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The Patrician President and the Reporterette: a Screwball Story
And he got a newfangled, irreverent “reporterette,’’ as Rush Limbaugh called us in those days, who was just as focused on character and personality as politics and policy.
maureendowd 
december 2018 by HalSF
NYTimes: Trump’s Gold Lining
Donald Trump has indeed already made some of America Great Again.
Just not the aspects he intended.
He has breathed new zest into a wide range of things: feminism, liberalism, student activism, newspapers, cable news, protesters, bartenders, shrinks, Twitter, the A.C.L.U., “S.N.L.,” town halls, George Orwell, Margaret Atwood, Hannah Arendt, Stephen Colbert, Nordstrom, the Federalist Papers, separation of powers, division of church and state, athletes and coaches taking political stands and Frederick Douglass.
Trump  1st_100-days  MaureenDowd 
february 2017 by BetsyRC
BOMB Magazine — Rebecca Solnit by Astra Taylor
"AT One of the most interesting ideas in the book is the concept of “elite panic”—the way that elites, during disasters and their aftermath, imagine that the public is not only in danger but also a source of danger. You show in case after case how elites respond in destructive ways, from withholding essential information, to blocking citizen relief efforts, to protecting property instead of people. As you write in the book, “there are grounds for fear of a coherent insurgent public, not just an overwrought, savage one.”

RS The term “elite panic” was coined by Caron Chess and Lee Clarke of Rutgers. From the beginning of the field in the 1950s to the present, the major sociologists of disaster—Charles Fritz, Enrico Quarantelli, Kathleen Tierney, and Lee Clarke—proceeding in the most cautious, methodical, and clearly attempting-to-be-politically-neutral way of social scientists, arrived via their research at this enormous confidence in human nature and deep critique of institutional authority. It’s quite remarkable.

Elites tend to believe in a venal, selfish, and essentially monstrous version of human nature, which I sometimes think is their own human nature. I mean, people don’t become incredibly wealthy and powerful by being angelic, necessarily. They believe that only their power keeps the rest of us in line and that when it somehow shrinks away, our seething violence will rise to the surface—that was very clear in Katrina. Timothy Garton Ash and Maureen Dowd and all these other people immediately jumped on the bandwagon and started writing commentaries based on the assumption that the rumors of mass violence during Katrina were true. A lot of people have never understood that the rumors were dispelled and that those things didn’t actually happen; it’s tragic.

But there’s also an elite fear—going back to the 19th century—that there will be urban insurrection. It’s a valid fear. I see these moments of crisis as moments of popular power and positive social change. The major example in my book is Mexico City, where the ’85 earthquake prompted public disaffection with the one-party system and, therefore, the rebirth of civil society.

AT So on the one hand there are people responding in these moments of crisis and organizing themselves, helping each other, and, on the other, there are power elites, who sometimes, though not always, sabotage grassroots efforts because, as you say at one point, the very existence of such efforts is taken to represent the failure of authorities to rise to the occasion—it’s better to quash such efforts than to appear incompetent. The way you explore the various motivations of the official power structure for sabotaging people’s attempts to self-organize was a very interesting element of the book.

RS You are an anarchist, aren’t you?

AT Maybe deep down. (laughter)

RS Not all authorities respond the same way. But you can see what you’re talking about happening right after the 1906 earthquake. San Franciscans formed these community street kitchens. You weren’t allowed to have a fire indoors because the risk of setting your house, and thereby your neighborhood, on fire was too great—if you had a house, that is. People responded with enormous humor and resourcefulness by creating these kitchens to feed the neighborhood. Butchers, dairymen, bakers, etcetera were giving away food for free. It was like a Paris Commune dream of a mutual-aid society. At a certain point, authorities decided that these kitchens would encourage freeloading and became obsessed with the fear that people would double dip. So they set up this kind of ration system and turned a horizontal model of mutual aid—where I’m helping you but you’re helping me—into a vertical model of charity where I have and you lack and I am giving to you. Common Ground, the radical organization for community rebuilding, 100 years later in New Orleans chooses as its motto: “Solidarity not charity.”

AT The charity model fits hand in hand with the “we need a paternal, powerful authority figure in a time of crisis” mindset that your book refutes. Do you think people need to be led?

RS Part of the stereotypical image is that we’re either wolves or we’re sheep. We’re either devouring babies raw and tearing up grandmothers with our bare hands, or we’re helpless and we panic and mill around like idiots in need of Charlton Heston men in uniforms with badges to lead us. I think we’re neither, and the evidence bears that out."



"RS I started that book when I was almost 30. The Nevada Test Site was the place that taught me how to write. Until then I had been writing in three different ways: I had been writing as an art critic, in a very objective, authoritative voice; I had been writing as an environmental journalist, also with objectivity; and then I had also been writing these very lapidary essays on the side. It felt like three different selves, three different voices, and explaining the test site and all the forces converging there demanded that I use all those voices at once. So as to include everything relevant, it also demanded I write in a way both meandering and inclusive. A linear narrative is often like a highway bulldozed through the landscape, and I wanted to create something more like a path that didn’t bulldoze and allowed for scenic detours.

My training as an art critic was a wonderful background because it taught me to think critically about representations and meanings, and that applied really well to national parks and atomic bombs and Indian Wars. It was great to realize that I didn’t have to keep these tools in museums and galleries—it was a tool kit that could go anywhere. Also, I was trained as a journalist. A journalist can become an adequate expert pretty quickly and handle the material, whereas a lot of scholars dedicate their life to one subject."
rebeccasolnit  atrataylor  elites  elitism  humans  humannature  power  2009  insurrection  resistance  caronchess  leeclarke  charlesfritz  enricoquarantelli  kathleentierney  timothygartonash  maureendowd  fear  neworleans  katrina  disasters  solidarity  grassroots  activism  charity  authoruty  patriarchy  control  writing  howwewrite  nola 
june 2015 by robertogreco
Log In - The New York Times
MUST READ : The Republican Party is the "civilization" that ends in 2012.
MaureenDowd  from twitter
december 2012 by waterprise2
A Lost Civilization - NYTimes.com
MUST READ : The Republican Party is the "civilization" that ends in 2012.
MaureenDowd  from twitter
december 2012 by waterprise2
A Mock Columnist, Amok - New York Times
I Am an Op-Ed Columnist (And So Can You!) by Stephen Colbert
funny  nytimes  oped  politics  humor  StephenColbert  MaureenDowd 
september 2011 by randomcuriosity
Op-Ed Columnist - Sarah’s Pompom Palaver - NYTimes.com
"Can likable still trump knowledgeable at such a vulnerable crossroads for the country?"
language  maureendowd  election2008  politics  sarahpalin 
september 2011 by randomcuriosity
Stars and Sewers
Maureen Dowd/The New York Times, Feb. 20, 2011. “Why would I engage with people digitally whom I would never engage with actually?"
anonymity  civility  commenting  criticism  maureendowd 
february 2011 by markcoddington

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