asterisk2a + television   72

(2173) Noam Chomsky (2017) "Advertising, Consumerism, and Human Nature" - YouTube
The 19th-century working class read more than aristocrats, back in the days! // dignity self-worth identity independent. consumerism is a drug to numb, to suppress, narcotic on humanness. human condition. // there is no market economy bc consumers are not informed not making rational choices. irrational choices. uniformed.
Noam  Chomsky  Consumerism  Materialism  Status  Anxiety  mobile  homescreen  shopping  Dopamine  self-medication  comfort  coping  mechanism  Democracy  Alain  de  Botton  AlaindeBotton  Television  Facebook  Entertainment  distraction  Consumer  consumerist  Politics  Capitalism  working  poor  social  security  poverty  Armut  Advertising  Identity  Fashion  No  Representation  Psychology  nudge  theory  Sociology  Society  Wertegesellschaft  Manufactured  Consent  dignity  self-worth  class  struggle  economic  history  culture  creative  creativity  UBI  Grundeinkommen  Universal  Basic  Income  humanity  Economics 
july 2017 by asterisk2a
Media Websites Battle Faltering Ad Revenue and Traffic
[lots more competition for people's attention] The trouble, the publishers say, is twofold. The web advertising business, always unpredictable, became more treacherous. And website traffic plateaued at many large sites, in some cases falling — a new and troubling experience after a decade of exuberant growth. Online publishers have faced numerous financial challenges in recent years, including automated advertising and ad-blocking tools. But now, there is a realization that something more profound has happened: The transition from an Internet of websites to an Internet of mobile apps and social platforms, and Facebook in particular, is no longer coming — it is here. [...] “How do I monetize [content]?” he asked. “Still not clear.” //&! bit.ly/1Sxbrdu - if buzzfeed is hurting, everyone else is screwed. //&! nyti.ms/1WzYfHE
Facebook  Instant  Articles  Facebook  filter  bubble  Google  News  algorithm  business  model  pageviews  BuzzFeed  Mashable  TechCrunch  AOL  NYT  NYTimes  Washington  Post  attention  arbitrage  attention  graph  attention  span  YouTube  Snapchat  Millennials  content  discovery  content  distribution  Gawker  Insider  refinery29  Salon  GigaOm  mobile  homescreen  Entertainment  Escapeism  Gaming  winner  take  all  Software  Eats  The  World  Software  Is  Eating  The  World  Patreon  ad  blocking  AdBlock  Platform  TOS  Twitter  Instagram  Television  Radio  Podcast  Google  Search  Live  Video  Vox  paywall  Freemium  Politico  FiveThirtyEight 
april 2016 by asterisk2a
Amazon Ups the Ante on Streaming Video, Challenging Netflix
Amazon has pulled the curtain back on its $9-a-month standalone video streaming service, which will give consumers access to content they otherwise could only get through Amazon Prime, which costs $99 a year. Amazon's new service is $1 a month cheaper than rival Netflix, // For years, the two have worked to one-up each other with exclusive content deals and original series like Netflix’s “House of Cards” and Amazon’s “Mozart in the Jungle.” [...] Amazon spends about $3 billion on streaming video content annually, compared with $4 billion for Netflix, not including overseas rights or DVDs, said Wedbush’s Mr. Pachter. For its part, Santa Monica, Calif.-based Hulu has become a competitive buyer of library and original programming, increasing its content outlays from $600 million in 2014 to $1.5 billion in 2015, according to estimates from Nomura Securities. [ GET IT NEVER PRODUCED (risk averse Hollywood) OR ASK THEM; Amazon, Netflix, Hulu - Co-Produce! or own it wholly. ]
Amazon  Prime  Netflix  Hulu  HBO  Television  Cable  Providers  Hollywood  iPlayer  ITV  Channel4  BBC  British  Broadcasting  Company  British  Broadcasting  Corporation  ZDF  ARD  arte  Entertainment  BBC3  ZDFneo  FullScreen  YouTube  YouTube  Red 
april 2016 by asterisk2a
Holllywood Whitewashing and the Blockbuster Machine
8:35 - Ridley Scott can't get big production (cost) movies financed with non-white, foreign actors about non-white,foreign topics/themes. Hollywood studios do not take those kind of risk, if any risks! Only proven formulas!
Ridley  Scott  Hollywood  risk  aversion  risk  taking  Television  Music  Industry  creative  destruction  film  making 
april 2016 by asterisk2a
"I love making videos more than anything. When you're churning out sheer quantity there's no time to dwell. You just post." @CaseyNeistat
because YT algo demands it to elevate you // "I take it very seriously, I don't mess around. I love every second and my typical edits take 3-6 hours in post production." //&! "I have friends who do daily vlogs that shoot and edit directly from their cell phones. That's amazing!" //&! "I created @bemeapp because I wanted a platform to share video without self-consciousness. It's a way to share honestly." //&! "My office is a sanctuary. It's organized chaos that makes it functional. I'm more productive in my studio than anywhere else" //&! //>> Hollywood and other regular players, off the internet, is no place to take risks.
