dunnettreader + article + english_lit   105

Anna Foy - Grainger and the ‘Sordid Master’: Plantocratic Alliance in The Sugar-Cane and Its Manuscript (2017) | The Review of English Studies | Oxford Academic
Scholarship on James Grainger’s perceived alliance with the West Indian plantocracy in The Sugar-Cane has so far not assimilated relevant information from the poem’s extant manuscript. In an unpublished comment on Adam Smith’s Theory of Moral Sentiments, Grainger rejects Smith’s characterization of planters as ‘sordid masters’ and plans his ‘vindication’ of planters accordingly. The published poem largely fulfils this plan: it argues that planters are not heritably incapable of moral sentiment, even as it accepts the Enlightenment’s institutional critique of slavery as a political system that cultivates bad moral habits in slave masters. Grainger relies on conjectural-historical reasoning then typical of Enlightenment moral philosophy, and he posits ‘probity’ as a bulwark against Creole degeneration. Manuscript evidence suggests further that Grainger sought probity in his own philosophical outlook. Although modern scholars have sometimes seen the poem as an attempt to win plantocratic favour, political references confirm that he took a position in the Canada-Guadeloupe controversy opposed to that of the powerful West India Interest. Moreover, during the course of composition, Grainger altered his portraits of planters to make them less flattering and more satirical—an editing process consistent with his apparent desire for philosophical impartiality. -- Downloaded via iPhone to Dbox
Enlightenment  English_lit  Virgil  Scottish_Enlightenment  Kames  poetry  moral_philosophy  article  downloaded  West_Indies  imitation  British_Empire  slavery  18thC  civic_virtue  Smith 
april 2017 by dunnettreader
Philip Connell - British Identities and the Politics of Ancient Poetry in Later 18thC England (2006) | The Historical Journal on JSTOR
The Historical Journal, Vol. 49, No. 1 (Mar., 2006), pp. 161-192 - This article examines the scholarly recovery and popular reception of 'ancient poetry' in later eighteenth-century England, with a view to elucidating the relationship between cultural primitivism and more overtly politicized discourses of national identity. The publication of the poems of Ossian, in the early 1760s, gave a new prominence to the earliest cultural productions of Celtic antiquity, and inspired the attempts of English literary historians, such as Thomas Percy and Thomas Warton, to provide an alternative 'Gothic' genealogy for the English literary imagination. However, both the English reception of Ossian, and the Gothicist scholarship of Percy and Warton, were complicated by the growing strength of English radical patriotism. As popular political discourse assumed an increasingly insular preoccupation with Saxon liberties and ancient constitutional rights, more conservative literary historians found their own attempts to ground English poetic tradition in some form of Gothic inheritance progressively compromised. The persistence of ancient constitutionalism as a divisive element of English political argument thus curtailed the ability of Gothicist literary scholarship to function as an effective vehicle for English cultural patriotism.
article  jstor  18thC  English_lit  literary_history  British_history  British_politics  politics-and-literature  political_culture  political_discourse  Gothic  ancient_constitution  liberty  radicals  conservatism  antiquity  antiquaries  history_of_England  popular_culture  high_culture  downloaded 
july 2016 by dunnettreader
Philip Connell - MARVELL, MILTON AND THE PROTECTORAL CHURCH SETTLEMENT (2011) | Review of English Studies on JSTOR
CONNELL, PHILIP. "MARVELL, MILTON AND THE PROTECTORAL CHURCH SETTLEMENT." The Review of English Studies 62, no. 256 (2011): 562-93.
The question of church settlement was one of the most important—and intractable—issues faced by the Cromwellian Protectorate. This essay traces the literary response to the Protector's religious reforms in the poetry and prose of Andrew Marvell and John Milton. It confirms and extends our sense of their creative relationship during the mid-1650s as close, continued and reciprocal. But it also suggests that the two writers were fundamentally divided in their estimation of the Protectoral church. Milton's profound suspicion of that church was evident even at the height of his public support for Cromwell, in the Defensio Secunda. Marvell's The First Anniversary, in contrast, seeks to reconcile the older poet to the Protector's authority as godly magistrate and guarantor of 'sober Liberty'. Milton, however, was unpersuaded. His sonnet of 1655, 'Avenge O Lord', although closely connected to his official duties under the Protectorate, also intimates his deeply ambivalent attitude to Cromwell's self-appointed role as defender of the reformed faith. The essay begins and concludes by considering the extent to which their differences on ecclesiastical polity in the 1650s continued to inform the divergent positions assumed by Milton and Marvell in their responses to the first Restoration crisis, 20 years later.- 5-yr moving paywall
article  jstor  17thC  English_lit  British_history  British_politics  Church-and-State  Interregnum  Cromwell  Milton  Marvell  poetry  politics-and-literature  politics-and-religion  literary_history  religion-established  religion-and-literature 
july 2016 by dunnettreader
Kristine Haugen - Imagined Universities: Public Insult and the Terrae Filius in Early Modern Oxford (2000) | Academia.edu
Abstract: The 17th-century University of Oxford was plagued by an extremely insulting Latin commencement speaker known as the terrae filius, or "son of the earth." The speakers were routinely expelled from the university, while manuscript copies proliferated -- a few speeches were even owned by John Locke. How did such a custom arise, what were the social effects of the filius' speeches, and what forces surrounded the filius' eventual suppression? It's argued that in the heyday of the filius, his insults actually served a sort of rhetoric of the rotten apple: the observed transgressions of the few were held up against an imagined and far more virtuous, decorous, and pious Oxford. Meanwhile, the filius himself might be understood in terms of two long-established university social types -- the disputant and the tour guide.
