robertogreco + sãopaulo   39

What Happens When Mother Earth Gets Angry - The New York Times
"Big banks and other financial institutions have been coming to terms with the market risks of leaving untouched — that is, stranded — fossil fuel assets valued at more than $20 trillion. A disinvestment campaign led by Mr. McKibben’s organization, 350.org, has recruited more than 500 institutions, with assets valued at over $3.4 trillion, that have pledged to remove fossil fuel companies and projects from their investments.

For the time being, the global coal sector is most imperiled. Natural gas and renewable energy sources are replacing coal-fired plants in the United States and Europe. American coal production and exports are declining, along with international prices for coal. Europe’s largest insurer, Allianz, recently joined California’s pension funds and Norway’s sovereign wealth fund, the world’s largest, in selling its coal investments.

In August, the Commonwealth Bank of Australia, that nation’s largest bank, said it would not fund the proposed Carmichael mine in Queensland, the biggest coal mine ever proposed in Australia. The mine’s role in adding to carbon emissions, potential damage to the Great Barrier Reef from coal transport ships, and a vigorous opposition campaign led by Greenpeace were factors in the bank’s decision.

In November, the Financial Stability Board, which promotes global financial stability for the Group of 20 nations, announced that it was establishing a task force, headed by the former New York mayor Michael Bloomberg, to encourage businesses to voluntarily disclose how much risk they face from adjusting practices because of climate change.

Also last month, the attorney general of New York, Eric T. Schneiderman, won an agreement with Peabody Coal, the largest publicly traded coal company in the world, in which the company agreed to disclose to investors the risks the company faces from new climate regulations and turbulence in the coal market. Peabody’s stock value, which four years ago reached nearly $1,100 a share, is now trading at under $10 a share.

Still, there’s one vital place that remains unconvinced of the dangers posed by warming temperatures: the United States Congress. Republican dogma about climate change and climate science seems bound to rupture. The California drought, the Uttarakhand flood, the São Paulo drought, Syria’s civil war, and so many other recent ecological and economic disasters linked to climate change are fraying the party’s thinning tissue of denial."
2015  keithschneider  climate  climatechange  globalwarming  syria  california  sãopaulo  billmckibben 
december 2015 by robertogreco
Martin Roemers - Metropolis | LensCulture
"Dutch photographer Martin Roemers won the 1st prize in the LensCulture Street Photography Awards 2015 for his series, Metropolis, which documents street life in "mega-cities", defined as urban areas that are home to more than 10 million inhabitants. Here we present an extended slideshow of this project, as well as an interview with the photographer."

[via: http://globalvoices.tumblr.com/post/133898896954/archatlas-metropolis-martin-roemers ]
martinroemers  photography  streetphotography  2015  cities  urban  urbanism  global  kolkata  lagos  pakistan  bangladesh  cairo  nigeria  egypt  karachi  dhaka  mumbai  india  guangzhou  china  istanbul  turkey  jakarta  indonesia  buenosaires  argentina  manila  philippines  basil  brazil  riodejaneiro  mexicocity  mexicodf  mexico  nyc  sãopaulo  london  tokyo  japan  df 
november 2015 by robertogreco
selfiecity
"Investigating the style of self-portraits (selfies) in five cities across the world.

Selfiecity investigates selfies using a mix of theoretic, artistic and quantitative methods:

We present our findings about the demographics of people taking selfies, their poses and expressions.

Rich media visualizations (imageplots) assemble thousands of photos to reveal interesting patterns.

The interactive selfiexploratory allows you to navigate the whole set of 3200 photos.

Finally, theoretical essays discuss selfies in the history of photography, the functions of images in social media, and methods and dataset."
selfies  visualization  photography  data  bankok  berlin  nyc  moscow  sãopaulo 
january 2015 by robertogreco
The poetic architecture of Luis Barragán and Lina Bo Bardi - FT.com
"My house is my refuge,” wrote Luis Barragán; “an emotional piece of architecture, not a cold piece of convenience.”

A direct challenge to Le Corbusier’s contention that “a house is a machine for living in”, Barragán (1902-88) offered a poetic view of the home as a retreat. His highly individual house in Mexico City, built in 1948, is a minimal masterpiece and curiously monastic. He was intensely religious and an obsessive reader of theological and philosophical texts, and his house embraced layers of public-ness. Some rooms are expansive and generous; the most private ones small and spartan.

Inspired by north African houses, Barragán’s house presents a blank face to the street: just a solid white wall and a small door with a sliding panel – the kind of feature you might find at the entrance to a nunnery. Its entrance hall is modest but its combination of geometric simplicity, flush surfaces, rough plaster and a floor of dark volcanic stone offer an idea of a house luxurious in its attention to detail yet ascetic in its architecture.

There is, however, a flash of colour that draws the visitor in: a canary-yellow door leading to a bright pink room. Where Le Corbusier and his modernist contemporaries might have used the odd colour highlight – typically red, yellow or blue – Barragán was renowned for soaking his houses in bold, unforgettable colour.

Take his most photographed work, the San Cristóbal stables outside Mexico City. For its vivid blast of pinks and fuchsias set against the bright blue Mexican sky (and its reflection in the pool), the stables are a powerful Latin American riposte to the notion that modernism had to be anaemically white and allergic to colour.

A tour through Barragán’s house reveals layers in which the more public parts of the house are gradually stripped away to reveal the sparse rooms inhabited by the architect himself, and intended only for him. Each room features some nod to Christian art, ritual or iconography.
In the guest bedroom, a Madonna is placed not directly above the bed (Barragán was sensitive to those who might not share his beliefs) but to one side, her eyes turned towards her infant son – a Madonna not dominant yet still keeping an eye on the spiritual wellbeing of the guest.





The Casa de Vidro (Glass House) in São Paulo was built three years after Bárragan’s masterpiece. It too rebels against Le Corbusier’s concept of the house as a machine or as abstract sculpture – even if it is at least in part inspired by his use of concrete. But unlike Barragán’s insular, contempl­ative house, this is a dwelling that opens up to the landscape, that scoops up the surrounding rainforest and sucks it in. The Casa de Vidro was designed by Lina Bo Bardi (1914-92) for herself and her husband Pietro Maria Bardi, director of the São Paulo Museum of Art, not long after arriving in Brazil from their native Italy.

The site, which has now developed into the upmarket suburb of Morumbi, was in the middle of the rainforest. Even now, enough jungle remains on the hillside to remind people of the original wilderness.

Where Barragán’s house resolutely looks inwards, Bo Bardi’s looks out. Its living space is purely public, glazed all round, and the dining and living areas flow into each other. Like Barragán, Bo Bardi and her husband collected artworks – many of them profoundly Catholic images. Both architects consciously play with the juxtaposition of the emotional intensity of religious imagery and the asceticism of modernist architecture.

Bo Bardi thought Brazilian architecture should look to its indigenous past as well as to modernism. “Its source”, she wrote in a 1951 essay, “is not the architecture of the Jesuits: it comes from the wattle-and-daub shelter of the solitary man, laboriously constructed out of the materials of the forest; it comes from the house of the rubber-tapper, with its wooden floor and thatch roof.” Her house exhibits some of those fetishes and crafted objects that express that urge to make, alongside Catholic artefacts.

Yet her house never feels like an exhibition space; instead these pieces form a landscape of memory that stretches from Italy to Brazil. If there is a difference (beyond the obvious openness of the façades), it is in the sense of hierarchy between the private and the social, which is much less pronounced in Bo Bardi’s house. This feels like a house for company rather than contemplation.