Casey  Neistat  YouTube  content  discovery  content  distribution  Piracy  bootleg  content  consumption  content  economy  content  creator  content  strategy  Vlog  Vlogging  Entertainment  storytelling  Selbstdarstellung  Selfie  Beme  Farm  creator  creative  constraint  creative  content  creative  craft  creative  destruction  creative  expression  creative  resistance  creative  surplus  Social  Media  Clickbait  Linkbait  Reality  TV  television  Selbstfürsorge  mobile  homescreen  Entertainment  Industry  Escapeism  Escapism  original  content  original  programming  Netflix  Amazon  Prime  Hollywood  HBO  ZDFneo  BBC3  iPlayer  geo  blocking 
april 2016 by asterisk2a
"What's more exciting to me is looking at the future of media like Netflix, festivals, Amazon. Those are really interesting." @CaseyNeistat
"What's more exciting to me is looking at the future of media like Netflix, festivals, Amazon. Those are really interesting." [ less risk averse due to 'always on-demand catalogue (not traditional terrestrial cable/tv)', they got something for someone, always, any time ] //&! >> "People shouldn't look outward because it makes you a follower. Whatever you're deciding you should look inward." << [individuality, creative destruction! place to take risks.] //&! "I love making videos more than anything. When you're churning out sheer quantity there's no time to dwell. You just post." << YouTube algo! is making you do it! You are not making videos. You are editing todays footage! You don't make movies. You make videos. Selbstdarstellung at best. Selfie in a/v.
Casey  Neistat  YouTube  Escapeism  Entertainment  mobile  homescreen  Selbstdarstellung  Selfie  algorithm  filter  bubble  MCN  Hollywood  storytelling  Movie  Gary  Vaynerchuk  creative  destruction  Vlog  Vlogging  Reality  TV  television  democracy  Clickbait  Linkbait  meritocracy  meritocratic 
april 2016 by asterisk2a
"YouTube is the ultimate place to succeed. There's no nepotism, no hierarchy. If people want to see your stuff, they will." @CaseyNeistat
// + press junket // + traditional marketing and advertising spend [<< anti Gary Vaynerchuk] // - "YouTube is the ultimate place to succeed. There's no nepotism, no hierarchy. If people want to see your stuff, they will." @CaseyNeistat //&! "I fell in love with film making immediately. I've realized how elusive it is to find something your that passionate about." //&! "The line is hard to define between what you share & don't share. I lightly skim off the top of my actual life." //&! "If there's something I want to do, I make it my mission to do it. I fantasize about being healthy until I die an old man." //&! "One of my dreams has been to make film making democratic. Now all you need is a cell phone." [ Beme ] //&! "I made a short video about bike lanes in a funny way, but it was a relevant issue. It led me to other PSA's." //&! "What's more exciting to me is looking at the future of media like Netflix, festivals, Amazon. Those are really interesting." HOLLYWOOD NO PLACE 2TAKE RISKS!
Casey  Neistat  Hollywood  Television  Music  Industry  MCN  Entertainment  Industry  Gary  Vaynerchuk  nepotism  noise  filter  bubble  Beme  Netflix  Amazon  Prime  iPlayer  HBO  on-demand  mobile  homescreen  YouTube  Entertainment  Escapeism  Vlog  Vlogging  nepotism  democracy  meritocratic  meritocracy  Quentin  Tarantino  Steven  Spielberg  George  Lucas  Stanley  Kubrick 
april 2016 by asterisk2a
Fixation on box office hits is killing British theatre, says David Hare
Playwright says the craft is being damaged by focus on selling seats [ // Theatre now following into the steps of Hollywood and Television. ] [...] The playwright said: “Because subsidy is so stretched … every director of a theatre has an emollient eye on the box office. It is now assumed that what is good is that which succeeds.

“When I was young, British theatre was like a tree in which many different birds could nest. But now it’s just for the hawks. It’s not for the birds of plumage, who are not so welcome any more, mainly because they don’t fill the commercial imperative of selling every seat. That, I’m afraid, is how artistic directors are judged.” [ you are good if you are a commercial success, ie Michael Bay ]
Hollywood  Television  Entertainment  Industry  Music  Industry  creative  destruction  Greed  profit  maximisation  profit  maximization  shareholder  capitalism  shareholder  value  capitalism  culture  Arts  YouTube  Wall  Street 
april 2016 by asterisk2a
Youtube - Eine BeSCHANDsaufnahme | Behaind
Mehr zur BeSCHANDsaufnahme - Feedback - youtu.be/HHJqf-Gbj68 //&! Youtube Kritik mit Flo und David # MARIES STAMMTISCH - youtu.be/X5zHR76BYog //&! Reach (width) vs Depth (Gary V, clickthrough, word of mouth, adding always value, not wasting your time, ) [...] vlogs and let's play mit keiner eigenen kreativen eigenleistung.
YouTube  Entertainment  Escapeism  mobile  homescreen  Gaming  attention  arbitrage  attention  graph  attention  span  Social  Media  Clickbait  Linkbait  Newsfeed  BuzzFeed  Casey  Neistat  Gary  Vaynerchuk  community  sex  sells  Wegwerfgesellschaft  exploitation  IQ  instant  gratification  gratification  Dopamine  Instagram  Twitter  Facebook  Snapchat  value  add  added  value  Influencer  Twitch  Entertainment  Industry  Tabloid  gossip  gossip  culture  Kim  Kardashian  Reality  TV  Television  Music  Industry  Hollywood  Gesellschaft  society  Creative  destruction  vlog  vlogging 
april 2016 by asterisk2a
Interview with David Yost Part 3
We sat down with David Yost at Anime Festival Orlando 2010 and discussed behind the scenes of "Mighty Morphin Power Rangers: The Movie", his cast members, why he left the show, and much more. // that was mid-90 late 90's
Hollywood  straight  white  male  privilege  Patriarchy  sexism  sexismus  objectification  objectification  of  women  objectifying  Television  Entertainment  Industry  Music  Industry  Homophobia  homophobic  Transphobic  transphobia  Transgender  Trope  gay  culture  discrimination  social  discrimination  LGBTQIASP 
april 2016 by asterisk2a
How the 'risk' of making The Night Manager paid off
Each episode cost an estimated £3m to make, and one executive producer, the Ink Factory's Simon Cornwell, says the lavish adaptation was "a risk."