More Info: History of Universities 16,2 (2000): 1-31 -- Publication Date: Jan 1, 2000 -- Publication Name: HISTORY OF UNIVERSITIES-OXFORD-
Research Interests: Rhetoric, Sociology of Knowledge, 17th-Century Studies, History of Universities, Restoration and Eighteenth-Century English Literature, 18th Century British Literature, 17th Century British (Literature), University of Oxford, and Academic Satire
article  Academia.edu  17thC  18thC  cultural_history  British_history  university  Oxford  education-higher  satire  English_lit  rhetoric  sociology_of_knowledge  identity-institutions  downloaded  institution-building  intellectual_history  status  cultural_critique  cultural_capital  Amhurst  Craftsman  Bolingbroke  Bourdieu 
july 2016 by dunnettreader
Victoria Kahn - Job's Complaint in "Paradise Regained" (2009) | JSTOR - ELH
ELH, Vol. 76, No. 3 (Fall, 2009), pp. 625-660 - reading Milton’s commitment to separation of church and state, against a renewal of an integrated political theology, as also a message for the individual's relation with approaching the reading of scripture -- looks like a link between her work on Milton in Wayward Contracts and her vocal program against reading imperatives of a political theology back into secularization history -- downloaded pdf to Note
article  jstor  politics-and-religion  politics-and-literature  English_lit  17thC  Milton  Restoration  Church_of_England  religion-established  religious_culture  religious_belief  Bible-as-literature  Job  New_Testament  theodicy  justice  justification  Satan  political-theology  secularism  freedom_of_conscience  temptation  downloaded 
november 2015 by dunnettreader
Robert P. Irvine - Labor and Commerce in Locke and Early 18thC English Georgic (2009) | JSTOR - ELH
ELH, Vol. 76, No. 4 (Winter, 2009), pp. 963-988 -- importance of (agricultural) labor from Locke’s 2nd Treatise to "naturakize" money not just within the economy but within politics of the mercantilist imperial state - comparing Virgil use of georgics to encompass the Roman imperial state. Contrasts political agendas of Philips (Cyder 1707) and Pope (Windsor Forest 1713) in their use of georgics, both working within the Lockean framework of property. Extensive lit survey - lots of recent work on 18thC georgics to say nothing of cultural dimensions of political economy of expanding trade, commercialization and imperialism. -- downloaded pdf to Note
article  jstor  literary_history  English_lit  18thC  intellectual_history  political_philosophy  moral_philosophy  Locke-2_Treatises  property  mercantilism  imperialism  trade  commerce  commerce-doux  civility-political  politeness  civil_society  public_sphere  nature  parties  partisanship  Whigs  Whig_Junto  City  Tories  gentry  landed_interest  national_ID  national_interest  War_of_Spanish_Succession  Queen_Anne  Spectator  Addison  political_culture  economic_culture  British_politics  British_Empire  poetry  poetics  nature-poetry  nature-mastery  Virgil  Pope  1700s  1710s  peace  Peace_of_Utrecht  labor_theory_of_value  labor  agriculture  Davenant  political_economy  bibliography  downloaded 
november 2015 by dunnettreader
Joanna Picciotto - Reforming the Garden: The Experimentalist Eden and "Paradise Lost" (2005) | JSTOR - ELH
ELH, Vol. 72, No. 1 (Spring, 2005), pp. 23-78 -- very long article with vast numbers of references to literary, naturao philosophy, and religious works of 17thC and early 18thC plus lit survey of work on sociology of knowledge, English lit since the cultural turn, and religious culture. Downloaded pdf to Note
article  jstor  intellectual_history  religious_history  cultural_history  17thC  18thC  British_history  English_lit  experimental_philosophy  Bacon  Boyle  Locke  Milton  Royal_Society  Evelyn  religious_culture  religious_lit  sociology_of_knowledge  sociology_of_science_&_technology  microscope  Scientific_Revolution  scientific_culture  science-and-religion  scientific_method  curiosity  Fall  original_sin  Paradise_Lost  improvement  instruments  Hooke  Donne  poetry  virtuosos  epistemology  virtue_epistemology  nature-mastery  bibliography  downloaded 
november 2015 by dunnettreader
MELVYN NEW - Review essay: Five Twenty-First-Century Studies of Laurence Sterne and His Works (2009) | JSTOR - Eighteenth-Century Studies
Eighteenth-Century Studies, Vol. 43, No. 1 (FALL 2009), pp. 122-135 -- "Read, read, read, read, my unlearned reader!": Five Twenty-First-Century Studies of Laurence Sterne and His Works -- Reviewed Works: Laurence Sterne in France by Lana Asfour; Labyrinth of Digressions: Tristram Shandy as Perceived and Influenced by Sterne's Early Imitators by René Bosch, Piet Verhoeff; Yorick's Congregation: The Church of England in the Time of Laurence Sterne by Martha F. Bowden; Sterne's Whimsical Theatres of Language: Orality, Gesture, Literacy by Alexis Tadié; The Cultural Work of Empire: The Seven Years' War and the Imagining of the Shandean State by Carol Watts -- indirectly a useful overview of shifts in dealing with Sterne, Tristram and Church of England not only in latter part of 18thC but 19thC and 20thC -- downloaded pdf to Note
books  reviews  article  jstor  literary_history  English_lit  18thC  Sterne  French_lit  satire  prose  celebrity  cultural_history  intellectual_history  publishing  publishing-industry  imitation  Church_of_England  scepticism  Swift  self-knowledge  philanthropy  sentimentalism  sincerity  authenticity  politics-and-literature  materialism  sermons  translation  bibliography  downloaded 
november 2015 by dunnettreader
Eugenia Zuroski Jenkins - "Nature to Advantage Drest": Chinoiserie, Aesthetic Form, and the Poetry of Subjectivity in Pope and Swift (2009) | JSTOR - Eighteenth-Century Studies
Eighteenth-Century Studies, Vol. 43, No. 1 (FALL 2009), pp. 75-94 -- In response to scholarship on eighteenth-century female consumerism, this essay argues that women's relationship to ornamental objects was both ambivalent and changing in the early decades of the eighteenth century. It contrasts the relationship between women and chinaware in Pope's "The Rape of the Lock" and Swift's dressing room poems in the context of the emergent category of domestic "beautification arts." Pope posits subjectivity as an animated aesthetic form embodied in the well-dressed woman, chinaware, and poetry alike, while Swift disrupts the symbiotic relationship of human life and aesthetic order, both material and poetic, degrading the association of women and china as it relocates personal identity to the interior life of the individual. This shift in the conception of chinoiserie's place in British culture thus constitutes a severance of "nature" from aesthetic form and, consequently, a rewriting of human subjectivity itself. -- interesting references that in part track fashions in academic theory over past half century -- downloaded pdf to Note
article  jstor  literary_history  English_lit  18thC  British_history  Pope  Swift  poetry  women  consumer_revolution  consumerism  identity  subjectivity  decorative_arts  fashion  cultural_history  cultural_critique  cultural_authority  cultural_objects  cultural_change  bibliography  downloaded 
november 2015 by dunnettreader
Alan Jacobs - The Witness of Literature: A Genealogical Sketch | IASC: The Hedgehog Review - Volume 17, No. 2 (Summer 2015)
Intro is afternoon spent at Christian writing conference with his friend the author Frederick Buechner, being constantly interrupted by readers -- almost all of them told the same story: Your writing has meant everything to my Christian faith. I don’t think I could be a Christian without your books.!Throughout that afternoon—rising to greet strangers, then sitting down and striving to remain inconspicuous as they poured out their hearts—I couldn’t help reflecting on the sheer oddity of the situation. These were people, by and large, who knew the Bible, who attended church, who had the benefits of Christian community. Yet they testified, almost to a person, that Christian belief would have been impossible for them without the mediation of the stories told by Frederick Buechner. I know literary history fairly well, especially where it intersects with Christian thought and practice, and it seemed to me that such radical dependence on literary experience would have been virtually impossible even a century earlier. But I also knew that Buechner’s role was anything but unique, that other readers would offer the same testimony to the fiction of Walker Percy or Flannery O’Connor or C.S. Lewis. How did such a state of affairs come about? How did literary writers come to be seen by many as the best custodians and advocates of Christian faith? It is a question with a curious and convoluted genealogy, one worth teasing out. -- downloaded as pdf to Note
