dunnettreader + wordsworth   9

Dr Seamus Perry - Annual Wordsworth Lecture: 'What Did Wordsworth Make of Coleridge?' (2012) | School of Advanced Study, University of London
Coleridge was the single most important influence on the great philosophical and autobiographical poetry for which Wordsworth is now famous. But how exactly did the influence work? How much did Wordsworth absorb from the thought of his charismatic friend and how much did he re-shape in his own image? This lecture will return to the earliest days of their intimacy to consider the play of ideas and languages between some of their most celebrated poems, including 'Frost at Midnight' and 'The Prelude'.

Seamus Perry is a tutorial fellow at Balliol College, Oxford, and a Trustee of the Wordsworth Trust. His interests lie principally in the field of English Romantic poetry and thought, especially Coleridge and Wordsworth, and in post-Romantic English poetry, especially Tennyson, Eliot, Auden, Larkin, and their circles. He also has an interest in the modern history of criticism, reflected in articles on A.C. Bradley, William Empson, F.W. Bateson, and M.H. Abrams. He is co-editor, with Christopher Ricks, of the journal Essays in Criticism: A Quarterly Journal of Literary Criticism (OUP), and the general editor of the new series, 21st-Century Oxford Authors (OUP). He is currently working on an edition of Arnold for the 21st Century Oxford Authors, editorial work on Empson's study of pastoral, and an edition of Coleridge's poems for Longman.
lecture  19thC  poetics  Coleridge  poetry  English_lit  Wordsworth  video  18thC  Romanticism 
april 2016 by dunnettreader
Timothy Michael - British Romanticism and the Critique of Political Reason (Dec 2015) | JHU Press
What role should reason play in the creation of a free and just society? Can we claim to know anything in a field as complex as politics? And how can the cause of political rationalism be advanced when it is seen as having blood on its hands? These are the questions that occupied a group of British poets, philosophers, and polemicists in the years following the French Revolution. (..) argues that much literature of the period is a trial, or a critique, of reason in its political capacities and a test of the kinds of knowledge available to it. For Wordsworth, Coleridge, Shelley, Burke, Wollstonecraft, and Godwin, the historical sequence of revolution, counter-revolution, and terror in France—and radicalism and repression in Britain—occasioned a dramatic reassessment of how best to advance the project of enlightenment. The political thought of these figures must be understood, Michael contends, in the context of their philosophical thought. Major poems of the period, including The Prelude, The Excursion, and Prometheus Unbound, are in this reading an adjudication of competing political and epistemological claims. This book bridges for the first time two traditional pillars of Romantic studies: the period’s politics and its theories of the mind and knowledge. Combining literary and intellectual history, it provides an account of British Romanticism in which high rhetoric, political prose, poetry, and poetics converge in a discourse of enlightenment and emancipation.
books  18thC  19thC  intellectual_history  literary_history  British_history  English_lit  political_philosophy  political_culture  Enlightenment  epistemology  moral_philosophy  mind  Romanticism  poetry  French_Enlightenment  French_Revolution  French_Revolution-impact  French_Revolutionary_Wars  Wordsworth  Coleridge  Shelley  Burke  Wollstonecraft  Godwin_Wm  reason  rationality  perception  judgment-political  judgment-independence  Counter-Enlightenment  counter-revolution  political_discourse  poetics  rhetoric-political  freedom  civil_liberties  civil_society  liberty-positive  scepticism 
august 2015 by dunnettreader
Milton, the Metaphysicals, and Romanticism | Renaissance and early modern literature | Cambridge University Press
