robertogreco + amsterdam   23

BYBORRE - Mastering Knit
"Byborre is an Amsterdam based textile innovation studio working on the frontiers of material development, functionality and aesthetics through engineered knits.

Signature to Byborre are the innovative hand-rendered techniques that, through direct interaction with their circular knitting machines, give the studio full creative freedom to play with patterns, colours, and textures within their fabrics. Designing from the yarn up allows Byborre to discover new possibilities both within their own collections and for leading brands.

Over the past six years Byborre has worked with clients such as Nike, wings+horns, The North Face, and Daniel Arsham. Through consultation and collaboration with other brands, Byborre pushes knit innovation to find creative ways to achieve the project’s goal. The archetypical clothing pieces in the studio’s own label tell an important story about the relationship between material and machine, along with introducing a new approach to fashion where process and product are equally important.

Over the past six years Byborre has worked with clients such as Nike, wings+horns, The North Face, and Daniel Arsham. Through consultation and collaboration with other brands, Byborre pushes knit innovation to find creative ways to achieve the project’s goal. The archetypical clothing pieces in the studio’s own label tell an important story about the relationship between material and machine, along with introducing a new approach to fashion where process and product are equally important."
clothing  uniform  fashion  glvo  projectideas  amsterdam  materials  knits  knitting  design  clothes  wearable  wearables  byborre  textiles 
4 weeks ago by robertogreco
Typographic Matchmaking in the City 2.0 on Vimeo
"Typographic Matchmaking in the City 2.0
2010 (video 33min.)

Jan de Bruin Productions and the Khatt Foundation
. Shot on several locations in Amsterdam, Dubai (UAE), Sharjah (UAE), Pingjum (Friesland), and Doha (Qatar), Typographic Matchmaking in the City : the Film follows the 5 teams of Dutch and Arab designers that participated in the project over a period of 18 months while they were traveling, working together, and presenting their work in progress to culturally and professionally diverse audiences. The film makes visible not only the design process, the struggles and challenges of the designers, but also addresses the larger topics of bringing two cultures into a dialogue through design. The personalities of the designers show through their collaborative process, discussions, interactions and the final design outcomes. The film gives a very humane and personal portrait of the process of creation and creativity. Edited by Ans Kanen."
typography  arabic  amsterdam  dubai  sharjah  pingjum  doha  qatar  design  graphicdesign  process  video 
6 weeks ago by robertogreco
Below the Surface - Archeologische vondsten Noord/Zuidlijn Amsterdam
"The archaeological project of the North/South metro line

Urban histories can be told in a thousand ways. The archaeological research project of the North/South metro line lends the River Amstel a voice in the historical portrayal of Amsterdam. The Amstel was once the vital artery, the central axis, of the city. Along the banks of the Amstel, at its mouth in the IJ, a small trading port originated about 800 years ago. At Damrak and Rokin in the city centre, archaeologists had a chance to physically access the riverbed, thanks to the excavations for the massive infrastructure project of the North/South metro line between 2003 and 2012.

Rivers in cities are unlikely archaeological sites. It is not often that a riverbed, let alone one in the middle of a city, is pumped dry and can be systematically examined. The excavations in the Amstel yielded a deluge of finds, some 700,000 in all: a vast array of objects, some broken, some whole, all jumbled together. Damrak and Rokin proved to be extremely rich sites on account of the waste that had been dumped in the river for centuries and the objects accidentally lost in the water. The enormous quantity, great variety and everyday nature of these material remains make them rare sources of urban history. The richly assorted collection covers a vast stretch of time, from long before the emergence of the city right up to the present day. The objects paint a multi-facetted picture of daily life in the city of Amsterdam. Every find is a frozen moment in time, connecting the past and the present. The picture they paint of their era is extremely detailed and yet entirely random due to the chance of objects or remains sinking down into the riverbed and being retrieved from there. This is what makes this archaeological collection so fascinating, so poetically breathtaking and abstract at one and the same time.

