jm + tickets   4

Cameras as Traffic Cops – Hacker Noon
Guy trains model on NYC traffic camera video to detect blocked bike lanes and bus stops. Estimates "the number of tickets being given represents less than .0001% of infractions". (via lemonodor)
via:lemonodor  future  tickets  traffic  nyc  cameras  surveillance  bike-lanes  bus-stops  traffic-law 
5 weeks ago by jm
Concert Industry Struggles With ‘Bots’ That Siphon Off Tickets - NYTimes.com
Bots now buying more than 60% of tickets, one group requesting up to 200,000 per day; bot writers now charging $14 per 10k captchas (via Shane Naughton)
ticketmaster  scalping  tickets  via:shane-naughton  bots  captchas  abuse 
may 2013 by jm
So now you know who gets some of those excessive Ticketmaster fees….
Interesting evidence; it appears Irish music promoters are getting "rebates" from the massive TicketMaster "booking fee", on each ticket sold. This sounds like a cartel to me, and we need to regulate this. Where is the National Consumer Agency and Competition Authority?
The matter is something which should be of concern to every gig-going music fan, regardless of whether they go to Stradbally or not. For years, many have asked about TicketMaster's quasi-monopoly position in the marketplace and why this is so. We’ve always been told that promoters preferred to deal with one company rather than several and that TM’s systems and nationwide reach yadda yadda yadda was the bees’ knees etc. Other companies have tried to compete but no-one has been able to beat TM at this game.

But why would promoters go elsewhere when they’re getting a slice of the TM fees back as rebates? Those past off-the-record attempts by and briefings from promoters blaming TM for those fees can now be seen as hypocritical. They’re sticking with TM because they’re receiving a take of the fees paid by punters who have no other choice in service provider if they want to get their hands on tickets. You wonder what the acts make of this cash-grab – perhaps some whip-smart agent is already making a claim for a percentage of the rebates because there would be no rebates in the first place without the act.

Surely this is an issue for the Competition Authority and National Consumers Association too, given the manner in which the rebates are made and TM’s deals with the promoters? While promoters under TM deals are free to sell a certain proportion of their tickets with another provider, it’s usually only a very small percentage of the total and unlikely to trouble TM’s bottom line. Also, given that the rebates are volume-driven, it’s better for the promoters to keep the largest possible chunk of their business with TM. It seems that we have a new suspect in the blame game about why ticket prices are so high.
regulation  ireland  cartels  competition  ticketing  tickets  ticketmaster  music  gigs  consumer 
april 2013 by jm
On The Record » The hue and cry over buying and selling tickets
'If you really think that all 14,500 tickets for a hot show at Dublin’s O2 like, let’s say, One Direction will go on sale to the general public, you probably also still believe in the tooth fairy. While 10 per cent of the tickets are usually held back for O2’s priority customers, there will always still be far less than the remaining 13,000 tickets available on Ticketmaster’s system when the show purportedly goes on sale. How else do you think tickets for those One Direction Dublin shows in March 2013 can on sale minutes after they are sold out on the supposed primary ticket-selling site, on a secondary site like Viagogo at a hugely inflated premium? Do you really think people queued overnight for those tickets to go “nah, not bothered, have to wash my hair that night” five minutes after getting them in their hands about a show 13 months away? Perhaps we need a Dispatches-type expose over here to lift a few rocks and show the type of fat, avaricious worms wiggling around underneath feasting like parasites on the wallets and credit cards of Irish music fans.'
secondary-sales  touts  tickets  gigs  ireland  music  dispatches 
february 2012 by jm

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