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The iconic _Fountain_ (1917) was not created by Marcel Duchamp
In 1982 a letter written by Duchamp came to light. Dated 11 April 1917, it was written just a few days after that fateful exhibit. It contains one sentence that should have sent shockwaves through the world of modern art: it reveals the true creator behind Fountain – but it was not Duchamp. Instead he wrote that a female friend using a male alias had sent it in for the New York exhibition. Suddenly a few other things began to make sense. Over time Duchamp had told two different stories of how he had created Fountain, but both turned out to be untrue. An art historian who knew Duchamp admitted that he had never asked him about Fountain, he had published a standard-work on Fountain nevertheless. The place from where Fountain was sent raised more questions. That place was Philadelphia, but Duchamp had been living in New York.

Who was living in Philadelphia? Who was this ‘female friend’ that had sent the urinal using a pseudonym that Duchamp mentions? That woman was, as Duchamp wrote, the future. Art history knows her as Elsa von Freytag-Loringhoven. She was a brilliant pioneering New York dada artist, and Duchamp knew her well. This glaring truth has been known for some time in the art world, but each time it has to be acknowledged, it is met with indifference and silence.

This article addresses the true authorship of Fountain from the perspective of the latest evidence, collected by several experts. The opinions they voice offer their latest insights.  Their accumulation of evidence strengthens the case to its final conclusion. To attribute Fountain to a woman and not a man has obvious, far-reaching consequences: the history of modern art has to be rewritten. Modern art did not start with a patriarch, but with a matriarch. What power structure in the world of modern art prohibits this truth to become more widely known and generally accepted? Ultimately this is one of the larger questions looming behind the authorship of Fountain. It sheds light on the place and role of the female artist in the world of modern art.
elsa-von-freytag-loringhoven  marcel-duchamp  modern-art  history  art-history  scandals  credit  art  fountain  women 
12 weeks ago by jm
Report: Everyone Should Get a Security Freeze
“Whether your personal information has been stolen or not, your best protection against someone opening new credit accounts in your name is the security freeze (also known as the credit freeze), not the often-offered, under-achieving credit monitoring. Paid credit monitoring services in particular are not necessary because federal law requires each of the three major credit bureaus to provide a free credit report every year to all customers who request one. You can use those free reports as a form of do-it-yourself credit monitoring.”
us  credit  credit-freeze  security  phishing  brian-krebs 
november 2015 by jm
In China, Your Credit Score Is Now Affected By Your Political Opinions – And Your Friends’ Political Opinions
China just introduced a universal credit score, where everybody is measured as a number between 350 and 950. But this credit score isn’t just affected by how well you manage credit – it also reflects how well your political opinions are in line with Chinese official opinions, and whether your friends’ are, too.


Measuring using online mass surveillance, naturally. This may be the most dystopian thing I've heard in a while....
via:raycorrigan  dystopia  china  privacy  mass-surveillance  politics  credit  credit-score  loans  opinions 
october 2015 by jm

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