In the following pages the scope and methods of the excavations are explained with special reference to the special nature of the River Amstel as an archaeological site, the specific goals of the research at Damrak and Rokin and the digital processing of the hundreds of thousands of finds, resulting in the website belowthesurface.amsterdam and the catalogue Stuff which presents 11,279 photographs of finds of the North/South metro line archaeological project."
amsterdam  history  museums  archaeology  rivers  cities  webdev  archives  time  timelines  collections  classideas 
june 2018 by robertogreco
University of the Underground
"The University of the Underground was founded in February 2017, as a charity with a ANBI status (RSIN 8575.82.781), with the purpose of creating a global engagement with society as a whole, bringing generations together, to democratise access to public institutions and trigger changes and critical reflections through the use of creative, experiential and design practices. With an explicit focus on social dreaming, critical design, social actions, politics, theatrical practices, film, music and experiential practices; it aims to provide toolkits for members of the public to actively participate in revealing power structures in institutions. The University of the Underground supports unconventional research and practices that apprehend and challenge the formulation of culture, the manufacture and commodities of knowledge. The University of the Underground believes in a transnational form of education, which goes across borders and beyond nation-states. We are based in Amsterdam but we are nurturing other tuition-free global initiatives.

We work on multiple outlets:

WE ARE AN EDUCATIVE STRUCTURE
What is the Master Design of Experiences?
What is the structure of the MA Design of Experiences?
Who is encouraged to apply?
Why is it a tuition free programme?
Why is it most urgent?
What is the output of the programme? What do students create?
What is the Design of Experiences' manifesto?
What are the criterias of the MA Design of Experiences?
Is the MA Design of Experiences an accredited MA curriculum?

WE ARE A CULTURAL INSTITUTION SUPPORTING UNCONVENTIONAL RESEARCH PRACTICES
We are a research office for unconventional creative practices
We are producing live events: The Dreamers of the Day talk series
We are a library
We are a radio station and sound studio"
lcproject  openstudioproject  education  culture  design  research  glvo  learning  altgdp  democracy  politics  change  amsterdam  alternative 
april 2018 by robertogreco
Against Infographics - Art Journal Open
"When design is excellent, graphics reveal data, writes the infographics guru Edward Tufte.1 Good information graphics allow the reader to see relationships not apparent in data without visual form. In principle, such graphics do not impose interpretations but, by showing relationships, make interpretations possible. In Tufte’s oft-quoted phrase: “Good design is clear thinking made visual.”2 Things become considerably more difficult, however, if, pace Tufte, your analytic goal is to complicate rather than to simplify, to open multiple avenues of inquiry, and, most important, to challenge the stability of underlying data, in fact or in principle.

All of these complexities are probed intensely in Depictions, an ongoing print series by the Dutch artist Gert Jan Kocken (b. 1971). Depictions consists of room-size maps of European cities during the Second World War—Rome, Vienna, Munich, and Berlin along the north-south axis of fascism; London, Rotterdam, Amsterdam, Łódź, Warsaw, and Stalingrad along the east-west corridor of conflict—each built up in layers from dozens of source maps unearthed in archives. Kocken’s three-by-four meter Depictions of Berlin, 1933–1945 (2010), for example, is constructed from 104 historical maps, which the artist scanned, georectified, layered into a single digital image, and rendered as a C-print. The resulting composite is a welter of information representing the breakneck change, contradictory claims, and massive data production of the Second World War.

Visually, Kocken’s Depictions are both familiar and strange. Anyone who knows Berlin, particularly the internal borders drawn in 1945 and ossified in the Berlin Wall that remain central to the city’s identity, will easily recognize the terrain of Depictions of Berlin. But other cartographic ghosts visible in the work are invisible on the ground. In Kocken’s map, along with the outlines of the wall, we see the process of ethnic cleansing as registered in contemporary reports, the footprint of Germania, the megacity with which Hitler intended to replace Berlin, and the view from Allied bombers. At once, the Depictions series draws on the data-rich tradition of monumental history painting, as seen, for example, in Albrecht Altdorfer’s The Battle of Alexander at Issus (1529), and on the defocalizing, allover paintings of Jackson Pollock, Lee Krasner, and other artists working in the 1940s and 1950s. Kocken’s Depictions are simultaneously narrative and aleatory."



