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William Gibson on Watches | WatchPaper
“William Gibson is famously credited with predicting the internet. Early works like Neuromancer, Count Zero, and Mona Lisa Overdrive established him as a major voice in science fiction and the worlds he created still serve as a template for how popular culture views the future. If you’ve seen The Matrix or read any cyberpunk, you’ve seen William Gibson’s influence at work. Equally important, but perhaps less famous are his essays, collected recently in Distrust That Particular Flavour. Highly perceptive and suggestive, they span a range of topics from Singapore’s totalitarianism and Tokyo’s futurism, to the Web and technology’s effect on us all. The volume also contains his glosses on those essays, which were written over a span of 30 years. Brief afterwords, they are his reflections on the content, and on the person who wrote that content at a point and time, and what’s happened since. In his 1997 essay, “My Obsession”, William Gibson chronicled his interest in watches for Wired magazine. [See “My Obsession” https://www.wired.com/1999/01/ebay/ ] The essay is as much about the advent of the internet and sites like eBay as it is about watches, and his afterword to the essay reflects:
People who’ve read this piece often assume that I subsequently became a collector of watches. I didn’t, at least not in my own view. Collections of things, and their collectors, have generally tended to give me the willies. I sometimes, usually only temporarily, accumulate things in some one category, but the real pursuit is in the learning curve. The dive into esoterica. The quest for expertise. This one lasted, in its purest form, for five or six years. None of the eBay purchases documented [in the essay] proved to be “keepers.” Not even close.

Undaunted by his placing this interest squarely in the past, something he got over, I wanted to find out what had survived, physically or intellectually, of his obsession. It turns out, quite a lot. We corresponded via email and William Gibson shared his thoughts on collecting, how he got started, what “keepers” remain in his collection and why. We also talked about the Apple watch and what it means for traditional horology.”

...

"If “old” people, as you mentioned in our recent discussion, are concerned that what they’ve collected will be unwanted, how is that anxiety being manifested? Some watch brands like Patek Philippe use durability, inheritance and legacy as their explicit identity.

I was thinking of someone with dozens of rare military watches. Even if they have children, will the children want their watches? It could be difficult finding the right museum to donate them to, in order to keep the collection intact. I think Patek’s appeal to inheritance and legacy still has some basis, though the wristwatch itself has become a piece of archaic (though still functional) jewelry. You don’t absolutely need one. You do, probably, absolutely need your smartphone, and it also tells the time. Eventually, I assume, virtually everything will also tell the time.

Is there something authentic in collecting we as humans are striving for? What does the impulse represent for you?

I actively enjoy having fewer, preferably better things. So I never deliberately accumulated watches, except as the temporary by-product of a learning curve, as I searched for my own understanding of watches, and for the ones I’d turn out to particularly like. I wanted an education, rather than a collection. But there’s always a residuum: the keepers. (And editing is as satisfying as acquiring, for me.)

Do you think there’s anything intrinsic to watches (their aesthetics, engineering etc.) that make them especially susceptible to our interest?

Mechanical timekeeping devices were among our first complex machines, and became our first ubiquitous complex machines, and the first to be miniaturized. Mechanical wristwatches were utterly commonplace for less than a century. Today, there’s no specific need for a mechanical watch, unless you’re worried about timekeeping in the wake of an Electromagnetic Pulse attack. So we have heritage devices, increasingly archaic in the singularity of their function, their lack of connectivity. But it was exactly that lack that once made them heroic: they kept telling accurate time, regardless of what was going on around them. They were accurate because they were unconnected, unitary.

How do you think the notion of collecting has changed since your preoccupation with watches played itself out? Scarcity (but not true rarity) barely exists any more.

The Internet makes it increasingly easy to assemble a big pile of any category of objects, but has also rationalized the market in every sort of rarity. There’s more stuff, and fewer random treasures. When I discovered military watches, I could see that that was already happening to them, but that there was still a window for informed acquisition. That’s mostly closed now. The world’s attic is now that much more thoroughly sorted and priced!"
watches  williamgibson  ebay  horology  fashion  collecting  collections  learning  howwelearn  2015  esoterica  research  researching  deepdives  expertise  obsessions  cv  immersion  posterity  legacy  analog  mechanical  durability  longevity  inheritance  jewelery  smartphones  understanding  education  self-directed  self-directedlearning  timekeeping  connectivity  scarcity  objects  possessions  ownership  quality  internet  web  online  wristwatches  things  applewatch  pebble  pebblewatch  smartwatches 
august 2019 by robertogreco
The Incomparable | Allergic to Brands (Episode 446)
This podcast digs into William Gibson's "Pattern Recognition" (a sliver into the other two books in the Bigend Trilogy) and reminded me this trilogy is in need for a re-read. 16 years ago this book had strong echos to the work and edges of the world I was moving around in as well as a precursor to the next 5 that followed. At the time I couldn't get enough conversation about this book (and then Spook Country that followed).
WilliamGibson  PatternRecognition  podcast  podfodder  linkfodder 
february 2019 by vanderwal
Scratching the Surface — 104. Cab Broskoski and Chris Sherron
"Cab Broskoski and Chris Sherron are two of the founders of Are.na, a knowledge sharing platform that combines the creative back-and-forth of social media with the focus of a productivity tool. Before working on Arena, Cab was a digital artist and Chris a graphic designer and in this episode, they talk about their desire for a new type of bookmarking tool and building a platform for collaborative, interdisciplinary research as well as larger questions around open source tools, research as artistic practice, and subverting the norms of social media."

[direct link to audio:
https://soundcloud.com/scratchingthesurfacefm/104-cab-broskoski-and-chris-sherron ]
jarrettfuller  are.na  cabbroskoski  chrissherron  coreyarcangel  del.icio.us  bookmarkling  pinterest  cv  tagging  flickr  michaelcina  youworkforthem  davidbohm  williamgibson  digital  damonzucconi  stanleykubrick  stephaniesnt  julianbozeman  public  performance  collections  collecting  research  2000s  interview  information  internet  web  sharing  conversation  art  design  socialmedia  socialnetworking  socialnetworks  online  onlinetoolkit  inspiration  moodboards  graphicdesign  graphics  images  web2.0  webdesign  webdev  ui  ux  scratchingthesurface  education  teaching  edtech  technology  multidisciplinary  generalists  creative  creativitysingapore  creativegeneralists  learning  howwelearn  attention  interdisciplinary  crossdisciplinary  crosspollination  algorithms  canon  knowledge  transdisciplinary  tools  archives  slow  slowweb  slowinternet  instagram  facebook 
january 2019 by robertogreco
My Own Private Tokyo | WIRED
I wish I had a thousand-yen note for every journalist who, over the past decade, has asked me whether Japan is still as futurologically sexy as it seemed to be in the '80s.
williamgibson  japan 
november 2018 by kch
How a Guy From a Montana Trailer Park Overturned 150 Years of Biology - The Atlantic
In 1995, if you had told Toby Spribille that he’d eventually overthrow a scientific idea that’s been the stuff of textbooks for 150 years, he would have laughed at you. Back then, his life seemed constrained to a very different path. He was raised in a Montana trailer park, and home-schooled by what he now describes as a “fundamentalist cult.” At a young age, he fell in love with science, but had no way of feeding that love. He longed to break away from his roots and get a proper education.
science  education  williamgibson 
october 2018 by craniac
ACRONYM®
ACRNM GmbH. Apparel and systems design.
clothing  fashion  williamgibson 
october 2018 by stevesong
Twitter
RT : “The future is already here — it's just not very evenly distributed” @…
williamgibson  driverless  itsworldcongress  from twitter_favs
september 2018 by bering

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