaneur disappeared at the moment, when the famous passages were broken down. They had to make room for greater boulevards that were able to steer the advanced traffic in the French metropolis. Always being part of the mass of passers-by the gawker looks at the same time for diversions, for accidents and incidents in the streets. This is to say his attention is always distracted between an awareness of what happens on the streets and navigating between people and vehicles. No wonder movie theatres were often opened at locations with a high level of traffic inviting passers-by to go inside and, for a certain period of time, becoming part of an audience. Furthermore many films of the period of Early Cinema were actualities showing the modern city-life. In these films the movie-camera was positioned at busy streets or corners in order to record movements of human and non-human agents. Gawkers often went into the view of the camera gesticulating or grimacing in front of it. That’s why the gawker has become a very popular figure mirroring the modern mass audience on the screen.

Today to view one’s own face on a screen is an everyday experience. Not only CCTV-cameras at public spaces record passers-by, often without their notice. Also popular TV-shows that require life-participation such as casting shows once more offer members of the audience the opportunity to see themselves on a screen. At the same time many people post their portraits on websites of social networks. They want to be seen by others because they want to be part of a greater audience––the network community. This is what Jean Baudrillard has called connectivity. The alliance between the drive to see and to being seen establishes a new order of seeing which differs significantly from Foucault’s panoptical vision: Today no more the few see the many (panopticon) or the many see the few (popular stars)––today, because of the multiplication and connectivity of screens in public and private spaces, the many see the many. Insofar, one can conclude, the gawker or gazer is an overall-phenomenon, a non-specific subjectivity of a distributed publicity."

"GL: I can imagine that debates during the rise of mass education, the invention of film are different from ours. But is that the case? It is all pedagogy, so it seems. We never seem to leave the classroom.

PL: The question is, leaving where? Entering the other side (likewise amusement sites or absorbing fantasies)? Why not? Changing perspectives? Yes, that’s what we have to do. But for that purpose we don’t have to leave the classroom necessarily. Rather, we should rebuilt it as a room of testing modes of thinking in very concrete ways. I’m thinking of Jacques Rancière’s suggestions, in his essay Le partage du sensible, about the power relation between teachers and pupils. Maybe today teachers can learn more (for instance soft skills) from their pupils than the other way around. We need other regimes of distribution of power, also in the classroom, a differentiation of tasks, of velocities and singularities—in short: we need micropolitics.

More seriously, your question indicates a strong relationship between pedagogy and media. There’s a reason why media theorists like Friedrich Kittler had pointed to media’s affinity to propaganda and institutions of power. I think of his important book Discourse Networks, where he has revealed the relevance of mediated writing techniques for the formation of educational institutions and for subjectivation. That’s why the question is, what are the tasks we have to learn in order to exist in the world of electronic mass media? What means ‘Bildung’ for us nowadays?

GL: There is an ‘attention war’ going on, with debates across traditional print and broadcast media about the rise in distraction, in schools, at home. On the street we see people hooked on their smart phones, multitasking, everywhere they go. What do you make of this? This is just a heightened sensibility, a fashion, or is there really something at stake? Would you classify it as petit-bourgeois anxieties? Loss of attention as a metaphor for threatening poverty and status loss of the traditional middle class in the West? How do you read the use of brain research by Nicholas Carr, Frank Schirrmacher and more recently also the German psychiatrist Manfred Spitzer who came up with a few bold statement concerning the devastating consequences of computer use for the (young) human brain. Having read your study one could say: don’t worry, nothing new under the sun. But is this the right answer?

PL: Your description addresses severe debates. Nothing less than the future of our Western culture seems to be at stake. Institutions like the educational systems are under permanent critique, concerning all levels from primary schools to universities. That’s why the Pisa studies have revealed a lot of deficits and have provoked debates on what kind of education is necessary for our children. On the one hand it’s a debate on cultural values, but on the other it’s a struggle on power relations. We are living in a society of control, and how to become a subject and how this subject is related to other subjects in mediated environments are important questions.

A great uncertainty is emerged. That’s why formulas that promise easy solutions are highly welcomed. Neurological concepts are often based on one-sided models concerning the relationship between body and mind, and they often leave out the role of social and environmental factors. From historians of science such as Canguilhem and Foucault one can learn that psychiatrist models of brain defects and mental anomalies not only mirror social anxieties, but also produce knowledge about what is defined as normal. And it is up to us as observers of such discourses to name those anxieties today. Nonetheless, I would not signify distraction as a metaphor. It is in fact a concrete phase of the body, a state of the mind. It’s real. You cannot deal with it when you call it a disability or a disease and just pop pills or switch off your electronic devices."
via:litherland  attention  distraction  2013  petralöffer  geertlovink  walterbenjamin  flaneur  gawkers  cities  internet  audience  diaphanesverlag  montaigne  albertkümmel  siegfriedkracauer  frankfurterschule  kant  tibot  psychology  daydreaming  media  mediaarchaeology  richardshusterman  film  micropolitics  friederichkittler  education  subjectivation  massmedia  bildung  nicholascarr  sherryturkle  frankschirrmacher  culture  values  culturalvalues  brain  bernardstiegler  socialmedia  marketing  entertainment  propaganda  deepreading  petersloterdijk  mindfulness  self-control  mediatheory  theory  theodoradorno  weimar  history  philosophy  reading  writing  data  perception  siegfriedzielinski  wolfgangernst  bernhardsiegert  erhardschüttpelz  francoberardi  andrewkeen  jaronlanier  howardrheingold  foucault  micheldemontaigne  michelfoucault 
october 2013 by robertogreco
Society of Control
"We are in a generalized crisis in relation to all the environments of enclosure--prison, hospital, factory, school, family. The family is an "interior," in crisis like all other interiors--scholarly, professional, etc. The administrations in charge never cease announcing supposedly necessary reforms: to reform schools, to reform industries, hospitals, the armed forces, prisons. But everyone knows that these institutions are finished, whatever the length of their expiration periods. It's only a matter of administering their last rites and of keeping people employed until the installation of the new forces knocking at the door. These are the societies of control, which are in the process of replacing disciplinary societies. "Control" is the name Burroughs proposes as a term for the new monster, one that Foucault recognizes as our immediate future. Paul Virilio also is continually analyzing the ultrarapid forms of free-floating control that replaced the old disciplines operating in the time frame of a closed system. There is no need to invoke the extraordinary pharmaceutical productions, the molecular engineering, the genetic manipulations, although these are slated to enter the new process. There is no need to ask which is the toughest regime, for it's within each of them that liberating and enslaving forces confront one another. For example, in the crisis of the hospital as environment of enclosure, neighborhood clinics, hospices, and day care could at first express new freedom, but they could participate as well in mechanisms of control that are equal to the harshest of confinements. There is no need to fear or hope, but only to look for new weapons."

a portion translated there as: ]

"We’re in the midst of a general breakdown of all sites of confinement – prisons, hospitals, schools, families. The family is an “interior” that’s breaking down like all other interiors – educational, professional and so on. (...) Educational reforms, industrial reforms, hospital, army, prison reforms; but everyone knows these institutions are more or less in terminal decline. (...) It is not a question of worrying or hoping for the best, but of finding new weapons."
gillesdeleuze  deleuze  politics  surveillance  theory  1990  institutions  reform  edreform  decline  change  crisis 
august 2013 by robertogreco
Further Materials Toward a Theory of the Man-Child – The New Inquiry
"Tiqqun can insist, despite all the evidence to the contrary, that the Young-Girl is “obviously not a gendered concept” because it knows that we know that it knows this. Tiqqun uses works of Continental philosophy in the same way that schoolyard bullies use in-jokes: as passwords that grant access to a protected inner circle. Tiqqun assumes that readers will assume that writers so well versed in texts that have spoken truth to ­power could not really hate women. The prestige of the theoretical vocabulary that Tiqqun’s members have mastered bolsters their credibility...

