wholeearthcatalog   91

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Does DIY mean anything? - a DIY attempt (= essay)
"My work as a reader at an art school involves the introduction of practices from both [academic humanities] and [zines, printmaking, Mail Art, DIY music publishing etc] into an institution that traditionally stood somewhere in between these two, but has always been grounded on the idea of a professional-institutional arts practice. The basis of that practice has become fragile and up for renegotiation in times where public institutions are being dismantled, infrastructures privatized and professions deprofessionalized, and where DIY production and sharing conversely has been appropriated as the business model of Internet platforms. In neoliberalism and other systems with fragile institutions and infrastructures, “DIY” has become the norm. As early as in 1986, the British cultural studies scholar Stuart Hall described this as “what Thatcherism regards as the new, vital forces of capitalism: the small businessmen, the do-it-yourself conveyancers” (Stuart Hall, No Light at the End of the Tunnel, Marxism Today, December 1986, 15).
As a result, DIY experience has often become cultural capital for those moving from classical DIY organization into institutions or companies. (..)

Maciunas financed [Fluxus festival] through his day job as a graphic designer for the U.S. Army (..)

Imagine a future scenario in which all printed matters will be DIY products because all mass media have become electronic. Then Maciunas’ anti-art politics wouldn’t have worked. Publishing artists’ books and multiples would not be a means of radically rethinking and democratizing the art market, but of contributing to a culture of craftiness and exclusivity. This is what factually happened to artist-made books today, as they are shown at the NY Art Book Fair and elsewhere, including the Fluxus booklets and multiples that have become collector’s items; a development anticipated in the 19th century when the socialist Arts and Crafts movements advocated hand-made goods for the masses against industrial capitalism, but ended up making luxury items for the few. DIY, in other words, has an inherent Arts and Crafts trap, next to the Facebook, Instagram, Google and Airbnb trap of participation platform capitalism (..)

However, if Arts and Crafts’ ambitions would have been realized, or if one does not merely consider industrialized cultures and societies, then the following is true: wherever things are always self-made, the term do-it-yourself makes no sense, since it no longer describes a difference. Conversely, it makes no sense to call the making of things in pre-, non- or weakly industrialized eras and areas “DIY” unless one simply views them through the lens of industrialization. Self-organization in areas lacking infrastructures and institutions is only “DIY” when one takes the existence of such infrastructures and institutions for granted.
DIY thus only exists through its other: an industrial economy. It can only be identified through an industrial-colonial gaze. (..)

DIY is a survivalist strategy, both in the sense of emotional survival (such as in queer and people of color communities and self-help zines) and physical survival. The latter is becoming more pronounced in times of impeding ecological catastrophe and collapse of civilization. It unites different political factions, too.
The document Alternatives to the Singularity, collectively written by a network of futurologists in 2011, includes the “Hexayurtularity” as one of its 82 dystopian futurological visions. The Hexayurtularity unites the left and right, digital and non-, post- or anti-digital DIY cultures: “global currency collapse meets DARPA sponsored DIY state regeneration projects led by Scottish Burning Manstyle collapsitarian gurus. Your future made of plywood. Scythe-wielding Afghan poets and wobble bass.” (..)

The Unabomber could be seen as the radicalization, Home Depot as the mainstreaming and commodification of a DIY mythology created in Henry David Thoreau’s 1854 book Walden, an autobiographical account of leaving civilization and living an autonomist life in the woods. Although many other (non-American, non-Western, and older) sources could be pulled into a cultural history of DIY, the name and its associated culture remains American at its core, linked to a history that prominently includes Thoreau and his concept of “civil disobedience” as well as the (often right-wing and Christian-fundamentalist) homesteader movement. (..)

Considering the meaning of the Greek word poeisis, making, DIY amounts to a poetics in the most literal sense. In the 18th century, Western art theory largely abandoned poetics in favor of the newly-coined aesthetics, in an act of shifting the definition of art from making to perception (aisthesis). The expulsion of making from art - that is still very much in place wherever art is defined as conceptual, post-conceptual or more recently “post-contemporary” - conversely opened up a space for DIY as poetics. (..)

The 1960s/70s US-American Whole Earth Catalog marked the convergence of proto-“Maker Culture”, Thoreau-inspired counterculture and DIY superstores. (..)