article  religious_belief  religious_culture  religious_lit  reading  fiction  spirituality  Christianity  theology  literary_history  English_lit  faith  religious_experience  identity  subjectivity  self-examination  self-development  downloaded 
july 2015 by dunnettreader
Gerald Newman - Voltaire in Victorian Historiography | JSTOR: The Journal of Modern History, Vol. 49, No. 4, On Demand Supplement (Dec., 1977), pp. D1345-D1359
Type script supplement - Page Count: 15 - emergence mid-century of freethought along with cultural and social critique of the smug, moralistic rising money-grubbing middle class - after Burke and the French Revolution the sort of scepticism of a Hume or Gibbon was hushed or condemned, and open freethinkers from Godwin to Mill were ostracized and attacked as immoral monsters. Newman thinks that the intellectual shift away from the post revolutionary moral straitjacket on social, religious and philosophical thought is well-known but hasn't focused on the roles of historiography in this shift of intellectual milieu, hence Voltaire and the Victorians. -- downloaded pdf to Note
article  jstor  intellectual_history  cultural_history  literary_history  historiography-19thC  19thC  English_lit  cultural_critique  British_history  religious_history  religious_culture  religion-established  religious_belief  Biblical_criticism  Biblical_authority  free-thinkers  Voltaire  Carlyle  Emerson  Dickens  Trollope  Bagehot  Stephen_Leslie  middle_class  atheism_panic  bibliography  downloaded  EF-add 
october 2014 by dunnettreader
Rebecca Ann Bach - (Re)placing John Donne in the History of Sexuality | JSTOR: ELH, Vol. 72, No. 1 (Spring, 2005), pp. 259-289
Interesting challenge to readings that ignore Donne's religion, his culture's attitudes towards women and sex, and the blatant misogyny in his verse -as well as the question what "heterosexual identity" would have meant for him since readers interested in modern sexuality have identified him as where we can start identifying with him as a "modern" -- downloaded pdf to Note
article  jstor  literary_history  cultural_history  social_history  gender_history  lit_crit  historiography  17thC  English_lit  Donne  poetry  sexuality  heterosexuality  identity  self  self-fashioning  theology  patriarchy  misogyny  downloaded  EF-add 
october 2014 by dunnettreader
Derek Hirst and Steven Zwicker - Andrew Marvell and the Toils of Patriarchy: Fatherhood, Longing, and the Body Politic | JSTOR: ELH, Vol. 66, No. 3 (Fall, 1999), pp. 629-654
More of Hirst and Zwicker repositioning Marvell and his poetry and politics after their important reading of Appleton House - they're especially interested in Marvell's personal tortured relations with father figures, patronage and loss of patrons, and homoeroticism -- didn't download
article  jstor  literary_history  lit_crit  political_philosophy  English_lit  17thC  British_history  British_politics  English_Civil_War  Interregnum  Restoration  Marvell  poetry  patronage  homosexuality  Cromwell  Biblical_allusion  patriarchy  EF-add 
october 2014 by dunnettreader
HEATHER ELLIS - 'This starting, feverish heart': Matthew Arnold and the Problem of Manliness | JSTOR: Critical Survey, Vol. 20, No. 3, Victorian Masculinities (2008), pp. 97-115
Fascinating re Victorian obsession with sturdy, active "manliness" uncorrupted by effeminate activities like poetry or scholarship - Arnold greatly influenced by Cardinal Newman's revaluation of Christian manliness with what were feminine stereotypes - love of poetry, contemplation, etc. But Arnold also quasi idolized his father, Thomas Arnold, arch critic of Newman and promoter of all the vigorous manly virtues. Lots of quotes across much of 19thC from the literary journals, where conflicts over cultural ideals were waged re education, literary form and style, appropriate models for exemplary history and so on. Among Arnold's critics James Fitzjames Stephen. Leslie Stephen's brother was a nasty piece of work. -- downloaded pdf to Note
article  jstor  cultural_history  literary_history  English_lit  19thC  British_history  Victorian  masculinity  culture_wars  Newman_JH  Arnold_Matthew  cultural_critique  Tractarians  Oxford  education-higher  education-civic  Stephen_Leslie  literary_journals  poetics  High_Church  high_culture  downloaded 
october 2014 by dunnettreader
Gavin Alexander - Fulke Greville and the Afterlife | JSTOR: Huntington Library Quarterly, Vol. 62, No. 3/4 (1999), pp. 203-231
Fascinating re both Grevill's history writing - his discussion of Sir Philip Sidney in publishing his work (Arcadia) not only influenced Sidney reception but framed Queen Elizabeth as a wise ruler in contrast with the Stuarts. Discussion of how, given "nothing new under the sun" and constancy of human nature, poetry, drama and prose could all be read as speaking to current events -- e, g. Robert Devereaux, Earl of Essex rebellion. Greville treatment of Sidney as in retrospect prophetic re foreign relations especially with Dutch, forms of government -- Greville using Aristotle and Polybius re patterns of historical change. Greville in both his history and prose writing and his poetry and plays was always looking to readers after his death. Suggestive re development of an increasingly sophisticated historiography in 17thC that wrestled with tensions in using history as exemplary vs informing practical reason for contingencies of statecraft as well as hermeneutics for readers in the present and future. Provides a publication history of Greville's works during Commonwealth and Restoration, how it was used politically at different moments, including Exclusion_Crisis. Worden has published articles or chapters in collections that look at the generation of Sidney and Greville as some proto classical republican writings. Also may be useful for Bolingbroke's treatment of Elizabeth as model in Remarks and Study and Uses -- downloaded pdf to Note
article  jstor  intellectual_history  literary_history  historiography-Renaissance  historiography-17thC  16thC  17thC  Elizabeth  James_I  English_Civil_War  Interregnum  Restoration  Exclusion_Crisis  Anglo-Dutch  English_lit  poetry  poetics  rhetoric-writing  rhetoric-political  historians-and-politics  historical_change  politics-and-literature  hermeneutics  reader_response  readership  publishing  scribal_circulation  manuscripts  Remarks_on_History_of_England  Study_and_Uses  political_philosophy  republicanism  Polybius  government-forms  downloaded  EF-add 
october 2014 by dunnettreader
David Hoover - The End of the Irrelevant Text: Electronic Texts, Linguistics, and Literary Theory | DHQ: Digital Humanities Quarterly, Vol 1.2 (2007)
David Hoover <david_dot_hoover_at_nyu_dot_edu>, New York University -- The close study of literary texts has a long and illustrious history. But the popularity of textual analysis has waned in recent decades, just at the time that widely available electronic texts were making traditional analytic tools easier to apply and encouraging the development of innovative computer-assisted tools. Without claiming any simple causal relationship, I argue that the marginalization of textual analysis and other text-centered approaches owes something to the dominance of Chomskyan linguistics and the popularity of high theory. Certainly both an introspective, sentence-oriented, formalist linguistic approach and literary theories deeply influenced by ideas about the sign's instability and the tendency of texts to disintegrate under critical pressure minimize the importance of the text. Using examples from Noam Chomsky, Jerome McGann, and Stanley Fish, I argue for a return to the text, specifically the electronic, computable text, to see what corpora, text-analysis, statistical stylistics, and authorship attribution can reveal about meanings and style. The recent resurgence of interest in scholarly editions, corpora, text- analysis, stylistics, and authorship suggest that the electronic text may finally reach its full potential. -- see bibliography re Chomsky Language Instinct debates
