dunnettreader + coleridge   17

Dr Seamus Perry - Annual Wordsworth Lecture: 'What Did Wordsworth Make of Coleridge?' (2012) | School of Advanced Study, University of London
Coleridge was the single most important influence on the great philosophical and autobiographical poetry for which Wordsworth is now famous. But how exactly did the influence work? How much did Wordsworth absorb from the thought of his charismatic friend and how much did he re-shape in his own image? This lecture will return to the earliest days of their intimacy to consider the play of ideas and languages between some of their most celebrated poems, including 'Frost at Midnight' and 'The Prelude'.

Seamus Perry is a tutorial fellow at Balliol College, Oxford, and a Trustee of the Wordsworth Trust. His interests lie principally in the field of English Romantic poetry and thought, especially Coleridge and Wordsworth, and in post-Romantic English poetry, especially Tennyson, Eliot, Auden, Larkin, and their circles. He also has an interest in the modern history of criticism, reflected in articles on A.C. Bradley, William Empson, F.W. Bateson, and M.H. Abrams. He is co-editor, with Christopher Ricks, of the journal Essays in Criticism: A Quarterly Journal of Literary Criticism (OUP), and the general editor of the new series, 21st-Century Oxford Authors (OUP). He is currently working on an edition of Arnold for the 21st Century Oxford Authors, editorial work on Empson's study of pastoral, and an edition of Coleridge's poems for Longman.
lecture  19thC  poetics  Coleridge  poetry  English_lit  Wordsworth  video  18thC  Romanticism 
april 2016 by dunnettreader
Timothy Michael - British Romanticism and the Critique of Political Reason (Dec 2015) | JHU Press
What role should reason play in the creation of a free and just society? Can we claim to know anything in a field as complex as politics? And how can the cause of political rationalism be advanced when it is seen as having blood on its hands? These are the questions that occupied a group of British poets, philosophers, and polemicists in the years following the French Revolution. (..) argues that much literature of the period is a trial, or a critique, of reason in its political capacities and a test of the kinds of knowledge available to it. For Wordsworth, Coleridge, Shelley, Burke, Wollstonecraft, and Godwin, the historical sequence of revolution, counter-revolution, and terror in France—and radicalism and repression in Britain—occasioned a dramatic reassessment of how best to advance the project of enlightenment. The political thought of these figures must be understood, Michael contends, in the context of their philosophical thought. Major poems of the period, including The Prelude, The Excursion, and Prometheus Unbound, are in this reading an adjudication of competing political and epistemological claims. This book bridges for the first time two traditional pillars of Romantic studies: the period’s politics and its theories of the mind and knowledge. Combining literary and intellectual history, it provides an account of British Romanticism in which high rhetoric, political prose, poetry, and poetics converge in a discourse of enlightenment and emancipation.
books  18thC  19thC  intellectual_history  literary_history  British_history  English_lit  political_philosophy  political_culture  Enlightenment  epistemology  moral_philosophy  mind  Romanticism  poetry  French_Enlightenment  French_Revolution  French_Revolution-impact  French_Revolutionary_Wars  Wordsworth  Coleridge  Shelley  Burke  Wollstonecraft  Godwin_Wm  reason  rationality  perception  judgment-political  judgment-independence  Counter-Enlightenment  counter-revolution  political_discourse  poetics  rhetoric-political  freedom  civil_liberties  civil_society  liberty-positive  scepticism 
august 2015 by dunnettreader
Milton, the Metaphysicals, and Romanticism | Renaissance and early modern literature | Cambridge University Press
Lisa Low, Pace University, New York - Anthony John Harding, University of Saskatchewan -- Both the English Civil War and the French Revolution produced in England an outpouring of literature reflecting intense belief in the arrival of a better world, and new philosophies of the relationship between mind, language and cosmos. This is the first book to explore the significance of the connections between the literature of these two periods. The volume analyses Milton's influence on Romantic writers including Blake, Beckford, Wordsworth, Shelley, Radcliffe and Keats, and examines the relationships between other 17thC poets - Donne, Marvell, Vaughan, Herrick, Cowley, Rochester and Dryden - and Romantic writers. Representing a wide range of theoretical approaches, it is a provocative and challenging assessment of the relationship between two of the richest periods of British literary history. **--** Introduction - Milton, the metaphysicals, and romanticism: reading the