Because Tiqqun’s collage does not attribute sources, we can read any given passage in disavowing quotation marks, as a lightning bolt of original insight, or as both. Publishing anonymously is only a backup measure for evading responsibility...

In each case, a speaker insists that he is not saying what he says. If we accept a standard definition of verbal irony as saying one thing while meaning another, the comedians and Tiqqun both appeal to their identities to control the contexts in which they are understood. Claiming that its mastery of the misogynist philosophical tradition entitles it to do this, Tiqqun steps into what looks a lot like an old-­fashioned patriarchal role.

Even when adopted by radical theory, this knowing posture is conservative. Knowingness is the attitude that allows sexism to persist in progressive institutions that you would expect to know better, precisely because you would. When casual sexism pervades leftist theory, one assumes it is ironic; when progressive institutions ignore gender politics, one assumes this is because struggles for equality have already been won, or must be deferred so we can attend to more pressing political needs. Intellectuals tend to show class allegiance, bracketing or ignoring casual sexism in their own circles. They project misogyny outward, onto Middle America megachurches and racialized others, or onto the powerful men that pander to those masses...

Tiqqun resembles the mainstream Man-Child to the extent that everything that it does is a delaying tactic, a way of putting off the future. The rhetorical strategy of Theory of the Young-Girl is to remain undecidable: Its self-ironizing speaker refuses to settle the question of whether the book is in fact ­sexist or just impersonating someone sexist in order to make its point. The trait that everyone has recognized as endemic among men, and many young women, of our generation is i­ndecision.

Both postures spring from a fearful refusal to take a position, to make a choice among alternatives that feel compromised. The bourgeois Man-Child who refuses to “grow up,” refuses to mate, and refuses domestic labor resembles the radical who wants to bide his time until capitalism collapses from within. "
theory  mediatheory  UMS  feminism  sexism  tiqqun  via:shannon_mattern 
july 2013 by robertogreco
Defamiliarization - Wikipedia
"Defamiliarization or ostranenie (остранение) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way, in order to enhance perception of the familiar. A central concept in 20th century art and theory, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, it is also used as a tactic by recent movements such as Culture jamming."

[See also the (work)book Making It Strange.]
art  ethnography  theory  defamiliarization  dada  culturejamming  scifi  sciencefiction  postmodernism  strangeness  unfamiliar  ncmideas  openstudioproject 
june 2013 by robertogreco
Spring 2011 | The Walk Exchange
"Week 1: Intro, Beliefs in Walking
• Henry David Thoreau “Walking”
• Francis Alys. The Modern Procession
press release:
Interview with Alys (optional)

Week 2: English Rural Art Walkers
• Rebecca Solnit “The Shape of A Walk” from Wanderlust
• Richard Long essays from Guggenheim exhibition catalog by R.H. Fuchs
• Hamish Fulton
Hamish Fulton radio interview

Week 3 : Urban Walking theory
• Michel de Certeau “Walking in the City” from The Practice of Everyday Life
• Guy Debord “Theory of Derive”
Case Studies
Alex Villar “Alternative Access”
Villar interview with Simon Sheikh
• Vito Acconci “Following Piece”
“Following Piece” log
Do a short “Following Piece” of your own and document

break : day one of “Lah” feild trip (optional)

Week 4: the Tour
• Lucy Lippard “The Tourist at Home” from On the Beaten Path
• Barnet Schecter from The Battle for New York
online walking tour guide for Schecter
read only “The Battle of Harlem Heights”
• Natalie talks to us about the Miss Guides

Week 5: Other Lines
• Bruce Chatwin from The Songlines
• Lygia Clark “Caminhando”
Case Studies
• walk and squawk
Guest walker: James Walsh author of Solvitur Ambulando

Week 6: Central Park
• Fredrick Law Olmsted Ch. IX from Walks and Talks of an American in England;cc=moa;rgn=full%20text;idno=AJQ8991.0001.001;didno=AJQ8991.0001.001;view=image;seq=00000084
• Robert Smithson “The Dialectical Landscape of Fredrick Law Olmsted”
• Janet Cardiff “Her Long Black Hair”"

[See also: and ]

[Same here: ]
walking  nyc  walkexchange  2011  thoreau  francisalÿs  rebeccasolnit  richardlong  hamishfulton  micheldecertau  guydebord  alexvillar  vitoacconci  lucylippard  barnetschecter  brucechatwin  lygiaclark  jameswalsh  fredricklawolmstead  robertsmithson  janetcardiff  readinglists  toread  urban  urbanism  rural  theory  derive  simonsheikh  songlines  dérive 
june 2013 by robertogreco
Critical Making Lab
"The critical making laboratory is a shared space for opening up the practice of experimentation with embedded and material digital technology to students and faculty in the Faculty of Information. The lab provides tools, materials, and training for building devices such as wearable computers, RFID systems, ubiquitous computing networks, and other physical computing technologies. However, while the critical making lab organizes its efforts around the making of material objects, devices themselves are not the ultimate goal. Instead, through the sharing of results and an ongoing critical analysis of materials, designs, and outcomes, the lab participants together perform a practice-based engagement with the pragmatic and theoretical issues around information and information technology. Physical computational objects are increasingly part of libraries, museums, and information environments more generally. The lab serves as a novel space for conceptualizing and investigating the critical social, cultural, and political issues that surround and influence the movement of information processing capability into the physical environment."
toronto  canada  design  criticaldesign  theory  internetofthings  ubiquitouscomputing  computing  making  makers  physicalcomputing  rfid  openstudioproject  iot 
may 2013 by robertogreco
Howard Rheingold |
Collections titled:
• Infotention
• Augmented Collective Intelligence
• Cooperation Theory and Practice
• Attention
• Smart Mobs
• Crap Detection
howardrheingold  infotention  augmentedcollectiveintelligence  collectiveintelligence  cooperation  theory  practice  social  society  attention  smartmobs  crapdetection  learning  socialmedia  web 
may 2013 by robertogreco
'You Know Nothing of My Work' - Ta-Nehisi Coates - The Atlantic
"I think this is argument for "diversity" at our education institutions. Humanism in theory isn't enough. You need to be confronted with actual humans to really feel it. It has become increasingly clear to me that I am not a member of any "black race." That there is no such thing. I am, very much, a black person. This describes my history, my culture, my dialect, my community, my family, my collective experience with America. But there is nothing in my bones that makes me more like other "black persons" than like anyone else."
ta-nehisicoates  diversity  race  2013  humanism  theory  praxis  practice  people  humans  stereotypes  generalizations  culture 
march 2013 by robertogreco
Subject, Theory, Practice: An Architecture of Creative Engagement on Vimeo
“Tell me to what you pay attention and I will tell you who you are.” José Ortega y Gasset

A 'manifesto' for the curious architect/designer/artist in search of depth, but in love with plenty, in the saturated world of the 21st Century.

