dunnettreader + style-philosophy   10

John Sellars - An Ethics of the Event: Deleuze’s Stoicism (2006) | Academia.edu
Angelaki, Journal of the Theoretical Humanities, Vol 11, No. 3, (Dec 2006) -- I may finally start to figure out what Deluze's project was from how Sellars positions him! -- downloaded pdf to Note
article  Academia.edu  intellectual_history  20thC  post-WWII  France  French_intellectuals  Deleuze  Stoicism  empiricism  James_William  Whitehead  Spinoza  Nietzsche  Kierkegaard  style-philosophy  metaphysics  ontology  ethics  bibliography  downloaded 
november 2015 by dunnettreader
John Sellars - Plato's Apology of Socrates, A Metaphilosophical Text (2014) | Academia.edu
Philosophy and Literature 38/2 (2014), 433-45 -- Plato’s Apology is not merely an account of Socrates’ trial, it is also a work of metaphilosophy, presenting Socrates’ understanding of the nature and function of philosophy. This is a vital part of the text’s apologetic task, for it is only with reference to Socrates’ understanding of what philosophy is that we can understand, and so justify, his seemingly antisocial behaviour. Plato presents to us Socrates’ metaphilosophy in two ways: via what Socrates says and what he does. This twofold method of presentation is appropriate, if not essential, given the conception of philosophy that Socrates is presented as holding. -- Keywords: Metaphilosophy, Plato, and Socrates -- downloaded pdf to Note
article  Academia.edu  intellectual_history  ancient_philosophy  ancient_Greece  Plato  Socrates  metaphilosophy  philosophy  philosophy-as-way-of-life  dialogue  rhetoric-writing  literary_theory  style-philosophy  downloaded 
november 2015 by dunnettreader
Yitzhak Y. Melamed, review - Joseph Almog, Everything in Its Right Place: Spinoza and Life by the Light of Nature // Notre Dame Philosophical Reviews - September 11, 2014
Joseph Almog, Everything in Its Right Place: Spinoza and Life by the Light of Nature, Oxford University Press, 2014, 143pp.,-- Yitzhak Y. Melamed, Johns Hopkins University -- one can easily trace the influence of "continental" figures such as Étienne Balibar and Antonio Negri on Almog's reading. But Almog is an acolyte of no one (except Nature, and to a lesser extent, Spinoza). The book is marked by the freshness of an independently thinking mind, a mind which appears at some moments to be celebrating a quasi-religious "new-birth." This book is rich in genuine insights, though it does not engage in patient, close analysis of arguments and texts. Toward the end Almog unfolds his discontent with the "dissective philosopher" who "run[s] his deductions, and feel[s] the gratification of being the master of a domain of propositions" (107). For Almog, Part I of Spinoza's Ethics is a paradigm of such "dissective philosophy," and the philosophical key is letting go of such an analytic attitude and "letting instead the key come to you by way of understanding informally 'love of God (Nature)'" (107). I do not share these views, and I will shortly explain why. More importantly, I believe this "New Age" attitude really harms the work, which could have been even more impressive than it is.
books  reviews  intellectual_history  17thC  Spinoza  style-philosophy  continental_philosophy  nature  anthropocentrism  human_nature  humanism  mathematics  Platonism  political_philosophy  sociability  moral_philosophy 
september 2014 by dunnettreader
Lina Bolzoni - Les Asolani de Pietro Bembo, ou le double portrait de l’amour | Italique, IX, 2006, p. 9-27
Italique [En ligne], IX | 2006, mis en ligne le 29 mai 2009, DOI : 10.4000/italique.103. **--** Les Asolani réalisent en outre une synthèse complexe de traditions et de modèles différents, littéraires et philosophiques, anciens et modernes, latins et en langue vulgaire. Ainsi la tradition du dialogue latin, classique et humaniste, est réécrite en vulgaire et utilisée également comme cadre et comme commentaire à un choix de poésies ; si le cadre narratif renvoie à son tour au Décaméron, le choix de poésies s’inspire de plus en plus du Pétrarque du Canzoniere. Différentes traditions philosophiques – en particulier la réflexion moderne sur l’amour des néoplatoniciens florentins – sont utilisées pour donner une nouvelle dignité théorique à la tradition lyrique en vulgaire et en même temps pour réaliser une difficile réconciliation entre vie et littérature, entre autobiographie et création d’un modèle idéal. La célébrité des asolani n’est pas seulement italienne : une traduction française, par Jean Martin, est publiée à Paris en 1545 et elle sera réimprimée plusieurs fois au cours du XVIe siècle.En outre, il ne faut pas oublier que Bembo est le protagoniste du dernier livre du cortegiano grâce justement à l’autorité dont il jouissait pour avoir écrit les asolani ; la célébrité européenne du cortegiano contribue à amplifier aussi la renommée de notre texte. -- downloaded pdf to Note
article  revues.org  literary_history  cultural_history  intellectual_history  Italy  Venice  France  Italian_lit  14thC  15thC  16thC  Bembo  Petrarch  Dante  Boccaccio  poetry  poetics  prose  style  style-philosophy  elite_culture  Renaissance  courtiers  sprezaturra  love  humanism  Neoplatonism  moral_philosophy  reception  vernacular  neo-Latin  dialogue  publishing  manners  gentleman  otium  downloaded  EF-add 
september 2014 by dunnettreader
Jean Balsamo - « Qual l’alto Ægeo... » : Montaigne et l’essai des poètes italiens | Italique, XI, 2008, p.109-129.