Craig Saper observed a similar tendency in Fluxus. Starting in 1967, Maciunas tried to convert two Manhattan houses into an artist-run housing project: “George Maciunas’s FluxHouse project functioned like a DIY development corporation, but with cooperative and social capitalists motivations. Maciunas referred to it as entrepreneurial communism, but now the phrase social entrepreneurs describes similar projects like the Kiva or Kickstarter projects.”"
fcramer  diy  culture  art  zines  institution  neoliberal  fluxus  macunias  artsandcraft  luxury  design  industrialization  anti  thoreau  homedepot  autonomy  homestead  poesis  poetics  aisthesis  aesthetics  making  wholeearthcatalog  siliconvalley 
17 days ago by gohai
Local Area Network
"Inspired by grassroots independent publishing, we will collectively build an online publication within our local area network. We will each contribute a page to this publication, exploring what it might mean to reintroduce a sense of locality to our networks. These contributions might take the form of manifestos, essays, proposals, recipes, or personal corners of the net.

Special thanks to Michèle Champagne, Garry Ing, Greg J. Smith

Visit dat://local-area-network.hashbase.io/a-b-z-txt on Beaker.

Schedule

Thursday, August 23

• 10:30–11:00 — Mindy talks about Artist as Networker
• 11:30–12:00 — Jon talks about p2p and time

Friday, August 24

• 09:30–10:00 — Coffee
• 10:30–10:45 — Exercise 1: Browsing
• 10:45–11:00 — Exercise 2: Profiling
• 11:00–12:30 — Exercise 3: Speed Dialoguing
• 12:30–14:00 — Lunch
• 14:00–14:30 — Exercise 3 Recap: Network Circle
• 14:30–15:30 — Group Discussion
• 15:30–16:00 — Tutorial: Dat and Beaker
• 16:00–17:00 — Reading Discussion

Saturday, August 25

• 09:30–10:00 — Coffee
• 10:00–10:15 — Introduce prompt and examples of grassroots publishing
• 10:15–12:15 — Initial brainstorm
• 12:15–12:30 — Introduce statement: A _____ that _____.
• 12:30–14:30 — Lunch
• 14:30–14:45 — Tutorial: Beaker APIs
• 14:45–17:00 — Begin building personal webpages
• 17:00–18:00 — Table crits

Sunday, August 26

• 09:30–10:00 — Coffee
• 10:00–10:30 — Tutorial: CSS to Print
• 10:30–12:30 — Continue building personal webpages
• 12:30–13:30 — Lunch
• 13:30–15:30 — Continue building personal webpages
• 15:30–16:30 — Begin printing
• 16:30–18:00 — Final Presentations

Overview

Day 1

A series of micro-exercises that create a word bank about each participant. As a group, we will discuss the current state of online communities and speculate on the type of content and interactions we would like to see on new networks.

• Exercise 1: Browsing — A public reading of each participant's past 7 browser searches. Collect 7 keywords.
• Exercise 2: Profiling — List 7 keywords of yourself from the perspective of an algorithm.
• Exercise 3: Speed Dialoguing — A 3-minute conversation in pairs, after which a single keyword must be selected. Continue for 1.5 hours until every possible pair has been created.
• Exercise 3 Recap — One person picks a conversation, reads the respective keyword, and briefly describes how it was selected. The corresponding person selects another conversation, and the process repeats until every person has been selected.

◦ Seita - Rory — bone to bone
◦ Rory - Mike — co-sin
◦ Mike - Stephanie — Russian ketchup
◦ Stephanie - Matt — Craigslist Roommates
◦ Matt - Timur — house plant
◦ Timur - Cyrill — Fleur & Manu
◦ Cyrill - Cezar — Santa Claus
◦ Cezar - Davis — Park Slope
◦ Davis - Taulant — textiles
◦ Taulant - Kenton — the nine
◦ Kenton - Omar — Loblaws
◦ Omar - Derrick — The Wire
◦ Derrick - Sam P — mesh network
◦ Sam - Ysabel — Jane the Virgin
◦ Ysabel - Brian H — train commute
◦ Brian H - Sam G — Annie Albers
◦ Sam G - Josh — fern
◦ Josh - Julia — nomadic / travel
◦ Julia - John C — running
◦ John C - Brian S — bedtime
◦ Brian S - Allison Parrish — adjunct (at NYU)
◦ Allison P - Florence — mukbang
◦ Florence - Mubashir — self taught
◦ Mubashir - Javid — Mexican food
◦ Javid - Seita — Japan

[images]
Some notes from Cyrill, Sam P, Tau

Based on all of the harvested keywords, begin to speculate what the tenants of a new online community might be. What are the values? What are the goals? How do we want to be represented? Do we want it public? Do we want it private? Do we want to create something which reflects the individuals, the community, or both?

