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The Syncopated Stylings of Charles Wuorinen | NewMusicBox
Ethan Iverson making the case for Wuorinen:
At this moment Wuorinen’s public face, a grouchy, “you kids get off my lawn” personality—a personality he seems to have had for decades, if not his whole life—has probably done harm to his status as an essential composer.

Before the performance of Brokeback Mountain this past Monday night, Miranda Cuckson quickly introduced me to Mr. Wuorinen in the foyer of Jazz at Lincoln Center. The conversation went like this:

EI: Hello! I’m a fan.

CW: (grumpy) Hello.

EI: I have the score to your Third Piano Concerto in my bag.

CW: (less grumpy) Well, that’s an antique.

EI: It seems like some of the same material is used in Spinoff.

CW: (smiling) Yes! That’s true. I totally ripped off the Concerto for Spinoff. That was the same year.

EI: Well. Thanks for all the music. You’ve written so much.

CW: (grumpy) It’s not so much. I’m 80 and there are 275 pieces. But I do work all the time.

Tyshawn Sorey shares his appreciation at the end, too.

Different angle than a thoroughly unpleasant impression from a recent New York Times interview.
music  newmusic  percussion  serialism  rhythm 
10 weeks ago by madamim

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