robertogreco + cardboard   49

Opinion | The Magic of a Cardboard Box - The New York Times
"On April 20, Nintendo released a new line of accessories for its best-selling Switch game console. Rather than being digital add-ons, they were physical ones: punch-and-fold parts engineered to turn the Switch console into a piano, a fishing rod or a robot. All are made of cardboard.

On March 4, Walmart ads shown during the Oscars centered on shipping boxes. The writer and director Dee Rees, nominated for “Mudbound,” created a 60-second ad in which the threat of bedtime gets incorporated into a sci-fi wonderland a little girl has imagined inside a blue cardboard box.

In June 2014, Google handed out kits for a low-cost virtual reality headset to be used with a smartphone. The headset was named Cardboard, for what it was mostly made of, and users assembled the units themselves.

In April 2012, “Caine’s Arcade,” an 11-minute short featuring a boy named Caine Monroy, was widely shared on the internet. Caine had spent his 2011 summer vacation building an arcade in the front of his father’s East Los Angeles auto-parts store out of the boxes the parts came in. He had the freedom to create an environment because cardboard comes cheap, and his father gave him space.

These 21st-century storytellers turned to cardboard for the same reasons that children have long preferred the box to the toy that came in it: cardboard is light and strong, easy to put up, quick to come down and, perhaps most important, inexpensive enough for experiment. Cardboard constructions can be crushed, painted, recycled and stuck back together. Cardboard furniture can be adjusted as children grow, and cardboard creations become more sophisticated as children gain skills: It is as malleable as the body and the mind.

Technology companies’ embrace of cardboard’s cool suggests something parents and teachers never forgot: The box is an avatar of inspiration, no charging required. Cardboard is the ideal material for creativity, and has been since the big purchase, and the big box, became a fixture of American postwar homes.

Corrugated cardboard boxes were introduced in the 1880s, and slowly replaced wooden crates as the shipping method of choice. Robert Gair, a paper bag manufacturer in Brooklyn, realized that he could slice and crease paper on his machines in a single step. A box could quickly be cut out and scored, creating a flat blank ready to be assembled as needed, the same construction method exploited by Google and Nintendo. Because flattened boxes were easier to ship and distribute, manufacturers could buy them in bulk, assemble, and then ship their own product to consumers.

As household objects grew larger, the play potential of those boxes increased. The purchase of a new washing machine was a cause for celebration in my neighborhood as a child, as it meant access to a new playhouse in somebody’s yard. Dr. Benjamin Spock praised the cardboard box as an inexpensive alternative to a ride-on car or a readymade cottage. In 1951, Charles and Ray Eames mocked up a version of the packing boxes for their Herman Miller storage furniture with pre-printed lines for doors, windows and awnings: When the adults bought a bookshelf, their kids would get a free toy.

Cardboard was considered such a wonder material during this era that Manhattan’s Museum of Contemporary Craft (now the Museum of Arts and Design) devoted a 1967-1968 exhibition, “Made with Paper,” to the medium. With funding from the Container Corporation of America, the curator Paul J. Smith turned the museum galleries into a three-dimensional paper wonderland. The CCA also funded a cardboard playground created by students at the Parsons School of Design that included pleated trees, an enveloping sombrero and a movable maze for children to explore.

James Hennessey and Victor Papanek’s “Nomadic Furniture,” published in 1973, was part of a renaissance in DIY instruction, one that emphasized the cardboard’s open-source bona fides, as online instructions for making your own Google Cardboard did. The “Nomadic” authors demonstrated how to create an entire cardboard lifestyle, one that could be tailored to different sizes, ages and abilities.

Cardboard sets you free from the average, as Alex Truesdell discovered when she began to design furniture with children with disabilities. Truesdell, inspired by another 1970s cardboard carpentry book, developed play trays, booster seats, high chairs and other assistive devices made of corrugated cardboard that could help children with disabilities participate fully in society. As founder of the Adaptive Design Association, Ms. Truesdell was named a 2015 MacArthur Fellow for her work. Her organization offers classes and consultation in design and methods at no and low cost, and expects participants to pass on their knowledge. Cardboard, as a material, wants to be free.

Cardboard’s central role in childhood has not gone unnoticed: in 2005, the cardboard box was inducted into the National Toy Hall of Fame. “We were particularly motivated by the exceptional qualities that cardboard boxes hold for inspiring creative, open-ended play,” says Christopher Bensch, vice president for collections and chief curator at the Strong National Museum of Play in Rochester. Nirvan Mullick, the filmmaker who made “Caine’s Arcade,” went on to found a nonprofit group,, that organizes an annual “global cardboard challenge” — one taken up by over a million kids in 80 countries.

At a time when toys have become ever more complex and expensive, it is worth returning to the box, seeing it not as trash but as a renewable resource for play.

For my daughter’s seventh birthday, she requested a cardboard-themed party. (I swear, I had nothing to do with it.) “Cardboard creations” is a highlight of “choice time” at her school, where kindergartners and first-graders have an end-of-day craft session with shoeboxes and paper towel rolls.

We gave up recycling for several weeks before the party and accumulated an embarrassingly large pile in the center of the living room. When the kids arrived, I waved them toward the boxes and bins of glue sticks, washi tape, paint, wrapping paper scraps and stickers.

“Make whatever you want,” I said, and they did."
alexandralange  cv  cardboard  2018  victorpapanek  nintendo  caine'sarcade  hermanmiller  benjaminspock  jameshennessey  diy  making  makers  alextruesdell  design  disabilities  disability  choicetime  recycling  eames  charleseames  rayeames  robertgair  technology  boxes  creativity  imagination  cainmonroy 
june 2018 by robertogreco
Allen Tan on Twitter: "whaaat this is awesome"
"whaaat this is awesome
["Nintendo is making a bunch of weird DIY cardboard toys for the Switch and they’re awesome" , see also ]

so exciting to see the switch be the culmination of weird things that nintendo has been trying to push all its life

like they have been trying to do one-off controllers for F O R E V E R

all right, y’all need to know about some amazing historical examples of cardboard toys


first of all, @LangeAlexandra wrote a book about some of this stuff

["All the people in my tl going nuts for the Nintendo cardboard kids. Buy them, then go buy “Cardboard Carpentry” or “Nomadic Furniture” or other literature from the 1970s heyday of cardboard creativity.…" ]

1/ ‘Big Jim was Mattel’s non-military version of GI Joe, a handsome guy with a partner named “Josh.” (made of vinyl and cardboard)’

2/ In the early 70s Milton Bradley made 4 cardboard playsets ranging from SPACE to PLANET OF THE APES to a…HOUSE and, finally, MARVEL WORLD (feat all the characters you know, and more)

3/ and then when Star Wars came out they made the same thing but for the death star etc etc

(even more photos:,playset/Interesting … )

4/ BEFORE THAT THOUGH, the 60s featured this cardboard fireplace set feat. a “realistic fireglow effect”

(it’s a fan)

5/ lastly, for the design nerds, Roger Limbrick, under the POLYPOPS brand, made 5 large-scale constructions that were meant for kids to crawl around in and move

“Roger was particularly interested in developing designs which produced movement and active play
in children […]

The design was made from one pre-punched and creased cardboard shape - 18 pieces
for self assembly by folding and interlocking. No glue”

uh, what else

oh, well, since you asked

6/ the 50s features this (life-sized, I think?) golf cart made of cardboard

(courtesy of this listings site: )

7/ this cardboard whistle? accordion? idk

anyway, there’s lots more to find, if you’re willing to dig around ebay"
allentan  cardboard  toys  history  classideas  nintendo  2018  nintendoswitch  nintendolabo  rogerlimbrick  polypops  children  play  1960s  1970s  miltonbradley  starwars 
january 2018 by robertogreco
polypops cardboard toys
"Originally commissioned in 1966 as a two year design / research project for the
Reed Paper Group to explore new ideas and uses for corrugated cardboard.
Roger Limbrick designed a series of children's large action toys, Stephen Bartlett furniture, and Clifford Richard created the packaging graphics."