past, reflecting the present - Lisa Elaine Low and Anthony John Harding *-* 1. The other reading transactional epic in Milton, Blake, and Wordsworth - Tilottama Rajan *-* 2. Newton's pantocrator and Blake's recovery of Miltonic prophecy - G. A. Rosso *-* 3. Milton's hell: William Beckford's place in the graphic and the literary tradition - Elinor Shaffer *-* 4. How theories of Romanticism exclude women: Radcliffe, Milton, and the legitimation of the gothic novel - Annette Wheeler Cafarelli *-* 5. Wordsworth, Milton, and the inward light - Nicola Zoe Trott *-* 6. De-fencing the poet: The political dilemma of the poet and the people in Milton's Second Defense and Shelley's Defence of Poetry - Michael Chappell *-* 7. Keats's Marginalia in Paradise Lost - Beth Lau *-* 8. What the mower does to the meadow: action and reflection in Wordsworth and Marvell - Frederick Burwick *'* 9. Kidnapping the poets: the Romantics and Henry Vaughan - John T. Shawcross *-* 10. 'Against the Stream Upwards': Coleridge's Recovery of John Donne - Anthony John Harding *-* 11. Coleridge, Keats, Lamb and 17thC drinking songs - Anya Taylor *-* 12. Marvell, Keats, Wallace Stevens, and the (early) modern meditation poem - Lisa Elaine Low. -- downloaded pdfs of front matter and excerpt to Note
books  English_lit  literary_history  literary_language  literary_theory  lit_crit  17thC  18thC  19thC  British_history  cultural_history  Romanticism  poetry  Metaphysicals  English_Civil_War  French_Revolution-impact  Wordsworth  Coleridge  Keats  Shelley  Newtonian  Blake_William  authors-women  Radcliffe  novels  Gothic-fiction  subjectivity  Milton  Paradise_Lost  Marvell  Donne  politics-and-literature  politics-and-art  public_sphere  cultural_critique  downloaded  EF-add 
february 2015 by dunnettreader
Paul Silas Peterson - Thomas Pfau and the emergence of the modern individual « The Immanent Frame - Oct 2014
Thomas Pfau’s presentation of modernity in Minding the Modern fails to incorporate both the sociopolitical dimensions of modernity’s emergence and its positive aspects. He sees modernity as the home of the “modern subject” of the Western world, or the “quintessentially modern, solitary individual” in his “palpable melancholy,” both “altogether adrift” and without “interpersonal relations.” (..) a challenge to those whom he sometimes calls the “modern apologists of secular, liberal, Enlightenment society.” -- Pfau draws upon a narrative which might be called the “middle age voluntarism to modern alienation theory.” This has many predecessors in the second half of the 20thC (..). The geopolitical situation in the 1980s and 1990s is one of the important features of the historical context of many of these narratives (..) a variety of intellectual assaults were waged in the Western world against what had become the dominant intellectual paradigm in the West. (..) Over the last 30 years (..) this critical diagnosis of modernity has become more precise; there has been a consolidation of the sources and arguments -- Alasdair MacIntyre, Michael J. Buckley, Charles Taylor, Colin E. Gunton, Stanley Hauerwas, John Milbank, Michael Allen Gillespie, and more recently David B. Hart, Adrian Pabst and Brad S. Gregory. Pfau’s Minding the Modern is a new contribution to this anti-modern diagnosis of contemporary Western culture and the modern individual. (..)some of the arguments can be found in the French Catholic reform theologians of the early 20thC. There were also many German-speaking intellectuals in the 1920s and 1930s who were developing sweeping narratives that cast a dark light on modernity and thus, both implicitly and explicitly, called into question the rationale and legitimacy of the liberal political order. Pfau claims that his book does not provide one of these narratives (..). It does seem to be similar, however, to the classic decline-and-fall narratives. Even the essays at the end of the book about “retrieving the human” are analogous. -- downloaded post as pdf to Note
books  kindle-available  reviews  modernity  modernity-emergence  reform-legal  intellectual_history  medieval_philosophy  theology  Renaissance  humanism  Erasmus  Thomism  Thomism-21stC  voluntarism  Ockham  Luther  liberalism  self  alienation  18thC  Enlightenment  Enlightenment_Project  Counter-Enlightenment  Counter-Reformation  19thC  Coleridge  transcendence  ontology  individualism  17thC  English_Civil_War  religious_wars  religious_culture  Hobbes  20thC  21stC  declinism  MacIntyre  Taylor_Charles  downloaded  EF-add 
november 2014 by dunnettreader
Jeremy Dunham, review - W. J. Mander (ed.), The Oxford Handbook of British Philosophy in the Nineteenth Century // Notre Dame Philosophical Reviews // September 22, 2014
