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Introduction - Online Seminar - Akeel Bilgrami, “Occidentalism, The Very Idea” | 3quarksdaily - September 2008
Table of contents: Akeel Bilgrami: Occidentalism, The Very Idea: An Essay on The Enlightenment and Enchantment. *--* Colin Jager: Literary Thinking: A Comment on Bilgrami *--* Bruce Robbins: Response to Akeel Bilgrami. *--* Justin E. H. Smith: A Comment on Akeel Bilgrami's "Occidentalism, The Very Idea" *--* Steven Levine: A Comment on Bilgrami. *--* Ram Manikkalingam: Culture follows politics: Avoiding the global divide between "Islam and the West" *--* Uday Mehta: Response to Akeel Bilgrami. *--* Akeel Bilgrami: A Reply to Robbins, Jager, Smith, Levine, Manikkalingam, and Mehta
-- downloaded pdf of full seminar to Note -- each contribution also had separate urls
political_philosophy  political_culture  democracy  orientalism  Orientalism-Enlightenment  Enlightenment  disenchantment  fundamentalism  Eurocentrism  red_states  US_politics  religious_culture  religion-fundamentalism  Islamist_fundamentalists  Islamophobia  GWOT  intelligentsia  bad_journalism  post-colonial  ideology  liberalism-post-WWII  clash_of_civilizations  neo-colonialism  capitalism  globalization  rationality  irrationalism  hegemony  cultural_pessimism  cultural_critique  cultural_exchange  cultural_transmission  downloaded 
august 2015 by dunnettreader
OLIVER J. W. COX -- FREDERICK, PRINCE OF WALES, AND THE FIRST PERFORMANCE OF ‘RULE, BRITANNIA!’ (2013). | The Historical Journal, 56, pp 931-954. - Cambridge Journals Online - Abstract
OLIVER J. W. COX - University College, Oxford -- The words and music of ‘Rule, Britannia!’ are synonymous with the expansionist, triumphalist, and imperialist Britain symbolized by fluttering Union Jacks on the Last Night of the Proms. This article explores the cultural and political contexts of the first performance of this important national cultural artefact as the finale of Alfred: a masque to suggest that this opening night served a very different purpose. The first audience was a court in exile from the metropolitan heart of London, popular amongst the general public, but without any prospects of government. Two of the most important members of this group of peers, politicians, poets and a prince had recently died, and with them any cohesive identity. Alfred is both a desperate plea for unity, a rallying cry which forcefully restated the key tenets of this group's identity, and a delayed expression of patriotic celebration occasioned by Admiral Vernon's capture of Portobello. Through addressing this performance, this article makes an important contribution to our understanding of Hanoverian political culture and highlights the continuing impact of Anglo-Saxon England on mid-eighteenth-century Britain. -* For comments and advice on earlier versions of my argument, I am grateful to Dr Hannah Smith and Dr Geoffrey Tyack. - Thanks are also due to John and Virginia Murray who ensured archival work at 50 Albemarle Street was always a pleasure.
article  paywall  find  18thC  British_history  British_politics  1740s  Whigs-opposition  Whigs-oligarchy  George_II  Walpole  Frederick_Prince_of_Wales  Britannia  Bolingbroke  Mallet  political_culture  political_nation  political_spectacle  theater  theatre-politics  elite_culture  patriotism  Anglo-Saxons  cultural_authority  cultural_pessimism  War_of_Austrian_Succession  British_Navy  EF-add 
august 2014 by dunnettreader
Robert J. Antonio - After Postmodernism: Reactionary Tribalism | JSTOR: American Journal of Sociology, Vol. 106, No. 1 (July 2000), pp. 40-87
Revived Weimar‐era “radical conservatism” and fresh “New Right” and “paleoconservative” theories offer a radical cultural critique of global capitalism and liberal democracy. Expressing a broader retribalization and perceived failure of modernization, their defense of communal particularity attacks the multicultural nation‐state, liberal rights, and universal citizenship. This essay links reactionary tribalism to a recurrent 20th‐century theoretical tendency, the “total critique of modernity”—a fusion of oversimplified Nietzschean and Weberian ideas. Historically, total critique has promoted convergence between right and left, such as the current overlapping facets of “radical conservatism” and “strong‐program postmodernism.” Total critique counters the “historicist” method of “internal critique” and the “communication model” characteristic of reflexive social theory. The discussion uncovers the mediating role of social theory in the problematic relationship of science and partially disenchanted public spheres in plural, democratic cultures. -- 200+ references! -- in postmodernism includes range of "end of" thinkers from left and right, and the overlaps between far right and some of the postmodern cultural left -- downloaded pdf to Note
article  jstor  intellectual_history  19thC  20thC  21stC  cultural_history  modernity  irrational  Germany  Weimar  Nazis  Heidegger  Nietzsche  Schmitt  Strauss  neo-Hegelian  right-wing  cultural_pessimism  Leftist  Marxist  historicism  cultural_critique  Habermas  Dewey  pragmatism  liberalism  democracy  patriarchy  nationalism  ethnic_ID  universalism  citizenship  nation-state  multiculturalism  bibliography  downloaded  EF-add 
may 2014 by dunnettreader

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