[via: ]
cardboard  classideas  via:tealtan  rogerlimbrick  1960s  1966  stephenbartlett  cliffordrichard  polypops 
january 2018 by robertogreco
Farhad Ahrarnia | Lawrie Shabibi
"Farhad Ahrarnia was born in Shiraz in 1971 and holds a degree in Experimental and Documentary Film Theory and Practice from the Northern Media School, Sheffield Hallam University, UK.

Farhad Ahrarnia’s practice comprises a diverse range of meticulously crafted works that cover questions of ideological narratives, national identity and intercultural exchange. He is deeply influenced by the traditions of his hometown Shiraz; his methodology consists of ancient techniques associated with its indigenous culture such as embroidery, metalwork and mosaic to draw on sociocultural constructions and motives that reference national codes. The series of silver-plated copper dustpans and shovels embossed with fragments of Shiraz, explore Iran’s perished glory. With a sense of irony, these mundane utensils are transformed to recall the country’s historical richness and forgotten grandeur.

Another key influence is Kazimir Malevich, the works of that modernist Suprematism being reminiscent of the urban labyrinth that was Shiraz in the seventies and eighties, where Ahrarnia grew up amidst modernist architecture overlaying ancient ruins to create a dynamic city. The sublime beauty and quasi-religious experience inherent to Malevich’s work address a universality which is transcendent of national cultures and identities.

Iconic models of American culture such as Hollywood portraiture, beauty pageants, Time magazine covers or heroic war photography are overlaid with embroidery which imbues them a further layer of meaning - tactile, personal and immersive, inviting reflection on the actual significance of these otherwise self-evident images. The stitching and loose threads inflicted on these mass-distributed images symbolize their media-constructed nature and the ideologies and power structures that are embedded within.

By juxtaposing traditional Orientalist craft techniques and paragons of popular culture, Ahrarnia thus explores the dichotomy between Islamic traditions and Western society’s aspiration for progress and modernity."

[See also:

"Farhad Ahrarnia | “Something for the Touts, the Nuns, the Grocery Clerks and You”"

"Lawrie Shabibi is delighted to welcome back Farhad Ahrarnia for his second solo exhibition at the gallery opening on 8 February. The exhibition brings together new works from his ongoing wall-based Khatam series based on the sparse compositions of Max Bill, El Lissitzky and Kazimir Malevich alongside a new series entitled Something for the Touts, the Nuns, the Grocery Clerks and You, which comprise works on cardboard with gilded illuminations painted on their surfaces."

"Farhad Ahrarnia Fuses High And Low Art At Lawrie Shabibi"

"The Iranian artist’s exhibition mixes his ongoing Khatam series with a new series that elevates the humble cardboard box with gilded illuminations
Something for the Touts, the Nuns, the Grocery Clerks and You, Farhad Ahrarnia’s second solo exhibition at Lawrie Shabibi in Dubai, takes its playful name from the poem of the non-conformist Charles Bukowski.

This is an exhibition of two apparently contrasting halves. First, the refined Khatam with their intricate patterns formed of precious materials and then Ahrarnia's new series of reused cardboard boxes, stamped with Made in Iran logos. Yet, on closer inspection, these apparently worthless pieces of cardboard, which once contained everyday, locally-manufactured products such as kerosene lamps and hair spray, are embellished with delicate passages of Tazhib or gilding, a traditional technique of drawing patterns. Through such contrasting detail, Ahrarnia intends to “raise their significance and cultural value, turning them into critical and self-referential art.”

They are a commentary on the contrasts of contemporary Iran; a modern industrial society that still clings steadfastly to its rich cultural history. Through these pieces, Ahrarnia puts his own spin on Bukowski’s Dickensian way of exploring the “We have everything and we have nothing” paradox, a comment on the societal chasm that exists in Iranian society. Imbued with literary and artistic subtext, this series also takes a cue from the cardboard-based 1970s works of US artist Robert Rauschenberg.

Seemingly in contrast, yet sharing many of the same traditonal Iranian motifs, are new pieces from Ahrarnia’s ongoing Khatam series. For these creations, Ahrarnia explores the more lavish, “high art” side of Iran’s cultural history, employing the micro-mosaic technique of Khatam, using materials such as ivory, camel bone, wood, copper, silver and brass to create jewel-like, geometric patterns.

