robertogreco + occult   13

Inhumanism Rising - Benjamin H Bratton - YouTube
[See also:
https://trust.support/watch/inhumanism-rising

“Benjamin H. Bratton considers the role ideologies play in technical systems that operate at scales beyond human perception. Deep time, deep learning, deep ecology and deep states force a redrawing of political divisions. What previously may have been called left and right comes to reflect various positions on what it means to be, and want to be, human. Bratton is a design theorist as much as he is a philosopher. In his work remodelling our operating system, he shows how humans might be the medium, rather than the message, in planetary-scale ways of knowing.

Benjamin H. Bratton's work spans Philosophy, Art, Design and Computer Science. He is Professor of Visual Arts and Director of the Center for Design and Geopolitics at the University of California, San Diego. He is Program Director of the Strelka Institute of Media, Architecture and Design in Moscow. He is also a Professor of Digital Design at The European Graduate School and Visiting Faculty at SCI_Arc (The Southern California Institute of Architecture)

In The Stack: On Software and Sovereignty (MIT Press, 2016. 503 pages) Bratton outlines a new theory for the age of global computation and algorithmic governance. He proposes that different genres of planetary-scale computation – smart grids, cloud platforms, mobile apps, smart cities, the Internet of Things, automation – can be seen not as so many species evolving on their own, but as forming a coherent whole: an accidental megastructure that is both a computational infrastructure and a new governing architecture. The book plots an expansive interdisciplinary design brief for The Stack-to-Come.

His current research project, Theory and Design in the Age of Machine Intelligence, is on the unexpected and uncomfortable design challenges posed by A.I in various guises: from machine vision to synthetic cognition and sensation, and the macroeconomics of robotics to everyday geoengineering.”]
benjaminbratton  libertarianism  technology  botcoin  blockchain  peterthiel  society  technodeterminism  organization  anarchism  anarchy  jamesbridle  2019  power  powerlessness  control  inhumanism  ecology  capitalism  fascism  interdependence  surveillance  economics  data  computation  ai  artificialintelligence  californianideology  ideology  philosophy  occult  deeplearning  deepecology  magic  deepstate  politics  agency  theory  conspiracytheories  jordanpeterson  johnmichaelgreer  anxiety  software  automation  science  psychology  meaning  meaningfulness  apophenia  posthumanism  robotics  privilege  revelation  cities  canon  tools  beatrizcolomina  markwigley  markfisher  design  transhumanism  multispecies  cybotgs  syntheticbiology  intelligence  biology  matter  machines  industry  morethanhuman  literacy  metaphysics  carlschmitt  chantalmouffe  human-centereddesign  human-centered  experience  systems  access  intuition  abstraction  expedience  ideals  users  systemsthinking  aesthetics  accessibility  singularity  primitivism  communism  duty  sovietunion  ussr  luxury  ianhacking 
22 days ago by robertogreco
OCCULTURE: 52. John Michael Greer in “The Polymath” // Druidry, Storytelling & the History of the Occult
"The best beard in occultism, John Michael Greer, is in the house. We’re talking “The Occult Book”, a collection of 100 of the most important stories and anecdotes from the history of the occult in western society. We also touch on the subject of storytelling as well as some other recent material from John, including his book “The Coelbren Alphabet: The Forgotten Oracle of the Welsh Bards” and his translation of a neat little number called “Academy of the Sword”."



"What you contemplate [too much] you imitate." [Uses the example of atheists contemplating religious fundamentalists and how the atheists begin acting like them.] "People always become what they hate. That’s why it's not good idea to wallow in hate."
2017  johnmichaelgreer  druidry  craft  druids  polymaths  autodidacts  learning  occulture  occult  ryanpeverly  celts  druidrevival  history  spirituality  thedivine  nature  belief  dogma  animism  practice  life  living  myths  mythology  stories  storytelling  wisdom  writing  howwewrite  editing  writersblock  criticism  writer'sblock  self-criticism  creativity  schools  schooling  television  tv  coelbrenalphabet  1980s  ronaldreagan  sustainability  environment  us  politics  lies  margaretthatcher  oraltradition  books  reading  howweread  howwelearn  unschooling  deschooling  facetime  social  socializing  cardgames  humans  human  humanism  work  labor  boredom  economics  society  suffering  misery  trapped  progress  socialmedia  computing  smarthphones  bullshitjobs  shinto  talismans  amulets  sex  christianity  religion  atheism  scientism  mainstream  counterculture  magic  materialism  enlightenment  delusion  judgement  contemplation  imitation  fundamentalism  hate  knowledge 
february 2018 by robertogreco
OCCULTURE: 57. John Crowley & John Michael Greer in “The Slow Decline” // Talking Crows, Pocket Utopias & the Future of Storytelling
"John Michael Greer joins the show to chat with author John Crowley about his latest novel, “Ka: Dar Oakley in the Ruin of Ymr”, as well as Frances Yates, creative writing, pocket utopias, the future of storytelling and the slow decline of industrial society."
johnmichaelgreer  ryanpeverly  johncrowley  occulture  decline  2017  crows  corvids  literature  fiction  occult  storytelling  birds  animals  stories  myth  mythology  utopia  pocketutopias  animism 
february 2018 by robertogreco
OCCULTURE: 67. Carl Abrahamsson & Mitch Horowitz in “Occulture (Meta)” // Anton LaVey, Real Magic & the Nature of the Mind
"Look, I’m not gonna lie to you - we have a pretty badass show this time around. Carl Abrahamsson and Mitch Horowitz are in the house.