This volume is a hugely important contribution to scholarship on 19thC philosophy. ...for many important aspects of British philosophy in the 19thC the scholarship is almost non-existent. As Mander notes in the introduction, when we hear "19thC philosophy", we are more likely to think of 'the great systems of continental thought'. This volume shows that the British tradition boasts a remarkably rich and varied range of philosophical resources, and that it deserves the level of scholarship that the British traditions of the 17thC and 18thC are beginning to enjoy. In a review of another recent volume on 19thC philosophy Frederick Beiser argued that 'No period ... stands in more need of an original historian than 19thC philosophy. The standard tropes and figures do no justice to its depths, riches, and powers'. One of this present volume's greatest virtues is that it answers Beiser's plea as well as offering an impressive number of very original contributions.... It does an outstanding job of introducing a wide range of philosophical figures and ideas that will be unknown... It also includes excellent contributions on well-known philosophers and orientates the reader to the secondary literature.... The... volume provides a clear and comprehensive picture of how 19thC philosophy was practised and understood during the period. -- The Handbook has 6 parts: (1) Logic and Scientific Method; (2) Metaphysics; (3) Science and Philosophy; (4) Ethical, Social, and Political Thought; (5) Religious Philosophy; and, (6) The Practice of Philosophy. As Mander states, these classifications come from our contemporary perspective, and we should not expect the work of 19thC philosophers to neatly fit within them. Nonetheless, the individual authors [present] the aspects of a philosopher or school.. that fits within these categories while ... making clear how these aspects fit within a larger philosophical perspective ....
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october 2014 by dunnettreader
A Historical Sketch of Liberty and Equality (LF ed.) - Online Library of Liberty
Frederic William Maitland, A Historical Sketch of Liberty and Equality, as Ideals of English Political Philosophy from the Time of Hobbes to the Time of Coleridge (Indianapolis: Liberty Fund, 2000). 07/13/2014. <http://oll.libertyfund.org/titles/870 -- In 1875, at only twenty-five years of age, Maitland, in pursuit of a fellowship in Cambridge University, submitted a this remarkable work. He went on to become one of greatest legal historians of his time. -- downloaded pdf to Note
books  etexts  17thC  18thC  19thC  intellectual_history  political_philosophy  English_constitution  British_history  British_politics  Maitland  legal_history  legal_culture  liberty  equality  liberalism  English_Civil_War  Glorious_Revolution  French_Revolution  Hobbes  Coleridge  downloaded  EF-add 
july 2014 by dunnettreader
Critical Miscellanies - The Works of Lord Morley (Vol 6) - John Morley - Google Books
A mix of biograohical and critical treatment of a range of 19thC authors. Plus an interesting description of the Edinburgh Review after Jeffrey handed editorial duties over to Napier. Added to Google_Books library
books  etexts  Google_Books  19thC  intellectual_history  English_lit  historiography-19thC  historiography-Whig  Emerson  Carlyle  Macaulay  Byron  Eliot_George  Martineau  Wordsworth  Coleridge  Transcendentals  Locke  Mill  empiricism  religious_belief  religious_culture  Edinburgh_Review  journalism  magazines  Brougham  Bolingbroke  Bagehot  Morley  lit_crit  EF-add 
may 2014 by dunnettreader
Transcendental Aesthetics: The Language of Sense (Chapter 2) - Paul L. Sawyer - Ruskin's Poetic Argument: The Design of the Major Works (1985) | Victorian Web
Focus on Ruskin's first major work, defending Turner. Discusses Ruskin's mode of seeing landscape (Ruskinian sublime), starting with gestalt, then intense attention to detail and connections among them, with third stage the whole again but now informed by the energy in which the details create a whole that is a moment, extended by viewing, of divine nature. Distinguishes a Lockean empiricism that's limited to subject v object and extension by association with a more Aristotelian perception that grasps essences from surface particulars. The sort of hermeneutic circle from whole to parts to transformed whole breaks down a bunch of dualisms. Ruskin rejected the sublime as a useful aesthetic concept - confusion re whether experience of observer or character or feature of the object. Similarly imagination and artistic creativity weren't separately theorized by Ruskin.
books  etexts  19thC  Ruskin  aesthetics  art_history  art_criticism  English_lit  perception  painting  Turner  neoclassical  empiricism  imagination  sublime  Coleridge  Wordsworth 
january 2014 by dunnettreader
Paul L. Sawyer - Ruskin's Poetic Argument: The Design of the Major Works [Preface] | Victorian Web
1985 book, etext on Victorian Web -- this is 1st web page, the Preface
Contents --
Part I: Transcendental Aesthetics
Chapter 1. The Golden Waters
Chapter 2. The Language of Sense
Introduction
Sermons in Paint
Painting in Words