Italique [En ligne], XI | 2008, mis en ligne le 01 février 2012, DOI : 10.4000/italique.213. **--** La poésie est l’expression privilégiée de l’émotion pour Montaigne.1Il cite tout au long des Essais d’innombrables vers, par lesquels il exprime tout ce que sa prose ne peut dire. Ces citations contribuent à un effet d’hétérogénéité stylistique et linguistique, qui définit l’originalité même du livre, dans le cadre d’une « rhétorique des citations » et d’une esthétique de la surprise et de la varietas. Ces vers sont en latin pour la plupart d’entre eux, constituant une véritable anthologie, d’Ovide et de Virgile, cités dès le chapitre 2 du premier livre, à Horace, qui conclut le dernier chapitre du livre III. Montaigne cite également 70 vers de poètes italiens. Ces fragments en langue italienne sont plus importants que les vers français, si l’on excepte, dans les trois premières éditions, le recueil des 29 sonnets d’Etienne de La Boétie, qui constitue à lui seul la matière d’un chapitre dédié à la comtesse de Guiche. La langue italienne, sous le règne de Henri III, était un signe de distinction. De tels vers étaient l’expression ostentatoire d’une culture mondaine, que le livre partageait avec ses lecteurs, dames et gentilshommes dont Montaigne voulait être le pédagogue sans pédantisme. -- downloaded pdf to Note
article  revues.org  French_lit  Italian_lit  Latin_lit  literary_history  intellectual_history  cultural_history  Renaissance  poetry  poetics  vernacular  epic  epigrammes  prose  style-philosophy  Montaigne  intertextual  influence-literary  elite_culture  Petrarch  Ariosto  Dante  Virgil  Tasso  Lucretius  Seneca  Pléiade  downloaded  EF-add 
september 2014 by dunnettreader
Denis Dutton, review - Francis-Noël Thomas and Mark Turner, Clear and Simple as the Truth: Writing Classic Prose | Philosophy and Literature 21 (1997): 504-507
Every once in a while a book comes along with the power to alter permanently the view of a subject you thought you knew well. For me this year, that book is Clear and Simple as the Truth: Writing Classic Prose, Francis-Noël Thomas and Mark Turner (Princeton University Press, $14.95).....But it is actually a treatise on one particular style, which the authors call classic prose. This is a specifiable kind of writing that can be found in every literate culture, they insist, even if their examples are all European. At the center of the classic style is the nonfiction essay, although it is a style used for fiction as well. They begin with a sentence from La Rochefoucauld: [and compare it with a tortured construction by Johnson in his preface to Shakespeare]. -- It may look easy to write, but that is part of the trick of classic prose. It is efficient and precise, and seems utterly spontaneous. However, that natural sound is not the sound of speech, Thomas and Turner say, it is the sound of writing. Writing such as La Rochefoucauld’s embodies or expresses a certain attitude toward the truth. For Johnson’s sentence, writing “hard and noble,” as they call it, and truth is something that cannot be captured in mere speech, but is rather “the reward of effort.” For the classic style, “Truth is a grace that flees from earnest effort. The language of truth is ideally graceful speech.” -- Dutton describes the attitude towards an equality of conversation and interest in pursuing shared knowledge -while acknowledging limits to access to certainty and foibles of prejudices etc - that underpins the classical style. Very applicable to Bolingbroke
books  reviews  kindle-available  English_lit  French_lit  17thC  18thC  writing  style-philosophy  prose  conversation  epistemology-social  Rochefoucauld  Johnson  classicism  neoclassical  reader_response  intentionality  EF-add 
