video by COLE KUSH http://ckush.com grab the new HOMESHAKE album here http://sinderlyn.com/releases/homeshake http://www.stereogum.com/1835043/homeshake-heat-video-stereogum-premiere/mp3s

PROJECT OMOTE IS A COLLABORATION BETWEEN JAPANESE MEDIA ARTIST NOBUMICHI ASAI, MAKEUP ARTIST HIROTO KUWAHARA AND FRENCH DIGITAL IMAGE ENGINEER PAUL LACROIX. PROJECT MEMBERS NOBUMICHI ASAI (PRODUCER / DIRECTOR / TECHNICAL PRODUCER) HIROTO KUWAHARA (ART DIRECTOR & MAKEUP) PAUL LACROIX (TECHNICAL DIRECTOR / PROGRAMMER - TRANSIT DIGITAL WORKS) JIN HASEGAWA (CG DESIGNER - SPADE) TAKASHI ISHIBASHI (CG DESIGNER - SPADE) SPECIAL THANKS AYAKA MOTOYOSHI (PRODUCTION MANAGER -P.I.C.S.) KOJI KOJIMA(PRODUCER) AYA KUMAKURA (PRODUCTION MANAGER) KAZUHIRO NAKAMURA (COLORIST - McRAY) KENJI NAKAZONO (PHOTOGRAPHER - CREATIVE STUDIO WORKS) KIMIHIRO MORIKAWA (PHOTOGRAPHER - SHOOTING & LIGHTING) RHEA TOR’S INC. DAN (STYLIST) K.FURUMOTO (HAIR - &´S MANAGEMENT) YUKA SEKIMIZU (MODEL - SATORU JAPAN) SPICE (OPTITRACK MOTION CAPTURE SENSOR) HIDEAKI TAKAHASHI (MUSIC - mjuc) HIROSHI SATO (PROJECTOR INSTRUMENTS - AMSA) CONTACT www.nobumichiasai.com

へ(〰⍛〰)へ

For more information and stills gallery, please turn to: www.erikwernquist.com/wanderers (Just in case my website runs slow, here is a link to an imgur album version of the gallery: http://imgur.com/a/Ur5dP) Wanderers is a vision of humanity's expansion into the Solar System, based on scientific ideas and concepts of what our future in space might look like, if it ever happens. The locations depicted in the film are digital recreations of actual places in the Solar System, built from real photos and map data where available. Without any apparent story, other than what you may fill in by yourself, the idea of the film is primarily to show a glimpse of the fantastic and beautiful nature that surrounds us on our neighboring worlds - and above all, how it might appear to us if we were there. CREDITS: VISUALS - Erik Wernquist - erik@erikwernquist.com MUSIC - Cristian Sandquist - cristiansandquist@mac.com WORDS AND VOICE - Carl Sagan COLOR GRADE - Caj Müller/Beckholmen Film - caj@beckholmenfilm.se LIVE ACTION PHOTOGRAPHY - Mikael Hall/Vidiotism - mikael@vidiotism.com LIVE ACTION PERFORMANCE - Anna Nerman, Camilla Hammarström, Hanna Mellin VOCALIST - Nina Fylkegård THANK YOU - Johan Persson, Calle Herdenberg, Micke Lindgren, Satrio J. Studt, Tomas Axelsson, Christian Lundqvist, Micke Lindell, Sigfrid Söderberg, Fredrik Strage, Johan Antoni, Henrik Johansson, Michael Uvnäs, Hanna Mellin THIS FILM WAS MADE WITH USE OF PHOTOS AND TEXTURES FROM: NASA/JPL, NASA/Goddard Space Flight Center Scientific Visualization Studio, ESA, John Van Vliet, Björn Jonsson (and many others, of which I unfortunately do not know the names)

Projectors (2014) Martin Messier's Projectors is a surgical work of art in which he orchestrates the engineering, manipulation and distortion of 8mm projectors under the lights of a digital projector. Through a tight stage lighting and the resynthesis of the 8mm projectors’ quasi-mythical roar, the machines come alive outside of the projection room and turn into bizarre and explosive noise mechanisms. All at once offbeat, unfamiliar and marvelously incongruous, this performance leads the public to a timeless universe, somewhere between dialogue, confrontation and technological contrast. Here, the projectors do not project: Everything but discrete, they take action and become the performance itself – loud and luminous. Credits Martin Messier : Artistic Directors, Performance, Video, Light, Music Technical Directors : Maxime Bouchard electronics : Jean-FranÇois Piché, Maxime Bouchard Technical Design: Thomas Payette Photo credit : Maxime Bouchard Production : 14 lieux Agent La chasse galerie, Marc Langlois mlanglois.mtl@gmail.com Aknowledgements: Perte de signal Thanks to the Canada Council for the Art for their support

