dunnettreader + cultural_studies   4

(9) Aesthetics and Politics | Davide Panagia - Academia.edu
This seminar is a thought experiment in theories of democratic participation. It engages the following question: are aesthetic experiences participants in political thought? The seminar focuses on and around four thinkers (Rancière, Cavell, Deleuze, and Benjamin) that provide diverse ways of valuing the burden of that question. - Downloaded via MacMini to EF Mobile to File
political_philosophy  political_culture  political_press  aesthetics  politics-and-aesthetics  cultural_studies  media  Rancière  Cavell  Deleuze  Benjmain  downloaded 
march 2016 by dunnettreader
Davide Panagia - A Theory of Aspects: Media Participation in Political Theory | Academia.edu
New Literary History (2014) - My aim in this essay is to elaborate a mode of political theorizing that is not beholden to the “how do you know?” question. Rather than focusing on epistemic arguments, I propose that people interested in studying political theory address the partiality of aspects that emerge when engaging works, and the participation of media in the creation of political concepts. Central to my elaborations is the aesthetic notion that there is no overarching rule that will determine how objects, peoples, and events relate to one another and stand out as relevant to political theory, and that there are no necessary qualifications for participation in political theorizing. The essay is comprised of three sections. The first engages three thinkers of the interpretive turn in political theory: Charles Taylor, Quentin Skinner, and James Tully. The second section assembles three images of thought drawn from three different expressions of three diverse thinkers: Roland Barthes, Stanley Cavell, and Jacques Derrida. In the third section I depart from the theoretical experimentation and interpretive work of the previous sections and redirect attention to the participation of media in political theorizing. I conclude the essay by suggesting that political theory is process of mediation between and amongst a diversity of elements that have no common measure. - Downloaded via MacMini - EF Mobile to File
political_philosophy  aspect_theory  political_culture  cultural_studies  'media  political_press  political_participation  mass_culture  cultural_critique  Cambridge_School  Taylor_Charles  Skinner  Cavell  Barthes  Derrida  downloaded 
march 2016 by dunnettreader
Davide Panagia - Theory Syllabus, Winter 2016, UCLA (Political Theory) graduate study| Academia.edu
Two guiding themes in our investigations and readings will be that theories of affect are (1.) a radicalization of modern moral sentimental theories of sociality (think David Hume on associationism, Adam Smith on sympathy, and Jane Austen on agreeableness); and (2.) a response to the hermeneutic turn in literary and political analysis. Thus, an important site of consideration will be the contributions that theories of affect make to issues of political equality, solidarity, mediation, and language.

The first half of the course is dedicated to selected writings of Gilles Deleuze and Gilbert Simondon, to Simondon’s influence on Deleuze’s account of assemblages (agencement), and to the latter’s unique articulation of a process theory of difference and repetition. The idea here is that Deleuze on repetition and Simondon on disparation offer the ontological grounds for affect theory.

The second half of the course is dedicated to the exploration of diverse writers in/around affect theory and their critics – all of whom, in direct or indirect ways, take up some of the ideas articulated and explored in the first half of the course. Important to this second half of the course will be the function of political and aesthetic judgment to affect theory.
Downloaded 2 versions with somewhat different reading lists and class schedules
syllabus  political_philosophy  moral_philosophy  moral_sentiments  affect_theory  cultural_studies  downloaded  Spinoza  Deluze  Hume  Smith  Simondon  cultural_critique  cultural_change 
march 2016 by dunnettreader
Marc Jimenez - La fin de la fin de l'art (2011) - Cairn.info
Décrépitude, déclin, fin, mort, progrès, décadence, dégénérescence (de l’art) ne sont plus des notions fondamentales pour penser la création actuelle. L’art contemporain, depuis plus de trois décennies, brouille les cartes esthétique, historique et idéologique qui déterminaient autrefois les critères de pertinence et de qualité des œuvres d’art. L’art ne disparaît pas, il se dissout dans le « culturel », là où la valeur marchande prévaut sur les valeurs artistique et esthétique. Le capitalisme libéral crée l’art pérenne. Il invente ainsi la fin de la fin de l’art, un art à son image, sans valeurs, sans idéaux, sans perspective humaniste, témoin désabusé de notre époque, parfois violent, excessif, mais peu contestataire, sismographe d’un monde agité et déboussolé. -- downloaded via iPhone to DBOX
elite_culture  judgment-aesthetics  postmodern  Modernism  patronage  aesthetics  popular_culture  consumer_society  declinism  art_history  taste  art-economics  conspicuous_consumption  art_market  artists  cultural_authority  downloaded  cultural_critique  capitalism  article  contemporary_art  avant_guard  cultural_studies 
february 2016 by dunnettreader

Copy this bookmark:



description:


tags: