dunnettreader + copyright   9

Rejoice Researchers: Court Rules That Google Books Is Not Infringement
Google’s been embroiled in a battle with writers and the Authors Guild over whether or not the company’s book scanning project infringed on their copyright.…
copyright  IP  digital_humanities  books  Google_Books  libraries  from instapaper
october 2015 by dunnettreader
James Chandler, ed. - The Cambridge History of English Romantic Literature (pbk 2012) | Cambridge University Press
The Romantic period was one of the most creative, intense and turbulent periods of English lit (..) revolution, reaction, and reform in politics, and by the invention of imaginative literature in its distinctively modern form. (..) an engaging account of 6 decades of literary production around the turn of the 19thC. Reflecting the most up-to-date research, (..) both to provide a narrative of Romantic lit and to offer new and stimulating readings of the key texts. (...) the various locations of literary activity - both in England and, as writers developed their interests in travel and foreign cultures, across the world. (..) how texts responded to great historical and social change. (..) a comprehensive bibliography, timeline and index, **--** Choice: 50 years ago, lit studies was awash in big theories of Romanticism, (e.g. M. H. Abrams, Geoffrey Hartman, Harold Bloom); 2 decades later, Marilyn Butler argued that the very label "Romantic" was "historically unsound." This collection suggests that no consensus has yet emerged: instead, the best of the essays suggest continuities with periods before and after. Rather than big theories, (..) kaleidoscopic snapshots of individual genres (the novel, the "new poetry," drama, the ballad, children's literature); larger intellectual currents (Brewer ... on "sentiment and sensibility"); fashionable topics (imperialism, publishing history, disciplinarity); and--most interesting--the varying cultures of discrete localities (London, Ireland, Scotland).(..) an excellent book useful not as a reference resource, (..) but for its summaries of early-21st-century thinking about British lit culture 1770s-1830s. -- downloaded pdfs of front matter and excerpt to Note
books  English_lit  Romanticism  literary_history  literary_language  literary_theory  lit_crit  18thC  19thC  British_history  cultural_history  literature-and-morality  politics-and-literature  French_Revolution-impact  sociology_of_knowledge  Enlightenment  religious_lit  genre  gender_history  historicism  art_history  art_criticism  novels  rhetoric-writing  intellectual_history  morality-conventional  norms  sensibility  social_order  public_sphere  private_life  lower_orders  publishing  publishing-piracy  copyright  British_politics  British_Empire  Scotland  Scottish_Enlightenment  Ireland  Ireland-English_exploitation  landed_interest  landowners-Ireland-Anglo_elite  authors  authors-women  political_culture  elite_culture  aesthetics  subjectivity  self  self-fashioning  print_culture  readership  fashion  credit  poetry  literary_journals  historical_fiction  historical_change  reform-political  reform-social  French_Revolution  anti-Jacobin  Evangelical  literacy  theater  theatre-sentimental  theatre-politics  actors  downloaded 
february 2015 by dunnettreader
Khan, B. - An Economic History of Copyright in Europe and the United States | EH.Net Encyclopedia, edited by Robert Whaples. March 16, 2008
The US created a utilitarian market-based model of intellectual property grants which created incentives for invention, with the primary objective of increasing social welfare and protecting the public domain. The checks and balances of interest group lobbies, the legislature and the judiciary worked effectively as long as each institution was relatively well-matched in terms of size and influence. However, a number of scholars are concerned that the political influence of corporate interests, the vast number of uncoordinated users over whom the social costs are spread, and international harmonization of laws have upset these counterchecks, leading to over-enforcement at both the private and public levels. International harmonization with European doctrines introduced significant distortions in the fundamental principles of US copyright and its democratic provisions. One of the most significant of these changes was also one of the least debated: compliance with the precepts of the Berne Convention accorded automatic copyright protection to all creations on their fixation in tangible form. This rule reversed the relationship between copyright and the public domain that the US Constitution stipulated. According to original US copyright doctrines, the public domain was the default, and copyright a limited exemption to the public domain; after the alignment with Berne, copyright became the default, and the rights of the public and of the public domain now merely comprise a limited exception to the primacy of copyright. The pervasive uncertainty that characterizes the intellectual property arena today leads risk-averse individuals and educational institutions to err on the side of abandoning their right to free access rather than invite challenges and costly litigation. Many commentators are also concerned about other dimensions of the globalization of intellectual property rights, such as the movement to emulate European grants of property rights in databases, which has the potential to inhibit diffusion and learning.