Both houses, in their preoccupations with the delineations of public and private space, their concerns for transparency or opacity and their treatment of landscape or street, are very Latin American in spirit. Both depart from the more showy aspects of their contemporaries in Europe and North America, where houses were seemingly built as much for public consumption as they were for the client, and with the photographed image in mind. They are also among the most influential houses of the past century, their genius apparent in their constant rediscovery by each successive generation."
luisbarragán  linabobardi  design  architecture  mexico  2014  color  lecorbusier  modernism  brasil  mexicocity  mexicodf  sãopaulo  brazil  df 
march 2014 by robertogreco
Roberto Burle Marx. The Modernity of Landscape
"This new publication focuses on Burle Marx's (São Paulo, 1909-Rio de Janeiro, 1994) scientific interest in the landscape and his relationship with the environment. He is known as a landscape architect, but also as a painter, plantsman, gardener, jewellery designer and tapestry designer, in short, a multitalented artist."
architecture  design  brazil  brasil  riodejaneiro  sãopaulo  landscapearchitecture  landscape  robertoburlemarx  from delicious
september 2012 by robertogreco
Edge City: Driving the Periphery of Sao Paulo - Институт медиа, архитектуры и дизайна «Стрелка»
"Exploring the edge condition of São Paulo, Justin McGuirk analyses the different forms of dwelling available to its would-be citizens, and meets some of the people carving a life for themselves on the verge of this unforgiving metropolis. Driving anti-clockwise, we take a journey backwards in time, moving from cardboard favelas and hastily built tower blocks back to modernist social housing and the factory town built early in the last century. Is this a tale, as the Brazilian flag attests, of “order and progress”? Are the citizens of the periphery better off looking after themselves than in the hands of developers and the paternalistic state? Part road trip and part urban critique, this drive-by portrait makes the case that the city is best understood not by its centre but by its edge."
ringroads  cities  brasil  sãopaulo  justinmcguirk  stelkapress  brazil 
august 2012 by robertogreco
One billion slum dwellers - The Big Picture - Boston.com
"One billion people worldwide live in slums, a number that will likely double by 2030. The characteristics of slum life vary greatly between geographic regions, but they are generally inhabited by the very poor or socially disadvantaged. Slum buildings can be simple shacks or permanent and well-maintained structures but lack clean water, electricity, sanitation and other basic services. In this post, I've included images from several slums including Kibera slum in Nairobi, Kenya, the second largest slum in Africa (and the third largest in the world); New Building slum in central Malabo, Equatorial Guinea; Pinheirinho slum - where residents recently resisted police efforts to forcibly evict them; and slum dwellers from Kolkata, Mumbai and New Delhi, India. India has about 93 million slum dwellers and as much as 50% of New Delhi's population is thought to live in slums, 60% of Mumbai."
dharavi  pakistan  islamabad  haiti  port-au-prince  phnompenh  cambodia  informalcity  urbanism  urban  urbanization  cities  bigpicture  photography  newdelhi  pinheirinho  africa  malabo  equatorialguinea  brasil  sãopaulo  nairobi  kibera  mumbai  kolkata  via:lukeneff  kenya  india  slums  brazil  from delicious
february 2012 by robertogreco
Five Years After Banning Outdoor Ads, Brazil's Largest City Is More Vibrant Than Ever
"Five years later, São Paulo continues to exist without advertisements. But instead of causing economic ruin and deteriorating aesthetics, 70 percent of city residents find the ban beneficial, according to a 2011 survey. Unexpectedly, the removal of logos and slogans exposed previously overlooked architecture, revealing a rich urban beauty that had been long hidden."
aesthetics  economics  urbanism  urban  architecture  2011  advertising  billboards  brasil  sãopaulo  brazil  from delicious
january 2012 by robertogreco
Robot Flâneur: Exploring Google Street View
"Robot Flâneur is an explorer for Google Street View. Select a city to start exploring.

Follow the instructions or just go full screen for an urban screensaver of your choice."
photography  cities  urban  maps  mapping  jamesbridle  robotflaneur  london  sanfrancisco  manhattan  nyc  sãopaulo  paris  johannesburg  tokyo  mexicodf  df  berlin  exploration  screensavers  mexicocity  from delicious
june 2011 by robertogreco
The City As School - Gilberto Dimenstein - Revitalizing Cities - Harvard Business Review
"I then realized that the educational process happens not just inside the school walls, but in three different places: school, family and community.

When I came back to São Paulo - a chaotic metropolitan area with 20 million people - I decided to do an experiment using this knowledge. The city was going through its worst period of violence and degradation. In my neighborhood, Vila Madalena, we developed the learning-neighborhood project in cooperation with a group of communicators, psychologists and educators. The core idea was to map the community's resources: theater, schools, cultural centers, companies, parks, etc. We created a network and trained the community to take advantage of all these assets, turning them into social capital. With this model, the school is trained to function as a hub, connecting itself to the neighborhood, and then, to the city."
cities  schools  explodingschool  urban  infrastructure  colinward  education  lcproject  informallearning  informal  thecityishereforyoutouse  socialcapital  gilbertodinmenstein  sãopaulo  cityasclassroom  experience  experientiallearning  realworld  schoolwithoutwalls  bolsa-escola  via:cervus  opencities  opencitylabs  networkedlearning  ivanillich  deschooling  unschooling  catracalivre  neighborhoods  community  communities  communitycenters  learning  families  from delicious
april 2011 by robertogreco
KNOTS: the architecture of problems « LEBBEUS WOODS
"we should not let the lack of a ready answer be a reason to avoid asking a question. Indeed, the only questions worth asking are those for which we do not already have an answer. In this seminar we will not shy away from looking at the most daunting problems.

