robertogreco + profiles   12

Arthur Jafa in Bloom - The New York Times
“Sought after by Spike Lee, Stanley Kubrick, and Solange Knowles alike, the visual artist is changing representations of blackness in museums and beyond.”

[embedded video: “My Favorite Artwork: Arthur Jafa”
https://www.nytimes.com/video/t-magazine/100000006654997/my-favorite-artwork-arthur-jafa.html

“And the Thomas Whitfield piece certainly exists as a high bar of how I’d like to think about my own work. I mean, I’m declaring it to be art, but I don’t actually think it cares whether it’s art or not. Increasingly, that’s how I want to make work. I want to make work that’s sort of, you know, it’s not even trying to operate inside of like, what anybody thinks of it, positively or negatively.”]
arthurjafa  2019  art  artists  profiles  video  blackness  artleisure  leisurearts  artmaking  audience  purpose  thomaswhitfield 
4 weeks ago by robertogreco
Spoonbill
"Spoonbill lets you see profile changes from the people you follow on Twitter.

Keep updated on your friends' and family members' bios, websites, locations, and names.

How it works.
First, you sign up. (Duh.) [Or just look at individual accounts using something like http://spoonbill.io/data/robertogreco/ ]
Then we look at all the folks you're following on Twitter.
We check every couple minutes to see if they've changed their profile information.
If they have, we record it!
Then, every morning (or every week), we send you an email with all the changes.

Browse changes online.

Or get daily updates in an email.

Drill down and view the history of a profile."
twitter  socialmedia  bios  profiles  via:caseygollan  onlinetoolkits  trackchanges  change 
july 2018 by robertogreco
BBC Radio 4 - Pick a Sky and Name It
"How did Momtaza Mehri go from net savvy 6th former to successful millennial poet?

A house belonging to her grandmother is the closest poet Momtaza Mehri has ever come to having a permanent home. Aside from summer months in London, Momtaza's family picked its way across the Middle East.

"Then I just realise, I'm having this typical Somali experience where we're literally going to the places that would be considered the bad 'hoods."

Across a sea, another gulf, was the country her parents no longer called home.

Talking with her mother, Momtaza revisits the childhood experiences that shaped her outlook and her coming of age as a millennial poet.

Poetry extracts are taken from:
I believe in the transformative power of cocoa butter and breakfast cereal in the afternoon
Manifesto for those carrying dusk under their eyes
The Sag
Shan
Wink Wink
November 1997

"The internet just switched up the entire game," Momtaza says.

Producer: Tamsin Hughes
A Testbed production for BBC Radio 4."
momtazamehri  poets  poetry  poems  howwelearn  online  internet  web  blogging  autodidacts  somalidiaspora  tamsinhughes  2018  interviews  radio  profiles  somalia  middleeast  london  experience  childhood  dubai  mogadishu  civilwar  tumblr  publishing  howwewrite  freedom 
july 2018 by robertogreco
Video: Generation Like | Watch FRONTLINE Online | PBS Video
[Somehow forgot to bookmark this back in February.]

"Thanks to social media, teens are able to directly interact with their culture -- celebrities, movies, brands -- in ways never before possible. But is that real empowerment? Or do marketers hold the upper hand? In "Generation Like," Douglas Rushkoff explores how the teen quest for identity has migrated to the web -- and exposes the game of cat-and-mouse that corporations are playing with them."

[See also:
http://www.pbs.org/wgbh/pages/frontline/generation-like/
http://www.pbs.org/wgbh/pages/frontline/media/generation-like/transcript-57/
https://www.youtube.com/watch?v=1gmgXxB9QiA
http://www.pbs.org/wgbh/pages/frontline/generation-like/
http://paleofuture.gizmodo.com/generation-like-the-kids-sell-out-but-dont-know-what-1524517417 ]
generationlike  2014  media  online  web  youth  teens  likes  liking  labor  advertising  facebook  douglasrushkoff  tyleroakley  alissaquart  oliverluckett  kurtwagner  markandrejevic  allisonarling-giorgi  danahboyd  popculutre  society  consumerism  work  celebrity  microcelebrities  youtube  marketing  identity  sellingout  merchantsofcool  presentationofself  exploitation  digital  onlinemedia  socialmedia  socialnetworking  profiles  socialnetworks  tumblr  twitter  hungergames  empowerment  fandom 
october 2014 by robertogreco
Improving Reality | Joanne McNeil
"My talk was concerned with the strangely malleable qualities of time.

What if a digital photograph taken several years from now looks exactly like an image taken today? Digital content appears with minimal visual language distinguishing yesterday from tomorrow and today. Now habits have emerged in which we communicate with the past and even mistake it for the present. Is time itself something mutable on the web, available to us to reimagine and remix?"



"Google privileges the relevant over the new — and our search habits on the web work the same. Why might I have guessed that after sitting there abandoned for thirty years, it would be gone just as I had the chance to see it? I made the mistake the people using that Haiti image had done — confused the past for the present.

I went out anyway, to see for myself, see the place in context, see if there was anything left. I stood there looking at my iPhone with Google Earth satellites telling me I should be in the middle of this fantastic place. But I was only standing in the pieces of what used to be.

The web has changed the way we think of time. We see examples of contemporary culture remixing the past, present, and future in celebrity holograms, instagram filters, WW2 in real time tweets.

We can communicate with the past online. Here you see, on an actress’s IMDB page. This conversation went on from 2007 to just recently. Who knows how long people will discuss “does she have a boyfriend or husband?” Until she’s in a confirmed committed relationship? Until she dies? Until the end of IMDB? We’ve never had anything like this before. Messages in the bottle or bathroom graffiti never had a lifespan, accessibility, and community like this.