article  economic_history  publishing  property  property_rights  legal_history  legal_system  IP  regulation-harmonization  natural_rights  natural_law  copyright  patents  US_constitution  15thC  16thC  17thC  18thC  19thC  20thC  international_law  France  French_Revolution  censorship  British_history  authors  artists  playwrights  democracy  knowledge_economy  Internet  globalization  global_economy  digital_humanities  transparency  open_access  scientific_culture  science-public  education  R&D  education-higher  common_law  civil_code  civil_society  civic_humanism  US_legal_system 
september 2014 by dunnettreader
Alessandra Villa - Le partage des ‘droits’ sur l’œuvre littéraire à la renaissance. Les cas d’Isabella d’Este | Italique, VIII, 2005, p. 45-71
Italique [En ligne], VIII | 2005, mis en ligne le 05 octobre 2009, DOI : 10.4000/italique.116. **--** la marquise s’avéra préférer, lorsqu’une œuvre lui était offerte, l’exclusivité de l’objet et le privilège de posséder une œuvre peu répandue et dont elle pouvait contrôler la diffusion ultérieure. Tout en répondant parfaitement à l’image d’une femme que l’historiographie dépeint véhémente, voire tyrannique, cette idée était très familière aux mécènes de la Renaissance et, à vrai dire, de tous les temps, du fait que la rareté est l’un des critères principaux pour estimer la valeur d’une quelconque collection, qu’elle soit d’œuvres d’art ou de livres. D’autre part, si les reproductions des œuvres d’art ne gardaient pas aux yeux des contemporains toute la valeur des originaux, les œuvres littéraires, ainsi que les œuves théâtrales et musicales, possédaient un haut degré de ‘volatilité’, pouvant être copiées à peu de frais et sans porter préjudice à leur valeur intrinsèque. Leur reproduction n’impliquait pas une perte d’aura. -- Pour protéger les trésors de leurs bibliothèques, les seigneurs se montraient jaloux et méfiants : ils prêtaient peu volontiers, et seulement à des amis fiables, auxquels ils demandaient cependant des garanties, parfois même en argent. Le prêt des œuvres était réglé par la loi du do ut des, et l’emprunteur était soumis au serment, implicite ou explicite, de ne pas trahir la confiance du prêteur en divulguant ultérieurement le manuscrit. Selon Luzio et Renier, on pourrait écrire une histoire de la littérature italienne de la période en étudiant les dédicaces offertes à Isabella. Vu la qualité et la quantité des œuvres et des auteurs intéressés par un tel recensement, cela paraît une affirmation bien fondée. Mais outre l’honneur, Isabella semble avoir réclamé un autre genre de prérogatives, plus matériel et à la fois plus indéterminé : le droit de partager avec l’auteur leur gestion. -- downloaded pdf to Note
article  revues.org  15thC  16thC  cultural_history  literary_history  intellectual_history  Italy  Italian_lit  Renaissance  court_culture  courtiers  elite_culture  patronage  patrons  authors  playwrights  publishing  publishing-piracy  IP  copyright  property_rights  dedications-author  economics_of_cultural_production  bibliophiles  manuscripts  downloaded  EF-add 
september 2014 by dunnettreader
"Toward an Ecology of Intellectual Property: Lessons from Environmental" by Frank Pasquale | 8 Yale Journal of Law and Technology 78 (2006)
Keywords -- copyright, intellectual property, environmental, economics -- The fair use defense in copyright law shields an intellectual commons of protected uses of copyrighted material from infringement actions. In determining whether a given use is fair, courts must assess the new use's potential effect on the market for the copyrighted work. Fair use jurisprudence too often fails to address the complementary, network, and long-range effects of new technologies on the market for copyrighted works. These effects parallel the indirect, direct, and option values of biodiversity recently recognized by environmental economists. Their sophisticated methods for valuing natural resources in tangible commons can inform legal efforts to address the intellectual commons' effect on the market for copyrighted works. -- downloaded pdf to Note
article  legal_theory  IP  copyright  Internet  political_economy  economic_theory  environment  commons  property  property_rights  networks-information  technology  valuation  downloaded  EF-add 
july 2014 by dunnettreader
Nineteenth-Century British and American Copyright Law | Victorian Web
Nineteenth-Century British and American Copyright Law Philip V. Allingham, Faculty of Education, Lakehead University, Thunder Bay, Ontario
19thC  cultural_history  legal_history  British_politics  copyright  Parliament  legislation  publishing  publishing-piracy  US_history  Australia  Canada  EF-add 
january 2014 by dunnettreader
Mary Sarah Bilder - The Shrinking Back: The Law of Biography | JSTOR: Stanford Law Review, Vol. 43, No. 2 (Jan., 1991), pp. 299-360
Mostly about changing law dealing with unpublished papers or information without permission of subject or estate. But lots on history of how biography developed, changed post Boswell's Johnson. More than 300 references and 62 pages (it's a law review article after all). -- didn't download
article  jstor  intellectual_history  cultural_history  legal_history  literary_history  biography  biography-writing  copyright  privacy  EF-add 
january 2014 by dunnettreader

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