Although Ahrarnia is now largely based in the UK city of Sheffield, he remains strongly influenced by the traditions of his hometown Shiraz. Craft is the heart of Ahrarnia’s creations and both collections here use age-old Iranian techniques, fused with more modern geometric and abstract elements. Some particularly bear the influence of early 20th century Russian Constructivist art, reflecting the artist's admiration of the Russian Suprematist Kazimir Malevich in the strong geometry of their composition.

Through these works, Ahrarnia seems to say that, despite industrialisation, tradition still provides the unifying force behind Iranian society."

"Opening tonight: Farhad Ahrarnia at Lawrie Shabibi"

"An interesting collection of art is going up at Lawrie Shabibi Gallery in Dubai for their new exhibition. Something for the Touts, the Nuns, the Grocery Clerks and You is the title of the exhibition by Farhad Ahrarnia that opens at the gallery at 6pm tonight. The main body of the show consists of cardboard collected from Shiraz, Esfahan and Tehran in Iran with gilded illuminations painted on their surfaces. There are also new pieces from his on-going wall-based Khatam series. There is therefore, a mix of high art ornamentation and discarded cardboard boxes. The artist is interested in the potential of traditional craft, emphasising its engagement with the modern and embedding various cultural sensibilities onto two seemingly incongruous surfaces.

The unusual title is taken from a poem by Charles Bukowski, a German-born American poet, novelist, and short story writer who was notorious for writings that were influenced by his home surroundings and the impact of modernisation and industrialisation on the poor and working classes."]
art  artists  iran  farhadahrarnia  lawrieshabibi  cardboard  mosaics  khatam  robertrauschenberg  gilding 
february 2017 by robertogreco
Cardboard Challenges: No Tech/Low Cost Maker Education | User Generated Education
"I believe in the importance of participating in ongoing and continuous reflective practice as an educator. This is my reflection on my Cardboard Challenges Maker Education Camp that was taught to twelve 5 to 10 year old learners for five days, 2.5 hours each morning. My Cardboard Challenges webpage of ideas can be found at

This post is divided into three sections: (1) a rationale for using no tech, minimal cost materials, (2) some of my general observations about how the learners interacted with the materials, the projects, and each other during the camp, and (3) a description of the specific cardboard activities along with my observations how well they worked with the learners."
cardboard  education  making  classideas  jackiegerstein  2016 
august 2016 by robertogreco
adaptive1 | Learning Library
"The Adaptive Design Association abides by the “open source” philosophy of design and fabrication. This does not mean that we simply offer our techniques and processes free of charge, but that we share them with a community who can build and expand upon what we teach. We hope that you -- whether you be a student, teacher, parent, designer, or therapist -- will in turn share your own concepts and designs with us, so that we may grow together.

Our community blog and forum is a platform for individuals to share adaptive design techniques, problems, and solutions with each other from all over the world -- and we encourage you to follow and join the conversation here.

The Adaptive Design Association also embraces a non-proprietary stance with our designs. Our work is not about the item -- but about the child -- and about children in every school or home whose environments might not be built for them.

When we focus on ownership, we delay in building -- and ultimately hinder a child from reaching their full potential. So please Take, Build, Improve, and Expand upon the things you see here -- but understand not only what you are doing -- but for whom -- and do so safely and collaboratively with others."
diy  howto  cardboard  via:ablerism  tutorials  opensource  classideas  projectideas  lcproject  openstudioproject  sfsh  adaptivedesign 
july 2016 by robertogreco
Miroslav Tichý - Wikipedia
"Miroslav Tichý (Czech pronunciation: [cɪxiː]; November 20, 1926 – April 12, 2011) was a photographer who from the 1960s until 1985 took thousands of surreptitious pictures of women in his hometown of Kyjov in the Czech Republic, using homemade cameras constructed of cardboard tubes, tin cans and other at-hand materials. Most of his subjects were unaware that they were being photographed. A few struck beauty-pageant poses when they sighted Tichý, perhaps not realizing that the parody of a camera he carried was real.[1][2]

His soft focus, fleeting glimpses of the women of Kyjov are skewed, spotted and badly printed — flawed by the limitations of his primitive equipment and a series of deliberate processing mistakes meant to add poetic imperfections.[3]