The mutability of time as its represented online isn’t a cause for alarm. It’s something we can play with, have a little fun —

Early last year, I logged in Friendster after many years of leaving it inactive. And it occurred to me…all these photos of me were old, my favorite movies, books, nothing related to the way I am today. Most of these “friends” I’d lost touch with long ago….it was all frozen in time from the last time I used it, about 2006.

And I began to wish there were a rewind button. That I could look at its first iteration. What I was like when I signed up for the service, my favorite books, my friends then.

So, for a laugh, I created a brand new profile. One as I would have created it a decade before. And I asked my friends — my new friends — to come join me there. These are people I didn’t know then. I got to share my history in an unusual way — show what I used to be like. I would post status updates complaining about my job as a waitress or bragging about reading Ursula LeGuin….
via:litherland  2012  joannemcneil  time  change  internet  web  profiles  avatars  friendster  photography  digital  images  memory  memories  reality  storytelling  howwechange  identity  mallealility  future  past  present 
september 2014 by robertogreco
Twitter / ablerism: a workshop for designers: they ...
"a workshop for designers: they do nothing but develop and write 3 versions of a bio/about page, and 1 sample project narrative"

[thread that followed]

"‏@annegalloway
"@ablerism Yes please. Assessed on intelligibility."

@ablerism
"@annegalloway I recently sent someone to your lab site, and they remarked particularly about how well you articulated the questions/work."

‏@annegalloway
"@ablerism thanks - and that’s nice to hear :) it’s something i believe in strongly and really push my students to do well."

‏@ablerism
"@annegalloway Do you have a basic formula? I relied this past year on the following: Tell us 1) What is your question(s)? +"

‏@ablerism
"@annegalloway 2) What did you make? 3) Walk us through your material choices. 4) Why does it matter? Big > smaller > smaller > very big. +"

‏@ablerism
"@annegalloway I had good exchanges with students using that generally. But I think it could be much better, more nuanced than that."

‏@annegalloway
"@ablerism v similar: 1) what did you want to know? 2) why did you want to know? (can include but must go beyond curiosity/personal interest)

‏@annegalloway
"@ablerism 3) how did you answer it (methods & materials) and why those choices? 4) what did you learn? 5) what would u do differently/next?"

‏@ablerism
"@annegalloway I like your grouping of question + why right up front. And reassured to see the overlaps!"

@annegalloway
"@ablerism I find it helps get away from design as *either* problem-solving *or* self-expression :)"

@ablerism
"@annegalloway Yep. Have you written formally or informally about that both/and wish explicitly?"

‏@annegalloway
"@ablerism Nah - I rant about it so much in class that I try not to think about it otherwise ;)"

@annegalloway
"@ablerism and since I wasn't trained as a designer, I've only recently started to get validation from (some) designers"

‏@ablerism
"@annegalloway I was suddenly wondering whether purselipsquarejaw contained these ideas."
sarahendren  2014  workshopideas  classideas  profiles  biographies  narratives  writing  design  art  communication  teaching  howweteach  projectideas  reflection  presentation 
july 2014 by robertogreco
In The Make | Studio visits with West Coast artists
"Founded in early 2011 by photographer Klea McKenna and writer Nikki Grattan, In the Make is a collaboration that offers an intimate look at current art practice. Through visiting artists in their studios we learn about each artist’s space, process, influences, and the behind-the-scenes elements that are often unseen in a gallery or museum setting. We document these visits with the hope of revealing both the richness and the daily realities of creative work. Our aim is to raise interest in art practice, while simultaneously debunking the romantic myth of the artist. We recognize that creative work is real work, done by real, passionate people in all sorts of different spaces. We are not art critics, but rather deeply curious observers; looking for the ways that each artist’s aesthetic pervades their environment and reveals their perspective.

Our focus on West Coast artists…"
via:ethanbodnar  mikkigrattan  kleamckenna  documentary  artists  glvo  profiles  art  westcoast  california  washingtonstate  oregon  mexico  canada  bajacalifornia  tijuana  britishcolumbia  bc  from delicious
november 2012 by robertogreco
Google Profiles Turn Into OpenIDs
"As part of its push to go more social, Google has been attempting to unify its various account profiles into one Google Profile. And now it’s more useful. Google’s Brad Fitzpatrick has just tweeted out that Google Profiles can now be used as OpenIDs.
openid  open  google  socialnetworking  technology  online  profiles 
november 2009 by robertogreco
Don't tell me (kottke.org)
"and that's as far as I read before deciding that reading yet another article about someone wealthy enough to have a staff helping them opt out of reality is a waste of my time, no matter how well written the article."
reality  wealth  consumption  writing  profiles 
september 2007 by robertogreco
20 Ways To Aggregate Your Social Networking Profiles
"Social network aggregators is a relatively new breed of applications which try to consolidate all your various social networking profiles into one, with varying success. Let’s check out 20 biggest competitors in this field."
aggregator  socialnetworking  social  socialsoftware  internet  profile  tools  onlinetoolkit  online  profiles  del.icio.us  digg  flickr  identity  myspace  software  youtube  twitter  networking  personal 
july 2007 by robertogreco
Passively Multiplayer Online Games
"Passively Multiplayer Online Game (PMOG) where MyWare tracks and catalogues your online activity and assigns a point giving system so checking your email might yield you 10 extra attribute points for "wisdom" or reading the journal of experimental quantu
play  online  socialsoftware  socialnetworks  competition  profiles  pmog  mmog  ambientintimacy  arg 
january 2007 by robertogreco

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