article  English_lit  lit_crit  linguistics  innate_ideas  digital_humanities  reader_response  postmodern  poststructuralist  translation  bibliography 
october 2014 by dunnettreader
STEPHEN ARATA - Henry James, "The Art of Fiction" (1884) | JSTOR: Victorian Review, Vol. 35, No. 1 (Spring 2009), pp. 53-56
Short but helpful positioning of Art of Fiction in late Victorian belles lettres, including the article by Walter Besant with same title to which James was in part responding to. Comments on shifts in James' appreciation of Matthew Arnold - disagreed with Arnold that criticism was most needed when literary cultural life in a slump - for James literary criticism was an integral part of an era of lively, creative culture and literature. -- didn't download
article  jstor  literary_history  19thC  lit_crit  literary_theory  novels  fiction  culture  literature-and-morality  James_Henry  Arnold_Matthew  Victorian  English_lit  belles-lettres  EF-add 
august 2014 by dunnettreader
Mark Hutchings - The ' Turk Phenomenon' and the Repertory of the Late Elizabethan Playhouse | Early Modern Literary Studies Special Issue 16 (October, 2007) 10.1-39
"Turk plays" popular up to Charles I - late-Elizabethan theatre drew on a conventional narrative of fear that was also.. one of fascination. ?..also energised by 2 linked events: the Reformation and Elizabeth's promotion of Anglo-Ottoman relations after excommunication by Pope Pius V in 1570. ?..in the last decade or so of the 16thC a sizeable proportion of the playhouse repertory became deeply influenced by this development... a complex artistic, ideological, and commercial phenomenon. -- In shifting from "author"-centred approaches that many theorists believe to be anachronistic to an emphasis on how companies operated, scholars have drawn attention to ...early modern theatre as a collective enterprise. - By its very nature the staging of the Ottoman Empire was sustained by artistic cross-fertilisation that was, in a broader sense collaborative .. as well as competitive. -- These plays were not necessarily mere ciphers of the historical past or present. The Jew of Malta far from endorses the behaviour of the besieged Christians in 1565. It is remarkable for its resistance to the Malta narrative in Christian accounts where the Turkish defeat (like at Lepanto) was celebrated. - While the Tamburlaine plays and their spin-offs called attention to Turkish tyranny and the Ottoman threat, the move away from the Marlovian aesthetic signalled a more ironic approach. Thus in Henry V, Henry's proposal to Katherine that they should produce a son to recapture Constantinople (an anachronism) is undercut by the ambiguous, "Shall we not?" For the audience a deeper irony is available - "the original phrase 'to go to Constantinople to take the Turk by the beard' became a repository for vacuous ideals, a phrase that could only be rehearsed with an increasing sense of self-satire" -- online journal html
article  English_lit  theater  genre  16thC  Tudor  Elizabethan  Marlowe  Shakespeare  Ottomans  cultural_history  playwrights  actors  trade-policy  consumers  exotic  orientalism  diplomatic_history  Reformation  Christendom  Christianity-Islam_conflict  Papacy-English_relations  Counter-Reformation  elite_culture  EF-add 
june 2014 by dunnettreader
Stephen Guy-Bray - Shakespeare and the Invention of the Heterosexual | Early Modern Literary Studies Special Issue 16 (October, 2007) 16.1-28
[A]lmost everything in The Two Gentlemen of Verona can be substituted for something else; indeed, the narrative could be summarised consisting of a chain of substitutions. One effect of Shakespeare's stress on substitution and interchangeability in this play is to undermine the stable and individual self; as a result, in the play the characters tend to have selves composed of fragments. In the last 20 years, many Renaissance scholars have pointed out that our modern concept of what selfhood is cannot really be applied to the 16thC & 17thC, and from this point of view the characters in The Two Gentlemen of Verona do not seem particularly odd. ...a recent book on the subject by Will Fisher's... points out that from the 17thC on, the individual is "conceptualized as an entity that was quite literally in-dividual (in the sense of indivisible). In other words, it had no prosthetic or detachable parts." In contrast, Fisher argues that in Shakespeare's time the individual was to a great extent formed out of detachable parts. His emphasis is primarily on items that could be part of a stage costume (handkerchiefs, codpieces, beards, and hair), but our idea of prostheses could include other things. Specifically, I am thinking of male relations with women. The Two Gentlemen of Verona presents what we would now call heterosexuality as a prosthesis, as part of the equipment or furniture of a man, but Shakespeare ultimately refuses to subordinate homosociality to marriage. - online journal html
article  16thC  17thC  British_history  English_lit  cultural_history  Shakespeare  sexuality  friendship  self  individualism  homosexuality  marriage  love 
june 2014 by dunnettreader
J. Paul Hunter - FORM AS MEANING: POPE AND THE IDEOLOGY OF THE COUPLET | JSTOR: The Eighteenth Century, Vol. 37, No. 3 (FALL 1996), pp. 257-270
Outstanding description of how Pope uses couplets not to set up binaries where one is victor or produce Hegelian synthesis - used to complicate, refuse closure etc - the antithesis of what Pope and his era usually accused of - uses Rape of the Lock and Windsor Forest to illustrate-- downloaded pdf to Note
article  jstor  18thC  English_lit  literary_history  lit_crit  poetry  metre  couplet  Pope  dialectic  logic  rhetoric  aporia  Bolingbroke  downloaded  EF-add 
may 2014 by dunnettreader
George Williamson - The Rhetorical Pattern of Neo-Classical Wit | JSTOR: Modern Philology, Vol. 33, No. 1 (Aug., 1935), pp. 55-81
Looks useful for formal analysis and poets that were more prominent in 17thC but not in top levels of canon -- didn't download
article  jstor  17thC  18thC  English_lit  literary_history  lit_crit  poetry  metre  couplet  wit  neoclassical  EF-add 
may 2014 by dunnettreader
Peggy Thompson - Duck, Collier, and the Ideology of Verse Forms | JSTOR: Studies in English Literature, 1500-1900, Vol. 44, No. 3 (Summer, 2004), pp. 505-523
Do verse forms have ideologies? Stephen Duck's unwitting affirmation of the current socioeconomic order in "The Thresher's Labour" seems to imply that the heroic couplet has a necessary connection to a hierarchical and authoritative universe, just as scholars have implied for decades. But at his better moments, Duck uses the couplet to convey rather than betray his class-based anguish. These moments of control suggest what Mary Collier's more consistent success in "The Woman's Labour" more forcefully supports: the most dominant verse form of the eighteenth century does not have an essential ideology. The two poems remind us that though verse forms can support powerful patterns and tendencies, their meanings must be derived from actual practice. -- good references re poetics and fashions in literary criticism and theory including types of formalism -- didn't download
article  jstor  18thC  English_lit  literary_history  lit_crit  neoclassical  poetry  couplet  lower_orders  authors-women  EF-add 
may 2014 by dunnettreader
JENNIFER BATT - From the Field to the Coffeehouse: Changing Representations of Stephen Duck | JSTOR: Criticism, Vol. 47, No. 4 (FALL 2005), pp. 451-470