"It's a difficult book to adapt," he says, "and there have been quite a few attempts to make it into a film, it just didn't work. It needed six hours to explain the story.
"But to all intents and purposes, it's been written and shot as a film - we just hired one director, Susanne Bier, for all six episodes. I always think of it as a film - just a six-hour one."
Hollywood  adaptation  Television  Novel  Social  Media 
march 2016 by asterisk2a
It's Time To Stop Apologizing For Tina Fey - BuzzFeed News
[ more entertainment, don't make people think, don't try to make them think ... in cinema people uhhhmmmming ] But good books do not always make good movies — especially since the transformation from book to screen, at least in Hollywood’s hands, generally subtracts instead of adds nuance. [...] The most successful films are documentaries, which don’t face the inherent problem of casting actors, and white actors in particular, to play “bad guys” of different races, and high farces: films like Dr. Strangelove, M*A*S*H, and In the Loop that expand and eviscerate the inherent, if hidden, ridiculousness of modern war. [...] [ film has only ] cheap tricks, not the lacerating humor of effective farce. [...] women’s place in society, and sexual desirability as an alternately empowering and infantilizing experience. [...] The film dodges that idea, however, in favor of pitting Robbie’s character — who was created specifically for the purposes of the film — as Fey’s “competition.”
Hollywood  documentary  Television  book  Afghanistan  Iraq  War  War  on  Terror  Middle  East  Trope  history  public  awareness  storytelling  Sexual  objectification  objectification  Tina  Fey  sex-sells 
march 2016 by asterisk2a
Made in Chelsea's Spencer Matthews took steroids 'to look good in the shower' - BBC Newsbeat
And admits he took them because he "wanted to look as good as possible". He says it was because he wanted to be bigger and stronger while training for the match. Newsbeat recently revealed one in 10 men training in UK gyms struggle with a body anxiety known as "bigorexia", or muscle dysmorphia. It's been compared to anorexia in reverse - where men become obsessed with putting on muscle. Depression, steroid abuse and even suicide are effects of bigorexia.
bigorexia  Doping  Steroid  Selbstdarstellung  superficial  Selfie  beauty  sickness  self-respect  confidence  Self-esteem  self-medication  coping  mechanism  well  being  mental  health  Social  Media  gossip  culture  gossip  Tabloid  Glossy  Magazine  Reality  TV  Hollywood  Television  Music  Industry 
march 2016 by asterisk2a
Zoë Saldana als Nina Simone: "Nimm Ninas Namen nicht in den Mund" - SPIEGEL ONLINE
[ OJ Times cover made OJ blacker, was used publicly in trial by defence team ] In dem Streit geht es im Kern um eine Debatte, die auch bei der Oscar-Verleihung ein Thema war: Kritiker monieren, dass weiße Schauspieler Rollen übernehmen, die eigentlich mit Afroamerikanern, Asiaten oder amerikanischen Ureinwohnern besetzt werden müssten - um die Filme mainstreamfähiger zu machen. Dieses sogenannte Whitewashing führt unter anderem dazu, dass es kaum starke Rollen für nichtweiße Schauspieler gibt, was wiederum zu einer recht überschaubaren Diversität in der Filmszene führt.
Whitewashing  Hollywood  post-racial  America  No  Representation  Television  Music  Industry  Oscars 
march 2016 by asterisk2a
Diskriminierung von Frauen: Immer wieder, bis sich etwas ändert - SPIEGEL ONLINE
[ Art can't be divided by sexes ] Kaum ein Mann orientiert sich gerne nach unten. An etwas Unterlegenem. An etwas, das nicht dem Maßstab, siehe oben, entspricht. Fast möchte ich denken, sicher, ich vergleiche mich ja auch nicht mit einem Border Collie, womöglich aus der Sorge, intellektuell schlechter abzuschneiden. Es ist so unendlich langweilig in jede Richtung. Für die denkenden Männer, sich immer anhören zu müssen, was für einer bornierten Spezies sie angehören, für die Weiblichen, die nicht Weißen, die nicht Heterosexuellen, permanent in jedem Detail darauf gestoßen zu werden, dass sie eben nicht der Norm entsprechen. Dass sie weniger wert sind, dass sie nicht genügen. Langweilig. Unmodern. Öde. Ich rede nicht von Bezahlung als Ausdruck der Gleichheit, sondern über Kunst, weil das sowieso keinen interessiert. Ich rede nicht über die 70 Prozent der Welt, in der Frauen in einer Art als Haustier behandelt werden, von der die meisten in Europa nichts ahnen.
Hollywood  Music  Industry  Entertainment  Industry  Oscars  gender  gap  gender  bias  gender  policing  gender  politics  gender-based  discrimination  Patriarchy  boys  club  straight  white  male  white  male  privilege  male  privilege  career  ladder  Television 
march 2016 by asterisk2a
The People v. O.J. Simpson: American Crime Story by Panoply Media
A wide-ranging discussion with Scott Alexander and Larry Karaszewski, the creative team behind "The People Vs. Larry Flynt," "Ed Wood," and many other biopics, as well as FX's new miniseries "The People v. O.J. Simpson."