Of his technical methods, Tichy has said, "First of all, you have to have a bad camera", and, "If you want to be famous, you must do something more badly than anybody in the entire world."[4][5]

During the Communist regime in Czechoslovakia, Tichý was considered a dissident and was badly treated by the government. His photographs remained largely unknown until an exhibition was held for him in 2004. Tichý did not attend exhibitions, and lived a life of self-sufficiency and freedom from the standards of society.[4]"

[See also: ]
miroslavtichý  cameras  photography  diy  homemade  cardboard 
april 2015 by robertogreco
Fattelo!™ The opensource design project.
"Fattelo!™ is a literal translation of the English phrase “DIY” or “do it yourself” – the culture of building and fixing things for yourself. Fattelo!™ promotes customer participation, trusting in the collective know-how of its customers, transcending barriers, and encouraging a return to a hands-on attitude and the capacity of every human to think, interact, and create.

Why Open source participatory? Because every object will be available on our e-commerce to buy, or on our website you can download for free the instructions to make your own version!

Fattelo's first project is 01Lamp, the opensource carboard lamp (a nice looking one though!) you can buy from or you can do-it-yourself from a regular pizza box."
via:ablerism  diy  opensource  design  lamps  cardboard 
july 2014 by robertogreco
"Virtual reality has made exciting progress over the past several years. However, developing for VR still requires expensive, specialized hardware. Thinking about how to make VR accessible to more people, a group of VR enthusiasts at Google experimented with using a smartphone to drive VR experiences.

The result is Cardboard, a no-frills enclosure that transforms a phone into a basic VR headset, and the accompanying open software toolkit that makes writing VR software as simple as building a web or mobile app.

By making it easy and inexpensive to experiment with VR, we hope to encourage developers to build the next generation of immersive digital experiences and make them available to everyone."
cardboard  android  google  diy  virtualreality  vr 
june 2014 by robertogreco
"Ana Serrano is a first generation Mexican American born in Los Angeles, California in 1983. Inspired by both of the cultural contexts in her life, she creates work utilizing a variety of mediums including drawing, collage, sculpture, and motion. Her work bears reference to those in low socioeconomic positions, with particular interest in the customs and beliefs, as well as the architecture, fashion, and informal economies present within this segment of society. A current theme explored in her work is the socio-cultural aspects of drug trafficking, and the branding and acceptance of the drug lord lifestyle. She is a graduate of Art Center College of Design and currently resides in Los Angeles, California."

[via: ]
anaserrano  art  artists  losangeles  mexico  cardboard 
march 2014 by robertogreco
Fab Lab Barcelona > Fabricacion Digital Personal | ELEFab
"The concept of the design of the Ele-Fab was to create a 3D puzzle that would be numbered and assembled by the kids. In order to create this elephant, a digital mesh was downloaded from the internet and adjusted to create a triangulated self-supporting structure of 95 pieces.

Additional triangulated pieces were designed to fold in from the inside in order to provide additional bracing for the exterior triangulation. All the pieces were then numbered and lasercut in cardboard at half-scale for testing purposes.

Once the design was finalized, the elephant pieces were transported to the Montjuic Castle, where kids were introduced to laser cutting techniques through a small presentation. The kids then curiously assembled the pieces by searching for similarly numbered sides and joined them with zipties."

[Direct link to video: ]
cardboard  elephants  animals 
november 2013 by robertogreco
Cardboard Planetarium — DIY star-gazing for kids! | PingMag : Art, Design, Life – from Japan
[Wayback Machine: ]

"The Perseid meteor shower was recently visible in the sky. Did you see it? Finding the right time and place to spot the spectacle was a bit of a pain. In the summer holidays, many people want to see the stars but don’t have the money to go to a proper planetarium. If you are one of these people, did you know you can make a planetarium out of some unconventional materials?

At temperatures over 35 degrees Celsius, PingMag popped along to an elementary school gymnasium to watch a special kids’ workshop by Art Studio Asahigaoka, a group of art college students, teaching children to build a planetarium… out of cardboard boxes!"

