robertogreco + dublin   5

Walking Ulysses | Joyce's Dublin Today
"Eighteen chapters, six hundred and forty-four pages, a quarter of a million words, and seven years in the writing. Over a hundred characters, more idioms, neologisms, and colloquialisms than you can count. Add plots, sub-plots, mini-plots, allusions, correspondences, every rhetorical device listed by Quintillian and then some, a potted history (by example) of the English language since the second century A.D. One single sentence containing 4,930 words. Read it in its Bulgarian, its Korean or Urdu translations, or even in its original English, Ulysses remains a demanding book.

Ulysses is not for the faint hearted.

“I’ve put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant” claimed Joyce, gleefully, we must imagine.

This project is intended to help you solve some of these puzzles.

WALKING ULYSSES is designed to represent, through an exploration of each of the senses, the experience of living in Dublin on a typical day around the turn of the twentieth century. Our map narrates the journey of Stephen Dedalus and Leopold Bloom over the course of a single day, paralleling the progress of James Joyce’s Ulysses, traversing, chronologically, the eighteen chapters of the book. It’s designed to enhance the reader’s vicarious journey through the pages of Ulysses as mediated through the senses of its principal characters.

Our primary source is James Joyce’s minute description in Ulysses of one single day, June 16 1904, as experienced by his fictional characters, Stephen Dedalus and Leopold Bloom. Documenting the journeys of these two men through the streets of Dublin across the expanse of that day, the project is designed to tabulate and elucidate the sensory inputs presented by Joyce. This project sets out to produce not merely a map or streetscape, but, in textual and visual form, a sensescape of Dublin at that time.

The backbone of the project is the map you now see. It traces the movements of Stephen and Bloom as they traverse Dublin from 8.00 in the morning until they retire early the following morning.

Our map records the fictional characters encountered, the streets traversed, and the notable buildings visited or passed, each variously represented by markers and drawings, each accompanied by pertinent lines of the text. To represent these features, we utilized the embedding of image and sound, and links to sites that open up for the reader a deeper appreciation of the text.

The senses of smell and touch repeatedly invoked by Joyce to present the fullness of Dublin life, can be represented only textually. To accompany our production of the map, therefore, we have added our own glosses drawn entirely from contemporary sources.

Our final text, therefore, is designed to present the sensory perceptions encountered in Ulysses within their cultural meaning in Ireland at the turn of the twentieth century.

You can read more about the project in the Boston College Magazine article "Blooms Way" by Matthew Battle and the Chronicle of Higher Education article "This Bloomsday, Try Walking 'Ulysses' Instead of Reading It.""
ulysses  dublin  literature  maps  mappign  books  jamesjoyce  josephnugent  urban  urbanism  stephendedalus  leopoldbloom 
september 2014 by robertogreco
Art for kids in the heart of the city - playDUcation
"The Ark in Dublin was the world's first children's art centre. The City of Melbourne embraced the idea of creating a similar centre and ArtPlay was born: It resides in a big loft in the heart of the city, on the bank of Yarra River and right next to Federation Square. (Thankfully the square has a free public Wifi that I was able to use.)

What happens there? Basically workshops (or should we better call them playshops?) run by artists — painters, sculptors, media designers, dancers, musicians, and so on. The setting and Simon’s leadership are attracting some of Melbourne’s most recognized artists to be part of Artplay. Children up to 13, sometimes together with their families, or as school groups, are attending.

When I visited on a Sunday afternoon there was a group learning about to create a presence on the web: how to set up and maintain a blog, how to spread the word through social media…"

[See also: http://www.ark.ie/ AND http://www.melbourne.vic.gov.au/artplay/Pages/ArtPlayHome OR http://www.melbourne.vic.gov.au/artplay/about/Pages/about.aspx ]
artplay  ark  theark  community  children  artspace  ireland  australia  dublin  melbourne  glvo  learning  education  art  playducation  lcproject  from delicious
january 2012 by robertogreco
Comparing 16th Century Maps to Current Satellite Imagery - Leah Goldman - Technology - The Atlantic
"Remember life before GPS? Instead of to-the-minute maps and turn-by-turn directions to the tune of an Australian woman's voice, we relied on compasses and hand drawn maps.

Georg Braun and Franz Hogenberg compiled Civitates Orbis Terrarum, a book of bird's eye view maps from the 16th century.

Take a look at how the Google Maps of the 1500s compares to today's version, in some of the world's biggest cities."
history  maps  geography  cities  london  cairo  istanbul  mapping  1500s  dublin  moscow  prague  paris  milan  rome  lisbon  frankfurt  florence  2011  googlemaps  satelliteview  aerialphotography  from delicious
april 2011 by robertogreco
BLDGBLOG: Bloomsday
"That is, should you want to describe a man's walk around the city in as detailed and realistic a way as possible, capturing every minor event and instant, then you would have to include the circumstances of that walk in their often bewildering totality: every fragmentary thought process, directionless flight of fancy, and irrelevant detail noticed along the way, via a million and one dead-ends. Things remembered and then forgotten. Deja vu.

That daydream you had early today? That was, Ulysses suggests, part of the infrastructure of the city you live in.

The city here becomes a kind of experiential labyrinth: it is something you walk through, certainly, but it is also something that rears up mythically to consume the thoughts of everyone residing within it."

AND

"Inspired by Bloomsday, then, it seems well-timed to ask not only how our cities can best be mapped – and if narrative is, in fact, the ideal cartographic strategy – but what other physical possibilities exist for narrative expression. Put another way: what if James Joyce had been raised in an era of cheap 3D printers?
After all, given the possibilities outlined above, we might even someday be justified in concluding that Dublin itself is a written text, and that Ulysses is simply its most famous translation."
bldgblog  jamesjoyce  ulysses  flaneur  urbanism  psychogeography  architecture  design  cities  dublin  literature  information  geography  cartography  maps  mapping  fabrication  fabbing  books  experience  narrative 
june 2009 by robertogreco
Global Fast Cities.
"They speak English, and they have the right mix of technology and tolerance to attract talent. They're the international cities competing with the United States for the global talent pool."
business  cities  globalization  innovation  migration  montreal  helsinki  dublin  sydney  vancouver  world  international  creative  english  language  technology  diversity  us  tolerance 
february 2007 by robertogreco

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