Messier doesn’t sew : he resuscitates old Singers put asleep years ago in order to release, in some magical ways, the luminous and sonorous presence of the past. He carries his public in a dreamlike universe where each machine, as singular subject, is magnified. After years of silence, Sewing Machine Orchestra is giving speech to these surviving objects of the industrial era. Credits Artistic director : Martin Messier Direction technique : Jean-François Piché Photo credits : Martin Messier Production : 14 lieux Co-producer : Maison des Arts de Créteil This video has been shot at Lydgalleriet (Bergen, Norway) This creation was made possible with the support of the Conseil des Arts du Québec

Free visual source material released under Creative Commons. Cinema 4D project file: http://beeple-crap.com/resources.php video: beeple / music: Auetchre - Surripere - (http://goo.gl/k276U5) more free VJ clips: http://vimeo.com/channels/beeple info: http://www.beeple-crap.com daily artwork: http://facebook.com/beeple twitter: https://twitter.com/beeple tumblr: http://beeple.tumblr.com music: http://autechre.ws/l-event

(interview excerpt) -What are you trying to portray in your latest piece with Kuedo? The visual project with Kuedo is first and foremost about capturing the experience of Kuedo's music and translating this into physical space; creating a new world for the audience and him to share for the length of his set. In doing this the idea was never to create a literal translation, or beat-driven visual experience. Rather it was about a complete immersion in the music and a non-intrusive, organic synchronicity with the sounds during the live performance. Although it is just projection, the audience should feel physically, emotionally transported. Crucial was that the experience of this realm was fluid, seamless and consistent. Although we travel through different spaces and encounter strange beings along the way, once we enter this realm we're fully immersed, without break, until the conclusion. This is not a series of video clips, it is a world we step into. For me this is critical; anything less and the audience starts to feel aware of the screen and the process of 'watching'. I suppose there's an element of futurism in both the visual and the sound component, but not in such an obvious way. I think it has more to do with exploring unknown worlds, which can be internal, psychological spaces. The addictive tension between the cool, synthetic parts of Kuedo's music and the yearnful human element is something I deliberately reflected in the production of this show. Despite looking very digital it's almost entirely created (and animated) by hand using analogue materials; light, originally produced film slides, butter, lenses. I'm really happy with the rather indescribable quality this has given the visuals. It's unsettling in way; simultaneously hyper-digital and nostalgic.

MEMOIR (formerly titled "Worktape 1999") a piece by ANDREA KLEINE March 21, 2010 @ LMCC Swing Space, NYC MEMOIR is a re-creation of a 10-year-old performance VHS tape with the original artists attempting to perform their parts from memory live via web video-chat. The performance videotape is from Kleine’s 1999 piece MEMOIR NEVER WAS (SECRET TALES FROM THE ANNEX), inspired by the diary of Anne Frank and the fall from fame of film noir star Veronica Lake and originally presented by PS122. The nexus of these imperfect transmissions, re-enactments, and replications is a piece about our relationship to technology-enhanced memory, the slipperiness of shared experience, and an examination of the ensemble process of performance creation. performers: Raquel Cion, Philip G. Kain, Rohana Kenin, Andrea Kleine, Jeremy Laverdure, Carmelita Naval, Tania Varela-Ibarra. Video design: Benton-C Bainbridge. Audio installation by Bobby Previte. Music by Jeremy Bernstein. Supported in part by a commission from the New York State Council on the Arts Individual Artist program. Thanks to the Lower Manhattan Cultural Council’s Swing Space program; space at 14 Wall Street is donated by Capstone Equities. (c) 2010, Andrea Kleine www.andreakleine.com

Directed by Lernert & Sander http://www.blinkink.co.uk/index.php#!subscribe Three ways of melting a chocolate bunny. Commissioned by Cut 'n Paste for KRO-television in association with the Dutch Culture Fund Music by: Nathan Larson