Chapter 3. The Lamp of Power
Introduction
Romantic Italy
"The Soul's Metropolis"

Part II: The Legend of Time

Chapter 4. The Lamp of Love
The Golden Waters
The Mother of Beauty
The Meaning of Architecture

Chapter 5. "Paradise of Cities"
The Plan: History as Typology
History as Nostalgia
The Burning Legends
The Anatomy of Alienation
The Legacy

Chapter 6. The Natural History of the Imagination
The Legend of Time: The Natural History of the Imagination
Poetry: A "Feeling for Reality"
Prophecy and Religion: The Ages of Landscape
Of Mountain Beauty: The Modern Grotesque

Part III: Wealth and Life

Chapter 7. The Economy of Beauty
Wealth and Life: The Economy of Beauty
The Economy of Art
The Organic Body
Treasure
Turner and Veronese

Chapter 8. The Economy of Life
Wealth and Life: The Economy of Beauty
The Prophecy against Mammon
Loving and Owing
The Apotheosis of Justice
The Light of the Body

Part IV: The Structure of Myth

Chapter 9. The Currency of Meaning
At the Middle of the Road
Coins and Words

Chapter 10. The Goddess and the child
The Looking-Glass World
The Firmament of Mind

Part V: Works and Days

Chapter 11. Olympian Lightning
Myth and Science
"Lifeless Seed of Life"
Serpent and Grotesque

Chapter 12. "Ruskin's Apocalypse"

Chapter 13.Time Present and Time Past
books  etexts  lit_crit  literary_history  English_lit  historiography-19thC  Ruskin  art_history  art_criticism  architecture  Gothic_revival  cultural_history  Victorian  Venice  Industrial_Revolution  cultural_critique  poetry  Italy  Romanticism  Coleridge  Carlyle  EF-add 
january 2014 by dunnettreader
Amazon.com: Coleridge and Scepticism (Oxford English Monographs) eBook: Ben Brice: Books
Although Coleridge intuitively felt that nature had been constructed as a 'mirror' of the human mind, and that both mind and nature were 'mirrors' of a transcendent spiritual realm, he never found an explanation of such experiences that was fully immune to his own skeptical doubts. Coleridge and Scepticism examines the nature of these skeptical doubts, as well as offering a new explanatory account of why Coleridge was unable to affirm his religious intuitions. Ben Brice situates his work within two important intellectual traditions. The first, a tradition of epistemological 'piety' or 'modesty', informs the work of key precursors such as Kant, Hume, Locke, Boyle, and Calvin, and relates to Protestant critiques of natural reason. The second, a tradition of theological voluntarism, emphasizes the omnipotence and transcendence of God, as well as the arbitrary relationship subsisting between God and the created world. Brice argues that Coleridge's detailed familiarity with both of these interrelated intellectual traditions, ultimately served to undermine his confidence in his ability to read the symbolic language of God in nature...... Introduction. I. Theological Voluntarism and Protestant Critiques of Natural Reason. II. Hume's 'Fork': Scepticism and Natural Religion. III. 'That Uncertain Heaven': Coleridge's Poetry and Prose 1795 to 1805. IV. Between Flesh and Spirit: Coleridge's Prose Writings 1815 to 1825. Conclusion.
books  kindle-available  18thC  19thC  intellectual_history  English_lit  Britain  theology  voluntarism  God-attributes  natural_religion  scepticism  Romanticism  nature  mind  Coleridge  EF-add 
september 2013 by dunnettreader
Jeffrey Hipolito  : Coleridge, Hermeneutics, and the Ends of Metaphysic (2004) | T & F Online
European Romantic Review, Volume 15, Issue 4, 2004, pages 547- 565, Available online: 17 Aug 2006DOI: 10.1080/1050958042000312027 -- paywall -- starts with discussion that Schleiermacher more influenced by Spinoza and the Pantheism fight than Gadamer acknowledges, as he puts Schleiermacher extending Biblical_criticism to the broader hermeneutics of understanding
article  paywall  intellectual_history  18thC  19thC  Spinoza  pantheism  monism  Kant  German_Idealism  Schleiermacher  hermeneutics  metaphysics  Coleridge  EF-add 
september 2013 by dunnettreader

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