dunnettreader + style   13

Lina Bolzoni - Les Asolani de Pietro Bembo, ou le double portrait de l’amour | Italique, IX, 2006, p. 9-27
Italique [En ligne], IX | 2006, mis en ligne le 29 mai 2009, DOI : 10.4000/italique.103. **--** Les Asolani réalisent en outre une synthèse complexe de traditions et de modèles différents, littéraires et philosophiques, anciens et modernes, latins et en langue vulgaire. Ainsi la tradition du dialogue latin, classique et humaniste, est réécrite en vulgaire et utilisée également comme cadre et comme commentaire à un choix de poésies ; si le cadre narratif renvoie à son tour au Décaméron, le choix de poésies s’inspire de plus en plus du Pétrarque du Canzoniere. Différentes traditions philosophiques – en particulier la réflexion moderne sur l’amour des néoplatoniciens florentins – sont utilisées pour donner une nouvelle dignité théorique à la tradition lyrique en vulgaire et en même temps pour réaliser une difficile réconciliation entre vie et littérature, entre autobiographie et création d’un modèle idéal. La célébrité des asolani n’est pas seulement italienne : une traduction française, par Jean Martin, est publiée à Paris en 1545 et elle sera réimprimée plusieurs fois au cours du XVIe siècle.En outre, il ne faut pas oublier que Bembo est le protagoniste du dernier livre du cortegiano grâce justement à l’autorité dont il jouissait pour avoir écrit les asolani ; la célébrité européenne du cortegiano contribue à amplifier aussi la renommée de notre texte. -- downloaded pdf to Note
article  revues.org  literary_history  cultural_history  intellectual_history  Italy  Venice  France  Italian_lit  14thC  15thC  16thC  Bembo  Petrarch  Dante  Boccaccio  poetry  poetics  prose  style  style-philosophy  elite_culture  Renaissance  courtiers  sprezaturra  love  humanism  Neoplatonism  moral_philosophy  reception  vernacular  neo-Latin  dialogue  publishing  manners  gentleman  otium  downloaded  EF-add 
september 2014 by dunnettreader
Rime Royal (general note) - Harvard Chaucer site
When Chaucer first began writing the dominant form of verse was the English four-beat couplet, probably derived from the French octosyllabic (eight syllable) couplet, though often more free in the number of syllables allowed in the line. Chaucer's earliest works were in this form. -- Chaucer used this four-beat line for the last time in the House of Fame. He experimented with a variety of stanza forms in iambic pentameter (ten syllables, with five stressed syllables) and in The Legend of Good Women he used (for the first time in English) the iambic pentameter couplets familiar to every reader of The Canterbury Tales. Readers who know this form from later writers, such as Alexander Pope, should note that Chaucer's verses are not "heroic" or "closed" couplets -- what 16thC critic George Gascoigne called "riding rime". -- Rime Royal is a stanza that Chaucer adopted in his middle years, when he was greatly influenced by the Italian writers, most notably Giovanni Boccaccio. This is the stanza Chaucer used in his great Troilus and Criseyde (which he based on Boccaccio's Il Filostrato). It consists of seven iambic pentameter lines riming ababbcc. -- Where Chaucer got the form is not known; it was never used in English before Chaucer. In French a similar stanza called chant royal sometimes appears in lyric poetry, and it has been held that Chaucer adopted the form from the works of Guillaume de Machaut (c. 1300-1377). Or Chaucer may have adapted the Italian ottava rime, which consists of eight eleven-syllabled lines. riming abababcc; -- To adapt ottava rima to a seven-line form he had merely to drop the fifth line.