"For infographic purposes, there are a number of more obvious ways to deal with historical maps than Kocken’s approach. In the first place, we have the computer interface. Clearly, this is a resource available to Kocken, as his maps all pass through digital mediation on their way to their final printed form. One can easily imagine, for example, a mapping application that allows users to pick and choose among the 104 maps that constitute Kocken’s Depictions of Berlin, selecting display options such as color, opacity, and so forth. And, indeed, many such engines exist. Moreover, with the right approach, even Kocken’s print artifact could be rendered more legible. Kocken chose a different angle, allowing competing stories to conflict visually as well as epistemologically. In places, this conflict produces illegibility not unlike what we find in the dark regions of the Ypres map; in other places, coherences and transparencies are themselves a surprise.

In an age of infographics, we tend to forget that infographics age and the foreignness of old graphics matters to our understanding of them. Kocken’s Depictions show us that information graphics are always historical and conveying their opacity is as much a part of the historical project as is translating them into a contemporary visual language."
via:shannon_mattern  ambiguity  cartography  epistemology  complexity  art  maps  mapping  gertjankocken  danielrosenberg  2016  edwardtufte  visualization  infographics  berlin  amsterdam  rotterdam 
march 2016 by robertogreco
DIGITAL PUBLISHING TOOLKIT for the Arts and Culture | RAAK-MKB project by Institute of Network Cultures, Hogeschool van Amsterdam
"Digital Publications are slowly ascending since a couple of years. Due to the rise of tablets and smartphones this development has accelerated and by now these publications – e-books, newspaper apps and digital magazines – are forever part of our media landscape. More and more people use mobile devices to read books and magazines and the coming years this way of information processing will dominate the market. Publishers can’t stay behind in relation to digital publishing. However, many publishers in the art- and cultural sector are unfamiliar with these developments. They do not have the knowledge, resources and capacities to develop new methods of digital publishing and participate in the digital market. Moreover, the art- and culture books have an extra challenge, because the form and content are deeply intertwined.

This RAAK-MKB project will provide the research and realization of such a platform. The following research questions is formulated: “In what way can a platform be created with new tools for open source-publishing, by which publishers in the art- and cultural sector can produce interactive e-publications by themselves?”

To answer this research question, the Institute of Network Cultures (lectortaat Netwerkcultuur) of the Amsterdam University of Applied Sciences and Knowledge center Creating 010 of the Hogeschool van Rotterdam are executing state-of-the-art research. In collaboration with an already existing consortium of eleven MKB-companies consisting of publishers, designers and developers, a fivesome subprojects will be formulated. Within these subgroups publishers, designers and developers, (research)lecturers and students of the participating applied universities will collaborate.

The result is a new developed toolkit that exists of tools for digital publishing, based on open source-software of which the source code will be published and freely accessible. As a result everyone can freely copy, adjust and distribute the tools. Five e-publications of titles of the art- and culture books fund of the participating publishers will be produced and presented on a platform that is developed for that purpose. Moreover the following manual will be created: “How to publish an e-book?” on digital publishing processes."
publishing  epub  books  digital  digitalpublishing  amsterdam  epublishing  toolkit  opensource  raak  mkb  raa-mkb  epubs 
march 2014 by robertogreco
Moniker - Design & Technology
"Moniker is an Amsterdam based design studio founded in 2012 by Luna Maurer, Jonathan Puckey and Roel Wouters. With Moniker, which means nickname or pseudonym, we work on commissioned design projects while also investing in projects of an autonomous and experimental nature.

The studio works across various media for a diverse range of clients ranging from those in the cultural field to commercial companies.

With our projects, we explore the social effects of technology - how we use technology and how it influences our daily lives. Often, we ask the public to take part in the development of our projects. The resulting projects expand and grow like plants, displaying their inner organisational process.

Moniker specializes in interactive, print, video, physical installation and performance work."

[via: https://twitter.com/Eike_Koenig/status/432930897440944128 ]
amsterdam  design  portfolio  studio  glvo  lunamaurer  jonathanpuckey  roelwouters  moniker  technology  society  social  openstudioproject  via:hort 
february 2014 by robertogreco
Slow Lloyd
"In 2010, the design research organization slowLab (US/NL) began a partnership with the Lloyd Hotel & Cultural Embassy in Amsterdam to explore the potentials of a ‘Slow-er' Lloyd.

slowLab recognized the Lloyd as a fertile context for exploring and transmitting principles of Slow design. As a historic landmark, it offers rich physical and social traces that bind the past and present and connect the building to the city at large. As both a business enterprise and a creative nonprofit, it offers a wide range of resources and supports many scales of relationship. The Slow Lloyd research program set out to investigate how Slow design ideas, tools and values might enrich the Lloyd’s existing collection of services, spaces and people, while reaching out to include a broader ‘ecology’ of resources and relationships from the local area, and the city at large.