Hollywood  Television 
march 2016 by asterisk2a
Jenny Beavan’s Oscars outfit struck a blow for all women | Laura Bates | Opinion | The Guardian
This was not the first stand taken against the reduction of women in the industry to their clothes and jewellery. The past few years have seen Elisabeth Moss give the middle finger to the “mani-cam” at the Golden Globes, Cate Blanchett demand: “Do you do that to the guys?” as a camera panned up and down her body on the red carpet, and a series of women from Reese Witherspoon to Amy Poehler demand that reporters ask them more than questions about their frocks. We’ve also seen the actress and singer Zendaya speak out about racist responses to her dreadlocks at the Oscars, and Bridesmaids star Melissa McCarthy design her own dresses after designers refused to dress her, proving that Hollywood’s incredibly narrow definition of beauty is discriminatory on the basis of size and race. [...] find themselves pitted against each other in excruciating “best dressed” and “worst dressed” lists, the awards season will continue to provide a high-profile, glossy microcosm of wider prejudice.
feminism  feminist  Hollywood  Sexual  objectification  objectification  gender-based  discrimination  Television  beauty  sickness  Entertainment  Industry  Music  Industry  sex-sells  prejudice  snap  judgement  judgement  gossip  culture  gossip  Tabloid  Glossy  Magazine  business  model  pageviews  gender  politics  gender  policing  gender  pay  gap  gender  norms  gender  non-conforming  Trope  Oscars  post-racial  America  Fashion  Industry 
march 2016 by asterisk2a
Dustin Hoffman on Oscars: ‘It’s always been racism’ | Page Six
Dustin Hoffman feels there’s a systemic racial problem in America that goes beyond the Oscars. [...] “It’s always been racism. It’s kind of a reflection of what the country is,” he said. Hoffman made the comments while attending the opening of the Metrograph, the first independently-owned movie theater to open in Manhattan in more than decade. “They call my era, the Golden Age of film, but I think the Golden Age of film still exists, but it’s done by the indies, and I think that is what this theater is for,” Hoffman said. As for his thoughts on what can bring more diversity to Hollywood: “We change when the people that are oppressed force it to change,” Hoffman said.
Hollywood  post-racial  America  Oscars  Entertainment  Industry  Television  Music  Industry  American  Dream  meritocracy  meritocratic  Gini  coefficient 
march 2016 by asterisk2a
JJ Abrams' Bad Robot introduces diversity quota | Film | The Guardian
“We’ve been working to improve our internal hiring practices for a while, but the Oscars controversy was a wake-up call to examine our role in expanding opportunities internally at Bad Robot and externally with our content and partners,” said Abrams. “We’re working to find a rich pool of representative, kick-ass talent and give them the opportunity they deserve and we can all benefit from. It’s good for audiences and it’s good for the bottom line.” Bad Robot will reportedly work with its agency partner CAA and studios Warner Bros and Paramount to ensure women and minorities are submitted for writing, directing and acting jobs for the company in direct proportion to their representation among the US population.
HR  human  resources  diversity  Hollywood  Entertainment  Industry  Television  Music  Industry 
march 2016 by asterisk2a
Gillian Jacobs by Happy Sad Confused
how TV shows get green light ... test test test ... you want to buy it? // "you never know how well things gonna do." // Films you don't know w festivals and distributors.
Hollywood  Television  Netflix  Amazon  Prime 
march 2016 by asterisk2a
Netflix gibt erste deutsche Serie in Auftrag - SPIEGEL ONLINE
Amazon legte vor, Netflix zieht nach: Der Streamingdienst hat eine deutsche Serie in Auftrag gegeben - bei dem Kreativteam des Cyberthrillers "Who Am I".
BBC  Channel4  Netflix  Amazon  Amazon  Prime  cable  provider  HBO  Showtime  Hollywood  The  Content  Wars  ITV  Television 
february 2016 by asterisk2a
BBC Radio 4 - Radio 4 in Four, Leonardo DiCaprio: “There was nothing I said no to”
Hollywood is calculating. Knows what worked. Wants it to have x and y. The usual spiel. Risk-averse. ... "Pain is temporary, film is forever." & Golden Age of Television. -- vs -- Great piece of art! Spectacle. Directors are king = art piece, no meetings. no consortium.
Hollywood  Entertainment  Industry  Patriarchy  male  privilege  white  male  privilege  straight  white  male  Music  Industry  Television 
january 2016 by asterisk2a
Chris Hedges The Cult Of Celebrity - YouTube
when you spend your life as celebrity, you have no idea of who you are. // hostile takeover of consumer culture to make it a religion. // people see themselves as consumer products. // is a commodity culture, cult of self ... psychopaths. // ethic of Wall Street is same as ethic of consumer celebrity culture.
Chris  Hedges  Fame  celebrity  celebrity  culture  celeb  status  symbol  status  anxiety  Selbstdarstellung  Selfie  Social  Media  gossip  culture  gossip  Tabloid  Glossy  Magazine  Daily  Mail  Wertegesellschaft  society  consumer  culture  culture  Reality  TV  scripted-reality  television  zombie  consumer  plastic  surgery  beauty  sickness  consumer  debt  consumerist  consumerism  of  You  Newsfeed  Instagram  YouTube  Vlogging  Vlog  sociology  psychology 
december 2015 by asterisk2a
Every Day I Want To Quit Social Media
[ no more time to reflect and think for yourself ... we are all and feel Alon Together. ] I am drowning in a sea of anxiety created by Twitter and Facebook. [...] We all want to be recognized as clever or witty. [ your best side, public ] [...] I ended up on social media for a reason, and though the reason escapes me during moments of sheer panic and anxiety, I take part, no matter what — the pursuit of relevancy, or, in the strictest sense of the term, validation, is an imperative that exists as a key part of humankind’s quest for meaning. Self-definition has become intertwined with social media. We are all here for each other. I wake up staring at my phone. I fall asleep to the glow of the very same screen.
