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‘This Route Doesn’t Exist on the Map’ | The New Republic
How efforts to block refugees and asylum-seekers from Europe have only made the global migration crisis more complex and harrowing
immigration  personalaccount  LatinAmerica  Brazil  Mexico  USA  NewRepublic  2018 
20 days ago by inspiral
Guatemala's Maya Society Featured Huge 'Megalopolis,' LiDAR Data Show
"A vast, interconnected network of ancient cities was home to millions more people than previously thought."
classideas  maya  archaeology  empire  history  2018  guatemala  mesoamerica  americas  latinamerica  cities  ancient  lidar  maps  mapping  precolumbian 
5 weeks ago by robertogreco
Innovative Journalism in Latin America | Knight Center for Journalism in the Americas
This new publication compiles all the reports of the series "Innovative Journalism in Latin America" published in the Knight Center blog between the months of December 2016 and April 2017. It also includes several brief guides written by different experts offering practical advice to improve journalistic activity online.
journalism  innovation  latinamerica  research  tools 
8 weeks ago by sdp
The world’s scientific collaborations in - via
LatinAmerica  from twitter_favs
9 weeks ago by exlibris
HemiPress –
"HemiPress is the Hemispheric Institute’s digital publications imprint, created to house and centralize our diverse publication initiatives. Using a variety of customized open-source digital humanities platforms, HemiPress includes the Gesture short works series, the Duke U.P./HemiPress digital books, stand-alone essays, and the Institute’s peer-reviewed journal emisférica, alongside interviews, Cuadernos, and other online teaching resources. It also provides state-of-the-art multilingual publication capacities and immersive formats for capturing the “live” of performance, as well as a digital “bookshelf”—the interface that houses all of the Institute’s publications and connects communities of readers across the Americas."

[Digital Books:

"The Hemispheric Institute's focus on embodied practice requires both methodological and technological innovation. Through our Digital Books initiative, which utilizes both the Scalar and Tome publication platforms, we seek to create media-rich scholarly publications in order to produce and disseminate knowledge across geographic, linguistic, disciplinary, and mediatic borders. Staging a unique intervention in the field of academic publishing, Digital Books allows authors to utilize not only images and video, but also multilingual subtitles, maps and geotags, audio recordings, slideshows, and photo-essays, alongside other interactive features. Whether solo-authored, collaboratively written, or compiled as an edited volume, this critical initiative invites scholars, artists, activists, and students to explore the expansive possibilities of digital publishing in a hemispheric context."

"Tome [ ] is an online authoring tool that facilitates long-form publishing in an immersive, media-rich environment. Built on the WordPress framework and in collaboration with the Hemispheric Institute, Tome features a suite of custom plugins that empowers scholars, students, and artists to create innovative born-digital work. Recent Tome publications include El Ciervo Encantado: An Altar in the Mangroves (Lillian Manzor and Jaime Gómez Triana), Art, Migration, and Human Rights: A collaborative dossier by artists, scholars, and activists on the issue of migration in southern Mexico, Villa Grimaldi (Diana Taylor), and six gestures (peter kulchyski)."

"Scalar [ ] is a free, open source authoring and publishing platform that’s designed to make it easy for authors to write long-form, born-digital scholarship online. Scalar enables users to assemble media from multiple sources and juxtapose them with their own writing in a variety of ways, with minimal technical expertise required. Scalar also gives authors tools to structure essay- and book-length works in ways that take advantage of the unique capabilities of digital writing, including nested, recursive, and non-linear formats. The platform also supports collaborative authoring and reader commentary."]

[See also: emisférica

"emisférica is the Hemispheric Institute’s peer-reviewed, online, trilingual scholarly journal. Published biannually, journal issues focus on specific areas of inquiry in the study of performance and politics in the Americas. The journal publishes academic essays, multimedia artist presentations, activist interventions, and translations, as well as book, performance, and film reviews. Its languages are English, Spanish, and Portuguese."

"Dossier: Our dossiers are organized around a given theme and feature short texts, interviews, artworks, poetry, and video."

"Essays: We publish invited essays, essays submitted through our open calls, and translations of significant previously published works."

"Reviews: We review books, films, and performances from throughout the Americas"

"Multimedios: Multimedios are digital modules that feature the work of individual artists, artist collectives, curatorial projects, and activists movements. These video and photography, interviews, catalogue texts, essays, and critical reviews."]
publishing  americas  latinamerica  ebooks  epublishing  opensource  español  spanish  portugués  portuguese  digital  digitalpublishing  books  journals  multimedia  photography  poetry  video  art  wordpress  webdev  onlinetoolkit  scalar  hemipress 
11 weeks ago by robertogreco
Macarena Gómez-Barris
"Macarena Gómez-Barris is Professor and Chairperson of Social Science and Cultural Studies at Pratt Institute in Brooklyn, New York. She is also Director of the Global South Center (GSC), a research center that works at the intersection of social ecologies, art / politics, and decolonial methodologies. Her instructional focus is on Latinx and Latin American Studies, memory and the afterlives of violence, decolonial theory, the art of social protest, and queer femme epistemes.