"In a world where grazing is the norm, in which the bitesize is the ideal that conflates ease of consumption with value, where yoghurts are increased in sales price by being reduced in size and packaged like medicines, downed in one gulp; in a world where choice is a democratic obligation that obliterates enjoyment, forced on consumers through the constant tasting, buying and trying of ever more gadgets; a world in which thoughts, concepts -entire lives- are fragmented into the instantaneous nothings of tweets and profile updates; it is in this world, where students of architecture graze Dezeen dot com and ArchDaily, hoovering up images in random succession with no method of differentiation or judgement, where architects -like everyone else- follow the dictum ‘what does not fit on the screen, won’t be seen’, where attentions rarely span longer than a minute, and architectural theory online has found the same formula as Danone’s Actimel (concepts downed in one gulp, delivered in no longer than 300 words!), conflating relevance with ease of consumption; it is in this world of exponentially multiplying inputs that we find ourselves looking at our work and asking ‘what is theory, and what is practice?’, and finding that whilst we yearn for the Modernist certainties of a body of work, of a lifelong ‘project’ in the context of a broader epoch-long ‘shared project’ on the one hand, and the ideas against which these projects can be critically tested on the other; we are actually embedded in an era in which any such oppositions, any such certainties have collapsed, and in which it is our duty –without nostalgia, but with bright eyes and bushy tails untainted by irony- to look for new relationships that can generate meaning, in a substantial manner, over the course of a professional life.

This film is a short section through this process from May 2012."

This montage film is based on a lecture delivered by Madam Studio in May of 2012 at Gent Sint-Lucas Hogeschool Voor Wetenschap & Kunst.

A Madam Studio Production by Adam Nathaniel Furman and Marco Ginex

[via: ]
via:chrisberthelsen  joséortegaygasset  theory  architecture  cv  media  dezeen  archdaily  practice  nostalgia  actimel  marcoginex  2013  tcsnmy  understanding  iteration  darkmatter  certainty  postmodernism  modernism  philosophy  relationships  context  meaningmaking  meaning  lifelongproject  lcproject  openstudioproject  relevance  consumption  canon  streams  internet  filtering  audiencesofone  film  adamnathanielfurman  creativity  bricolage  consumerism  unschooling  deschooling  education  lifelonglearning  curation  curating  blogs  discourse  thinking  soundbites  eyecandy  order  chaos  messiness  ephemerality  ephemeral  grandnarratives  storytelling  hierarchies  hierarchy  authority  rebellion  criticism  frameofdebate  robertventuri  taste  aura  highbrow  lowbrow  waywards  narrative  anarchism  anarchy  feedback  feedbackloops  substance  values  self  thewho  thewhat  authenticity  fiction  discussion  openended  openendedstories  process  open-ended 
march 2013 by robertogreco
Tina Richardson: Schizocartography
"Schizocartography is a form of urban critique that studies the aesthetic and psychological response that individuals have to the built environment.

Developed by Tina Richardson - based at the University of Leeds - it encourages individuals to question, and respond to, the outside spaces in which they work and live.

Schizocartography reveals the ideological contradictions that appear in urban space, while simultaneously enabling creative expression for those who inhabit it."

"What is Schizocartography?

I have developed schizocartography from the psychoanalyst Félix Guattari’s term “schizoanalytic cartography”. Schizocartography enables alternative existential modes for individuals in order to challenge dominant representations and power structures. This provides an opportunity for multiple ways of operating in space and reading the environment; it critiques the conventional ways of viewing, interpreting and mapping space. While the term “schizoanalysis” is derived from “schizophrenia”, it does not promote mental illness; rather, “schizo” is used as a way of offering up the possibility of multiple voices, and alternative world-views, amongst other factors.

This is my definition of ‘schizocartography’:

Schizocartography offers a method of cartography that questions dominant power structures and at the same time enables subjective voices to appear from underlying postmodern topography. It is both the process and output of a psychogeography of particular spaces that have been co-opted by various domineering operations, routines or procedures. It attempts to reveal the aesthetic and ideological contradictions that appear in urban space while simultaneously reclaiming the subjectivity of individuals by enabling new modes of creative expression. Schizocartography challenges anti-production, the homogenizing character of overriding forms that work towards silencing heterogeneous voices."
psychogeography  schizocartography  cartography  urban  urbanism  place  builtenvironment  via:selinjessa  tinarichardson  power  powerstructures  multiplicity  ant-production  theory  geography  félixguattari 
march 2013 by robertogreco
Troy Jollimore – Godless but good
"Principles are useful, perhaps, but only as rules of thumb, practical guidelines that hold for the most part, but to which there will always be exceptions. At the foundational level, ethics is built not on a system of rules, but on individual human beings who possess character, judgment, and wisdom."
ethics  principles  judgement  troyjollimore  2013  humans  humanism  antoniodamasio  religion  morality  belief  goodness  behavior  theory  experience  secularism 
march 2013 by robertogreco
Exit Interview with El Bulli's Ferran Adria: Restaurants + Bars: GQ
"My parents have always allowed me to explore and express myself. I never fought much with my parents. We had a great relationship. They gave me space to be myself. Being given space by my parents was really important for my creativity to develop, and it allowed us to have a great relationship."

"good friends, when they see something wrong, they let you know"

"It's hard for me to find the time to read a book. I'm more of a magazine person, mostly monthly magazines. I read magazines like they were books."

""I don't have a favorite cooking tool. In the kitchen, I always have my pencil and notebook in my hand. I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical.

The pencil has a symbolic meaning for me. The type of person who carries a pencil around is the type of person who's open to change. Someone who walks around with a pen isn't; he's the opposite. I always have a pencil with me, to the point where it forms a part of me. I write a lot during the day.""

"Airport waiting rooms are a place where I can be relaxed. I like spaces, spaces where I can be calm and think. I like airplanes, too, for the tranquility. If I'm on the beach, I'll read a book. I also love the movies. Sometimes I go see three movies in a row. It's one of those places where nobody bothers you."

"I'm not a materialist, I don't care for things… I live a simple life. The only luxuries I have in my life are travel and food."
elbulli  restaurants  practice  theory  airports  adaptability  change  via:litherland  chefs  cooking  howwework  magazines  reading  friendship  simplicity  cv  parenting  creativity  tools  pencils  materialism  interviews  2011  ferranadrià  from delicious
november 2012 by robertogreco
Who counts, or should count, as a “meaning maker?” – The problem with “cultural production.” – One side of of a facebook conversation on art and culture « Lebenskünstler
"Not only would critics of art from other disciplines be interesting so too would artists. One of the reasons I gave up on undergraduate art education was that everybody was busy making stuff without any foundation to drive it – except art. They were all living in an art school bubble (not unlike a Fox News bubble). Making art completely within the framework of art and only questioning it within its own terms.

Sure there were other courses than studio ones, but they were those dumbed down “math for artists” sorts of classes. I would love an art world in which there was no such thing as an undergraduate art degree. Art created from a vantage point of something in the world other than art would be so much healthier and relevant than the inbred mess we have now."

"Oh how the art world LOVES its criticality! Looking to other academic disiciplines, is fine (as **** suggests) but let’s not confine ourselves to academia."

[More Claire Bishop:

"Claire Bishop's "Participation and Spectacle: Where Are We Now?," Presented as part of Living as Form"

"Clair Bishop. Directed Reality: From Live Installation to Constructed Situation. Lecture" ]
everydaylife  rural  suburban  urban  culturemaking  culturalproduction  collections  making  clairebishop  professionalization  jouissance  pleasure  leisurearts  meaning  meaningmakers  meaningmaking  artworld  criticism  artcriticism  everydayaesthetics  everyday  theeveryday  theory  socialpractice  randallszott  art  post-productiveeconomy  amateurs  artleisure  culturecreation  ordinary  ordinariness  from delicious
november 2012 by robertogreco
Introduction to the book Learning Mind: Experience into Art [.pdf]
"This first section concludes with a discussion…In this exchange, led by educator Lisa Wainwright, artist Kerry James Marshall and designer Bruce Mau engage in a lively, probing debate about what artists and designers have in common, how they are different, and what each contributes to society. Wainwright’s questioning leads Marshall and Mau to reveal how they came to art and what role education played. While academic institutions question what artists, architects, and designers need to know, Mau suggests that art education may be the ideal mode of education for everyone. “I think there is an underlying power and positive effect of invention and creation,” Mau asserts. “We underestimate how important art is. If you could put everyone in society through art school, think about how different it would be to have a general population that… embraces the capacity of art to affect the way we see the world."