[Another cardboard planetarium: ]
pingmag  cardboard  ncmideas  architecture  decay  memory  2013  projectideas  children  astronomy  planetariums  artstudioasahigaoka  japan  diy 
august 2013 by robertogreco
BBC News - Why Finnish babies sleep in cardboard boxes
"For 75 years, Finland's expectant mothers have been given a box by the state. It's like a starter kit of clothes, sheets and toys that can even be used as a bed. And some say it helped Finland achieve one of the world's lowest infant mortality rates."
babies  culture  finland  parenting  2013  infantmortality  cardboard  health  healthcare  society  mothers  children  priorities 
june 2013 by robertogreco
Cardboarder - DIY
"When humans first layered fragile paper into heavier sheets, the Cardboarder was born. Light, but sturdy, this creature walks the Earth, making spectacular shapes from what was once trash. The Cardboarder breathes life into simple boxes, rescuing them from the clutches of recyclers."
cardboard  diy  2013  skills  making 
may 2013 by robertogreco
cardboard carpentry |
"Last week I started a new project: getting trained in cardboard carpentry at the Perkins School for the Blind. Perkins has a long and storied history, and they develop high-tech Braillers and more. But it’s the assistive device center that has me obsessed—they’re building all kinds of prosthetic supports and aids out of tri-wall cardboard, a material I’ve come to think of as completely magic in recent months. I’ll update this post and say more as I go, but I had to get these photos up."
prototyping  2012  sarahendren  cardboard  from delicious
december 2012 by robertogreco
paper layers form the black paper 37 chair by vadim kibardin
"russian designer vadim kibardin has conceived 'black paper 37', an armchair made of 37 paper layers and cardboard. the functional surface is formed by arranging sheets one by one to achieve the required height of the chair.

the piece is a result of experiments with various materials, but also an exploration of the 'chaos and sequence' theory, documented in his research paper here. the outcome is an attempt to understand the beauty in disorder, to then reach and articulate the limbo state of balance between this disarray and its antithesis.

kibardin says of his design:

'simple paper not only possesses high constructional characteristics but can also dazzle through the beauty of its contours. a distinctive texture of the chairs’ overlay encourages a dialog with a user, where a distinctly personalized form of the chair can be created by rumpling and chopping paper layers.'"

[Chaos research: ]
disorder  beauty  vadimkibardin  chaos  2012  paper  cardboard  design  furntiure  via:carwaiseto  from delicious
august 2012 by robertogreco
Makedo construction toy makes Lego look positively limiting - Core77
"From a cognitive development standpoint, you could argue that the strength of Lego is also its only drawback: The parts are standardized. Which is to say, a child never has to think about the connections or the materials, as they're both fixed. They are free to create--as long as they remain within the boundaries of what the building blocks are capable of.

Enter Makedo, which is something like Lego for the real world. It's a system of connectors that lets the child join a variety of material together, paper cups, cardboard, empty boxes, and whatever else you've got laying around. A series of simple (and safely blunted) tools enable the child to perform primitive construction operations and modify materials to accept the connectors, truly reinforcing the notion that you can shape the world around you with a little imagination and elbow grease." [Forgot about this, glad to see it pop up again.]
papercraft  core77  lego  play  make  making  cardboard  makedo  diy  edg  srg  glvo  toys  building  from delicious
january 2011 by robertogreco
makoto orisaki: 'or-ita' rotary cardboard cutter blade - part 1
"makoto orisaki has developed 'or-ita', a special shaped blade which fits inside any rotary cutter. with this tool one can perforate cardboard or any other dull material, and then fold it just like paper, sculpting the chosen medium in their own way. the young japanese designer has created a limited edition of these self-made cutter blades, which he is selling in order to earn enough money to start mass producing them.

using this new tool, six designers have created three-dimensional works made of cardboard, demonstrating the blade's capabilities. the have been presented in an exhibition entitled 'cardboard high', curated by designboom friend eizo okada (publisher of, and was on show at claska gallery&shop in tokyo, during tokyo designtide 2010."
cardboard  origami  design  tools  craft  folding  makotoorisaki  from delicious
december 2010 by robertogreco
encore heureux: babel kit
"while the tower of babel has over time manifested itself in many architectural variations, this simple cardboard structure made by encore heureux for cité de l'architecture et du patrimoine is aimed at children. it is a part of the micro architecture 'minimousse 4' competition whereby 13 architects were invited to create a cardboard hut for a child's room

