streetculture   44

Pointe-Noire & Its Ironic 'Salon De Coiffure' Beauty [Op-Ed] Okayafrica.
"Robert Nzaou-Kissolo is a Congolese photographer currently based between Cape Town and Pointe-Noire, Republic of the Congo, who recently reached out to us with his ongoing project documenting Pointe-Noire street culture since 2014. In his “Salon de Coiffure” photo series, Nzaou-Kissolo focuses on the prevalence of hair salons in the suburbs of Pointe-Noire (every 100 meters he says), and the standards of beauty their hand-painted boards advertise. “The ‘Salon de Coiffure’ theme explores the beauty of the Congolese people contrasted with what they themselves perceive as beauty,” he said in an email. In the op-ed below, Nzaou-Kissolo elaborates on the irony he sees in Pointe-Noire’s “Salon de Coiffure” culture."
2015  congo  photography  africa  robertnzaou-kissolo  hairsalons  republicofthecongo  streetculture  signs  salons  beautysalons  beauty  culture 
february 2015 by robertogreco
Urbes Mutantes: Latin American Photography 1944–2013 | International Center of Photography
"Urbes Mutantes: Latin American Photography 1944–2013 is a major survey of photographic movements in Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Venezuela. Taking the "mutant," morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography's depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.

Drawn from the collection of Leticia and Stanislas Poniatowski, the exhibition was first shown at the Museo de Arte del Banco de la República in Bogota in 2013. It was co-curated by Alexis Fabry and María Wills, and is accompanied by a bilingual catalogue published by Toluca Editions."

[See also:
http://www.theguardian.com/artanddesign/2014/may/20/urbes-mutantes-latin-american-photography-review
http://www.latimes.com/entertainment/arts/miranda/la-et-cam-urbes-mutantes-photo-exhibition-story-of-latin-american-cities-20140718-column.html
and http://online.wsj.com/news/articles/SB10001424052702303409004579563922780642490 ]
photography  via:tejucole  latinamerica  argentina  brazil  brasil  chile  colombia  cuba  exico  perú  venezuela  streetculture  art  photojournalism  documentary  protest  streetphotography 
june 2014 by robertogreco
Children's street culture - Wikipedia
"Children's street culture refers to the cumulative culture created by young children. Collectively, this body of knowledge is passed down from one generation of urban children to the next, and can also be passed between different groups of children (e.g. in the form of crazes, but also in intergenerational mixing). It is most common in children between the ages of seven and twelve. It is strongest in urban working class industrial districts where children are traditionally free to "play out" in the streets for long periods without supervision."
colinward  children  streetculture  culture  urban  urbanlegends  myth  play  history  games  folklore  myths 
july 2010 by robertogreco

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