[Book link: ]
reading  buddhism  everydaylife  everyday  documenta  cv  howweteach  howwelearn  experience  robertirwin  christopherbedford  michaelbrenson  marcelduchamp  utemetabauer  davidgetsy  lisawainwright  artandthemind  practice  theory  mikahannula  jacquesrancière  paulofreire  thinking  teaching  pedagogy  design  kerryjamesmarshall  brucemau  johndewey  deschooling  unschooling  edg  glvo  openstudioproject  lcproject  2010  jacquelynnbaas  maryjanejacob  books  learning  arteducation  education  art  from delicious
november 2012 by robertogreco
"The enemy of rigour and purity is the ad hoc approach, an approach that fits solutions to a particular purpose. Ad hoc explanations and solutions are sound and often highly effective in their own contexts, but make no claims to generality. As such, they attract only the sneers of scientific purists. Pure science, like the kitschiest art, aspires to be generic and timeless and universal. Pure science rejects all worldly purpose.

Scientific purists are right to be suspicious of purpose. Applied research is politicised research, openly co-opted to some political agenda, which, given present-day sources of funding, is more often than not a reactionary one. The aim of such research is to to produce work that will advance corporate or national interests in controlled, predictable ways: to produce patented techniques that give a competitive edge, or to produce concrete (and desirable) policy recommendations to be mulled over by think-tanks."
practical  practice  theory  celibacy  purpose  learning  scientificpurity  ghhardy  cpsnow  mathematics  m  math  romanticism  randallmunroe  academia  elitism  skepticism  stephenbond  xkcd  science  purity 
september 2012 by robertogreco
Main Page - Educate
"[M]ost of the people in Silicon Valley who are starting ed-tech companies (or funding them) don't actually know much about teaching and learning. The goal of this project is to fix that by producing a short guide to the core concepts that someone really must be familiar with to take part in a grown-up conversation about education and technology…someone who has read this guide should have a comprehensive (albeit shallow) knowledge of the educational landscape---there shouldn't be any glaring "unknown unknowns" in their understanding of the subject.

Our target is 50 topics of 1000 words each…possible to read the whole guide on a flight from NY to SF…

…we want to cover five areas:
* education in general
* educational technology
* computing education
* real-world constraints on large-scale change
* illustrative examples

Our prototypical reader is Tim, a 30-year-old programmer in Silicon Valley. He has a degree in Comp Sci from Euphoric State University, has been working for a tech…"
books  technology  computers  computing  collaboration  wiki  2012  theory  learning  amybrown  audreywatters  gregwilson  education  edtech  from delicious
august 2012 by robertogreco
Why Should Techies Care About Education Theory?
"Below is a look at 5 of the most important education theorists of the 20th century. And yes, I realize there are others who’ve contributed to the field. I’d love to hear suggestions from readers about “who’s missing.” Even better? Offers to write those sections of the guide. You’ll find this and other articles in our work-in-progress-wiki [ ]."

[The five education theorists are John Dewey, Maria Montessori, Jean Piaget, B.F. Skinner, and Paolo Freire.]
edtech  learning  education  theory  2012  bfskinner  piaget  jeanpiaget  mariamontessori  johndewey  paulofreire  audreywatters  from delicious
august 2012 by robertogreco
Resiliency, Risk, and a Good Compass: Tools for the Coming Chaos | Wired Business |
"There are nine or so principles to work in a world like this:

1. Resilience instead of strength, which means you want to yield and allow failure and you bounce back instead of trying to resist failure.
2. You pull instead of push. That means you pull the resources from the network as you need them, as opposed to centrally stocking them and controlling them.
3. You want to take risk instead of focusing on safety.
4. You want to focus on the system instead of objects.
5. You want to have good compasses not maps.
6. You want to work on practice instead of theory. Because sometimes you don’t why it works, but what is important is that it is working, not that you have some theory around it.
7. It disobedience instead of compliance. You don’t get a Nobel Prize for doing what you are told. Too much of school is about obedience, we should really be celebrating disobedience.
8. It’s the crowd instead of experts.
9. It’s a focus on learning instead of education."
onthecheap  innovation  startups  collaboration  change  work  mapping  maps  compass  adaptability  howwework  cv  failure  systemsawareness  systemsthinking  systems  crowdsourcing  crowds  experts  disobedience  compliance  theory  practice  education  deschooling  hierarchy  control  unschooling  objects  tcsnmy  safety  pull  push  resiliency  2012  joiito  risktaking  risk  resilience  networks  learning  from delicious
july 2012 by robertogreco
r/K selection theory - Wikipedia
"In ecology, r/K selection theory relates to the selection of combinations of traits in an organism that trade off between quantity and quality of offspring. The focus upon either increased quantity of offspring at the expense of individual parental investment, or reduced quantity of offspring with a corresponding increased parental investment, varies widely, seemingly to promote success in particular environments. In this context, r-selection makes a species prone to numerous reproduction at low cost per an individual offspring, while K-selected species expend high cost in reproduction for a low number of more difficult to produce offspring. Neither mode of propagation is intrinsically superior, and in fact they can coexist in the same habitat, as in rodents and elephants…

[Via: ]
naturalselection  selection  r/Kselectiontheory  strategy  sociology  theory  science  ecology  evolution  biology  via:charlieloyd  from delicious
july 2012 by robertogreco
Ergodic literature - Wikipedia
"Ergodic literature is a term coined by Espen J. Aarseth in his book Cybertext—Perspectives on Ergodic Literature, and is derived from the Greek words ergon, meaning "work", and hodos, meaning "path". Aarseth's book contains the most commonly cited definition:

In ergodic literature, nontrivial effort is required to allow the reader to traverse the text. If ergodic literature is to make sense as a concept, there must also be nonergodic literature, where the effort to traverse the text is trivial, with no extranoematic responsibilities placed on the reader except (for example) eye movement and the periodic or arbitrary turning of pages.

Cybertext is a subcategory of ergodic literature that Aarseth defines as "texts that involve calculation in their production of scriptons" (Cybertext, page 75). The process of reading printed matter, in contrast, involves "trivial" extranoematic effort, that is, merely moving one's eyes along lines of text and turning pages…"
medium  ergoticliterature  language  words  books  theory  houseofleaves  cybertext  hypertext  writing  ergodic  literature  from delicious
july 2012 by robertogreco
on empathy | D'Arcy Norman dot net
"Michael Wesch has been doing some awesome, inspiring and innovative stuff in his digital ethnography courses. He talks about the stuff he and his students do, and people dutifully write it down as a recipe for them to do the same. But that doesn’t work. People are different. Dr. Wesch nails it – the most important thing we have is empathy. The ability to recognize others’ feelings. To be aware that people are different."
technology  education  theory  policy  reform  silverbullets  cookiecutters  cookiecutting  michaelwesch  d'arcynorman  empathy  2012  differences  unschooling  deschooling  standardization  models  theproblemwithmodels  offtheshelf  it'snotthateasy  differentiation  via:lukeneff  conformity  diversity  teaching  learning  lcproject  creativity  pigeonholing 
may 2012 by robertogreco
Frieze Magazine | Archive | Border Control
"…Once they have identified what we should be looking at & talking about, my eye is inevitably drawn to the ‘not art’ side of the room, which often seems more alive to me, more fun. Is it possible to make things, do things, before they are categorized? Is it possible to build a life’s work as a free-range human, freely meandering and trespassing without regard for the borders?…

Children naturally operate this way, but it’s the opposite of how most formal education works. We are introduced to borders, decide which ones we want to surround ourselves with, learn what happened within them before we got there, and are then expected to perform within their narrow perimeters until we die… If I am interested in gardening, I don’t want to make work about gardens, I become a gardener…

Maybe identifying myself as one limits my freedom by implying that everything I do aspires to be art. I’m not aiming for art, I’m aiming for life, and if art gets in the way, that’s fine."