• Group Discussion
◦ Internet personas and self-representation
◦ Imperfect algorithms
◦ Passive/Active consumption
• Reading Discussion
*For excerpts and files, please visit dat://local-area-network.hashbase.io/a-b-z-txt/readings/ on Beaker.
◦ Jane Jacobs, The Death and Life of Great American Cities
◦ Vannevar Bush, “As We May Think”
◦ A Pattern Language, “Mosaic of Subcultures”
◦ Ted Nelson, Computer Lib/Dream Machine
◦ Maarten Hajer & Arnold Reijndorp, In Search of a New Public Domain
◦ Kev Bewersdorf, “Reversing the Flow of Internet Expansion”
◦ Laurel Schwulst, “My website is a shifting house next to a river of knowledge. What could yours be?”

Day 2 and 3

Inspired by grassroots independent publishing, we will collectively build an online publication within our local area network. We will each contribute a page to this publication, exploring what it might mean to reintroduce a sense of locality to our networks. These contributions might take the form of manifestos, essays, proposals, recipes, or personal corners of the net.

• Some references
*For all references, please visit dat://local-area-network.hashbase.io/a-b-z-txt/references/ on Beaker.
◦ Whole Earth Catalog
◦ New Woman's Survival Guide
◦ Dome Books 1 & 2
◦ Autoprogettazione
◦ Computer Lib/Dream Machine
◦ Inflato Cookbook
◦ How to Build Your Own Living Structures
• Statement: A _____ that _____.
◦ A proposal for good gossip (Mike)
◦ A text that strengthens from collective readership (Brian H)
◦ An algorithm that gives you 9 friends (Cezar)
◦ A manifesto that overcrowds until reaching illegibility (Seita)
◦ A website that keeps you warm (Davis)
◦ A drawing scripture decoded for its disciples (Derrick)
◦ A local guide to hypnosis (Julia)
◦ A series of short stories with multiple outcomes (Javid)
◦ A manual to close down the street (John C)
◦ An example of a structured format that collects items for sharing (Kenton)
◦ A speculative source of value (Omar)
◦ An interface to fill the peer-to-peer web with procedurally-generated nonsense (Allison)
◦ A flag to rule (Cyrill)
◦ A tutorial for creating a dark aesthetic (Rory)
◦ A narrative that encourages people to unfollow others (Florence)
◦ A text that shows the value of collective, unified thought (Josh)
◦ A space to give more than I receive (Sam G)
◦ A reading experience for slow life (Matthew)
◦ A set of directions that takes you on a blind date (Stephanie)
◦ An acknowledgment of the context in which the internet operates and this space exists (Mubashir)
◦ A service that maps connected peers (Sam P)
◦ A dedicated day for tidying your network presence (Tau)
◦ An interface that promotes continuous real life interactions (Timur)
◦ A page that reconsiders “local area network” through neighbourhood civic infrastructures (Brian S)

Some Projects

[images]

View all projects on Beaker Browser at
dat://local-area-network.hashbase.io/a-b-z-txt .

[images]

Steph, A website for a blind date
dat://d4d4cf7526a7bea710f18eb9797c6cb3e3354d59041d711a2d630222eb144644/

[images]

Brian H, A text that strengthens from collective readership
dat://ffb9a22300a2c76a43c4e5b204b66d6f28edbda0fdad8cabd0d24ddaa79687f9/
Download A-B-Z-Times.ttf

[images]

Mubashir, An acknowledgment of the context in which the internet operates and this space exists
dat://837cf6bca44d16229dd6bc4681f52c82bae4f05f2c672f284efb632cfc83b932/

[images]

Sam P, A service that maps connected peers
dat://e5225908fe650662e6f709c579cb35cefdab2cabcc06d8ebd80c2a3bc351b9be/

[images]

Florence, A narrative that encourages people to unfollow others
dat://8bd0ba7d8dcdbc110fb89cd4528ad191ec4bb3a4e6d8a373fc2173d0b6c2aa98/

Documentation

[images]

Photos by Garry Ing"
mindyseu  jürglehni  jongacnik  p2p  p2pweb  beakerbrowser  dat  christopheralexander  apatternlanguage  janejacobs  vannevarbush  tednelson  maartenhajer  arnoldreijndorp  kevbewersdorf  laurelschwulst  2018  local  grassroots  publishing  p2ppublishing  web  webdev  webdesign  garrying  michèkechampagne  gregsmith  wholeearthcatalog  manifestos  survivalguide 
may 2019 by robertogreco
UNBORED: The Essential Field Guide to Serious Fun
"The UNBORED team — coauthors Josh Glenn and Elizabeth Foy Larsen, and designer Tony Leone — are friends who got tired of lamenting the fact that we couldn’t find any activity books for families who enjoy getting unbored both indoors and outdoors, online and offline. So we decided to make one.