Vol. 47, No. 4, Special Issue: Learning to Read in the Long Revolution: New Work on Laboring-Class Poets, Aesthetics, and Politics (FALL 2005) -- covers 2 presentations of Duck, both awkward in their own way - 1. Joseph Spence who thought Duck was an extraordinary individual, and supported his transformation to poet patronized by Queen Caroline, but presents him in his laboring milieu in agriculture Wiltshire 2. Grub-Street Journal report of an encounter with Duck in a Richmond coffeehouse after Queen Caroline had granted him a small house in Richmond - the paper was opposition and often mocked the patronage choices of the court - presenting Duck as a (undeserving? ) fish out of water -- see bibliography of political and literary journals, especially opposition, in 1730s including the Craftsman -- downloaded pdf to Note
article  jstor  18thC  1730s  English_lit  poetry  elite_culture  print_culture  patronage  Queen_Caroline  political_press  literary_journals  Craftsman  opposition  Whigs-oligarchy  Whigs-opposition  high_culture  lower_orders  downloaded  EF-add 
may 2014 by dunnettreader
John Richardson - Defending the Self: Pope and His Horatian Poems | JSTOR: The Modern Language Review, Vol. 95, No. 3 (Jul., 2000), pp. 623-633
Alexander Pope's self-representations in his Horatian poems involve defence of the self as well as literary self-defence. The apparent egotism is a way of defining and protecting identity against the threats of what he saw as a corrupt society. The drama of the poems, which paradoxically sometimes exposes egotism, act as a second kind of self-defence by allowing the poet to withdraw in imagination from the struggle. -- helpful re the various fashions in Pope bashing and bibliography -- downloaded pdf to Note
article  jstor  English_lit  literary_history  lit_crit  18thC  Augustan  Pope  satire  bibliography  biography  downloaded  EF-add 
may 2014 by dunnettreader
John David Walker - Circles of Contingency: Alexander Pope's "Epistle to Arbuthnot" | JSTOR: South Central Review, Vol. 2, No. 4 (Winter, 1985), pp. 31-43
Complex reading based on perilous position of world and person depending on God's immanent action in maintaining cosmic order and individual soul, with corruption threatening from all sides -- interesting note re Atticus, Addison earlier allusions besides the most apparent -- didn't download
article  jstor  English_lit  lit_crit  18thC  Pope  satire  cosmology  Providence  corruption  EF-add 
may 2014 by dunnettreader
JERRY C. BEASLEY - ENGLISH FICTION IN THE 1740s: SOME GLANCES AT THE MAJOR AND MINOR NOVELS | JSTOR: Studies in the Novel, Vol. 5, No. 2 (summer 1973), pp. 155-175
Samuel Richardson, Henry Fielding, and Tobias Smollett reached their first successes in the 1740s, when they burst upon the scene with novels that seemed surprisingly fresh and "new," as indeed their authors claimed they were. Certain aspects of this "newness" have been frequently explored by scholars, who have tried to show how these three authors built upon, and departed from, the practice of their predecessors. But the major novels of the 1740s appeared simultaneously with a great many other works of fiction, both native pieces and foreign works in translation—romances and "novels," "spy" stories and secret histories, feigned "lives," "memoirs," and "histories." By looking at these, we stand to learn a good deal about the initial appeal, and sometimes the methods, of Richardson, Fielding, and Smollett, who were keenly aware of the contemporary scene in prose fiction. In fact, an important measure of these novelists' achievement is the way they were able to exploit several current modes of storytelling in creating ingeniously textured novels that gained great popularity by satisfying the tastes of a very heterogeneous audience, and that managed also to be excitingly original, utterly serious works of art. -- looks quite interesting -- didn't download
article  jstor  literary_history  English_lit  18thC  1740s  popular_culture  print_culture  readership  novels  prose  fiction  Fielding  Richardson  Smollett  EF-add 
may 2014 by dunnettreader
Frank H. Ellis - "Legends no Histories" Part the Second: The Ending of "Absalom and Achitophel" @| JSTOR: Modern Philology, Vol. 85, No. 4 (May, 1988), pp. 393-407
Revisionist history of what Dryden was doing with the poem, the history of the political context and reactions. Following earlier Philip Harth article "Legends no Histories" (1975) which was an "explosion" of the traditional story. -- downloaded pdf to Note
article  jstor  English_lit  literary_history  17thC  Dryden  satire  politics-and-literature  political_culture  court_culture  Whigs  Charles_II  Exclusion_Crisis  Popish_Plot  downloaded  EF-add 
may 2014 by dunnettreader
Tom Jones - Pope's "Epistle to Bathurst" and the Meaning of Finance | JSTOR: Studies in English Literature, 1500-1900, Vol. 44, No. 3 (Summer, 2004), pp. 487-504
This article attempts to show that Alexander Pope's argument and poetic technique in the Epistle to Bathurst challenge the idea that words are like money or other economic tokens. Reading against the recent characterization of Pope's work as nostalgic, this piece takes issue with the corollary established by J. G. A. Pocock and others between financial change and linguistic uncertainty in the early eighteenth century. It presents Pope as a skeptical thinker aware of the radical contingency of all human values, more in line with David Hume than earlier writers on money. It suggests that Pope's imitative meter is an investigation of this contingency of value. -- Yeah ! -- downloaded pdf to Note
article  jstor  18thC  English_lit  Pope  political_economy  moral_economy  finance_capital  financial_innovation  language  semiotics  values  historical_change  scepticism  contingency  morality-conventional  social_order  Pocock  commerce  downloaded  EF-add 
may 2014 by dunnettreader
F. P. Lock - The Text of "Gulliver's Travels" | JSTOR: The Modern Language Review, Vol. 76, No. 3 (Jul., 1981), pp. 513-533
Discusses which version should be copy text, Swift's practices of drafting, revisions. Follows his 1980 book, The Politics of Gulliver's Travels -- downloaded pdf to Note
article  jstor  English_lit  18thC  Swift  Gulliver  publishing  British_politics  downloaded  EF-add 
may 2014 by dunnettreader
Eric Slauter, review essay - History, Literature, and the Atlantic World | JSTOR: Early American Literature, Vol. 43, No. 1 (2008), pp. 153-186
Looks at the way historians and literary studies of early America confront each other in methods, interdisciplinary work etc - reviewing extensive number of works from past decade or so. Of interest re methodology for intellectual_history, reception theory, public opinion, publishing, bottom up and top down approaches, etc of potential use for writings by Bolingbroke, Swift and Pope. -- downloaded pdf to Note
article  jstor  historiography  literary_history  cultural_history  political_history  17thC  18thC  American_colonies  Early_Republic  Atlantic  British_Empire  American_lit  English_lit  literary_theory  literacy  publishing  public_sphere  political_culture  economic_culture  downloaded  EF-add 
may 2014 by dunnettreader
ED WHITE and MICHAEL DREXLER - The Theory Gap | JSTOR: Early American Literature, Vol. 45, No. 2 (2010), pp. 469-484
Where does early American lit fit into literary theory, cultural studies, various types of historiography dealing with colonial America, early Republic and the Atlantic. The issue arises due to early American lit becoming an area of study as "theory" was starting decline, the cultural turn was underway, and the modest "canon" was being evaluated and expanded as an anti or counter canonical approach was gaining ground. -- didn't download
article  jstor  17thC  18thC  American_colonies  Early_Republic  Atlantic  English_lit  American_lit  literary_history  literary_theory  cultural_history  canon  historiography 
may 2014 by dunnettreader
Alan D. Chalmers, review essay - "To Curse the Dean, or Bless the Draper": Recent Scholarship on Swift | JSTOR: Eighteenth-Century Studies, Vol. 36, No. 4 (Summer, 2003), pp. 580-585