Selbstfürsorge  Selbstdarstellung  Social  Media  status  symbol  status  anxiety  Celebrity  of  You  public  relations  Personal  Brand  Positioning  self-censorship  focus  distraction  Digital  Detox  Newsfeed  envy  Alain  de  Botton  sociology  gossip  culture  gossip  culture  psychology  society  western  society  western  lifestyle  zombie  consumer  materialism  consumerist  consumerism  Wertegesellschaft  Gesellschaft  Wegwerfgesellschaft  civil  courage  Zivilcourage  courage  TV  Reality  TV  scripted-reality  television  Escapeism  Entertainment  Entertainment  Industry  Tabloid  Daily  Mail  empathy  compassion  human  being  human  decency  dignity  community  anxiety  anxiety  Millennials  generationy  prejudice  judgement  label  bias  filter  bubble 
october 2015 by asterisk2a
The Biggest Loser Exposed | World's Worst Diets - YouTube
// can't do without support system and intrinsic motivation, passion, vision, mission >> money is a motivator to shed pounds. but once its over. its back to substance abuse! addictive food. engineered food. anabolic (insulin) food (meat, dairy), IGF-1 food (meat, dairy). // reflective of society for the quick fix. and then back to bad habits. feeding literally your substance abuse, emotional imbalance, addiction brain (evolution) - bliss point of engineered food. // Snake oil. //&! 40 year old 650lb virgin & Biggest Loser Rachel Frederickson - youtu.be/0kJHOOV8BO8 "Q: You think you can keep the weight off? A: I sure hope so." ... so keep the weight off ... keep calorie restricting while on standard American diet w fat and protein making up 50% or more of your macros? Hope is not even enough for that, long-term! //&! as soon as you stop the caloric restriction (famine state), body saves, you balloon, put on more than you've lost - youtu.be/3dQODOabf6U
dieting  diet  crash  diet  Fitness  short-term  Entertainment  Industry  Reality  TV  television  yoyo  diet  caloric  restriction  sustainability  sustainable  western  society  Wegwerfgesellschaft  Gesellschaft  Zivilcourage  Zivilgesellschaft  society  psychology  western  lifestyle  addiction  substance  abuse  food  engineering  processed  food  fast  food  junk  food  food  Dairy  Industry  Egg  Industry  pattern  diet  Standard  American  dietary  cholesterol  western  diet  Whole-Food  Plant-Based  western  world  obesity  epidemic  obesity  overweight  Vegan  Carnism  omnivore  metabolism  Whole  Plant  Foods  sedentary  lifestyle  lifestyle  medicine  active  lifestyle  lifestyle  intrinsic  motivation  public  awareness  public  perception  public  image  public  opinion 
october 2015 by asterisk2a
FED Impact on Tech: Bloomberg West (Full Show 9/18) - YouTube
16:40 - how to consume amazon offerings!? via their platform, silo. closed. drm. // distribution model - for prime - lock-in - convenience - less friction. // "Kids don't care much about quality." // taking share of media consumption. // compelling offering - music, series, streaming, e-commerce, gaming, ... // it's not about entry point to access, lowering the price point of entry for the consumption device and the subscription of amazon prime in aggregate - and lock the consumer in. the aggressive price is an attack strategy (opening up/diversifying the price point) of the distribution model to grow the prime business. //
Amazon  Amazon  Prime  distribution  model  subscription  model  business  model  marginal  cost  Kindle  Tablet  phablet  iPad  Platform  DRM  Hardware  Entertainment  utility  Amazon  Dash  Button  e-commerce  pure  play  Escapeism  Gaming  Netflix  Apple  Music  Spotify  HBO  original  programming  Top  Gear  House  of  Cards  Television  TV  cable  provider  iPad  Pro  differentiate  differentiation  business  strategy  Cash  Cow  Jeff  Bezos  AWS  market  share  Walmart  Jet.com  monopsony  duopoly 
september 2015 by asterisk2a
BBC TV chief warns of US threat after big-money Amazon deals | Media | The Guardian
>> iPlayer needs to become an international subscription business. and leverage the BBC brand (sought after and trusted, it's the last public crown jewl that actually can compete in a global market! Channel 4 or ITV can't. ) // “Their model is built on having global rights and we have got to respect that. They are a very smart, impressive bunch of people,” Cohen said. “The key thing we look at more and more is the impact of global competition rather than just in the UK where very big companies can distribute their content around the world. That is a very big challenge.”