Our inspiration? Do-it-yourself guides from the 1970s like The Whole Earth Catalog, maker/builder websites like Instructables and Make, parenting blogs, old scouting manuals, and even Neal Stephenson's sci-fi novel The Diamond Age.

In creating our first book we drew on our own memories of childhood — the made-up games we played, the rhymes we used to figure out who was “It,” the handicrafts we enjoyed, you name it. We also drew on our experiences as parents of kids growing up in the 21st century… with the Internet and smartphones and apps. And we roped in a couple dozen scientist, activist, and maker friends to help out, too. Perhaps most importantly, we recruited three very talented artists — Mister Reusch, Heather Kasunick, and Chris Piascik — to contribute hundreds of illustrations."



"UNBORED GAMES
2014
Paperback, 176 pages

In the fall of 2014, Bloomsbury published the paperback UNBORED Games. In its 176 (full-color, richly illustrated) pages, you’ll find the rules to dozens of indoor, outdoor, online and offline games, including: back of the classroom games, bike rodeo games, jump rope games, alternate reality games, clapping games, apps and videogames, secret-rules games, drawing games, rock-paper-scissors games, card and dice games, backyard games, guerrilla kindness games, stress-relieving games, and geo-games.

PLUS
Expert essays by gamers Chris Dahlen, Catherine Newman, Stephen Duncombe, and Richela Fabian Morgan; Best Ever lists; DIY game-building projects; Secret History Comics; Q&As with Apps for Kids podcasters Mark and Jane Frauenfelder, Anomia inventor Andrew Innes, and others; Train Your Grownup features; classic literature excerpts; and brain-teasing Mindgames."



"Our second book received glowing reviews, too. (For example, the Minneapolis Star-Tribune described it as “chock-full of smart, totally not-lame ideas to amuse and give the brain a workout.”) So our team set to work on a third book…"



"UNBORED Adventure
2015
Paperback, 176 pages

In the fall of 2015, Bloomsbury published the paperback UNBORED Adventure. In its 176 (full-color, richly illustrated) pages, you’ll find adventure apps, adventure gear, adventure skills (from building a fire to open-mindedness), adventure-building projects (e.g., bean shooter, box kite, ghillie poncho, paracord bracelet, upcycled raft), indoor adventures (e.g., sewing your own ditty bag, survival origami), instant adventures, and outdoor adventures (from the pervasive game Assassin to fire-pit recipes to shootin’ craps).

PLUS
Expert essays by adventurers Chris Spurgeon, BikeSnobNYC, Catherine Newman, and Liz Lee Heinecke; Best Ever lists; Secret History Comics; Q&As with Joshua Foer and Dylan Thuras of Atlas Obscura, Playborhood author Mike Lanza, and urban biking activist Elly Blue, among others; Train Your Grownup features; and classic lit excerpts."



"Our third book was also well-received. We think it’s our best book yet! But a whole new phase of the UNBORED project was just beginning…"



"UNBORED ACTIVITY KITS [x4, so far]…
Unbored Disguises…
Unbored Treasure Hunt…
UNBORED Carnival kit…
UNBORED Time Capsule…"
books  children  classideas  parenting  fun  creativity  elizabethfoylarsen  joshglenn  nealstephenson  wholeearthcatalog  play  games  gaming  adventure 
february 2019 by robertogreco
The Complicated Legacy of Stewart Brand’s “Whole Earth Catalog” | The New Yorker
"Brand now describes himself as “post-libertarian,” a shift he attributes to a brief stint working with Jerry Brown, during his first term as California’s governor, in the nineteen-seventies, and to books like Michael Lewis’s “The Fifth Risk,” which describes the Trump Administration’s damage to vital federal agencies. “ ‘Whole Earth Catalog’ was very libertarian, but that’s because it was about people in their twenties, and everybody then was reading Robert Heinlein and asserting themselves and all that stuff,” Brand said. “We didn’t know what government did. The whole government apparatus is quite wonderful, and quite crucial. [It] makes me frantic, that it’s being taken away.” A few weeks after our conversation, Brand spoke at a conference, in Prague, hosted by the Ethereum Foundation, which supports an eponymous, open-source, blockchain-based computing platform and cryptocurrency. In his address, he apologized for over-valorizing hackers. “Frankly,” he said, “most of the real engineering was done by people with narrow ties who worked nine to five, often with federal money.”

