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Scholar has helped bring Leonardo and Galileo into the digital age
“I had the impression that using these novel instruments, it was possible to create a new playing field in which we could grow.” #musetech
musetech  museum  shared 
6 hours ago by davidnunez
建川博物馆_百度百科
建川博物馆全称为成都市建川博物馆聚落, [1] 由民营企业家樊建川创建,位于中国博物馆小镇——大邑县安仁镇,占地500亩,建筑面积近10万平方米,拥有藏品800余万件,其中国家一级文物425件。
博物馆以“为了和平,收藏战争;为了未来,收藏教训;为了安宁,收藏灾难;为了传承,收藏民俗”为主题,建设抗战、民俗、红色年代、抗震救灾四大系列30余座分馆,已建成开放24座场馆,是目前国内民间资本投入最多、建设规模和展览面积最大,收藏内容最丰富的民间博物馆。
sichuan  museum 
yesterday by tonyyet
Los Angeles County Museum of Art (LACMA) Art + Technology Lab Grants
Art + Technology Lab Program:The Art + Technology Lab supports projects that explore artistic applications of emerging technologies and ideas related to technology and culture. The program offers artists and artist collectives financial and in-kind support for new projects, with the help of expert partners from the fields of science, technology,and engineering. The Art + Technology Lab is presented by Hyundai. The program is made possible by Accenture,Snap, Inc., DreamWorks Animation, SpaceX,Googleand other innovative companies and individuals. The Lab is part of the Hyundai Project: Art + Technology at LACMA, a joint initiative exploring the convergence of art and technology.

Applying for an Art + Technology Lab Grant
Art + Technology Lab grants are open to individuals and collectives located anywhere in the world. Grants may provide financial support of up to $50,000 per project to cover artist fees and direct costs, including materials. Recipients may also receive in-kind support, such as mentorship, coaching, advice, and exposure to technologies in development at partner organizations, including Hyundai, Accenture, Snap, Inc., DreamWorks Animation,SpaceX, and Google as well as independent artists and academics working in art and technology from Jet Propulsion Laboratory,and elsewhere. This year, the Art + Technology Lab is pleased to also be collaborating with the MIT Media Lab Space Exploration Initiative.

Areas of Interest
While there is a preference for projects that explore emerging technology, prior technological experience or knowledge is not required.Artists who have not used advanced technology in their work are encouraged to consider how technology applications might build upon and expand the trajectory of their work. Recipients need not be located in or near Los Angeles. The Lab welcomes proposals for projects that are presented outside the bounds of the museum campus, including conceptual projects and those that unfold in virtual or online spaces, or in other geographic or extraterrestrial locations.
2We are particularly interested in exploratory ideas and proposals that leave room for refinement in collaboration with technologists and the museum. In addition, preference will be given to projects that are publicly accessible, consistent with LACMA’s mission, and produce models, prototypes, data, code, or other material that can be shared broadly. We also welcome proposals that utilize museum resources, including access to data, material from our archives, information about our collection, and the use of museum digital properties as a platform for presenting projects, though that is not a requirement. In general, applicants are encouraged to think beyond the traditional in-gallery exhibition presentation, to consider other possibilities and forms of public engagement.
technology  grant  california  collaborative  STEAM  STEM  museum 
2 days ago by risdgrants
Web Design Museum 1994 – 2006
Web Design Museum exhibits over 1,200 unique designs from the years 1994 to 2006. Discover forgotten trends in web design.
design  gallery  history  inspiration  webdesign  museum  web  internet  archive  via:popular 
2 days ago by renaudjx
[Pip Laurenson and Vivian Saaze] Performativity in the Gallery: Staging Interactive Encounters - collecting_performance-based_art_new_cha.pdf
In this chapter we have shown that it is not the problem of non-materiality that currently represents the greatest challenge for museums in collect-ing performance, but of maintaining – conceived of as a process of active engagement – the networks which support the work. As this increasing dependency on social and political context, people, resources, and other transitory circumstances outside the museum goes against the museum’s ten-dency of containment and control, this shift may cause a certain uneasiness and raises new questions. What, for example, does it mean for a museum to depend on external memory holders to be able to re-execute a work from its own collection? How does the museum navigate the reality of this expanded notion of (distributed) responsibility?
variablemedia  art  performance  museum  +++++ 
3 days ago by jonippolito
The Art of the Internet, Restored and Out in the World - The New York Times
I want to go see this show. Super relevant as we think about ways to exhibit "computation"
art  netart  museum  shared 
4 days ago by davidnunez
LOCKSS |
Lots Of Copies Keep Stuff Safe
"The LOCKSS Program, based at Stanford Libraries, provides services and open-source technologies for high-confidence, resilient, secure digital preservation."
museum  library  webstuff  history 
4 days ago by jalderman
DDR Museum - Berlin’s interactive museum
The DDR Museum provides a unique visitor experience, making it one of Berlin’s most popular museums. Engage all of your senses to enjoy an immersive experience of everyday life in the former East Germany. Covering a range of topics based on sound academic research – everyday life, the Berlin Wall, the Stasi and much more – our exhibition encourages its visitors to touch, feel and interact, so as to reach a fun and full understanding of the past. Explore all aspects of daily life behind the Berlin Wall and the workings of state and Stasi – all under one roof.
berlin  germany  museum 
6 days ago by sspela

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