'babel kit' is currently being shown at carton plein exibition and has also been featured at maison & object 2010."
cardboard  construction  towers  towerofbabel  children  play  architecture  design 
january 2010 by robertogreco
shigeru ban: paper tower
"shigeru ban's paper tower is part of the size + matter project which matches
shigeruban  architecture  paper  cardboard 
september 2009 by robertogreco
diane steverlynk: cardboard coverings
"'cardboard coverings' were designed by belgian textile designer, diane styverlynk.
cardboard  design  sustainability  recycling  materials 
june 2009 by robertogreco
Art Review - A Self-Taught Artist at Knoedler and Company and Ameringer Yohe Fine Art -
"Castle was born in Idaho in 1899, nine years after it became a state, and died there in 1977, without ever venturing very far from the three successive farms on which his family lived. He probably never knew the meaning of the word “artist,” but he must have sensed his specialness on some level. You can feel his conviction in the drawings and constructions in the two latest New York gallery shows of his extraordinary work, which has been known to the mainstream art world only since the late 1990s."
art  autodidacts  artists  cardboard  outsiderart  outsiders  self-taught  outsider 
march 2009 by robertogreco
rennpappe 09: cardboard sled races
"during the three days of the workshop, 52 students of 10 international design schools had the task of creating a sports vehicle, only using cardboard found in the streets of the city centre, glue and cutters. the 'rennpappen' (racing cardboards), designed and made at the university in just one and a half days, were thoroughly tested in an exciting race held on the snow of the obereggen-latemar ski area, italy."
cardboard  make  diy  sleds  tcsnmy  classideas  design  recycling  materials 
march 2009 by robertogreco
Kim Beck I Ideal Cities I Works
"Using images of architecture and landscape, Kim Beck makes drawings, prints, paintings and installations that survey peripheral and suburban spaces. Her work urges a reconsideration of the built environment - the peculiar street signs, gas station banners, overgrown weeded lots, and self-storage buildings — bringing the banal and everyday into focus."
kimbeck  artists  nature  green  design  landscape  sculpture  architecture  installation  portfolios  art  cardboard  glvo  via:reas  cities  suburbs  publicstorage  space  builtenvironment 
february 2009 by robertogreco
Step into My Office - Dwell Blog -
"A sign of the times? French designer Paul Coudamy's offices for the advertising firm Beast are made entirely from corrugated cardboard. Coudamy's solution to the agency's small budget and tight timeline was to cut, glue, and tape the 4cm-thick cardboard sheets into 20 workspaces and "confessional" meeting rooms, with silver photo umbrellas used to diffuse the overhead lighting."
cardboard  furniture  glvo  edg  tcsnmy 
november 2008 by robertogreco
MAKE: Blog: iPhone document scanner
"Here's a clever cardboard iPhone rig by Cincinnati design student Kyle A Koch which keeps it at the right distance to photograph sheets of printer paper. Apparently Kyle and I share a propensity for losing hard copies of things. Via Core77."
iphone  cardboard  scanners  imaging 
september 2008 by robertogreco
Cut cardboard with an electric carving knife | Parent Hacks
"This is great as a carving knife, but even better for all those times you need to cut cardboard for your childrens' projects. I have yet to use the knife for my own children, but as a teacher I use it all the time."
cardboard  tips  tools 
august 2008 by robertogreco
Super Colossal » Cardboard Cubby
"To be honest, I am not really sure what they were after, but we produced a prototype for a flat-pack cubby house, made of cardboard that would could be recycled easily once it is no longer fun, or when it rains, whichever comes first."
architecture  cardboard  children  sustainability  play  structures  via:cityofsound 
february 2008 by robertogreco
"Have you ever wondered what you can do with all that cardboard you throw out? Now there is something you can do! Roll up your sleeves and learn the basics of cardboard carpentry!"
design  education  cardboard  make  diy  learning  environment 
september 2006 by robertogreco

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