Reviewed work(s): (1) Jonathan Swift and the Church of Ireland, 1710-1724 by Christopher J. Fauske; *--* (2) Jonathan Swift and the Popular Culture: Myth, Media, and the Man by Ann Cline Kelly; *--* (3) The Skeptical Sublime: Aesthetic Ideology in Pope and the Tory Satirists by James Noggle; *--* (4) Reading Swift:Papers from the Third Münster Symposium on Jonathan Swift by Hermann J. Real; Helgard Stover-Leidig
books  reviews  article  jstor  18thC  English_lit  British_history  British_politics  Ireland  cultural_history  Swift  Church_of_England  Anglican  Pope  Gay  Arbuthnot  satire  scepticism  heterodoxy  popular_culture  publishing  Grub_Street  downloaded  EF-add 
february 2014 by dunnettreader
Christopher Parker - English Historians and the Opposition to Positivism | JSTOR: History and Theory, Vol. 22, No. 2 (May, 1983), pp. 120-145
No settled view on whether English historians were dyed-in-the-wool positivists. Looks like a useful overview of where leading 19thC historians fit in Victorian intellectual milieu. Downloaded pdf to Note
article  jstor  intellectual_history  historiography-19thC  British_history  positivism  literary_history  English_lit  narrative  historians-and-politics  downloaded  EF-add 
february 2014 by dunnettreader
Andrew Lincoln - The Culture of War and Civil Society in the Reigns of William III and Anne | JSTOR: Eighteenth-Century Studies, Vol. 44, No. 4 (SUMMER 2011), pp. 455-474
The essay examines the representation of war in poems and church services during the reigns of William III and Queen Anne. It identifies relations between social discipline and the imaginative participation in violence, and considers how war—described by poets as a test of heroism, and represented by the church as the occasion for spiritual purgation—served the interests of those who wanted to regulate and refine the manners of civil society. It argues that the promotion of gentler manners did not undermine the commitment to military aggression, but worked in the service of it. -- huge bibliography of both primary and secondary literature -- paywall
article  jstor  paywall  17thC  18thC  British_history  British_politics  Nine_Years_War  War_of_Spanish_Succession  English_lit  poetry  sermons  politeness  reformation_of_manners  militarism  William_III  Marlborough  heroes  Providence  religious_culture  elite_culture  Elias_Norbert  Addison  publishing  public_sphere  civil_society  bibliography  EF-add 
january 2014 by dunnettreader
Paulina Kewes - "The State Is out of Tune": Nicholas Rowe's "Jane Shore" and the Succession Crisis of 1713-14 | JSTOR: Huntington Library Quarterly, Vol. 64, No. 3/4 (2001), pp. 283-308
Well done analysis of the political topicality that Rowe exploited while avoiding a factional position. Identifies areas that had some resonance but Rowe avoided making direct allegory, analogy or character personation, including the Duchess of Marlborough and Abigail Masham flaps with Queen Anne. Includes discussion of several lines deleted by the censor that was made infamous in 1730s when Bolingbroke accused of hypocrisy for being a censor in 1710s -- most references to literary criticism point to failure to pick up political relevance - other references to some bits of cultural, literary or political history during last 4 years of Queen Anne -- downloaded pdf to Note
article  jstor  cultural_history  political_history  political_culture  literary_history  English_lit  18thC  1700s  Hanoverian_Succession  Queen_Anne  Harley  Bolingbroke  Marlborough_Duchess  Masham_Lady  Richard_III  Rowe_Nicholas  theatre-politics  Whigs  Tories  Jacobites  James_III  succession  Parliament  censorship  bibliography  downloaded  EF-add 
january 2014 by dunnettreader
Robert Markley - Aphra Behn's "The City Heiress": Feminism and the Dynamics of Popular Success on the Late 17thC Stage | JSTOR: Comparative Drama, Vol. 41, No. 2 (Summer 2007), pp. 141-166
Entertaining how she successfully turns the tables (eg ridicules male proprietary control over female chastity, turns the libertine wit into a failure at manipulation but an object of desire) and flips the gender valence with audience approval (other than Whig political attacks or general attacks on theatrical immorality) -- and gets into some Tory protofeminism with Astell -- didn't download
article  jstor  literary_history  English_lit  comedy  theatre-Restoration  Behn  feminism  Tories  Astell  irony  satire  patriarchy  sexuality  gender  libertine  desire  1680s  EF-add 
january 2014 by dunnettreader
Group includes Mark Knights? -- The article explores 'commonwealth' both as a term and a conceptual field across the early modern period, with a particular focus on the Anglophone world. The shifts of usage of 'commonwealth' are explored, from a term used to describe the polity, to one used to describe a particular, republican form of polity, through to its eclipse in the eighteenth century by other terms such as 'nation' and 'state'. But the article also investigates the variety of usages during any one time, especially at moments of crisis, and the network of related terms that constituted 'commonwealth'. That investigation requires, it is argued, not just a textual approach but one that embraces social custom and practice, as well as the study of literary and visual forms through which the keyword 'commonwealth' was constructed. The article emphasizes the importance of social context to language; the forms, metaphors and images used to describe and depict the polity; and to show how linguistic change could occur through the transmutation of elements of the conceptual field that endowed the keyword with its meaning. -- lots of references -- looks immensely useful, of course cites original version of Skinner on Bolingbroke -- paywall Cambridge journals
article  jstor  paywall  find  libraries  intellectual_history  political_philosophy  political_culture  Europe-Early_Modern  16thC  17thC  18thC  British_politics  commonwealth  body_politic  common_good  republicanism  Whigs-Radicals  macro-microcosm  keywords  political_press  images-political  English_lit  metaphor  concepts  metaphor-political  political-theology  Bolingbroke  bibliography  EF-add 
january 2014 by dunnettreader
Sharon Achinstein - Milton's Spectre in the Restoration: Marvell, Dryden, and Literary Enthusiasm JSTOR: Huntington Library Quarterly, Vol. 59, No. 1 (1996), pp. 1-29
Censorship and threats of assassination, book burnings etc - not just after Restoration but well into 1670s. Marvell Rehearsal Transpos'd and other writings that were pro toleration treated as necessarily expressing republicanism and commonwealth sentiments if not fully pro regicide. -- a sense of what Bolingbroke's great grandfather going through -- figures associated with Cromwell, excluded in pardon but not tried for treason -- didn't download
article  jstor  politics-and-literature  politics-and-religion  English_lit  literary_history  17thC  British_politics  church_history  Church_of_England  persecution  tolerance  Restoration  High_Church  dissenters  poetry  form-poetic  Milton  Marvell  Dryden  bibliography  EF-add 
january 2014 by dunnettreader
Lawrence Lipking - Chess Minds and Critical Moves | JSTOR: New Literary History, Vol. 34, No. 1 (Winter, 2003), pp. 155-180
Contrasting "problemists" (Wimsatt and New Criticism) with players --Plato v Aristotle or Being v Becoming. Discusses Nabokov, T.S. Eliot, Swift among others. Downloaded pdf to Note
article  jstor  literary_history  lit_crit  English_lit  poetry  Swift  downloaded  EF-add 
january 2014 by dunnettreader
Derek Hughes - Cibber and Vanbrugh: Language, Place, and Social Order in "Love's Last Shift" | JSTOR: Comparative Drama, Vol. 20, No. 4 (Winter 1986-87), pp. 287-304
1st of 2 articles comparing Cibber and Vanbrugh on instability of language and its links with social order as well as different values for home, place -- again lots of Hobbes, but the wider suspicion of language, rhetoric effects of naming, correspondence with reality, whether morality and language are conventional not God given etc -- from plain speech promoters to universal language attempts, Locke, etc