[via: ]

Another passage from earlier on:

"In her 1979 essay ‘Sculpture in the Expanded Field’ Rosalind Krauss analyzes the slippery, evolving nature of what was being referred to at the time as sculpture by artists including Carl Andre, Walter De Maria, Michael Heizer, Robert Irwin, Sol LeWitt, Richard Long, Robert Morris, Bruce Nauman, Richard Serra and Robert Smithson. Krauss talks about sculpture, and its relationship to ‘not architecture’ and ‘not landscape’. Recently the term ‘expanded field’ has been revived to help make sense of the work of a new generation of artists (including myself), whose legacy can ironically be traced directly back to artists from the 1970s whom Krauss does not mention in her essay. These include: Ant Farm, Buckminster Fuller, Anna Halprin, Joan Jonas, Mierle Laderman Ukeles, Yayoi Kusama, Gordon Matta-Clark, Ana Mendieta, Adrian Piper and Yvonne Rainer, to name just a few personal favourites. They were working at the borders of what was known as sculpture, and some were outside what was even considered art. With our generation growing out of theirs, I would argue that the field has not expanded at all, but rather the ossified borders that previously separated it and other fields from each other are becoming more porous."
criticism  autonomy  freedom  notart  artpractice  theory  tresspassing  meandering  lcproject  deschooling  learning  generalists  multidisciplinary  interdisciplinarity  interdisciplinary  disciplines  free-rangehumans  freeranging  unschooling  living  life  making  glvo  2009  fritzhaeg  culture  unartist  community  art  borders  carlandre  walterdemaria  michaelheizer  robertirwin  sollewitt  richardlong  robertmorris  brucenauman  richardserra  robertsmithson  antfarm  buckminsterfuller  annahalprin  joanjonas  mierleladermanukeles  yayoikasuma  matta-clark  anamendieta  adrianpiper  yvonnerainer  rosalindkrauss  architecture  landscape  artists  sculpture  porosity  gordonmatta-clark  from delicious
may 2012 by robertogreco
The Two Cultures - Wikipedia
"The Two Cultures is the title of an influential 1959 Rede Lecture by British scientist and novelist C. P. Snow.[1][2] Its thesis was that "the intellectual life of the whole of western society" was split into the titular two cultures — namely the sciences and the humanities — and that this was a major hindrance to solving the world's problems."
via:charlieloyd  polarization  twocultures  multi  multidisciplinary  crosspollination  crossdisciplinary  departmentalization  departments  thoughtsegregation  interdisciplinary  interdisciplinarity  1959  theory  engineers  science  humanities  thetwocultures  cpsnow  from delicious
may 2012 by robertogreco
kenya hara: designing design
"'design, is basically not self-expression. instead, it originates in society. the essence of design lies in the process of discovering
a problem shared by many people and trying to solve it. because the root of the problem is within society, everyone can understand plans for solutions and process for solving the problem, in addition to being able to see the problem from the designer's perspective. design is appealing because the process creates inspiration that is engendered
by this empathy among human beings in our common values and spirituality.'"

"focusing on the purity of form and its meaning, this book brings forth hara's theories and philosophical approach to design,
presented across eight sections: 1. re-design: daily products of the 21st century; 2. haptic: awakening the senses;
3. senseware: medium that intrigues man; 4. white; 5. muji: nothing, yet everything; 6. viewing the world from the tip of asia;
7. exformation: a new information format; and 8. what is design?"
via:tealtan  2012  exformation  white  haptic  theory  values  commonvalues  glvo  society  muji  senseware  empathy  humanism  design  kenyahara  from delicious
april 2012 by robertogreco
But it moves: the New Aesthetic & emergent virtual taste | metaLAB (at) Harvard
"It’s not totally unreasonable to suppose that *something* is going on in nature, that its constituent objects have some kind of motivation, even if they’re composed of mere chemical gradients or pressure differentials or quantum states. The computer opens up a special case because we made it, and yet it manifests itself in all kinds of ways that seem like a nature—another nature—a little nature, perhaps. There is a strong sense that with computers and their networks, something is going on in there, something emergent and radically other, which nonetheless does begin to infiltrate our edges."

"I don’t think the New Aesthetic is heralding the approach of the Singularity’s event horizon, where computers will vault into consciousness and begin writing a sui-generis literature that drops fully formed from the brow of Stanislaw Lem. The New Aesthetic is making a much humbler move: pointing out these feral phenomena erupting into our midst and saying, but they move."
galileo  jgballard  berg  metalab  theory  technology  2012  jamesbridle  brucesterling  matthewbattles  newaesthetic  thenewaesthetic  from delicious
april 2012 by robertogreco
An Essay on the New Aesthetic | Beyond The Beyond |
[New URL:
See also: ]

"The “New Aesthetic” is a native product of modern network culture. It’s from London, but it was born digital, on the Internet. The New Aesthetic is a “theory object” and a “shareable concept.”

The New Aesthetic is “collectively intelligent.” It’s diffuse, crowdsourcey, and made of many small pieces loosely joined. It is rhizomatic, as the people at Rhizome would likely tell you. It’s open-sourced, and triumph-of-amateurs. It’s like its logo, a bright cluster of balloons tied to some huge, dark and lethal weight.

There are some good aspects to this modern situation, and there are some not so good ones."

"That’s the big problem, as I see it: the New Aesthetic is trying to hack a modern aesthetic, instead of thinking hard enough and working hard enough to build one. That’s the case so far, anyhow. No reason that the New Aesthetic has to stop where it stands at this moment, after such a promising start. I rather imagine it’s bound to do otherwise. Somebody somewhere will, anyhow."
machinevision  glitches  digitalaccumulation  walterbenjamin  socialmedia  bots  uncannyvalley  surveillance  turingtest  renderghosts  imagerecognition  imagery  beauty  cern  postmodernity  hereandnow  temporality  pixels  culturalagnosticism  london  theory  networkculture  theoryobjects  smallpieceslooselyjoined  collectiveintelligence  digitalage  digital  modernism  aesthetics  vision  robots  cubism  impressionism  history  artmovements  machine-readableworld  russelldavies  benterrett  siliconrounsabout  art  marcelduchamp  joannemcneil  jamesbridle  sxsw  brucesterling  2012  newaesthetic  crowdsourcing  rhizome  aaronstraupcope  thenewaesthetic  from delicious
april 2012 by robertogreco
Personalization vs Differentiation vs Individualization | Barbara Bray - Rethinking Learning
"After writing the post “Personalization is NOT Differentiating Instruction,” I received some very interesting feedback and more hits than any other of my posts. I think I hit a nerve.

