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DESCARGAR E INSTALAR CAMTASIA STUDIO 8 EN ESPAÑOL
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<p>DESCARGAR E INSTALAR CAMTASIA STUDIO 8 EN ESPAÑOL NO OLVIDEN SUSCRIBIRSE A MI CANAL Y DARLE LIKE AL VÍDEO. CAMTASIA STUDIO 8 EN ESPAÑOL. LINK DE DESCARGA: https://mega.nz/#!q7pTha5S!       camtasia studio  source</p>
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فيديو  Camtasia  descargar  Español  INSTALAR  Studio  from instapaper
8 hours ago by snapeplus
Farruko, Anuel AA, Kendo Kaponi – Delincuente (Official Video)
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<p>Farruko, Anuel AA, Kendo Kaponi – Delincuente (Official Video) Farruko, Anuel AA & Kendo Kaponi – Delincuente (Official Video) Música Disponible/Available Music: Farruko – Gangalee All DSPs: http://smarturl.it/Gangalee … farruko,farru,anuel,anuel aa,delincuente,dicen que soy un delincuente,musica en español,musica urbana,urban flow,trap,reggaeton,video oficial,official video,sony music,puerto rico,pr,Delincuente,Farruko,Anuel AA u0026 Kendo Kaponi,Latin Urban,Sony Music Latin      2019  source</p>
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yesterday by snapeplus
Descargar Camtasia Studio 8 Totalmente Completo y en Español
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<p>Descargar Camtasia Studio 8 Totalmente Completo y en Español Te gustaría grabar tutoriales? Aqui les enseñare a descargar e Camtasi studio 8 un exelente programa para grabar la pantalla de tu computadora totalmente … DOWNLOAD,Descargar camtasia Full y Gratis para Windows + Crack,Totalmente Completo 1 Link Mediafire,en Español      camtasia studio  source</p>
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yesterday by snapeplus
Spanish has never been a foreign language in the United States - Los Angeles Times
"Video recordings in very different settings caught two incidents of Spanish speakers being harassed or detained as perceived undocumented immigrants this month.

In midtown Manhattan, an attorney, Aaron Schlossberg, berated a restaurant owner after he heard workers speaking in Spanish. He ranted that they should speak English in “his country” and threatened to call Immigration and Customs Enforcement.

A world away in Montana, two American citizens, Ana Suda and Mimi Hernández, recorded as they confronted a U.S. Border Patrol agent about why he asked for their identifications. He responded plainly that he wanted their IDs when he “saw that you guys are speaking Spanish, which is very unheard of up here.” He detained them for 40 minutes in a parking lot.

The call to “speak English” in America has a long history that often drowns out our even longer history of diverse language use. Spanish especially is a language with deep roots in the United States.

The Southwest was originally part of Mexico. When the Treaty of Guadalupe Hidalgo ended the U.S.-Mexican War in 1848, it also granted the remaining Mexican settlers citizenship. The treaty did not require that they learn English.

Quite the opposite is true: Over the decades that followed, the federal government permitted local governments in the Southwest to use Spanish in official capacities.

California’s first state Constitution required that “all laws, decrees, regulations, and provisions, which from their nature require publication, shall be published in English and Spanish.” Some California counties received session laws and operated their courts in Spanish.

The use of Spanish in New Mexico was especially widespread. Just five years after taking over the territory, the United States recognized that it needed to pay for translators in the legislative chambers. Federal officials embraced Spanish as a necessary way to fairly govern this new group of citizens.

In some parts of New Mexico, election results, loyalty oaths, session laws, letters to elected officials, speeches by both political parties, court transcripts and many other official documents were written in Spanish. These are merely the recorded uses of Spanish and don’t include its widespread oral use.

Senators visiting New Mexico in 1902 concluded that they could not conduct their official business without an interpreter. They encountered school teachers, judges and a census supervisor who were monolingual Spanish speakers.

When the senators asked a former justice of the peace, José María García, why he continued to use Spanish, he replied: “I like my own language better than any other, the same as I like the United States better than any other country in the world.” For García, there was no contradiction in being both an American and a Spanish speaker.

Spanish remained an official language of politics and government in much of the Southwest throughout the 19th century, but that changed in the first decades of the 20th century. Increasing immigration from Mexico, a push for school segregation and other “Americanization” efforts helped turn the tide. As the historian Paul J. Ramsey has shown, 26 states, including California, had outlawed the teaching of languages other than English in public primary schools by 1921. California outlawed it in private schools that year.

Anti-Mexican sentiment peaked in the early 1930s, coinciding with cruel repatriation campaigns that forced hundreds of thousands of Mexican citizens and Mexican Americans over the border into Mexico. Los Angeles County was especially effective at these tactics. Nevertheless, Spanish remained the preferred language in many parts of the Southwest during this period, and more than a thousand civic organizations promoted Spanish in the interest of Pan-Americanism.

Spanish speakers also settled well beyond the Southwest, of course. As early as 1891, the Cuban poet and journalist José Martí, then living in New York City, was writing of “Nuestra América,” or “Our America,” in an effort to unite Spanish speakers across the hemisphere. Tens of thousands more Cubans arrived in the early 20th century, well before the Cuban Revolution.

Congress created many Spanish-speaking Americans when it gave Puerto Ricans their citizenship in 1917 through the Jones Act, which also did not have an English-language provision. By the 1950s, nearly 200,000 Puerto Ricans had moved to New York City. Spanish has now been a part of everyday life in New York for over a century.