distribution  model  BBC  British  Broadcasting  Company  Netflix  HBO  cable  provider  Amazon  Amazon  Prime  on-demand  convenience  friction  frictionless  user  experience  economies  of  scale  scale  globalization  globalisation  digital  economy  digital  content  Television  TV  The  Wars  content  discovery  content  distribution  user  generated  content  competition  competitiveness  IP  intellectual  property  differentiate  differentiation  Branding  brand  awareness 
august 2015 by asterisk2a
How To Get 1 Million Subscribers - YouTube
meritocracy, democratic, egalitarian. anyone who has interest, can find it. u will have an audience, even it is just 1. either they like it, share it & come back. or they leave u alone. // Beme, remove the aspect of creation. the friction. the cognitive cost. the overhead. a process to follow. a tutorial or how to listicle to read. to Google or to ask. >> Product developers & investors should think about the cognitive cost of their products. The cognitive cost very often can be much higher than the financial cost. Products with a low cognitive cost are those where the technology fades away and dont require a consumers ongoing attention. bit.ly/1Nz0veO // "Don't make me think." << book, UI UX mantra. // Photo-filter-app vs photo-editing-app vs video-editing-ai-augmented-intelligence-app that have popped up. podcasting. EDM // what has lots of overhead & sometimes really disappointing user experience? Skype, Windows, FriendFeed, Twitter?(niche compared 2 FB). Q&A youtu.be/6xVdM0QJq6Y
Casey  Neistat  freedom  of  expression  expression  creative  destruction  Beme  Vlogging  vlog  YouTube  Vine  Instagram  Periscope  Twitch  justin.tv  Qik  writing  Video  mainstream  filter  bubble  editor  Reddit  4chan  storytelling  Music  Industry  Indie  Music  Hollywood  content  discovery  content  distribution  distribution  model  TV  Reality  TV  scripted-reality  television  painting  digital  economy  digital  content  marginal  cost  economics  of  abundance  critics  Artist  graphic  artists  digital  cognitive  cost  friction  frictionless  Product/Market  Fit  MVP  Start-Up  lesson  Start-Up  advice  consumer  product  UI  UX  user  engagement  user  generated  content  user  experience  user  churn  hook  customer  empowerment  customer  experience  customer  retention  customer  acquisition  Podcast  podcasting  Platform  content  creator  The  Wars  Snapchat  SMS  WhatsApp 
august 2015 by asterisk2a
Timothy Caulfield: Cult of Celebrity - YouTube
Timothy Caulfield: Are Celebrities Bad for Your Health? - youtu.be/2dJRhxypCak (Part 1), Author of "Is Gwyneth Paltrow Wrong About Everything? When Celebrity Culture and Science Clash" // value of celebrity has increased. vs scientists/white-worker. easiest (illusion) of social mobility/income mobility & illusion of it being a job, that there is a market, demand. social media helps people project themselves! u can become famous. Famous 4 almost doing nothing! << seems easily attainable. trophy kids (just showing up) aka millennials. &! Scams emerge taking peoples money, exploiting their desperation! Lowest social mobility/gini coefficient = USA&UK = highest interest in celebrity! Other OECD countries like Scandinavian countries is remarkably lower! // vs. Talent Code. Its work. Putting in the hours. And not binge watching House of Cards. << Gary Vaynerchuk. Eat the dirt. Fill white spaces. Hustle. Self-awareness (strength-weaknesses). & Exploit ur luck. No Plan-B.
status  symbol  status  anxiety  social  status  socioeconomic  status  celeb  celebrity  celebrity  culture  of  You  Media  materialism  faux  fake  Selbstdarstellung  Selbstfürsorge  gossip  culture  gossip  Tabloid  western  society  social  society  sociology  Television  reality  scripted-reality  Psychology  Famous  dehumanisation  human  progress  Kim  Kardashian  humanity  Personal  Brand  Millennials  American  Dream  social  mobility  income  mobility  Gini  coefficient  aspirational  aspirational  product  Fashion  Industry  beauty  standard  beauty  beauty  sickness  Selfie  exploitation  book  Gary  Vaynerchuk  Success  Middle  Class  White-collar  Worker  Blue-collar  Worker  inequality  income  inequality  talent  Start-up  of  You  Hollywood  Music  Industry  Entertainment  Industry  Seth  Godin  generationy  education  policy  gender  inequality  social  comparison  social  study 
august 2015 by asterisk2a
Why podcasts are suddenly “back” – Marco.org
>> listening to podcast eats time away from the existing pie pieces of other forms of entertainment, escapism, and snacking. But it shares similarities with Music, TV, Movie, ... you can let it run in the background and do something different and listening in.
Podcast  podcasting  Multimedia  Entertainment  Escapeism  snacking  user  behaviour  commuting  TV  Television  Radio  Social  Media  Music  Movie  content  discovery  content  distribution  vertical  category  community  Personal  Brand  Branding  YouTube  Tumblr  Facebook  Twitter  mobile  homescreen  mobile  first  mobile  phone  iPod  Apple  Android  distribution  model  iTunes  Soundcloud 
august 2015 by asterisk2a
The smartphone is the new sun — Benedict Evans
In this light, incidentally, Satya Nadella's suggestion that Xbox is no longer core was as interesting as the end of 'Windows Everywhere' (which I discussed here). Microsoft has been working on adding computing to TV since before phones even had screens. But it turns out that it's the smartphone, not the TV, that's  the centre of the experience, and the TV is dumb glass just as the mobile network is a dumb pipe.