So Kathleen McClaskey and I did some research on what personalization is and the differences between differentiation and individualization. We found very little information on the differences. And what we did find, we disagreed with many of the points. That lead us to create this chart:"
teaching  kathleenmcclaskey  barbarabray  2012  learning  differentiation  personalization  individualization  pedagogy  theory  education 
february 2012 by robertogreco
Field Report: Project Argo | Contents Magazine
"Project Argo’s Thompson is among those explaining why more open sharing of processes, code, and theory is good for everyone, for reasons both selfish and altruistic…

The gift of Project Argo’s resources and practices marks an opportunity to move more industries toward openness, but this sort of public learning and teaching doesn’t schedule or pay for itself. Genuinely helpful public resources appear when we recognize their value and set aside resources to make them happen. Whether we’re coding, editing, or running projects, that’s something each of us can work toward in the year to come."
florilegium  npr  cv  howweshouldwork  howwework  publicresources  altruism  collectivegood  2012  workinginpublic  publicteaching  publiclearning  processes  process  theory  code  opensource  sharing  journalism  mattthompson  projectargo  argo  contentsmagazine  erinkissane 
january 2012 by robertogreco
The Post-Futurist Manifesto
"4. We declare that the splendor of the world has been enriched by a new beauty: the beauty of autonomy. Each to her own rhythm; nobody must be constrained to march on a uniform pace. Cars have lost their allure of rarity and above all they can no longer perform the task they were conceived for: speed has slowed down. Cars are immobile like stupid slumbering tortoises in the city traffic. Only slowness is fast…

10. We demand that art turns into a life-changing force. We seek to abolish the separation between poetry and mass communication, to reclaim the power of media from the merchants and return it to the poets and the sages.

11. We will sing of the great crowds who can finally free themselves from the slavery of wage labour and through solidarity revolt against exploitation. We will sing of the infinite web of knowledge and invention, the immaterial technology that frees us from physical hardship. We will sing of the rebellious cognitariat who is in touch with her own body…"
futurist  politics  art  society  future  autonomy  francoberardi  theory  2009  futurism  manifesto  manifestos  from delicious
january 2012 by robertogreco
"Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America’s most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession, Semiotext(e’)s highly curated list has famously melded high and low forms of cultural expression into a nuanced and polemical vision of the present."
semiotext(e)  books  culture  theory  art  literature  philosophy  writing  publishers  from delicious
december 2011 by robertogreco
Slavoj Zizek: What is the Question? | Radio Open Source with Christopher Lydon
"The theme through all Zizek’s gags is that the financial meltdown marks a seriously dangerous moment — dangerous not least because, as in the interpretation of 9.11, the right wing is ready to impose a narrative. And the left wing is caught without a narrative or a theory. “Today is the time for theory,” he says. “Time to withdraw and think.”

"Dangerous moments are coming. Dangerous moments are always also a chance to do something. But in such dangerous moments, you have to think, you have to try to understand. And today obviously all the predominant narratives — the old liberal-left welfare state narrative; the post-modern third-way left narrative; the neo-conservative narrative; and of course the old standard Marxist narrative — they don’t work. We don’t have a narrative. Where are we? Where are we going? What to do? You know, we have these stupid elementary questions: Is capitalism here to stay? Are there serious limits to capitalism?…"
politics  philosophy  zizek  2008  us  capitalism  socialism  georgewbush  left  activism  republicans  naomiklein  johnmccain  via:steelemaley  sarahpalin  media  narrative  theory  from delicious
august 2011 by robertogreco
Jon Kolko » Interaction design and design synthesis. ["The Conflicting Rhetoric of Design Education"]
"We must train generalists. We must train specialists…

Skills of craft, building, and beauty are more important than theory or systems thinking. Theory and systems thinking are more important than craft, building, and beauty…

We must focus more on ethnography, anthropology, and the social sciences. We must focus more on science, cognitive psychology, math, and engineering…

It's clear that a change is needed in design education, and it's equally clear that the discourse of this change must advance beyond simply calling well-intentioned designers to action…"
jonkolko  education  design  designeducation  nuance  paradox  generalists  specialization  specialists  craft  making  doing  building  iteration  theory  systems  systemsthinking  well-rounded  balance  lcproject  pedagogy  teaching  learning  from delicious
july 2011 by robertogreco
Open Studio - Wikipedia
"A studio or workroom which is made accessible to allcomers, where artistic or creative work can be viewed and created collaboratively. An Open Studio is intended to foster creativity and encourage experimentation in an atmosphere of cultural exchange, conversation, encouragement, and freedom of expression."

"In the 21st Century, the Open Studio (often taking the form of a virtual or internet location) focuses on the creative act of making and sharing, in a flexible space equipped with a range of contemporary media and multimedia. Artists and non-artists come together in a social act of collaboration, the only entry requirements being an inquisitive nature, a curiosity about new and traditional media, and a lack of inhibition about creating in a semi-public space."

[Previously cited here: ]
openstudio  tcsnmy  cv  lcproject  creativity  collaboration  sharing  conversation  encouragement  engagement  exchange  culturalexchange  expression  art  history  theory  practice  from delicious
july 2011 by robertogreco
haque design + research - on reality, augmented reality, and that talk by kevin
“the only “augmented” reality, is the one that’s constantly being built up through our interactions through the world — whether that’s through a mobile phone, through our sunglasses, or even just through closed eyelids. the process of understanding, it seems to me, is a process of constructing an understanding. the problem with AR, then, is that it assumes that the reality “out there” is fixed, and that we’re merely passive observers that need some kind of markup on it to help understand it “better”. it’s like the terminator analogy you cited: AR is set up so that “we” are sitting inside, simply waiting for info to come in (like arnie “seeing” inside his own head with its own reductio ad absurdam) and all the concomitant repercussions on what this means for our own agency (or lack thereof) in the world. it also assumes that we all see the same thing, which we manifestly do not — and this isn’t because of some distortion in our perceptors…"
visualization  kevinslavin  usmanhaque  augmentedreality  ar  2011  momoamsterdam  via:preoccupations  theory  from delicious
june 2011 by robertogreco
Praxis (process) - Wikipedia
"In her The Human Condition, Hannah Arendt argues that Western philosophy too often has focused on the contemplative life (vita contemplativa) and has neglected the active life (vita activa). This has led humanity to frequently miss much of the everyday relevance of philosophical ideas to real life.[2] [3] Arendt calls “praxis” the highest and most important level of the active life.[4] Thus, she argues that more philosophers need to engage in everyday political action or praxis, which she sees as the true realization of human freedom.[5] According to Arendt, our capacity to analyze ideas, wrestle with them, and engage in active praxis is what makes us uniquely human."
education  learning  teaching  psychology  praxis  experientiallearning  reflection  action  doing  tcsnmy  lcproject  hannaharendt  kierkegaard  heidegger  kant  aristotle  plato  staugustine  marxism  karlmarx  antoniolabriola  iteration  iterative  do  practice  socialwork  theory  from delicious
may 2011 by robertogreco
Institute for Distributed Creativity
"The research of the Institute for Distributed Creativity (iDC) focuses on collaboration in media art, technology, and theory with an emphasis on social contexts.

The iDC is an international network with a participatory and flexible institutional structure that combines advanced creative production, research, events, and documentation.

While the iDC makes appropriate use of emerging low-cost and free social software (ie. peer-to-peer technologies, blogs and mailing lists) it balances these activities with regular face-to-face meetings."