Brand is nonetheless impressed by the new tech billionaires, and he described two startup founders as “unicorns” who “deserve every penny.” “One of the things I hear from the young innovators in the Bay Area these days is ‘How do you stay creative?’ ” Brand said. “The new crowd has this, in some ways, much more interesting problem of how you be creative, and feel good about the world, and collaborate, and all that stuff, when you have wads of money.” He is excited by their philanthropic efforts. “That never used to happen,” he said. “Philanthropy was something you did when you were retired, and you were working on your legacy, so the money went to the college or opera.”

Brand himself has been the beneficiary of tech’s new philanthropists. His main concern, the Long Now Foundation, a nonprofit focussed on “long-term thinking,” counts Peter Thiel and Pierre Omidyar among its funders. The organization hosts a lecture series, operates a steampunk bar in San Francisco’s Fort Mason, and runs the Revive & Restore project, which aims to make species like the woolly mammoth and the passenger pigeon “de-extinct.” The Long Now Foundation is also in the process of erecting a gigantic monument to long-term thought, in Western Texas—a clock that will tick, once a year, for a hundred centuries. Jeff Bezos has donated forty-two million dollars to the construction project and owns the land on which the clock is being built. When I first heard about the ten-thousand-year clock, as it is known, it struck me as embodying the contemporary crisis of masculinity. I was not thinking about death.

Although Brand is in good health and is a dedicated CrossFit practitioner, working on long-term projects has offered him useful perspective. “You’re relaxed about your own death, because it’s a blip on the scale you’re talking about,” he said, then quoted Jenny Holzer’s “Truisms,” saying, “Much was decided before you were born.” Brand is concerned about climate change but bullish on the potential of nuclear energy, urbanization, and genetic modification. “I think whatever happens, most of life will keep going,” he said. “The degree to which it’s a nuisance—the degree to which it is an absolutely horrifying, unrelenting problem is what’s being negotiated.” A newfound interest in history has helped to inform this relaxed approach to the future. “It’s been a long hard slog for women. It’s been a long hard slog for people of color. There’s a long way to go,” he said. “And yet you can be surprised by successes. Gay marriage was unthinkable, and then it was the norm. In-vitro fertilization was unthinkable, and then a week later it was the norm. Part of the comfort of the Long Now perspective, and Steven Pinker has done a good job of spelling this out, is how far we’ve come. Aggregate success rate is astonishing.”

As I sat on the couch in my apartment, overheating in the late-afternoon sun, I felt a growing unease that this vision for the future, however soothing, was largely fantasy. For weeks, all I had been able to feel for the future was grief. I pictured woolly mammoths roaming the charred landscape of Northern California and future archeologists discovering the remains of the ten-thousand-year clock in a swamp of nuclear waste. While antagonism between millennials and boomers is a Freudian trope, Brand’s generation will leave behind a frightening, if unintentional, inheritance. My generation, and those after us, are staring down a ravaged environment, eviscerated institutions, and the increasing erosion of democracy. In this context, the long-term view is as seductive as the apolitical, inward turn of the communards from the nineteen-sixties. What a luxury it is to be released from politics––to picture it all panning out."
stewartband  wholeearthcatalog  technosolutionism  technology  libertarianism  2018  annawiener  babyboomers  boomers  millennials  generations  longnow  longnowfoundation  siliconvalley  philanthropicindustrialcomplex  philanthropy  politics  economics  government  time  apathy  apolitical  californianideology  stevenpinker  jennyholzer  change  handwashing  peterthiel  pierreomidyar  bayarea  donaldtrump  michaellewis  jerrybrown  california  us  technolibertarianism 
november 2018 by robertogreco
MoMA.org | Access to Tools
Publications from the Whole Earth Catalog, 1968-1974
wholeearthcatalog  alankay  books  exhibitions 
august 2018 by ianchanning
50 Years Ago, the Whole Earth Catalog Launched and Changed the Course of the Environmental Movement
Brand’s genius was understanding the links between windmills, bees and computers. In his view, connections between high and low technology and between nature and culture united hippies in Taos with geeks building computers in the Bay Area. On his commune trips, he saw growing demand for a new type of hybrid knowledge absent from the mainstream media of the day. The Whole Earth Catalog became a bible for tens of thousands of Americans living in communes in the 1960s and 70s.
Summer  2018  July  MarinCounty  60s  WholeEarthCatalog  StewartBrand  KnowLaboratories  from iphone
july 2018 by ahasteve
Hypothesis annotation for en.wikipedia.org
RT @judell: "We are as gods," fact-checked. #1lib1ref #WholeEarthCatalog /cc @stewartbrand https://t.co/2DejvvLQvo
WholeEarthCatalog  1lib1ref  via:packrati.us 
january 2018 by mshook

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