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Don DeLillo on Trump's America: 'I'm not sure the country is recoverable' | Stage | The Guardian
“Oh, I think whatever’s going on now seems unique,” he says. “The question is whether the situation is terminal. I’m very reluctant to talk about Trump, simply because everybody else is. We’re deluged with information about Trump on every level – as a man, as a politician. But what’s significant to me is that all of his enormous mistakes and misstatements disappear within 24 hours. The national memory lasts 48 hours, at best. And there’s always something else coming at us down the pipeline. You can’t separate it all out. You get lost in the deluge.”

So what’s the prognosis? DeLillo, God help us, is as discombobulated as anyone. “It’s hard to know. I think it would take a great shift of events for the country to restore its balance, to restore its consciousness, and to think about things the way we did during the Obama administration.” He sighs. “Right now, I’m not sure the situation is recoverable.”
USA  politics  TrumpDonald  polarisation  DeLilloDon  books  writing  division 
november 2018 by petej
Ursula K. Le Guin: The Rabble-Rouser with a Gentle Smile
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality … Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable, but then so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
LeGuinUrsula  author  writing  dctagged  dc:creator=GaimanNeil 
january 2018 by petej
Ten Things I Learned from Ursula K. Le Guin
“If you can see a thing whole,” he said, “it seems that it’s always beautiful. Planets, lives … But close up, a world’s all dirt and rocks. And day to day, life’s a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death.”
LeGuinUrsula  author  writing 
january 2018 by petej
John Lanchester · Short Cuts · LRB 20 October 2016
Let’s not pretend there is no gendered component to this. There was an unmistakable element of ‘Gotcha!’ in the story written by the journalist Claudio Gatti. It’s as if pseudonymity and privacy on the part of a prominent, successful woman writer were somehow an affront to cultural norms. This at a time when anonymity and pseudonymity have never been more pervasive and more toxic and more dominated by misogyny. That, in fact, is what anonymity, that idea so tempting to so many writers, has become in contemporary society: a tool for empowering and magnifying misogyny. Tens of thousands of men using anonymity to berate, abuse and threaten women online? A daily reality. We as a culture are fine with it. A woman writer using pseudonymity for creative reasons? Put an end to that right now. Who does she think she is?
writing  anonymity  publishing  commerce  SalingerJD  PynchonThomas  FerranteElena  pseudonymity  gender  misogyny  dctagged  dc:creator=LanchesterJohn 
november 2016 by petej
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