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皆さんの心の中に残る名作はなんですか…?

1度見て良かったものは良作、何度見ても良い映画が名作だと思っています。

私はこの作品が"名作"である事を祈っています。


#洗骨 #🎞 #🎬…
senkotsu  movie  from twitter_favs
yesterday by richardy
Neon and corporate dystopias: why does cyberpunk refuse to move on? | Games | The Guardian
“Cyberpunk offers a vision of a post-national, globalised society where those who know how to manipulate information will come out on top, a vision of the world very recognisable to us today,” says Dr Anna McFarlane, a cyberpunk scholar at the University of Glasgow. In 2018, state governments grovel at the feet of Amazon for the privilege of hosting their second headquarters, an echo of a world sketched out by Neal Stephenson in Snow Crash. Facebook has the power to spread election-turning fake news, realising anxieties expressed in the likes of Pat Cadigan’s novel Synners, where dreams shared on the net have lethal consequences in reality. Google creates AI technology for the Pentagon, just as the fictional Neutron Corporation created the AI dubbed “The Puppet Master” for its government client in 1995’s Ghost in the Shell. And all three exploit their status as trans-national global entities to horde billions through tax loopholes, like Neuromancer’s Tessier-Ashpool corporation, so powerful that it literally looks down upon the earth from its orbiting space station
cybernetics  future  movie 
2 days ago by janpeuker
The Poetry Of BLADE RUNNER 2049 | Birth.Movies.Death.
“We’re all just looking out for what’s real,” Joshi tells K. And what’s real to K is love.
essay  film  blade  runner  criticism  movie 
3 days ago by markhgn
The best things on the internet in 2018
We often speak of the internet as if it’s an independent entity, with a mind and a will of its own. But thankfully, that’s not quite the case—yet. For the time being, the internet is ultimately run by human beings, and is filled with the by-products of human thought and imagination. Sometimes, as we detailed yesterday, those by-products are more toxic than antifreeze mixed with the runoff from a copper mine, because they come from toxic people.
music  movie  tv  culture  online  internet  media  list  best  year  2018 
3 days ago by jacobraleigh
Light & Shadow / 光與影 - Posts
2018 英國【視與聽】(Sight & Sound)年度佳片排名:
 
1. 《羅馬》(Roma,dir: Alfonso Cuarón)
2. 《霓裳魅影》(Phantom Thread,dir: Paul Thomas Anderson)
3. 《燃燒烈愛》(버닝,導演 李滄東)
4. 《沒有煙硝的愛情》(Cold War,dir: Pawel Pawlikowski)
5. 《牧師的最後誘惑》(First Reformed,dir: Paul Schrader)
6. 《荒野之心》(Leave No Trace,dir: Debra Granik)
7=《真寵》(The Favourite,dir: Yorgos Lanthimos)
7=《失控救援》(You Were Never Really Here,dir: Lynne Ramsay)
9= 《幸福的拉札洛》(Happy as Lazzaro,dir: Alice Rohrwacher)
9=《薩瑪的漫長等待》(Zama,dir: Lucrecia Martel)
best-of-2018  Movie 
4 days ago by lohsingyee
Light & Shadow / 光與影 - Posts
二十大佳片:
1. 《羅馬》(Roma,dir: Alfonso Cuarón)
2. 《一個巨星的誕生》(A Star is Born,dir: Bradley Cooper)
3. 《黑豹》(Black Panther,dir: Ryan Coogler)
4. 《真寵》(The Favourite,dir: Yorgos Lanthimos)
5. 《黑色黨徒》(BlacKkKlansman,dir: Spike Lee)
6. 《藍色比爾街的沉默》(If Beale Street Could Talk,dir: Barry Jenkins)
7. 《登月先鋒》(First Man,dir: Damien Chazelle)
8. 《牧師的最後誘惑》(First Reformed,dir: Paul Schrader)
9. 《八年級生》(Eighth Grade,dir: Bo Burnham)
10. 《幸福綠皮書》(Green Book,dir: Peter Farrelly)
11.《為副不仁》(Vice,dir: Adam McKay)
12.《燃燒烈愛》(버닝,導演 李滄東)
best-of-2018  Movie 
4 days ago by lohsingyee
[新聞] 英國〈視與聽〉電影雜誌公布2018年度二十大佳片榜單 - Hypesphere
《羅馬》(Roma)
《霓裳魅影》(Phantom Thread)
《燃燒烈愛》(Burning)
《沒有煙硝的愛情》(Cold War)
《牧師的最後誘惑》(First Reformed)
《荒野之心》(Leave No Trace)
《真寵》(The Favourite)
《你從未在此》(You Were Never Really Here)
《幸福的拉札洛》(Happy as Lazzaro)
《薩瑪的漫長等待》(Zama)
《影像之書》(The Image Book)
《假如比爾街能說話》(If Beale Street Could Talk)
《黑白三K黨》(BlacKkKlansman)
best-of-2018  Movie 
4 days ago by lohsingyee

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