Slow Lloyd is an invitation to consider ALL the layers that make up the Lloyd– not only its current enterprise and cultural offerings, but also the personal, social and creative movements that have unfolded within and around this unique location, and continue to do so today. The program leverages the unique conditions of this place, while: 1) Revealing additional functional and aesthetic expressions within the Lloyd's complex ecology of services, spaces and people; 2) Constructing additional layers of personal and social experience; 3) Creating new opportunities for interaction and collaboration across a diversity of disciplines; and 4) Deepening connections with the those living and working in the local community.

Hundreds of designers, architects, social and environmental innovators, students, and local community members took part in the ‘Slowing Experiments’ featured on this site. Individually and in groups, they investigated the functional, spatial, temporal, sensorial, and social expressions of the Lloyd system, while also expanding beyond its borders to imagine new forms of engagement in the local area and new scenarios applicable to the world at large.

Collectively, the projects found here begin to map out a set of Slow values not only for the Lloyd and its neighborhood, but for all of us. How can what we experience and learn through Slow Lloyd help us to be Slow-er as individuals, to strengthen our communities, and, in so doing, to move together toward a more sustainable future?"
slow  slowlab  netherlands  amsterdam  slowlloyd  slowdesign  design  local  ecology 
april 2013 by robertogreco
DUS Architects Amsterdam -
"DUS architects was founded by Msc Arch. Hans Vermeulen (1977), Msc Arch. Martine de Wit (1977) and Msc Arch. Hedwig Heinsman (1980) in 2004. The office builds 'Public Architecture': Design that consciously influences our daily life. This social significance shows at all levels of DUS' work, ranging from large urban strategies to outdoor breakfast designs. DUS sees architecture as a craftsmanship and combines research and design with a 'hands on' approach and unique use of materials.

DUS currently works on a variety of projects that range from art installation, product- and event design to architecture, planning and long-term urban transformation trajectories. The office is based in Amsterdam and is run by the three partners together with a varying team of employees and freelancers. By practicing their credo 'DESIGN by DOING'…"

[via: http://www.flickr.com/photos/anthonyalbright/7738447800/ ]
dus  urbanism  temporary  urban  art  architects  social  netherlands  amsterdam  architecture  from delicious
august 2012 by robertogreco
The Dutch Way - Bicycles and Fresh Bread - NYTimes.com
"Dutch drivers are taught that when you are about to get out of the car, you reach for the door handle with your right hand — bringing your arm across your body to the door. This forces a driver to swivel shoulders & head, so that before opening the door you can see if there is a bike coming from behind…

It’s true that public policy reinforces the egalitarianism…But the egalitarianism — or maybe better said a preference for simplicity — is also rooted in the culture. A 17th-century French naval commander was shocked to see a Dutch captain sweeping out his own quarters…

But while many Americans see their cars as an extension of their individual freedom, to some of us owning a car is a burden, and in a city a double burden. I find the recrafting of the city in order to lessen — or eliminate — the need for cars to be not just grudgingly acceptable, but, yes, an expansion of my individual freedom…Go, social-planning technocrats! If only America’s cities could be so free."

[via: http://bobulate.com/post/9061090478/swivel-shifts ]
transportation  netherlands  amsterdam  bikes  behavior  socialplanning  planning  janejacobs  2011  cities  urban  urbanism  urbanplanning  biking  egalitarianism  from delicious
august 2011 by robertogreco
THNK Amsterdam School for Creative Leadership
"mission: develop a new breed of creative leaders who transcend disciplines & co-create to solve real world challenges & generate unexpected innovations.

…students will learn how to effectively lead organizations through uncertainty & constant change using divergent thinking…faculty will go 1 step further by encouraging them to actively seek ‘no comfort’ zones to trigger creativity, discover new possibilities beyond status quo & learn a whole lot about themselves in process.