The approach we will take is based on a way of breaking down—analyzing—problems in terms of three components of every problem we as architects confront: the spatial, the social, and the philosophical. Certainly there are other possible categories we could employ, but I have chosen these based on my experiences and also to work well within the structure of our seminar and its time-frame. The following presentation is an example of how the three chosen categories work in attempting to formulate a particularly intractable ‘knot’ confronting us today: the problem of slums:"
architecture  problemsolving  slums  lebbeuswoods  philosophy  theory  infrastructure  knots  mcescher  stanleykubrick  theshining  cities  poverty  riodejaneiro  sãopaulo  social  society  mumbai  nyc  singapore  manila  design  community  gatedcommunities  wealth  disparity  thomashobbes  human  johnlocke  magnacarta  history  declarationofindependence  capitalism  socialism  adamsmith  socialmobility  communism  karlmarx  marxism  friedrichengels  aynrand  objectivism  from delicious
october 2010 by robertogreco
Steve Hargadon: Free Copy of "Lifelike Pedagogy"
"A few weeks ago I interviewed Marcelo Rodrigues, the author of Lifelike Pedagogy and education director of Escola do Max in Brazil, about his philosophy of "real life" education. Links to his interview are available at FutureofEducation.com.

Marcelo was taken by the fact that another interviewee, David Wood, offered free copies of his book in electronic form during that session, and felt that he would like to do the same for Lifelike Pedagogy. If fact, Marcelo has created a special page and video for the book in order to help spread the word about the educational model they have built and the work that they are doing.

For those interested in how to run a school based on students choosing real problems and ideas to work on, this is a book that will interest you a great deal. http://www.lifelikepedagogy.com/book/ "
pedagogy  escoladomax  sãopaulo  brasil  emergentcurriculum  student-led  student-centered  lifelikelearning  lifelikeprojects  tcsnmy  bilingual  marcelorodrigues  lifelikepedagogy  schools  teaching  learning  unschooling  deschooling  stevehargadon  lcproject  via:hrheingold  projectbasedlearning  brazil  pbl  from delicious
august 2010 by robertogreco
Escola do Max - English
"The methodology applied at Escola do Max motivates the students and brings along some meaning with the knowledge. The child needs to want to learn and to understand why the activity is being done. For this reason, the methodology follows some steps:

1. The children democratically choose what they want to learn.

2. Children raise questions and hypothesis towards the theme they’ve chosen

3. Together with the teacher, the children start searching about their project.

4. They decide a conclusion activity, which is the main point of the project. It can be a trip, an event, whatever they decide.

5. The children develop several activities in order to reach their goal.

6. The children achieve their conclusion.

In order to understand the development of the Project according to these steps, let’s analyze a practical situation that happened at Escola do Max."
pedagogy  escoladomax  sãopaulo  brasil  emergentcurriculum  student-led  student-centered  lifelikelearning  lifelikeprojects  tcsnmy  bilingual  marcelorodrigues  lifelikepedagogy  schools  teaching  learning  unschooling  deschooling  stevehargadon  lcproject  projectbasedlearning  brazil  pbl  from delicious
august 2010 by robertogreco
Charles Leadbeater: Education innovation in the slums | Video on TED.com
"Charles Leadbeater went looking for radical new forms of education -- and found them in the slums of Rio and Kibera, where some of the world's poorest kids are finding transformative new ways to learn. And this informal, disruptive new kind of school, he says, is what all schools need to become."
charlesleadbeater  demos  education  future  innovation  pedagogy  poverty  learning  ted  technology  slums  unschooling  deschooling  tcsnmy  riodejaneiro  brasil  kibera  kenya  informal  informallearning  disruptive  lcproject  futureoflearning  finland  leapfrogging  compulsory  india  development  transformation  newdelhi  sugatamitra  holeinthewall  socialentrepreneurship  literacy  pull  push  engagement  belohorizonte  sãopaulo  mobile  phones  cities  urban  hightechhigh  outdoctrination  brazil 
july 2010 by robertogreco
Wooster Collective: “Paredes que hablan” (Talking Walls) - An Introduction to 16 Street Artists in Latin America
"Produced by INJAUS for I SAT, “Paredes que hablan” (Talking Walls) its a series of sixteen short films showcasing street artist in three cities of Latin America: Sao Paulo, Buenos Aires and Mexico City,