Chaucer  English_lit  poetry  Medieval  Italy  Renaissance  Boccaccio  Pope  meter  versification  style 
may 2014 by dunnettreader
The High Style (general note). - Harvard Chaucer site
Chaucer's contemporaries and successors regarded works in that style as his finest accomplishment. His younger contemporary, John Lydgate, hailed Chaucer as the first to "distill and rain the golden dew-drops of eloquence" into the English tongue. -- The style was partly a matter of diction, with a heavy use of Latin and French borrowings and partly a matter of versification, including the elegant rime royal stanza, which became the standard for elegant verse in the centuries that followed. But even more important was the skilled use of the arts of a matter of "rhetoric," which was understood to be not the art of persuasion as we usually define it today, but the art of producing elegantly-adorned verse. Thus Petrarch, the Italian poet, is regarded as a "rhetor," and rhetoric is regarded as the art of great poetry:
Chaucer  English_lit  poetry  Medieval  language  style  rhetoric  topos 
may 2014 by dunnettreader
Josephine Miles - A Change in the Language of [18thC] Literature | JSTOR: Eighteenth-Century Studies, Vol. 2, No. 1 (Autumn, 1968), pp. 35-44
Downloaded pdf to Note - fascinating description of changes first in poetry and then in prose to use of qualifying adjectives, away from assertions - comments on changes in cultural assumptions. Effects of Hebrew phrases
article  jstor  18thC  English_lit  poetry  prose  style  cultural_history  downloaded  EF-add 
january 2014 by dunnettreader
Philip Gould - Wit and Politics in Revolutionary British America: The Case of Samuel Seabury and Alexander Hamilton | JSTOR: Eighteenth-Century Studies, Vol. 41, No. 3 (Spring, 2008), pp. 383-403
This essay reads the famous exchange of anonymously written pamphlets between the American loyalist Samuel Seabury and the patriot Alexander Hamilton as an episode in transatlantic literary history. Reading the political pamphlet as a genre in which literary and cultural debates over taste and style simultaneously were taking place, this essay argues that for both patriot and loyalist writers, demonstrating British cultural literacy was crucial to establishing political authorship in America. The subsequent debates between Seabury and Hamilton over such subjects as wit and classical expression testify to the ongoing importance of this literacy as well as the larger dissonance between the political and cultural dimensions of the American Revolution. -- downloaded pdf to Note
article  jstor  cultural_history  intellectual_history  political_history  literary_history  18thC  American_colonies  American_Revolution  Loyalists  Hamilton  political_press  style  prose  lit_crit  wit  Pope  satire  Johnson  American_lit  literacy  cultural_capital  downloaded  EF-add 
january 2014 by dunnettreader
Noah Heringman: The Style of Natural Catastrophes (2003)
JSTOR: Huntington Library Quarterly, Vol. 66, No. 1/2 (2003), pp. 97-133 -- discusses David Mallett 1728 poem as well as 1750s eartquakes
article  jstor  literary_history  history_of_science  18thC  Britain  nature  catastrophe  geology  style  aesthetics  sublime  EF-add 
september 2013 by dunnettreader
James H. Bunn: The Aesthetics of British Mercantilism (1980)
JSTOR: New Literary History, Vol. 11, No. 2 (Winter, 1980), pp. 303-321 -- downloaded pdf to Note -- heavily cited
article  jstor  cultural_history  literary_history  17thC  18thC  Britain  mercantilism  consumerism  trade  exotic  popular_culture  collections  design  style  aesthetics  taste  downloaded  EF-add 
september 2013 by dunnettreader
Hannah Greig and Giorgio Riello - Eighteenth-Century Interiors—Redesigning the Georgian: Introduction | Journal of Design History
J Design Hist (2007) 20 (4): 273-289. doi: 10.1093/jdh/epm025 -- The eighteenth-century interior has been approached from a range of different perspectives. Recent research has significantly complicated our understanding of ‘Georgian’ style, bringing new questions and new methodologies to bear on the meaning, function, and contemporary perception and use of interiors in the 1700s. This special issue brings together some of these new perspectives in order to reflect on this changing and, over the last decade, particularly buoyant field. These articles are a selection from a larger body of research presented at a two-day conference on ‘The Georgian Interior’ held at the Victoria and Albert Museum (V&A) in November 2005.1 Celebrating the fifth anniversary of the V&A’s redesigned British Galleries, the ‘Georgian Interior’ event formed part of a series of conferences examining interiors from the Tudors and the Stuarts to the Victorians.
article  historiography  cultural_history  architecture  design  style  18thC  consumers  downloaded  EF-add 
september 2013 by dunnettreader
Stephen H. Daniel: Myth and Rationality in Mandeville (1986)
JSTOR: Journal of the History of Ideas, Vol. 47, No. 4 (Oct. - Dec., 1986), pp. 595-609 -- downloaded pdf to Note
article  jstor  intellectual_history  English_lit  17thC  18thC  Mandeville  Enlightenment  social_theory  reason  genre  rhetoric  prose  style  style-philosophy  fable  myth  downloaded  EF-add 
september 2013 by dunnettreader

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