Lisa Low, Pace University, New York - Anthony John Harding, University of Saskatchewan -- Both the English Civil War and the French Revolution produced in England an outpouring of literature reflecting intense belief in the arrival of a better world, and new philosophies of the relationship between mind, language and cosmos. This is the first book to explore the significance of the connections between the literature of these two periods. The volume analyses Milton's influence on Romantic writers including Blake, Beckford, Wordsworth, Shelley, Radcliffe and Keats, and examines the relationships between other 17thC poets - Donne, Marvell, Vaughan, Herrick, Cowley, Rochester and Dryden - and Romantic writers. Representing a wide range of theoretical approaches, it is a provocative and challenging assessment of the relationship between two of the richest periods of British literary history. **--** Introduction - Milton, the metaphysicals, and romanticism: reading the past, reflecting the present - Lisa Elaine Low and Anthony John Harding *-* 1. The other reading transactional epic in Milton, Blake, and Wordsworth - Tilottama Rajan *-* 2. Newton's pantocrator and Blake's recovery of Miltonic prophecy - G. A. Rosso *-* 3. Milton's hell: William Beckford's place in the graphic and the literary tradition - Elinor Shaffer *-* 4. How theories of Romanticism exclude women: Radcliffe, Milton, and the legitimation of the gothic novel - Annette Wheeler Cafarelli *-* 5. Wordsworth, Milton, and the inward light - Nicola Zoe Trott *-* 6. De-fencing the poet: The political dilemma of the poet and the people in Milton's Second Defense and Shelley's Defence of Poetry - Michael Chappell *-* 7. Keats's Marginalia in Paradise Lost - Beth Lau *-* 8. What the mower does to the meadow: action and reflection in Wordsworth and Marvell - Frederick Burwick *'* 9. Kidnapping the poets: the Romantics and Henry Vaughan - John T. Shawcross *-* 10. 'Against the Stream Upwards': Coleridge's Recovery of John Donne - Anthony John Harding *-* 11. Coleridge, Keats, Lamb and 17thC drinking songs - Anya Taylor *-* 12. Marvell, Keats, Wallace Stevens, and the (early) modern meditation poem - Lisa Elaine Low. -- downloaded pdfs of front matter and excerpt to Note
books  English_lit  literary_history  literary_language  literary_theory  lit_crit  17thC  18thC  19thC  British_history  cultural_history  Romanticism  poetry  Metaphysicals  English_Civil_War  French_Revolution-impact  Wordsworth  Coleridge  Keats  Shelley  Newtonian  Blake_William  authors-women  Radcliffe  novels  Gothic-fiction  subjectivity  Milton  Paradise_Lost  Marvell  Donne  politics-and-literature  politics-and-art  public_sphere  cultural_critique  downloaded  EF-add 
february 2015 by dunnettreader
Tilottama Rajan and Julia M. Wright, eds. - Romanticism, History, and the Possibilities of Genre Re forming Literature 1789–1837 (2006 pbk) | Cambridge University Press
Tilottama Rajan, University of Western Ontario and Julia M. Wright, Dalhousie University, Nova Scotia **--** Romanticism has often been associated with lyric poetry, or otherwise confined within mainstream genres. As a result, we have neglected the sheer diversity and generic hybridity of a literature that ranged from the Gothic novel to the national tale, from monthly periodicals to fictionalized autobiography. In this new volume some of the leading scholars of the period explore the relationship between ideology and literary genre from a variety of theoretical perspectives. The introduction offers a fresh examination of how genre was rethought by Romantic criticism. **--** Introduction Tilottama Rajan and Julia M. Wright **--** Part I. Genre, History, and the Public Sphere: 1. Godwin and the genre reformers: on necessity and contingency in romantic narrative theory - Jon Klancher *-* 2. Radical print culture in periodical form - Kevin Gilmartin *-* 3. History, trauma, and the limits of the liberal imagination: William Godwin's historical fiction - Gary Handwerk *-* 4. Writing on the border: the national tale, female writing, and the public sphere - Ina Ferris. **--** Part II. Genre and Society: 5. Genres from life in Wordsworth's art: Lyrical Ballads 1798 - Don Bialostosky *-* 6. 'A voice in the representation': John Thelwall and the enfranchisement of literature - Judith Thompson *-* 7. 'I am ill-fitted': conflicts of genre in Elisa Fenwick's Secresy - Julia M. Wright *-* 8. Frankenstein as neo-Gothic: from the ghost of the couterfeit to the monster of abjection - Jerrold E. Hogle **--** Part III. Genre, Gender, and the Private Sphere: 9. Autonarration and genotext in Mary Hays' Memoirs of Emma Courtney - Tilottama Rajan *-* 10. 'The science of herself': scenes of female enlightenment - Mary Jacobus *-* 11. The failures of romanticism Jerome McGann -- downloaded pdfs of front matter and excerpt to Note
