robertogreco + monsters + williamkentridge   1

William Kentridge: "The Magic Flute" | ART21 "Exclusive" - YouTube
"Episode #134: In his 2005 production of Mozart's "The Magic Flute" (1791), artist William Kentridge reframes the opera's original themes of Enlightenment philosophy through the bitter legacy of colonialism. "The most toxic combination in the world is...the certainty of being right and a monopoly of power," says the artist, who casts the character of Sarastro in the role of a colonial overlord, "a benevolent figure that hides a monster."

Having witnessed first-hand one of the twentieth century's most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions.

Learn more about William Kentridge at: http://www.art21.org/artists/william-kentridge "
themagicflute  williamkentridge  art  monsters  sarastro  mozart  2005  apartheid  colonialism  certainty  poer 
december 2016 by robertogreco

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