Included in the series. From Brazil Boleta, Orion, Speto, Titi Freak, Nunca. From Argentina Gualicho, Nerf, Jaz, Pum Pum. From México Seher, Sego, Neuzz, Saner, Watchavato.
Here's the first set, from Sao Paulo:"
streetart  buenosaires  argentina  mexico  mexicodf  df  brasil  sãopaulo  brazil  mexicocity 
november 2009 by robertogreco
Amazing! Bike Faster than Helicopters, Running Faster than Car in Sao Paulo : TreeHugger
"Do you want more proof that encouraging car use in a city is only going to lead you to traffic hell? Take a look at Sao Paulo: the city of ridiculous car jams, where there are more privately held helicopters than anywhere else in the world.

The thing is, not even the air has solved the traffic problem, and the new highways that are being planned for the city won't solve it either. It seems so obvious that the right way to go is to discourage the use of cars (like Bogota or Curitiba did), but now we have proof (a great treat for World Car Free Day).

A group of cyclists have put up a test and had 18 different combinations of transport travel a distance of about 10 kilometers (over 6 miles) during rush hour. Guess what? Two of the cyclists turned out to get to destination faster than the helicopter, and all the cyclists, a runner, the bus and, ¡a skater! took less time than the car. This last one took a nerve-racking 82 minutes to cover that distance."
cities  bikes  cars  transportation  buses  skateboarding  traffic  walking  speed  transport  sãopaulo  biking  skating  skateboards 
september 2009 by robertogreco
Pixação
"Covering buildings throughout São Paulo, pixação is a style of graffiti native to Brazil and known for its simple, angular lines. In this episode of Cool Hunting Video, we tour the city streets with Joao Wainer, photographer and co-director of a documentary on the subject, who fills us in on the culture and history."
pixação  sãopaulo  brasil  graffiti  streetart  brazil 
march 2009 by robertogreco
São Paulo: Survival - we make money not art
"I arrived yesterday in São Paulo and i still have to recover from the shock. This is the new Berlin, the new New York, the new 'i've never seen such an exciting place before.'"
sãopaulo  brasil  wmmna  art  réginedebatty  brazil 
november 2008 by robertogreco
Life inside skeleton dwellings - we make money not art
"mOmentoMoNUMENTO, a joint project by Brazilian collective Coloco & French experimental architects of Exyzt whose pavilion at the Venice architecture biennale of 2006 i had enjoyed so much.

Exyzt's works engage mostly with temporary interventions, ephemeral constructions and the presence of diversity in urban space. They have recently joined forces with Coloco to submit to the institution Cultures France a project that will be part of the official programme of the French Year in Brazil (February-July 2009). The final project stems from a research started in 2001 by Coloco.