technological  history  technological  progress  Technology  ARM  Qualcomm  Xbox  Microsoft  mobile  homescreen  mobile  first  mobile  phone  phablet  user  behaviour  snacking  Entertainment  Escapeism  customer  experience  consumer  product  consumer  choice  consumer  consumerism  consumerist  attention  span  TV  Television  Wireless  Carrier  Apple  Google  Android  iOS  Facebook  Twitter  The  Content  Wars  Silicon  Valley  App  Store  Apple  App  Store  Google  Play  Windows  10  GNU/Linux  Linux 
august 2015 by asterisk2a
NBCUniversal Buys Big Chunks of Vox Media and BuzzFeed | Re/code
[ independent outlets vanish from media landscape as the big ones invest or buy outright strategic (in their view) assets as they ponder the way forward into a future where they seem irrelevant (attributed at al by Facebook, Google, Twitter, dying newspaper, Appstore - the (smart)mobile phone, ... ] // Vox Media CEO Jim Bankoff — again, my boss — says that in addition to the NBCUniversal investment, the two companies now have a commercial partnership. That means, among other things, that they will collaborate on digital advertising, will work together on video advertising and video programming, and that you will likely see Vox Media employees more frequently on NBCU-owned networks like CNBC. (Re/code already had and continues to have a news partnership with CNBC). [...] Buzzfeed [apparently has] a revenue goal of $250 million in 2015. [...] NBCU more or less ignored digital for quiet some time. Still TV dwarfs digital publishing in real-terms $ ads spend, but TV is declining steadily.
Re/Code  Vox  Media  BuzzFeed  nbcuniversal  CNBC  NBC  Comcast  Verizon  TechCrunch  AOL  Wireless  Carrier  ISP  Big  Data  Programmatic  Content  Programmatic  Advertising  metadata  Meta  Data  user  Internet  Privacy  Privacy  perma-cookie  cookies  advertisement  targeting  advertisement  re-targeting  ad  targeting  The  Content  Wars  attention  span  user  behaviour  mobile  phone  mobile  homescreen  mobile  first  discovery  distribution  native  marketing  advertorial  TV  Television  cable  provider  USA  corporate  conglomerate  Social  Media  digital  economy  digital  Multimedia  digital  publishing 
august 2015 by asterisk2a
Chart Shows Pay TV Subscribers Shrinking | Re/code
Again: There are plenty of reasons to argue why the TV business is not the newspaper business, or the music business. For starters, many people consume an enormous amount of TV every week, and something like 100 million people pay (a lot) of money for TV every month. They’re probably going to keep doing that, in one form or another, for a long time. But the notion that the TV Industrial Complex could fend off the Internet without changing the way it sells its product to consumers and advertisers clearly doesn’t hold water anymore.
Television  cable  provider  USA  TV 
august 2015 by asterisk2a
George Osborne forces BBC to pay for over-75s' TV licences | Media | The Guardian
+ the short-fall from people not paying TV licence because they don't watch live TV, only catch-up on the iPlayer (loophole) // bit.ly/1KLEiJo - BBC supporters say funding deal will cause cuts to jobs and services [...] “So sad to see the government’s demonising of the BBC. Best in the world at what it does, the BBC is a British success story.” [...] [estimates of cut up to 12%] [...] “awful” and “quick and dirty deal” [...] “It feels as if the BBC had a gun to their head and chose to get shot in the leg instead. It is bound to lead to cuts in jobs, services and quality. It could well mean the end of free TV licences for the elderly.” [...] a bullying backroom deal over a couple of days. //&! bit.ly/1CmmWzM - It’s hard fighting in the digital age, but picking up the tab for free pensioner TV licences is a perilous choice &! bit.ly/1LR9nuv
BBC  British  Broadcasting  Corporation  TV  licence  iPlayer  digital  natives  digital  economy  digital  content  Age  digital  divide  Television  Netflix  Phablet  user  behaviour  snacking  neoliberal  neoliberalism  liberal  economic  reform  George  Osborne  David  Cameron  Toff  Privileged  Establishment  austerity  Public  Services  ideology  Rupert  Murdoch  News  Corporation  News  Corp.  dogma  propaganda  populism  BBC  Trust  mobile  homescreen  mobile  first  user  generated  content 
july 2015 by asterisk2a
The Journalist and the Casting Call | PandoDaily
[ becomes a road traveled by many, raising money for your free app w 10k downloads, calling it a multimillion business. ] // If you want to get angry or unsettled about television crews exploiting the Bay Area for mainstream audiences, you have an embarassment of choices. With some luck and salesmanship, disgruntled San Franciscans may soon be able to drain their id safely at home, yelling at their sets, as basic cable does for tech what it has for the pawn-shop and hunting-call manufacturing industries.
Silicon  Valley  San  Francisco  Reality  TV  television  scripted-reality  bubble  mainstream  mainstream  media  wantrepreneur  2015 
may 2015 by asterisk2a
Author And YouTuber John Green Tells Advertisers To Stop Worrying About Eyeballs | TechCrunch
John Green talked about how he and his brother Hank built a devoted following of “nerdfighters” on YouTube, contributing to the enormous success of his book. In fact, they’ve built an online video business with 30 employees. But Green’s ad revenue is outweighed by things like crowdfunding and merchandise — and that ad revenue is falling by 5 percent every year. He acknowledged that’s not true for everyone on YouTube. Nonetheless, he argued, “Many of the strongest communities are dramatically undervalued by advertisers, forcing YouTubers to find other paths.” [...] And sure, distraction is fine, but Green doesn’t see himself and other “passionate YouTubers” as being in “the distraction business.” Instead, the best shows are in “the community business,” and he watches them because they help him “grapple with and consider the problems and questions way down deep there in the darkness. [...] focusing on eyeballs is a crummy way to measure the success and value [...] eyeball biz shrinking!