february 2014 by dunnettreader
Allan Megill, review essay - Historicizing Nietzsche? Paradoxes and Lessons of a Hard Case | JSTOR: The Journal of Modern History, Vol. 68, No. 1 (Mar., 1996), pp. 114-152
Reviewed works: *--* (1) Nietzsche Contra Rousseau: A Study of Nietzsche's Moral and Politicial Thought by Keith Ansell-Pearson; *--* (2) The Neitzche Legacy in Germany, 1890-1990 by Steven E. Aschheim; *--* (3) Confrontations: Derrida/Heidegger/Nietzsche by Ernst Behler; *--* (4) Neitzsche on Truth and Philosophy by Steven Taubeneck; *--* (5) Nietzsche Contra Nietzsche: Creativity and the Anti-Romantic by Adrian Del Caro; *--* (6) Neitzsche and the Politics of Aristocratic Radicalism by Bruce Detwiler; *--* (7) Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics by Michael Allen Gillespie; Tracy B. Strong; *--* (8) Nietzsche and the Origin of Virtue by Lester H. Hunt; *--* (9) Zarathustras Geheimnis: Friedrich Nietzsche und seine verschlüsselte Botschaft by Joachim Köhler; *--* (10) Nietzsche as Postmodernist: Essays Pro and Contra; Clayton Koelb; *--* (11) Nietzsche's Case: Philosophy as/and Literature by Bernd Magnus; Stanley Stewart; Jean-Pierre Mileur; *--* (12) Nietzsche's Philosophy of Nature and Cosmology by Alistair Moles; *--* (13) Nietzsche und der Nietzscheanismus by Ernst Nolte; *--* (14) Young Nietzsche: Becoming a Genius by Carl Pletsch; *--* (15) Nietzsche and the Question of Interpretation: Between Hermeneutics and Deconstruction by Alan D. Schrift; *--* (16) Alcyone: Nietzsche on Gifts, Noise, and Women by Gary Shapiro; *-'* (17) Nietzschean Narratives by Gary Shapiro; *--* (18) Thinker on Stage: Nietzsche's Materialism by Peter Sloterdijk; *--* (19) Reading Nietzsche by Robert C. Solomon; Kathleen M. Higgins; *--* (20) Nietzsche's Voice by Henry Staten; *--* (21) Left-Wing Nietzscheanism: The Politics of German Expressionism, 1910-1920 by Seth Taylor; *--* (22) Friedrich Nietzsche and the Politics of the Soul: A Study of Heroic Individualism by Leslie Paul Thiele; *--* (23) Nietzsche and Political Thought by Mark Warren; *--* (24) Within Nietzsche's Labyrinth by Alan White; *--* (25) Nietzsche's Philosophy of Art by Julian Young -- downloaded pdf to Note
books  reviews  article  jstor  intellectual_history  19thC  20thC  Nietzsche  Rousseau  Heidegger  political_philosophy  moral_philosophy  aesthetics  morality-Nietzche  lit_crit  literary_history  individualism  self  self-development  Weimar  hermeneutics  deconstruction  postmodern  philosophy_of_science  metaphysics  metaethics  style-philosophy  downloaded  EF-add 
february 2014 by dunnettreader
Review essay: Ryan Patrick Hanley - Cambridge's Enlightenment [18thC philosophy &political thought] (2008)
JSTOR: Political Theory, Vol. 36, No. 4 (Aug., 2008), pp. 634-640 -- downloaded pdf to Note -- Works reviewed: --**-- The Cambridge History of Eighteenth-Century Philosophy by Knud Haakonssen;  --**-- The Cambridge History of Eighteenth-Century Political Thought by Mark Goldie; Robert Wokler
books  bookshelf  reviews  jstor  intellectual_history  philosophy  metaphysics  political_philosophy  moral_philosophy  natural_philosophy  Enlightenment  French_Enlightenment  Scottish_Enlightenment  Britain  France  Germany  style-philosophy  downloaded  EF-add 
september 2013 by dunnettreader
Stephen H. Daniel: Myth and Rationality in Mandeville (1986)
JSTOR: Journal of the History of Ideas, Vol. 47, No. 4 (Oct. - Dec., 1986), pp. 595-609 -- downloaded pdf to Note
article  jstor  intellectual_history  English_lit  17thC  18thC  Mandeville  Enlightenment  social_theory  reason  genre  rhetoric  prose  style  style-philosophy  fable  myth  downloaded  EF-add 
september 2013 by dunnettreader

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