terminator2   10

Reimagining "Terminator 2's" Iconic User Interfaces Through the Power of Adobe XD | Adobe Blog
“With the intention of showcasing the power of Adobe XD and demonstrating the potential of UX design beyond app and website design, Adobe partnered with Territory to reimagine two iconic stills from “Terminator 2” using Adobe XD. The results were eye-opening for Territory and Adobe alike, revealing a new realm of potential for designers working in film UX while inspiring new functionalities for XD’s community.”
xd  terminator2  designfiction  territory  adobe  ui  design  marketing 
july 2018 by danhon
Terminator 2 3D: What James Cameron Changed Using CGI
"Terminator 2: Judgement Day is back in cinemas this month for a James Cameron-approved 3D re-release. Although if you’re hoping to see the action classic exactly as it was in 1991 (just with some ineffective stereoscopy) you’re not going to quite get what you’re expecting; the director’s made a couple of alterations using the latest in computer graphics."
t2  terminator2  2017  vfx  movies 
august 2017 by handcoding
Full liquid metal, now in 3D: re-visiting the freakin’ T-1000 walking out of the fiery truck crash – vfxblog
"It was the liquid metal T-1000 played by Robert Patrick that represented the majority of this CGI work in the film. Indeed, a hero reveal of the ‘cybernetic organism’ emerging from the flames of a burning truck wreckage became one of ILM’s signature shots for years to come.

"Two of the principal artists behind that work were animation director Steve ‘Spaz’ Williams and associate visual effects supervisor Mark Dippé. In this special vfxblog interview conducted at SIGGRAPH Asia 2016 to celebrate the 25th anniversary of Terminator 2, Williams and Dippé recount their efforts to create that memorable shot, known as CC-1."
terminator2  vfx  movies  2017 
february 2017 by handcoding
Terminator 2: Judgment Day - T-1000 Effects - Part 1 | Stan Winston School of Character Arts
Although Stan Winston Studio vastly improved upon the techniques used to create the T-800 endoskeleton effects in TERMINATOR 2: JUDGMENT DAY, they would be breaking all new ground with the unprecedented T-1000 liquid metal effects. “The endoskeletons, which had been the big deal on Terminator, were the least of our problems on Terminator 2,” said 25-year SWS supervisor and Co-Founder of Legacy Effects, John Rosengrant. “By far, the most challenging things we did for Terminator 2 were these physical effects involving the T-1000 character. We did a lot of in-camera magic tricks for that — splitting open bodies, finger blades, heads blowing open, bullet-hit wounds. Every day, there was something new and challenging to do.”
specialeffects  fx  terminator2  cgi 
november 2012 by Aetles
F/X PORN by David Foster Wallace, Waterstone's Magazine, Winter/Spring 1998
What's the difference between a Hollywood special-effects blockbuster like "Terminator 2" and a hard-core porn film? Very little, claims novelist, essayist and footnote fetishist David Foster Wallace.
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1990s moviegoers who have sat clutching their heads in both awe and disappointment at movies like "Twister" and "Volcano" and "The Lost World" can thank James Cameron's "Terminator 2: Judgment Day" for inaugurating what's become this decade's special new genre of big-budget film: Special Effects Porn. "Porn" because, if you substitute F/X for intercourse, the parallels between the two genres become so obvious they're eerie. Just like hard-core cheapies, movies like "Terminator 2" and "Jurassic Park" aren't really "movies" in the standard sense at all. What they really are is half a dozen or so isolated, spectacular scenes -- scenes comprising maybe twenty or thirty minutes of riveting, sensuous payoff -- strung together via another sixty to ninety minutes of flat, dead, and ofte
DFW  DavidFosterWallace  1998  Terminator2  Film  Criticism 
april 2009 by n_m
The House Next Door: Looking for One New Value But Nothing Comes My Way: An Interview with Film Critic Glenn Kenny About David Foster Wallace
But Dave sent 2,000 or 3,000 words on Terminator 2 and why it was a betrayal of the first film because it was so reliant on special effects that it basically heralded in the age of what he called “FX Porn.” [my thought: I agree and I wonder if it's possible to read that DFW piece on Terminator 2?]
DFW  DavidFosterWallace  DavidLynch  Film  Writing  Literature  Terminator2 
april 2009 by n_m
Lionsgates Unveils Box Art, Specs for 'T2: Skynet Edition' | High-Def Digest
"Lionsgate announced the latest Blu-ray version of the James Cameron classic on May 19, dubbed the 'Terminator 2: Judgment Day - Skynet Edition' (it follows a relatively bare-bones edition released in 2006)."
2009  wishlist  bluray  terminator2 
february 2009 by handcoding

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