Carl Abrahamsson is a Swedish freelance writer, lecturer, filmmaker and photographer specializing in material about the arts & entertainment, esoteric history and occulture. Carl is the author of several books, including a forthcoming title from Inner Traditions called Occulture: The Unseen Forces That Drive Culture Forward.

Mitch Horowitz is the author of One Simple Idea: How Positive Thinking Reshaped Modern Life; Occult America, which received the 2010 PEN Oakland/Josephine Miles Award for literary excellence; and Mind As Builder: The Positive-Mind Metaphysics of Edgar Cayce. Mitch has written for The New York Times, The Wall Street Journal, The Washington Post, Salon, Time.com, and Politico. Mitch is currently in the midst of publishing a series of articles on Medium called "Real Magic".

And it is that series paired with Carl’s book that lays the foundation for our conversation here."
carlabrahamsson  mitchhorowitz  occult  culture  occulture  magic  belief  mind  ouijaboard  astrology  mindfulness  buddhism  religion  academia  antonlavey  materialism  mainstream  intellectualism  elitism  mindbodyspirit  2018  esotericism  authority  norms  nuance  change  enlightenment  popculture  science  humanities  socialsciences  medicine  conservatism  churches  newage  cosmology  migration  california  hippies  meaning  psychology  siliconvalley  ingenuity  human  humans  humannature  spirituality  openmindedness  nature  urbanization  urban  nyc  us  society  santería  vodou  voodoo  voudoun  climate  light  davidlynch  innovation  population  environment  meaningmaking  mikenesmith  californianideology  thought  thinking  philosophy  hoodoo  blackmetal  norway  beauty  survival  wholeperson  churchofsatan  satanism  agency  ambition  mysticism  self  stories  storytelling  mythology  humanism  beinghuman  surrealism  cv  repetition  radicalism  myths  history  renaissance  fiction  fantasy  reenchantment  counterculture  consciousness  highered  highereducation  cynicism  inquiry  realitytele 
february 2018 by robertogreco
There’s a reason many more Indians might want to read the works of Clarice Lispector
"Soul over mind

The “grand witch of Brazilian literature” needs no introduction to readers around the world, and yet she remains – puzzlingly – relatively unknown in India. Readers are often expected, even encouraged, to read “foreign” literature to better understand cultures and people other than their own, but the higher purpose of literature, of any art, is to break down the very idea of the foreign, of revealing the essential and not the contingent human condition. Lispector’s writings force us to plunge into the metaphysics of our soul – as opposed to our minds. This is what makes her a writer uniquely important to the Indian sensibility.

Sometimes, reading between the lines of Lispector’s works, one arrives at a relative mysticism, somewhere between hermetic style and discrete metaphysics. For her, it’s not just one life that is in existence, but many lives. No definitive deity, but the destiny of the soul (dharma for many in India), an unreasonable search for happiness.

How, then, can we not be caught by this delicacy, by these intelligent meanderings to which she invites us? How to resist her? How not to be conquered? How, in short, not to read Clarice Lispector?

The value of incoherence

When reading her, one almost gets the feeling of being suddenly plugged into the supernatural in whose presence reason and pragmatism constantly fails and falters. In this, Lispector’s writing is also marked by an instinctive stand against the European insistence on the sole importance of reason. Lispector was a flamboyant believer in the soul, and her search for the unconscious and the divine have deep resonances with the idea of a transcendental supreme reality found in ancient Indian philosophy.
She preferred incoherence and inconsistency to order, and the death-like calm of Switzerland, which epitomised the European love for reason, bored and terrified her."



"And so, suddenly, while reading her, Rio de Janeiro turns into New Delhi, Macabea becomes a woman from Bihar, sitting with her palms stretched out in front of an astrologer on a sidewalk, G.H. is a woman in an apartment in South Bombay searching for god in her maid’s room, Clarice Lispector is a writer living in an Indian city filled with demons, the occult is everywhere like black magic, and poverty is unbearable.