article  jstor  intellectual_history  religious_history  cultural_history  philosophy_of_language  moral_philosophy  nominalism  morality-conventional  morality-divine_command  17thC  British_history  English_lit  theatre-Restoration  Hobbes  Locke  social_order  EF-add 
january 2014 by dunnettreader
Derek Hughes - Naming and Entitlement in Wycherley, Etherege, and Dryden | JSTOR: Comparative Drama, Vol. 21, No. 3 (Fall 1987), pp. 259-289
Fascinating impact of Hobbes's philosophy, especially of language where the link between God and man, and the order of the social world and cosmos, is broken -- downloaded pdf to Note
article  jstor  intellectual_history  17thC  British_history  philosophy_of_language  epistemology  rhetoric  Hobbes  Dryden  English_lit  theatre-Restoration  downloaded  EF-add 
january 2014 by dunnettreader
Christine Stevenson - Robert Hooke's Bethlem | JSTOR: Journal of the Society of Architectural Historians, Vol. 55, No. 3 (Sep., 1996), pp. 254-275
Bethlem Hospital for lunatics, built to the designs of Robert Hooke between 1674 and 1676 in London, is a singularly famous building that has been little studied. This article summarizes the available written evidence, including the minutes of the Court of Governors' deliberations during Bethlem construction and contemporary prose and poetic celebrations of the result, to show that one conventional rhetorical use of the building, as a monstrous emblem of vanity, may be suprisingly apposite given the governors' preoccupation with how it be viewed, both literally and figuratively. However, they seem to have expected that post-Fire and post-Restoration London would be willing to entertain a conception of a lunatic asylum more polysemous than has been possible since, possibly because Bethlem created the type. Hooke's application of the domestic gallery, in particular, not only introduced a wide range of associations with health, hospitality, instruction, and pleasure, it permitted a plan that was concurrently applauded as inherently curative. It is, however, Bethlem's façade which soon became notorious; the article concludes with an explanation for the significance of its grandeur, and for the failure of the signification. -- splendidly illustrated -- over 100 references, covers through 1733 -- didn't download
article  jstor  social_history  cultural_history  English_lit  architecture  17thC  18thC  British_history  London  Hooke  medicine  psychology  madness  poetry  satire  charity  elites  bibliography  EF-add 
january 2014 by dunnettreader
William J. Bulman - Publicity and Popery on the Restoration Stage: Elkanah Settle's "The Empress of Morocco" in Context | JSTOR: Journal of British Studies, Vol. 51, No. 2 (APRIL 2012), pp. 308-339
Over 100 references listed with lots of jstor links on the jstor information page -- paywall Cambridge journals -- claims that historians, as distinct from literary criticism, have mostly ignored the theatre political linkages for Restoration, unlike early Stuart and Augustan periods -- thinks they should be looking at something akin to emergence of public sphere (not necessarily in Habermas sense) post English Civil War -- among references see Princeton 2009 thesis on religious politics and theatre late 17thC to 1714
article  jstor  paywall  find  thesis  17thC  1670s  theatre-politics  English_lit  literary_history  politics-and-literature  theatre-Restoration  political_culture  bibliography  EF-add 
january 2014 by dunnettreader
Raymond Williams - "Nature's Threads" | JSTOR: Eighteenth-Century Studies, Vol. 2, No. 1 (Autumn, 1968), pp. 45-57
Special Issue: Literary and Artistic Change in the 18thC -- downloaded pdf to Note -- tension, contradiction in celebra of productivity of the land and rural industry, emerging awareness of agricultural labor by elites, sense of loss (eg Goldsmith) -- interesting tracking of more socially aware and more mixed sense of Nature in later revisions by Thomson of The Seasons
article  jstor  social_history  cultural_history  literary_history  18thC  English_lit  poetry  agriculture  lower_orders  nature  downloaded  EF-add 
january 2014 by dunnettreader
Josephine Miles - A Change in the Language of [18thC] Literature | JSTOR: Eighteenth-Century Studies, Vol. 2, No. 1 (Autumn, 1968), pp. 35-44
Downloaded pdf to Note - fascinating description of changes first in poetry and then in prose to use of qualifying adjectives, away from assertions - comments on changes in cultural assumptions. Effects of Hebrew phrases
article  jstor  18thC  English_lit  poetry  prose  style  cultural_history  downloaded  EF-add 
january 2014 by dunnettreader
Marcus Tomalin - "The New-Invented Patent-Lamp of Etymology": Hazlitt, Horne Tooke, and the Philosophy of Language | JSTOR: Eighteenth-Century Studies, Vol. 42, No. 1 (Fall, 2008), pp. 61-90
This article considers the way in which particular trends in eighteenth-century philology and philosophy were reassessed and re-evaluated in the early nineteenth century, and the main focus falls upon William Hazlitt's various responses to the linguistic theorizing of well-known political radical John Horne Tooke. The primary intention is to elucidate the manner in which some of Hazlitt's linguistic and philosophical preoccupations developed in direct response to particular dominant trends in late eighteenth-century philological thought, and it will be argued that, although he sometimes appears to express contradictory views concerning the work of Horne Tooke, a careful assessment of his writings suggests that he consistently responded to the latter's etymological speculations in a coherent, if complex, manner.
article  jstor  intellectual_history  philosophy_of_language  philology  English_lit  18thC  19thC  Hazlitt_William  EF-add 
january 2014 by dunnettreader
Richard F. Jones: Science and Criticism in the Neo-Classical Age of English Literature | JSTOR: Journal of the History of Ideas, Vol. 1, No. 4 (Oct., 1940), pp. 381-412
Develops ideas from his 1936 book on the Ancients v Moderns and background to Battle of the Books - contrasting Baconian scepticism and mentality of experimental discovery with the purported iron rules of Aristotle and English literature as influenced by French neoclassical criticism. Dryden as major example of tension between the two mentalities. -- downloaded pdf to Note
article  jstor  intellectual_history  literary_history  lit_crit  Scientific_Revolution  British_history  English_lit  Royal_Society  Dryden  poetry  neoclassical  French_lit  Ancients_v_Moderns  downloaded  EF-add 
january 2014 by dunnettreader
Patricia Meyer Spacks: Imagery and Method in "An Essay on Criticism" (1970)
JSTOR: PMLA, Vol. 85, No. 1 (Jan., 1970), pp. 97-106 -- downloaded pdf to Note-- The poetic method of Pope's "An Essay on Criticism" is to demonstrate how wit can operate, through imagery, as both controlling and creative power. The poem's imagery suggests the relatedness of all human endeavor, defines the special place of criticism, indicates standards of value. Images modify one another to achieve subtle effects, communicate complex and delicate judgments. The multiplicity of imagery is never random; it works by purposeful reinforcement. Even individual images supply poetic and philosophic density. Particularly important is the figure of the "good man" which emerges gradually through the poem, exemplifying a technique characteristic of much of Pope's poetry: the heightening of significant figures to emblematic proportions to exemplify the reality of key abstractions. The form as well as the content of Pope's imagery is important, with metaphors in general indicating more crucial connections than similes reveal. Pope, unlike such predecessors as Cowley, uses both metaphor and simile to convey a set of complicated paraphrasable ideas. He attempts to promulgate doctrine and to enjoin the proper feelings and beliefs about it. The "Essay on Criticism" indicates that metaphor can provide organization without comprising the sole substance of a poem.
