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What Wes Anderson’s “Isle of Dogs” Gets Right About Japan | The New Yorker
This is the beating heart of the film: there is no such thing as “true” translation. Everything is interpreted. Translation is malleable and implicated, always, by systems of power.

That the Japanese person usually responds in the negative—of course we’re fine with Scarlett!—speaks only to the fact that Japan is a country with neither ethnic diversity nor a substantial critical race discourse. To be Asian-American, meanwhile, is to develop a brutal familiarity with seeing Asia, and Asian characters, distorted, passivized, and flattened by white hands.
movies  translation 
8 days ago by craniac

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