We nod in recognition of the similar and not the foreign. There is no more foreign."
2017  claricelispector  saudaminideo  india  brasil  brazil  incoherence  spirituality  occult  mysticism 
december 2017 by robertogreco
British Museum - Dr Dee's mirror
[via: http://tinyletter.com/metafoundry/letters/metafoundry-12-propositional-density ]

"Dr Dee's mirror

Mexica*, 15th-16th century AD

This mirror was used by the Elizabethan mathematician, astrologer and magician John Dee (1527-1608/9) as a 'shew-stone', one of many polished translucent or reflective objects which he used as tools for his occult research.

The mirror, made of highly-polished obsidian (volcanic glass), was one of many Mexica cult objects and treasures brought to Europe after the conquest of Mexico by Cortés between 1527 and 1530. Mirrors were associated with Tezcatlipoca, the Mexica god of rulers, warriors and sorcerers, whose name can be translated as 'Smoking Mirror'. Mexica priests used mirrrors for divination and conjuring up visions. Dee had an interest in optics and optical mirrors or 'glasses' as described in his private diary and works. he was also interested in psychic phenomena and, from 1583, worked with Edward Kelly as his medium. Kelly would see visions in the 'shew-stones' of 'angels' that communicated by pointing to one square after another in tables of letters and unknown symbols, which Dee and Kelly transcribed.

The case, made to fit the obsidian mirror with its projecting handle, has a paper label with the handwriting of the English antiquary Sir Horace Walpole, who acquired the mirror in 1771. The text begins 'The Black Stone into which Dr Dee used to call his spirits ...'. He has added later 'Kelly was Dr Dee's Associate and is mentioned with this very stone in Hudibras [a satirical poem by Samuel Butler, first published in 1664] Part 2. Canto 3 v. 631. Kelly did all his feats upon The Devil's Looking-glass, a Stone.'

The British Museum has other objects associated with John Dee (see Related Objects and Information).

*The people and culture we know as 'Aztec' referred to themselves as the Mexica (pronounced Me-shee-ka).

J. Cherry, 'Medieval and Later Antiquities' in Sir Hans Sloane: collector, sc (London, The British Museum Press, 1994), pp. 119-221

H. Tait, 'The Devil's Looking Glass: the magical speculum of Dr John Dee' in Horace Walpole: writer, politi (Yale University Press, 1967), pp. 195-212

, Prag um 1600: Kunst und Kultur, exh. cat. (Wien, Kunsthistorisches Museum; Freren, Luca Verlag, 1988)

N.H. Clulee, John Dees natural philosophy: (London and New York, Routledge, 1988)"
objects  mirrors  mexica  mexico  aztec  obsidian  materials  johndee  occult 
november 2014 by robertogreco
Victorian Occultism and the Art of Synesthesia | The Public Domain Review
"Grounded in the theory that ideas, emotions, and even events, can manifest as visible auras, Annie Besant and Charles Leadbeater’s Thought-Forms (1901) is an odd and intriguing work. Benjamin Breen explores these “synesthetic” abstractions and asks to what extent they, and the Victorian mysticism of which they were born, influenced the Modernist movement that flourished in the following decades."



"These sorts of underlying associations between words, colors and sounds were precisely what motivated Thought-Forms. In other words, the book was about synesthesia. The illustration of the music of Mendelssohn reproduced above, for instance, depicts yellow, red, blue and green lines rising out of a church. This, Leadbeater and Besant explain, “signifies the movement of one of the parts of the melody, the four moving approximately together denoting the treble, alto, tenor and bass respectively.” Moreover, “the scalloped edging surrounding the whole is the result of various flourishes and arpeggios, and the floating crescents in the centre represent isolated or staccato chords.” Color and sound had become commingled.

Yet Leadbeater and Besant intended not only to visualize sound, but to demonstrate their distinctive psychic gifts: the ability to detect spiritual “vibrations” of ideas, emotions and sounds as visual forms. This, in other words, was a sort of spiritual synesthesia, as much a religious act as a neurological one."
synesthesia  art  history  occult  religion  anniebesant  charlesleadbeater  benjaminbreen  mysticism  modernism  belief  color  sound  perception  via:alexismadrigal 
march 2014 by robertogreco
Hilobrow | Middlebrow is not the solution
"While these images feature a curious mixture of Catholicism, heterodoxy, folklore, and astrology, there is scant evidence that they encode any coherent mystical or “ancient” wisdom. As far as we know, the hand-drawn decks we have from the Renaissance were designed to amuse nobles with ordinary card games that first entered Europe in the fifteenth century. ... This point is important to emphasize, given the curious fog that cloaks our appreciation of the occult streams that animate the West. On the one hand, secular historians (and most of the better-informed adepts) recognize that the forms and even the content of much of today’s ancient or traditional lore are modern reconstructions rather than unbroken currents."
art  tarot  history  folklore  astrology  occult  tcsnmy  renaissance 
february 2010 by robertogreco

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