The Brazilian collective observed, analyzed and documented a phenomenon called 'skeleton dwellings': in big cities, groups of people decide to occupy then inhabit buildings which were left unfinished and abandoned because of economic crisis, ups and downs of the estate market, war, cataclysm, etc."
urban  housing  sãopaulo  brasil  wmmna  brazil 
october 2008 by robertogreco
ECO • E N L A C E • C I U D A D E S • O T R A S
"ECO es una red de trabajo, pensamiento, acción y colaboración de arquitectura y urbanismo. Es una conversación abierta entre arquitectos, estudiantes y profesores de arquitectura que comparten el deseo de construir vínculos transversales entre discip
chile  brasil  paraguay  argentina  córdoba  society  sãopaulo  españa  spain  madrid  montevideo  uruguay  asunción  talca  portoalegre  urban  urbanism  architecture  design  brazil 
february 2008 by robertogreco
NPR : Gangland in Sao Paolo
"The Sao Paolo prison gang recently took over organized crime in the largest city in South America. Writer William Langewiesche talks about his recent article on the subject, published in Vanity Fair."
sãopaulo  brasil  fear  prisons  crime  politics  government  brazil 
september 2007 by robertogreco
City of Fear; Operating by cell phone, a highly organized prison gang launched an attack that shut down Brazil's largest city last May, with the authorities powerless to stop it. | Vanity Fair (April, 2007)
"City of Fear; Operating by cell phone, a highly organized prison gang launched an attack that shut down Brazil's largest city last May, with the authorities powerless to stop it."
sãopaulo  brasil  fear  crime  politics  economics  prisons  brazil 
september 2007 by robertogreco
São Paulo’s Concrete Jungle - New York Times
"Rio may have samba and Speedos, but these days it's São Paulo that is swinging like the hips of the girl from Ipanema. Brazil's largest city — 11 million and counting — has transformed itself from a dull and featureless capital of finance into the e
sãopaulo  brasil  cities  culture  economics  design  architecture  brazil 
september 2007 by robertogreco
canal*MOTOBOY
"12 Motoboys percorrem espaços públicos e privados da cidade de São Paulo. Munidos de celulares com câmera integrada, fotografam, filmam e publicam em tempo real na Internet suas experiências, transformando-se em cronistas de sua própria realidade."
art  brasil  urban  video  cameras  photography  sãopaulo  digital  mobile  brazil 
may 2007 by robertogreco
:: Escola São Paulo >> Uma iniciativa inovadora!
"sala de aula, biblioteca, videoteca, cdteca, dvdteca, exposições, café, restaurante, loja. pessoas e empresas, brasileiras e estrangeiras, participam do projeto por ser a escola um espaço de estudos e pesquisa. acesso gratuito a atividades. desenvolv
lcproject  schools  schooldesign  brasil  sãopaulo  design  education  alternative  culture  art  place  theater  food  dance  cafes  architecture  events  meetings  classes  space  thirdspaces  thirdplaces  openstudioproject  brazil 
april 2007 by robertogreco
The Emptying of Brazil’s Mega-Cities
"Brazilian metropolises like Rio de Janeiro and Sao Paulo are seeing their population density -- and their quality of life -- decline"
cities  demographics  population  brasil  urban  urbanism  future  decline  cars  riodejaneiro  sãopaulo  megacities  brazil 
march 2007 by robertogreco
Streets Are Paved With Neon’s Glare, and City Calls a Halt - New York Times
"Come the new year, this city [São Paulo] of 11 million, overwhelmed by what the authorities call visual pollution, plans to press the “delete all” button and offer its residents an unimpeded view of their surroundings."
cities  visual  pollution  advertising  sãopaulo  brasil  latinamerica  urban  urbanism  design  brazil 
december 2006 by robertogreco
mirá! » Archivo » Marcos Camacho: La Post Miseria
"ESTA es una entrevista impresionante a Marcos Camacho “Marcola” (wiki) líder de la banda carcelaria de San Pablo, Brasil, denominada Primer Comando de la Capital (PCC). Las frías e inteligentes respuestas de Marcola acercan una idea -aterradora- de
video  brasil  prisons  sãopaulo  interviews  crime  latinamerica  americas  politics  policy  economics  society  brazil 
december 2006 by robertogreco
Dionisio González: ARQUITETURA DA SOBRA: A CIDADE SUBEXPOSTA
"La intención del artista sería la recuperación de esos espacios de la memoria histórica reciente. Si el Proyecto Cingapura tenderá a anular parte de estas territorializaciones ilegales; ¿porqué no proponer alternativas a esa supresión?"
architecture  art  photography  brasil  sãopaulo  favelas  latinamerica  dionisiogonzalez  urban  urbanism  brazil 
december 2006 by robertogreco
Artichoke: “There will be no white flag above my door” and Ricardo Semler
"… the other occupants in the house know that I am struggling with identity, wrestling with who I am and what I do … they know that I despair of the real experience of school for so many kids and for other more grown up players charged with manipulating the edu game."
education  schools  reform  schooldesign  learning  children  homeschool  lcproject  brasil  sãopaulo  space  ricardosemler  artichokeblog  pamhook  brazil 
october 2006 by robertogreco
Telegraph | Education | 'Learn what you want'
"At the Lumiar school in Sao Paulo, two little boys are enthusiastically testing the boundaries between self-expression and anarchy by lobbing building blocks into an oversize doll's house. As a grown-up wanders over to make sure no one is getting hurt, t
schools  education  learning  brasil  schooldesign  curriculum  children  lcproject  homeschool  alternative  sãopaulo  space  brazil 
october 2006 by robertogreco
Ricardo Semler - Wikipedia
"Ricardo Semler (born 1959 in São Paulo) is the CEO and majority owner of Semco SA, a Brazilian company best known for its radical form of industrial democracy and corporate re-engineering."
business  democracy  freedom  management  productivity  reference  organizations  learning  society  brasil  meetings  work  lcproject  sãopaulo  community  education  organization  people  politics  industry  innovation  ricardosemler  brazil 
october 2006 by robertogreco

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