YouTube  content  creator  creator  digital  economy  digital  content  business  model  AdSense  Google  The  Wars  community  management  community  CrowdFunding  merchandise  Signal  vs.  Noise  distraction  Reality  TV  television  scripted-reality  TV  TV  Series  Clickbait  Linkbait  linkbaiting  pageviews  Page  Views  viral  coefficient  virality  Video  filter  bubble  content  curation  curation  Newsfeed  algorithm 
april 2015 by asterisk2a
Die Harald Schmidt Show - Das große Interview mit Manuel Andrack - YouTube
progress, trial and error, experimentation, going with the gut, simulating real life, ...
Entertainment  Industry  Entertainment  Television  YouTube 
february 2015 by asterisk2a
A failed experiment: How LG screwed up its webOS acquisition — Tech News and Analysis
the picture emerging from those interviews is an ugly one, full of fights and corporate politics. It’s a story about about a failed acquisition, but also about the changing realities of consumer electronics, which are transforming from simple appliances to smart devices at a speed that often leaves big, slow-moving companies at a loss. - Sources told me that LG had a policy in place to reward managers with bonuses or even promotions if their features were part of the final product. The result was a constant feature bloat, as everyone tried to add on one more thing. - "Politics, not the lack of innovative talent, has probably doomed more tech companies than anything." - Feature bloat as a result of ill-conceived corporate policies
LG  Samsung  Panasonic  Toshiba  webOS  Television  project  management  product  management  team  management  management  Leadership 
august 2014 by asterisk2a
Costolo’s plan to make Twitter all about entertainment makes perfect sense | PandoDaily
"There are huge dollars in entertainment– more than in news and certainly more than in what your friend had for lunch. Twitter is the only force on earth that argues against time shifting. Sure you can TiVo the Oscars. But you better not open Twitter for two hours if you do. And lastly, with “just” 300 million users or so Twitter desparately needs to go mainstream. Like it or not, this is a generation of consumer Web companies graded on the Facebook and LinkedIn curves. You gotta either have the size of the former or the monetization of the latter. The lowest common denominator on global culture are movies, music, TV, and sports. As his friend Ryan Seacrest can attest, more people vote for American Idol hopefuls than elected officials." || Twitter is now a live stream of what is happening. The shortest & most accessible form to NOW. Not more. Not less. Your hourly quick fix. Part of the home screen. Next to Snapchat & WhatsApp & FB ... + http://bit.ly/1rkVyMh + http://bit.ly/1g1LJeO
Twitter  business  model  lowest  common  denominator  Entertainment  Industry  Hollywood  Music  Industry  Dick  Costolo  Television  Facebook  Google+  WhatsApp  Snapchat  Entertainment  News  Feed  algorithm  algorithms  curation  filter  filter  bubble  filter  bubbles  content  curation  home  screen  mobile  homescreen  user  experience  use  hack  RSS  Pivot  Embrace  Your  Users  Hacks  Evolution  value  creation  added  value 
may 2014 by asterisk2a
"The main thing that has caused companies to fail, in my view, is that they missed the future," - Larry Page At TED - Business Insider
"The main thing that has caused companies to fail, in my view, is that they missed the future," Page said. This is why Google is going full steam ahead working on a variety of projects.  "When we bought Android, it was small and I felt guilty working on it, but it was smart, it was the future," he said.
Google  entrepreneurial  entrepreneurship  entrepreneur  Start-Up  SMB  SME  management  Amazon  Apple  Microsoft  IBM  Lenovo  commoditization  commodity  business  Facebook  Twitter  YouTube  Digg  Reddit  Dell  Samsung  Nokia  Motorola  Siemens  AOL  Yahoo  Yahoo!  Larry  Page  ericschmidt  people  management  business  cycle  business  model  creative  destruction  innovation  innovator  value  creation  job  creation  creative  creativity  Inspiration  inspirational  workplace  Kodak  Porn  Music  Industry  Hollywood  Entertainment  Industry  TV  Television 
march 2014 by asterisk2a
Warum Fernsehen unzufrieden macht - Freie Presse
Zu viel Fernsehen macht dick und dämlich - davon sind zahlreiche Medienexperten, Psychologen und Pädagogen überzeugt. Doch ein hoher TV-Konsum macht auch unzufrieden, wie neue Studien jetzt herausgefunden haben. Der Grund: Wer viel in die Glotze guckt, vergleicht den materiellen Wohlstand oder das gute Aussehen von Fernsehfiguren automatisch mit seinen persönlichen finanziellen Verhältnissen und seinem eigenen Äußeren- und das verursacht häufig Frustration. "Wenn das Fernsehen die Welt der Schönen und (Erfolg-)Reichen präsentiert, fällt für die Zuschauer der Vergleich mit dem eigenen Leben meist negativ aus", schreibt der Medienwissenschaftler Uli Gleich, der für den ARD-Forschungsdienst neue Untersuchungen ausgewertet hat.
television  TV  society  culture 
august 2011 by asterisk2a
Conan O’Brien Ventures Onto the Web to Promote His Tour - NYTimes.com
Sometimes, it seems, it is better to embrace an existing online audience than to try to create a new one.
“It’s the kind of change that only happens when it’s forced,”
strategy  online  web  audience  socialmedia  media  conanobrien  change  adoption  internet  television  twitter  campaign 
april 2010 by asterisk2a
G.E. Makes It Official - It Will Sell NBC to Comcast - NYTimes.com
Jeff Zucker, the current head of NBC Universal, will stay on as chief executive and report to the chief operating officer of Comcast, Steve Burke. In a statement released by the companies Thursday morning, Mr. Zucker called the deal the “start of a new era” for NBC.
nbcuniversal  nbc  ge  comcast  television  distribution 
december 2009 by asterisk2a

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