[See also: AND AND AND AND ]

[Subscribe here: ]
treborscholz  education  design  technology  art  culture  social  mediaart  theory  socialcontext  participatory  creativeproduction  unschooling  deschooling  networkedlearning  networkculture  networks  learning  ncm  participatoryart  from delicious
may 2011 by robertogreco
Draft of a manifesto written in defense of a group of people that did not ask for my defense, using words they would not use and engaging people they ignore. « Lebenskünstler
"While you wring hands over what it all means, we are trying to change the world, build relationships and communities. Are we naive? Possibly. We prefer a world of naive dreamers to cynical observers. Keep your beloved “criticality.” Hold it close to your heart and tell us what you feel. We are friends, not “colleagues” and we choose to embrace humane values and each other. We offer a different vision. Against the professional hegemony of academic intellectualism we offer – trust, love, sentiment, passion, egalitarianism and sincerity…

We are gamblers, believing in the value of risking everything for the sake of our “foolish” dreams and schemes."
randallszott  doing  livign  acting  cynicism  2010  manifestos  art  theory  practice  glvo  lcproject  tcsnmy  intellectualism  humanity  passion  egalitarianism  sincerity  trust  love  sentiment  worldchanging  dreamers  academia  risk  risktaking  amateurism  unschooling  deschooling  understanding  cv  leisure  tinkering  wittgenstein  johndewey  philosophy  isolation  shopclassassoulcraft  authenticity  rigor  Rancière  agamben  brucewilshire  richardshusterman  robertsolomon  booklist  nicolasbourriaud  radicalphilosophy  antonionegri  naïvité  everyday  amateurs  from delicious
may 2011 by robertogreco
LeisureArts: MacGyver - Bricoleur - LeisureArts
"…pushing for re-thinking the field, finding other ways to critically negotiate, & promote work of cultural MacGyvers. Robyn Stewart, in Text [Oct 2001], writes in…"Practice vs. Praxis: Constructing Models for Practitioner Based Research:"

"It is not easy being a bricoleur. A bricoleur works w/in & btwn competing & overlapping perspectives & paradigms (& is familiar w/ these). To do so they must read widely, to become knowledgeable about variety of interpretive paradigms that can be brought to a problem, drawing on Feminism, Marxism, Cultural Studies, Constructivism, & including processes of phenomenography, grounded theory, visual analysis, narratology, ethnography, case & field study, structuralism & poststructuralism, triangulation, survey, etc."

It's not easy to write about them either…requires challenging available orthodoxies, an equally at-ease disposition w/ regard to switching conceptual domains & categories, & flexibility to leave one's critical assumptions behind…"
bricolage  bricoleur  leisurearts  generalists  arts  art  culture  reading  cv  marxism  feminism  constructivism  narratology  ethnography  casestudies  fieldstudies  aesthetics  poststructuralism  structuralism  survey  triangulation  phenomenography  groundedtheory  theory  praxis  robynstewart  macgyver  criticalthinking  interdisciplinary  multidisciplinary  crossdisciplinary  crosspollination  research  claudelevi-strauss  culturehacking  hacking  tinkering  lcproject  unschooling  deschooling  jacks-of-all-trades  making  doing  glvo  dilettante  bernardherman  randallszott  2006  jacquesderrida  artleisure  from delicious
april 2011 by robertogreco
Liminality - Wikipedia [See also the section on "Liminal experiences in large-scale societies]
"Liminality is a psychological, neurological, or metaphysical subjective state, conscious or unconscious, of being on the "threshold" of or between two different existential planes, as defined in neurological psychology (a "liminal state") and in the anthropological theories of ritual by such writers as Arnold van Gennep and Victor Turner.

As developed by van Gennep (& later Turner), the term is used to “refer to in-between situations and conditions that are characterized by the dislocation of established structures, the reversal of hierarchies, and uncertainty regarding the continuity of tradition and future outcomes”. Although initially developed as a means to analyze the middle stage in ritual passages, it is “now considered by some to be a master concept in the social and political sciences writ large”. In this sense, it is very useful when studying “events or situations that involve the dissolution of order, but which are also formative of institutions and structures.”"
psychology  politics  theory  neurology  metaphysics  threshold  thresholds  ideas  victorturner  via:steelemaley  change  transformation  disruption  hierarchy  reversal  dislocation  establishment  disestablishment  from delicious
april 2011 by robertogreco
Thinking the Impossible: French Philosophy Since 1960 by Gary Gutting – review | Books | The Observer
"The theories of Derrida and Foucault are revisited in this fair-minded history of French deconstructionism, and guess what? It wasn't all bunkum…"

"Because, so the theory goes, you don't speak language. Language speaks you. You might think of speech or writing as ways of expressing what's on your mind or in your heart but all you're really doing is mouthing the cliches that linguistic structures (and strictures) permit. Marx said man was alienated from his nature. Freud said man was alienated from his desires. But for the post-structuralists, the very idea of man was itself alienating. Had Descartes really had a self, he'd have been kidding it when he said, "I think, therefore I am". "I think, therefore I am being thought" is nearer to the deconstructionist mark. Or as Derrida more famously put it, "There is nothing outside the text"."
philosophy  foucault  deconstruction  deconstructionist  language  post-structuralism  karlmarx  linguistics  speech  writing  2011  books  reviews  france  theory  jacquesderrida  michelfoucault  from delicious
april 2011 by robertogreco
How We Know by Freeman Dyson | The New York Review of Books
"The public has a distorted view of science, because children are taught in school that science is a collection of firmly established truths. In fact, science is not a collection of truths. It is a continuing exploration of mysteries. Wherever we go exploring in the world around us, we find mysteries. Our planet is covered by continents and oceans whose origin we cannot explain. Our atmosphere is constantly stirred by poorly understood disturbances that we call weather and climate. The visible matter in the universe is outweighed by a much larger quantity of dark invisible matter that we do not understand at all. The origin of life is a total mystery, and so is the existence of human consciousness. We have no clear idea how the electrical discharges occurring in nerve cells in our brains are connected with our feelings and desires and actions."

"The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland. As finite creatures who think and feel, we can create islands of meaning in the sea of information. Gleick ends his book with Borges’s image of the human condition: "We walk the corridors, searching the shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and of the future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information.""
freemandyson  books  language  meaning  science  information  history  theory  jamesgleick  wikipedia  borges  libraryofbabel  jimmywales  mooreslaw  claudeshannon  infinitelibrary  relationships  pupose  infooverload  thelibraryofbabel  from delicious
february 2011 by robertogreco
The Anarchist Tension by Alfredo M. Bonanno [via:]
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life, and life, young or old as we may be, whether we are old people or children, is not something final: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up, if we don’t it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep. And to have a good reason we must know what we want to do because for anarchism, for the anarchist, there is no difference between what we do and what we think, but there is a continual reversal of theory into action and action into theory. That is what makes the anarchist unlike someone who has another concept of life and crystallises this concept in a political practice, in political theory."
anarchism  anarchy  definitions  philosophy  life  theory  practice  values  principles  action  alfredobonanno  from delicious
february 2011 by robertogreco
Uncleftish Beholding - Wikipedia
"Uncleftish Beholding (1989) is a short text written by Poul Anderson. It is written using almost exclusively words of Germanic origin, and was intended to illustrate what the English language might look like if it had not received its considerable number of loanwords from other languages, particularly Latin, Greek and French.

The text is about basic atomic theory and relies on a number of word coinings, many of which have analogues in modern German. The title "uncleftish beholding" calques "atomic theory". The text begins:

"For most of its being, mankind did not know what things are made of, but could only guess. With the growth of worldken, we began to learn, and today we have a beholding of stuff and work that watching bears out, both in the workstead and in daily life.""
language  history  english  linguistics  via:migurski  uncleftishbeholding  1989  poulanderson  theory  german  germanic  constraints  classideas  writing  literature  from delicious
february 2011 by robertogreco
this is a456: Utopia For Sale
"somehow rings familiar. During early 20th century, art & architecture never existed wholly isolated from popular culture, consumerism, or corporate interests. This was the case in Europe as it was in US. As Le Corbusier’s Plan Voisin or various Reynolds Aluminum ads that would appear in US in 1940s demonstrate, corporate interests sometimes found an unlikely alliance w/ avant-garde. But with Bel Geddes & “The City of Tomorrow,” something slightly different was in order. The author of Horizons did see himself primarily as artist, but never in the same vein as would Le Corbusier, Frank Lloyd Wright, or Erich Mendelsohn. As a person who always wore his commercial aspirations on his sleeve, Bel Geddes became a figure willing to leverage artistic inclinations not only as a kind of expertise, but as vehicle for transmitting ideas about contemporary urbanism to mass audiences. He was…person who popularized utopia by giving it its most tangible & visibly-appealing manifestation…"
design  culture  politics  history  theory  streamlining  stanleyrestor  henrydreyfuss  modernism  raymondloewy  walterdorwinteague  nomanbelgeddes  advertising  lecorbusier  thecityoftomorrow  architecture  art  commercialism  shelloil  gm  pedestrians  utopia  utopian  transportation  cars  broadacre  millermcclintock  from delicious
february 2011 by robertogreco
Early Modern History Lessons: The Potosí Principle |
"The Secret of Subjections, or a History of Modern Colonialism… Note: This show recently closed at Reina Sofia museum in Madrid. It is opening soon in Berlin (Chto Delat is doing workshops end of first week October). “The Potosí Principle” mixes projects by contemporary artists with Spanish colonial paintings and documents from the 17th and 18th centuries. The intention of the curators and artists is nothing less than to re-imagine modernity. Historians call the 16th century the “early modern” period. The French Revolution is a class divide between global political and economic regimes. “The Potosí Principle” exhibition arguest hat in fact the regime of what Marx called “primitive accumulation,” the coercive exploitation of labor, never ended. I intend to review this remarkable show, but can't do it now. Here instead is a Spanish government ministry text on the show. (The current prime minister of Spain is a socialist.)"
colonialism  art  marxism  baroque  thepotosíprinciple  alanmoore  spain  españa  perú  modernity  contemporary  historiography  theory  slavery  history  from delicious
january 2011 by robertogreco
Colin Ward, Anarchism as a Theory of Organization (1966)
"This is a remarkable text that shows the affinities between anarchy and the principles of organization of complex systems composed by many interconnected units. Perhaps, only when a mechanical worldview will be replaced by a cybernetic one, anarchy as organization will be finally recognized and accepted, probably under a different name."
anarchism  politics  anarchy  theory  organization  organizations  hierarchy  colinward  cyberspace  web  internet  digital  1966  government  authority  leadership  society  administration  institutions  deinstitutionalization  lcproject  deschooling  unschooling  from delicious
january 2011 by robertogreco
An Aesthetic of Everyday Life: Modernism and a Japanese popular aesthetic ideal, “Iki”
"Nineteenth century Japanese popular cultural phenomena, most notably the Japanese woodblock print and painting, ukiyo-e, have made significant contributions to modernist artistic movements, in particular the Arts and Crafts movement, Art Nouveau, impressionism, post-impressionism, and fauvism. In addition, it is worth mentioning the influence of Japanese architecture on Frank Lloyd Wright, who also loved ukiyo-e.[1] These influences are primarily the result of applying Western values, specifically, aesthetic values to the interpretation of Japanese culture.<br />
<br />
However, this interpretation has had the tendency to be one-way, and there have been relatively few attempts to applying non-Western ideas to Western culture. Is this because it is futile to do so? Or because it is impossible?"
aesthetics  japan  culture  art  theory  modernism  yamamotoyuji  iki  ukiyo-e  franklloydwright  from delicious
january 2011 by robertogreco
Conditions magazine
"CONDITIONS, is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture.In opposition to ignorance and superficiality this magazine is conceived in order to search for knowledge and predicaments of our continuously evolving society. It is organized in a fluctuating network of agents reflecting the present globalized state of a dynamic society, economics, politics and culture which are the motivators of architecture. Through a play of thoughts in an open ended forum, predefined “facts” will be unsecured and constantly reinvented. The forum will gather the architect, client, politician and the public, a communion of ideas creating conditions for evolution."
architecture  urbanism  urban  media  magazines  design  scandinavia  theory  society  politics  culture  norway  from delicious
january 2011 by robertogreco
Why the other lines always seem to move faster than yours
"Erlang found out how many telephone lines the company needed, given the average number of calls per hour. Similarly, you can figure out how many checkout lines you need, given the average number of customers. It turns out the best arrangement is to have a single line, and the next customer goes to the next available register. There's less chance of blockage from a single delay.<br />
But people don't like doing that apparently, and so assuming random selection, ending up in the slow line comes down to simple probability.<br />
<br />
Another way to think about this problem is in terms of time. You wait when you're in a slow line. You move when you're in a fast line. So the longer amounts of time spent waiting feel more significant (even though it might be a single pick) than when you made the fast picks."
psychology  shopping  theory  mathematics  queues  queingtheory  perception  math  from delicious
december 2010 by robertogreco
coop/collab definition
"Collaborative learning is based upon the following principles:

1. Working together results in a greater understanding than would likely have occurred if one had worked independently.

2. Spoken and written interactions contribute to this increased understanding.

3. Opportunity exists to become aware, through classroom experiences,of relationships between social interactions and increasedunderstanding.

4. Some elements of this increased understanding are idiosyncratic and unpredictable.

5. Participation is voluntary and must be freely entered into.

Cooperative Learning is very similar except that it introduces a more structured setting with the teacher in total control of the learning environment.
collaboration  cooperation  learning  pedagogy  theory  teaching  tcsnmy  education  via:hrheingold  from delicious
december 2010 by robertogreco
A Physicist Turns the City Into an Equation - ["According to data, when a city doubles in size, every measure of economic activity increases by approximately 15% per capita.]
One quote:

“A human being at rest runs on 90 watts,” he says. “That’s how much power you need just to lie down. And if you’re a hunter-gatherer and you live in the Amazon, you’ll need about 250 watts. That’s how much energy it takes to run about and find food. So how much energy does our lifestyle [in America] require? Well, when you add up all our calories and then you add up the energy needed to run the computer and the air-conditioner, you get an incredibly large number, somewhere around 11,000 watts. Now you can ask yourself: What kind of animal requires 11,000 watts to live? And what you find is that we have created a lifestyle where we need more watts than a blue whale. We require more energy than the biggest animal that has ever existed. That is why our lifestyle is unsustainable. We can’t have seven billion blue whales on this planet. It’s not even clear that we can afford to have 300 million blue whales.” 
urban  urbanism  geoffreywest  cities  corporations  growth  physics  modeling  models  energy  density  efficience  freedom  remkoolhaas  planning  policy  economics  self-control  short-termmemory  memory  architecture  design  urbantheory  urbanscience  theory  science  data  census  walking  transportation  patternrecognition  patterns  math  mathematics  infrastructure  jonahlehrer  organic  organisms  consumption  metabolism  sustainability  interaction  janejacobs  collaboration  crosspollination  robertmoses  efficiency  from delicious
december 2010 by robertogreco
Literary Writers and Social Media: A Response to Zadie Smith - Alexis Madrigal - Technology - The Atlantic
"When professional writers, especially ones trained in the literary arts, see horrifically bad writing online, they recoil. All their training about the value of diverse (or, you know, heteroglossic) societies and the equality of classes goes flying out the window. Social media acts as a kind of truth serum, as Marshall Kirkpatrick likes to say: This is how the masses of people talk. This is how the masses of people write. Not moonlighting bloggers. Not the 20 million NPR listeners. But the other 300 million people trying to LOL their way through boring days at office jobs or in Iraq.

I think we confuse the ability to see what everyday writing looks like -- and probably has for a long time -- with a change in how people write. Toss in that the traditional (usually religious) practices and sayings around serious topics like death or childbearing have lost valence, and you get people just saying what comes to mind. It's not always pretty."
zadiesmith  alexismadrigal  writing  writers  reality  thesocialnetwork  facebook  socialmedia  theory  colloquialwriting  snobbery  insularity  everydaywriting  literature  media  immaturity  perspective  from delicious
november 2010 by robertogreco
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