Macarena is author of Where Memory Dwells: Culture and State Violence in Chile (2009), co-editor with Herman Gray of Towards a Sociology of the Trace (2010), The Extractive Zone: Social Ecologies and Decolonial Perspectives (2017) and Beyond the Pink Tide: Art and Politics in the Americas (forthcoming UC Press, 2018).

Gómez-Barris is series editor, with Diana Taylor, of Dissident Acts, a Duke University Press Series, and was Fulbright Fellow at FLACSO-Quito in Ecuador (2014–15). She is the current co-editor with Marcial Godoy-Anatavia of e-misférica, an online trilingual journal on hemispheric art and politics (NYU). And, she is a member of the Social Text journal collective.

At Pratt Institute, she works with a vibrant community of scholars, activists, intellectuals, and students to find alternatives to the impasses produced by racial and extractive capitalism."

In The Extractive Zone Macarena Gómez-Barris traces the political, aesthetic, and performative practices that emerge in opposition to the ruinous effects of extractive capital. The work of Indigenous activists, intellectuals, and artists in spaces Gómez-Barris labels extractive zones—majority indigenous regions in South America noted for their biodiversity and long history of exploitative natural resource extraction—resist and refuse the terms of racial capital and the continued legacies of colonialism. Extending decolonial theory with race, sexuality, and critical Indigenous studies, Gómez-Barris develops new vocabularies for alternative forms of social and political life. She shows how from Colombia to southern Chile artists like filmmaker Huichaqueo Perez and visual artist Carolina Caycedo formulate decolonial aesthetics. She also examines the decolonizing politics of a Bolivian anarcho-feminist collective and a coalition in eastern Ecuador that protects the region from oil drilling. In so doing, Gómez-Barris reveals the continued presence of colonial logics and locates emergent modes of living beyond the boundaries of destructive extractive capital. Published by Duke University Press."

In times of deep uncertainty and chaos, how can we rethink, revise, and remake politics? Beyond the Pink Tide cautions our overinvestment in national electoral processes and its crashing ebbs and flows to expand the meaning of politics. I examine a constellation of sites, texts, and movements that reveal how the project of social and economic transformation exists beyond state regime change. In particular, I show how the alternatives posed by the recent electoral wave of Left-leaning Latin American states often called “The Pink Tide” do not exhaust the terrain of current progressive and radical political potential in the Americas. How do artistic and political undercurrents offer another course of action? This book describes how dissenting art and social expressions redefine the realm of the political. Published by University of California Press."

The 1973 military coup in Chile deposed the democratically elected Salvador Allende and installed a dictatorship that terrorized the country for almost twenty years. Subsequent efforts to come to terms with the national trauma have resulted in an outpouring of fiction, art, film, and drama. In this ethnography, Macarena Gómez-Barris examines cultural sites and representations in postdictatorship Chile—what she calls "memory symbolics"—to uncover the impact of state-sponsored violence. She surveys the concentration camp turned memorial park, Villa Grimaldi, documentary films, the torture paintings of Guillermo Núñez, and art by Chilean exiles, arguing that two contradictory forces are at work: a desire to forget the experiences and the victims, and a powerful need to remember and memorialize them. By linking culture, nation, and identity, Gómez-Barris shows how those most affected by the legacies of the dictatorship continue to live with the presence of violence in their bodies, in their daily lives, and in the identities they pass down to younger generations. Published by University of California Press."

Editors: Herman Gray and Macarena Gómez-Barris

Using culture as an entry point, and informed by the work of contemporary social theorists, the essays in this volume identify and challenge sites where the representational dimension of social life produces national identity through scripts of belonging, or traces.

The contributors utilize empirically based studies of social policy, political economy, and social institutions to offer a new way of looking at the creation of meaning, representation, and memory. They scrutinize subjects such as narratives in the U.S. coal industry's change from digging mines to removing mountaintops; war-related redress policies in post-World War II Japan; views of masculinity linked to tequila, Pancho Villa, and the Mexican Revolution; and the politics of subjectivity in 1970s political violence in Thailand. Published by University of Minnesota Press.

Contributors: Sarah Banet-Weiser, U of Southern California; Barbara A. Barnes, U of California, Berkeley; Marie Sarita Gaytán; Avery F. Gordon, U of California, Santa Barbara; Tanya McNeill, U of California, Santa Cruz; Sudarat Musikawong, Willamette U; Akiko Naono, U of Kyushu; Rebecca R. Scott, U of Missouri."
macarenagómez-barris  capitalism  chile  latinamerica  sociology  trace  decolonization  art  politics  culture  society  ethnography  film  alvadorallende  pinochet 
11 weeks ago by robertogreco
H-Net Reviews
largely uncritical review of an even more uncritical history
latinamerica  usforeignpolicy/latinamerica  militares 
11 weeks ago by elsavio43

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