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The Blind Man magazine was published in 1917 by & other Dadaists. Read issue 2 via librar…
MarcelDuchamp  from twitter_favs
july 2017 by richardmrose
The Book's Undoing: Dieter Roth's Artist's Books - YouTube
[via: ]

[See also:

"Wait, Later This Will Be Nothing: Editions by Dieter Roth"

"Dieter Roth - Wikipedia"

"There would be no way to translate a Dieter Roth book into another medium-the idea of the works is inseparable from their form as books and they realise themselves as works through their exploration of the conceptual and structural features of a book. —Johanna Drucker"

"In 1960 he won the William and Norma Copley Award, which included Marcel Duchamp, Max Ernst and Herbert Read on the jury.[3] As well as a substantial monetary prize, the award included the chance to print a monograph; Roth declined, asking instead for funding to pay for a new work. The end result was his most ambitious book to date, the Copley Book, 1965, a semi-autobiographical deconstruction of the process of book making. In the same year he exhibited at Arthur Köpcke’s gallery in Copenhagen and at the Festival d’Art d’Avant-garde, Paris in 1960, and began an itinerant lifestyle, exhibiting and working throughout Europe, Iceland and America, a pattern he would continue for the rest of his life.

A key breakthrough in his attitude to art was witnessing the performance of Tinguely's Homage to Modern Art in Basel, 1961. The work profoundly impressed Roth, leading to a decisive break with constructivism into post-modern avant-garde practices associated with the Nouveaux Réalistes such as Tinguely and Arman, and the group of artists that were about to become known as Fluxus, including Joseph Beuys and Nam June Paik."
It [Tinguely's Homage to Modern Art] was simply a completely different world from my Constructivism, it was something like a paradise that I'd lost.[15]


Whilst Roth was close friends with many members of early Fluxus,[16] the avant-garde art movement centred around George Maciunas in New York City, he deliberately kept his distance from Maciunas;[17] when asked to add his memories of Maciunas to a biography being compiled by Emmett Williams, he contributed a less-than-complimentary summary;[18] He later told an interviewer;
It was the club of the untalented who made a verbal virtue of their lack of talent so that nobody could say they had no talent. The modesty that they ascribed to themselves was actually a good insight in that sense. Because they had to be modest because they were so incapable." [19]

"Roth would collaborate with his children-especially Björn-for the rest of his life.[27][28][29] In 2010 Hauser & Wirth showed one such collaboration, a selection of collage-assemblages, made from the cardboard mats Roth would place on the worktables in his studios to collect the "traces of domestic activities," such as coffee stains and Björn's childish doodles."

"In his later years Dieter Roth spoke of his typically innovative idea of an academy – an institution unbound to any one place or building or curriculum. As a passionate traveller, he realised that the best experience a young artist can have is travelling and encountering new people and situations. Consequently the Dieter Roth Academy lives there where its members live and work – on several continents. And is always on the move, having convened now in at least eight countries."

"Dieter Roth: Diaries at The Fruitmarket Gallery
2 August -- 14 October 2012"

"Dieter Roth Museum"

"Dieter Roth: Staying Fresh"

"Dieter Roth: Selves (Retrospective)"

"Dieter Roth Film - Trailer"

"Dieter Roth. Balle Balle Knalle (english)"

"Dieter Roth: Reykjavik Slides"

"Dieter Roth Foundation"

"Dieter Roth, words by Birgitta Jónsdóttir"

"Taking the Dieter Roth train is a trip through the essence of art. All is art, everything Dieter did was an expression of art and the train trip takes you on an unforgettable trip, giving the viewer a whole new perspective on art in our every day lives. The redundant gains new life and meaning as he tilts the angle of infinite possibilities of mundane experience becoming something amazing.

The thing that impressed me the most was how one could feel the creative joy in so many of this work. He obviously didn’t take himself to seriously, an undertone of playfulness can be found in all his work, as if he must have had terrible fun within the whirlwind of his creative process."

"Loosening Up: Dieter Roth's Tragedy, by Donald Kuspit"

"Dieter Roth, A film by Hilmar Oddsson" ]
dieterroth  books  artistsbooks  art  artbooks  björnroth  lcproject  openstudioproject  sfsh  classideas  ephemerality  travel  materials  iceland  birgittajónsdóttir  reykjavík  hilmaroddsson  johannadrucker  fluxus  marcelduchamp  maxernst  herbertread  jeantinguely  josephbueys  namjunepaik  georgemaciunas  ephemeral 
june 2017 by robertogreco

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