article  jstor  lit_crit  18thC  English_lit  Pope  metaphor  rhetoric  downloaded  EF-add 
september 2013 by dunnettreader
JSTOR: Hungarian Journal of English and American Studies (HJEAS), Vol. 13, No. 1/2 (Spring-Fall, 2007), pp. 7-21 - nice essay on issues of theory and method studying what used to be "comparative literature" - now reception theory (suggests what got picked up in different countries at various times had much to do with which particular English work or author or genre filled a gap that may not have even been noticed until someone came in contact with a bit of English culture or an English work), history and sociology of the book, history of translation, channels of cultural influence, "representations" of England or part of English culture (eg Voltaire's Lettres)
article  jstor  English_lit  literary_history  cultural_history  17thC  18thC  19thC  France  Germany  Eastern_Europe  publishing  translation  history_of_book  reading  readership  reception  EF-add 
september 2013 by dunnettreader
James Chandler - Edgeworth and the Lunar Enlightenment (2011) | Eighteenth-Century Studies
Project MUSE - James Chandler. "Edgeworth and the Lunar Enlightenment." Eighteenth-Century Studies45.1 (2011): 87-104. -- downloaded pdf to Note -- Maria Edgeworth was arguably the most important novelist writing in English during the early Regency period. Her narrative art was informed by her influential educational theories, and in its turn it decisively shaped the very different oeuvres of Jane Austen and Sir Walter Scott, whose successes in fiction would somewhat eclipse hers. If Edgeworth’s novels came to seem puzzling in their design, the reason may lie in the distinctive disciplinary context from which they emerged. For Edgeworth followed her highly accomplished and polymath father in engaging with the projects of the Lunar Society of Birmingham, which included diverse intellectuals such as James Watt, Erasmus Darwin, and Joseph Priestley. The Lunar commitment to improvement through experiment, I argue, not only set the terms for the agricultural, mechanical, and educational efforts carried out by Richard Edgeworth and his daughter on their Irish estate, it also helps to make sense of the novels and tales Maria wrote there, especially her remarkable analysis of contemporary fashionable life inBelinda (1801).
article  Project_MUSE  18thC  cultural_history  history_of_science  sociology_of_knowledge  belles-lettres  English_lit  novels  Edgeworth  Lunar_Society  learned_societies  improvement  education  education-women  downloaded  EF-add 
september 2013 by dunnettreader
Trevor Ross: Copyright and the Invention of Tradition (1992)
JSTOR: Eighteenth-Century Studies, Vol. 26, No. 1 (Autumn, 1992), pp. 1-27 -- downloaded pdf to Note -- limits on perpetual copyright of 1710 upheld in1774 -- creation of defined property rights simultaneously creates the public domain -- by 1774 a notion that English culture involved a tradition that belonged to everyone -- bibliography on 2ndry sources that have tracked the legal details and booksellers practices, cartel etc
article  jstor  literary_history  English_lit  canon  cultural_history  legal_history  18thC  1710s  laws  litigation  intellectual_property  publishing  consumers  reading  creativity  authors  downloaded  EF-add 
september 2013 by dunnettreader
Adam R. Beach: The Creation of a Classical Language in the Eighteenth Century: Standardizing English, Cultural Imperialism, and the Future of the Literary Canon (2001)
JSTOR: Texas Studies in Literature and Language, Vol. 43, No. 2 (SUMMER 2001), pp. 117-141 -- good bibliography both primary sources and recent work especially on Scottish Enlightenment like Mondobo and Kames with linguistic theories linked to theories of stadial history of civilizing process - fears native languages and dialects of periphery of Three Kingdoms made Britain "barbariand" -- ambitions for English to become 3rd classical language with analogies to Rome
article  jstor  literary_history  intellectual_history  language  imperialism  18thC  19thC  Britain  Scottish_Enlightenment  English_lit  canon  historiography-18thC  British_Empire  Three_Kingdoms  EF-add 
september 2013 by dunnettreader
Darryl P. Domingo: "THE NATURAL PROPENSITY OF IMITATION": or, Pantomimic Poetics and the Rhetoric of Augustan Wit (2009)
JSTOR: Journal for Early Modern Cultural Studies, Vol. 9, No. 2 (FALL/WINTER 2009), pp. 51-95 -- downloaded pdf to Note -- Drawing attention to the complex reciprocal relationship between commercialized leisure and commercial literature in the so-called "Age of Wit," this essay reconceives of the witty and witless in two important ways. Taking for granted, first of all, that wit is usually analyzed in terms of the efficacy of verbal language, the essay examines how and why debates concerning true and false wit were played out in physical terms—in this case, through the motions, gestures, and attitudes of the dancing body. Second of all, the essay attempts to account for the enduring, if unwitting, attractions of "false wit" by likening it to the tricks and transformations of contemporary English pantomime. Satirists of the 1720s, 1730s, and 1740s frequently invoke the unmeaning motion of Harlequin as a visual way of proscribing the verbal excesses of extravagant language. At the same time, apologists for pantomime associate Harlequin's "dumb Wit" with truth, reason, and the pattern of nature, claiming that the genre's corporeality allowed it to transcend the limitations and equivocations of words. The essay concludes that the popularity of pantomime contextualizes the Augustan reaction against false wit, in that it identifies a source of aesthetic pleasure in the public's eagerness to be duped by apparent sameness in difference. Early eighteenth-century readers enjoy luxuriant, illogical, and mixed metaphors, forced similes, and trifling jibes and quibbles for the same reason that early eighteenth-century spectators delight in the unexpected turns of pantomimic entertainment: in a world under the sway of Harlequin's magical slapstick, audiences derive satisfaction from being deceived. -- Looks pretty heavy on Theory but lots of useful primary sources -- May be useful for Beggars Opera, Dunciad, Three Hours after Marriage, Martinus Scriblerus and even Peri Bathous as well as Hogarth.
article  jstor  18thC  intellectual_history  popular_culture  English_lit  literary_history  theater  epistemology  satire  Pope  consumerism  wit  bibliography  EF-add 
september 2013 by dunnettreader
David Hopkins: Dryden and the Garth-Tonson Metamorphoses (1988)
JSTOR: The Review of English Studies, New Series, Vol. 39, No. 153 (Feb., 1988), pp. 64-74 -- downloaded pdf to Note
article  jstor  English_lit  literary_history  17thC  18thC  1690s  1710s  Dryden  Pope  Addison  publishing  imitation  translation  poetry  Ovid  networks-literary  downloaded  EF-add 
september 2013 by dunnettreader
Roger D. Lund - Wit, Judgment, and the Misprisions of Similitude (2004) | JHI on JSTOR
Wit, Judgment, and the Misprisions of Similitude
Roger D. Lund
Journal of the History of Ideas
Vol. 65, No. 1 (Jan., 2004), pp. 53-74
True wit is Nature to advantage dress' d
What oft was thought but ne'er so well ecpress' d
Downloaded pdf to Note - duplicate somewhere in Dropbox EF libraries
article  jstor  17thC  18thC  literary_history  intellectual_history  cultural_history  faculties  reason  understanding  imagination  wit  judgment-aesthetics  judgment-emotions  gentleman  poetry  genius  creativity  Innovation  epistemology  virtue_epistemology  Locke  Malebranche  deception  Pope  Dryden  English_lit  French_lit  Addison  downloaded 
september 2013 by dunnettreader
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