books  English_lit  historiography-18thC  historiography-19thC  philosophy_of_history  British_history  British_politics  genre  1790s  1800s  1810s  1820s  radicals  Radical_Enlightenment  reform-political  reform-social  French_Revolution  anti-Jacobin  literary_journals  literary_history  national_ID  nationalism  national_tale  narrative  narrative-contested  Hunt_Leigh  censorship  Hazlitt_William  Godwin_Wm  historical_fiction  historical_change  necessity  contingency  women-intellectuals  authors-women  social_order  public_sphere  private_life  lower_orders  Shelley_Mary  imagination  magazines  newspapers  gender  gender_history  Wordsworth  poetry  Napoleonic_Wars-impact  Romanticism  downloaded  EF-add 
february 2015 by dunnettreader
The Works and Life of Walter Bagehot, vol. 4 (Political & Literary Essays) - Online Library of Liberty
WILLIAM PITT. (1861.) *--* THE PRINCE CONSORT. (1861.) *--* COUNT YOUR ENEMIES AND ECONOMISE YOUR EXPENDITURE. (1862.) -- POSTSCRIPT. *--* LADY MARY WORTLEY MONTAGU.1 (1862.) -- “To Mr. Wortley Montagu. -- “TOWN ECLOGUES. *--* THE IGNORANCE OF MAN. (1862.) *--* MR. CLOUGH’S POEMS. (1862.) *--* BOLINGBROKE AS A STATESMAN. (1863.) *--* WHAT LORD LYNDHURST REALLY WAS. (1863.) *--* SIR GEORGE CORNEWALL LEWIS.1 (1863.) -- Right Hon. Sir George C. Lewis to Earl Stanhope. -- The same to the same. *--* THE TRIBUTE AT HEREFORD TO SIR G. C. LEWIS. (1864.) *--* STERNE AND THACKERAY.1 (1864.) *--* SACRED TO THE MEMORY OF MRS. ELIZABETH DRAPER, IN WHOM GENIUS AND BENEVOLENCE WERE UNITED. SHE DIED AUGUST 3, 1778, AGED 35. *--* WORDSWORTH, TENNYSON, AND BROWNING OR PURE, ORNATE, AND GROTESQUE ART IN ENGLISH POETRY.1 (1864.) *--* CÆSARISM AS IT EXISTED IN 1865. *--* MR. COBDEN. (1865.) *--* LORD PALMERSTON. (1865.) *--* BOSCASTLE.1 (1866.) -- downloaded pdf to Note
books  etexts  Bagehot  18thC  19thC  British_history  British_politics  English_lit  poetry  novels  Bolingbroke  Montagu_Lady_Mary  Sterne  Thackeray  Wordsworth  Tennyson  Victorian  Romanticism  parties  partisanship  Tories  British_Empire  British_foreign_policy  political_economy  laisser-faire  free_trade  Parliament  UK_Government  Pitt_the_Younger  Palmerston  downloaded  EF-add 
july 2014 by dunnettreader
Critical Miscellanies - The Works of Lord Morley (Vol 6) - John Morley - Google Books
A mix of biograohical and critical treatment of a range of 19thC authors. Plus an interesting description of the Edinburgh Review after Jeffrey handed editorial duties over to Napier. Added to Google_Books library
books  etexts  Google_Books  19thC  intellectual_history  English_lit  historiography-19thC  historiography-Whig  Emerson  Carlyle  Macaulay  Byron  Eliot_George  Martineau  Wordsworth  Coleridge  Transcendentals  Locke  Mill  empiricism  religious_belief  religious_culture  Edinburgh_Review  journalism  magazines  Brougham  Bolingbroke  Bagehot  Morley  lit_crit  EF-add 
may 2014 by dunnettreader
Transcendental Aesthetics: The Language of Sense (Chapter 2) - Paul L. Sawyer - Ruskin's Poetic Argument: The Design of the Major Works (1985) | Victorian Web
Focus on Ruskin's first major work, defending Turner. Discusses Ruskin's mode of seeing landscape (Ruskinian sublime), starting with gestalt, then intense attention to detail and connections among them, with third stage the whole again but now informed by the energy in which the details create a whole that is a moment, extended by viewing, of divine nature. Distinguishes a Lockean empiricism that's limited to subject v object and extension by association with a more Aristotelian perception that grasps essences from surface particulars. The sort of hermeneutic circle from whole to parts to transformed whole breaks down a bunch of dualisms. Ruskin rejected the sublime as a useful aesthetic concept - confusion re whether experience of observer or character or feature of the object. Similarly imagination and artistic creativity weren't separately theorized by Ruskin.
books  etexts  19thC  Ruskin  aesthetics  art_history  art_criticism  English_lit  perception  painting  Turner  neoclassical  empiricism  imagination  sublime  Coleridge  Wordsworth 
january 2014 by dunnettreader

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