We’ll challenge them to tackle big, difficult issues related to business, creativity, technology & governance while developing key creative leadership skills:

multi-disciplinary approaches to exploring issues from different & even contradictory perspectives;empathy in order to understand what people think, do & feel;prototyping & hands-on experimentation;mastery of cutting edge technologies; &ability to push through business & societal change.

…first 4-month, full-time program in Sept 2011."
amsterdam  education  creativity  design  entrepreneurship  experimentation  prototyping  designthinking  multidisciplinary  crossdisciplinary  interdisciplinary  leadership  alternative  altgdp  graduateschool  governance  innovation  business  lcproject  basverhart  learning  picnic  from delicious
december 2010 by robertogreco
Mapped historical photos, film, and audio | SepiaTown
"SepiaTown lets you view and share thousands of mapped historical images from around the globe. Search the map to view images or...

We welcome historical images from collections of all sizes, from libraries and historical societies to individuals with a boxful of cool old photos."
via:javierarbona  archive  photography  geography  mapping  maps  history  images  cities  moscow  boston  london  sanfrancisco  paris  amsterdam  losangeles  buenosaires  valparaíso  sandiego  local  portland  oregon  googlemaps  from delicious
october 2010 by robertogreco
Open Education, Personal Learning and National Policies | FLOSSE Posse
"With these action we have a chance to maintain the happy family we have been for a long time. Right now it looks that we may loose it.

“All happy families resemble one another, each unhappy family is unhappy in its own way.” – Leo Tolstoy

I was last weekend in Copenhagen. I learned a lot about many things. I have been many times in Copenhagen but only now realized that it is a happy family.

With the Tolstoy’s thought in mind I am now really interested in to study “happy families”. Whatever you consider your “family” to be a modern nuclear family, commune, neighborhood, language or racial group or an online community they resemble one another. They are mutually supportive and empathic."
tolstoy  teemuleinonen  happiness  policy  community  communities  tcsnmy  amsterdam  finland  openeducation  empathy  socialsafetynet  education  freedom  deschooling  capitalism  socialism  well-being  learning  from delicious
september 2010 by robertogreco
Portland and “elite cities”: The new model | The Economist
"That is not to belittle Portland’s vision. It is a sophisticated and forward-looking place. Which other city can boast that its main attraction is a bustling independent book store (Powell’s) and that medical students can go from one part of their campus to another by gondola, taking their bikes with them? Other cities will see much to emulate. Minneapolis, for example, this month displaced Portland as Bicycling magazine’s most bike-friendly city (“they got extra points for biking in the snow,” grumble Mr Adams’s staff). Adam Davis of Davis, Hibbitts & Midghall, a Portland polling firm, says that Oregonians like to consider themselves leaders but also exceptions. They are likely to remain both."
portland  oregon  cities  us  northamerica  helsinki  amsterdam  stockholm  vancouver  bikes  biking  transportation  publictransit 
april 2010 by robertogreco
Jan van Eyck Academie
"institute for research and production in the fields of fine art, design and theory, based in Maastricht in the south of The Netherlands. The academy offers individuals and institutes the opportunity to submit research or production proposals."
glvo  art  research  newmedia  amsterdam  europe  residence  netherlands  education  theory  design  portfolio  publishing  employment  organizations  institutions  schools  universities 
february 2008 by robertogreco
BLDGBLOG: Amsterdam Subcity
"It's an idea by Zwarts & Jansma architects, whose plans includes excavating "a range of underground facilities... at various levels below the city.""
amsterdam  architecture  design  future  netherlands  cities 
february 2008 by robertogreco
Rietveld Academie
"The Rietveld Academy seeks to develop the capacities and creativity of the individual student to its utmost."
amsterdam  design  education  schools  learning  lcproject  netherlands  via:preoccupations 
january 2008 by robertogreco
What does a technosocial assemblage look like? « Adam Greenfield’s Speedbird
"my enthusiasm is clearly for the place of the bicycle in Dutch society, every bit as much as it is for the object itself. The one, as beautiful as it is - and as infinitely easier to transplant - cannot substitute for the other."
bikes  cities  context  amsterdam  society 
september 2007 by robertogreco
Amsterdam Bicycles
"(82 pictures of bicycles taken during 73 minutes on 9/12/06 in Amsterdam, Netherlands)"
amsterdam  bikes  netherlands  transportation  photography 
june 2007 by robertogreco

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