Forty-one million native Spanish speakers reside in the U.S. today, and this figure does not include the millions more who have learned Spanish by choice. In fact, the U.S. has the second-largest number of Spanish speakers in the world, outnumbered only by Mexico, according to the Instituto Cervantes.

Not only does the U.S. have no official language, but Spanish is not a fringe language here. It plays a much deeper role in this country than either of this month’s news-making videos suggest. Its use is neither new nor an anomaly. Spanish is an American language.

Lozano is an assistant professor of history at Princeton University and the author of “An American Language: The History of Spanish in the United States.”"
rosinalozano  spanish  español  us  2018  language  english  history  newmexico  california  mexico  spain  españa  law 
18 days ago by robertogreco
Como dibujar en un video usando Camtasia Studio 8
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<p>Como dibujar en un video usando Camtasia Studio 8 Camtasia #Tecnovivientes #Dibujar El buen tecnoviviente tiene que saber transmitir bien sus ideas, por lo que usar flechas o notas extra en la grabación de un … Camtasia 8,Draw,Video,Capture,Como dibujar en un video usando Camtasia Studio 8,Dibujar en camtasia,How to use,Camtasia Studio 8,Marks,tecnovivientes,como dibujar,marcar,Camtasia,Studio,Español      camtasia […]</p>
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5 weeks ago by snapeplus
LAS TRANSICIONES EN CAMTASIA STUDIO | CURSO CAMTASIA STUDIO 8.6
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<p>LAS TRANSICIONES EN CAMTASIA STUDIO | CURSO CAMTASIA STUDIO 8.6 Lista de Reproducción Curso Camtasia Studio 8.6: 👉🎥 http://bit.ly/2Txnlsw 🎥👈 Datos de contacto: ✅Whatsapp: +52 1 442 412 1756 ✅Email: info@dinero-viral.com ✅Facebook: https://www.facebook.com/dineroviral ✅Grupo Telegram: http://bit.ly/2Va6IJk ✅Usuario Telegram: http://bit.ly/2vzsd7c Para más información como esta visita: 🔊 http://dinero-viral.com ✔️PORTAFOLIO DE NEGOCIOS CON INVERSIÓN ➡️Bitrading888 http://bit.ly/2Ll4RNa ➡️XSinergia […]</p>
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6 weeks ago by snapeplus
DESCARGAR Internet Download Manager 6.32 Build 8 [Full Español + ACTIVADO] [MEGA+MEDIAFIRE]
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<p>DESCARGAR Internet Download Manager 6.32 Build 8 [Full Español + ACTIVADO] [MEGA+MEDIAFIRE] ஜ۩۞۩ஜ▭▭▭▭▭▭▭▭▭▭▭▭▭▭ ········· LEE LA DESCRIPCIÓN DEL VIDEO ········· ▭▭▭▭▭▭▭… internet download manager bagas31 crack,internet download manager gratis descargar,internet download manager gratis con crack y serial,internet download manager gratis mega,internet download manager gratis para pc,internet download manager idm 6.30 build 8 crack with patch […]</p>
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7 weeks ago by snapeplus
Internet Download Manager 6.32 Build 9 License Key Full Version 2019 (100% Working)
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<p>Internet Download Manager 6.32 Build 9 License Key Full Version 2019 (100% Working) Internet Download Manager 6.32 Build 9 License Key Full Version 2019 (100% Working) Link Download: … Internet Download Manager 2019,IDM 2019,Internet Download Manager 6.32,IDM 6.32,Internet Download Manager 6.32 Build 9,IDM 6.32 Build 9,Windows 10,Full Español,Gratis,MEGA,Actualizacion Marzo 2019,Actualizacion Marzo,TecnoTutosHD,Build 9,Nueva Version,Nueva Version 2019,2019,Mediafire,Golden […]</p>
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7 weeks ago by snapeplus
Descargar Ant Download Manager Pro 1.12 Pro Full Multilenguaje Activado de Por Vida 2019 Nuevo Link
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<p>Descargar Ant Download Manager Pro 1.12 Pro Full Multilenguaje Activado de Por Vida 2019 Nuevo Link Descarga Aqui Ant Download Manager Pro 1.12 un potente programa para poder realizar descargas de manera efectiva en tu computadora que esperas para descargartelo aqui y Ya!!!! —————————-ANTES DE COMENZAR HAS ESTO——————– SUSCRIBETE DANDO CLICK EN EL BOTON ROJO […]</p>
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8 weeks ago by snapeplus
ASSIMIL - Liste des ouvrages
Assimil est le précurseur des méthodes d'auto-apprentissage des langues en France, la référence lorsqu'il s'agit de langues étrangères.
learning  language  español 
10 weeks ago by arubis
Dudario general | Servicio de Traducción al Español
Dudas sobre términos en español, sobre todo referidos a la traducción de términos en inglés
traducción  dudas  español  inglés 
april 2019 by iuveaene
Language Is Migrant - South Magazine Issue #8 [documenta 14 #3] - documenta 14
"Language is migrant. Words move from language to language, from culture to culture, from mouth to mouth. Our bodies are migrants; cells and bacteria are migrants too. Even galaxies migrate.

What is then this talk against migrants? It can only be talk against ourselves, against life itself.

Twenty years ago, I opened up the word “migrant,” seeing in it a dangerous mix of Latin and Germanic roots. I imagined “migrant” was probably composed of mei, Latin for “to change or move,” and gra, “heart” from the Germanic kerd. Thus, “migrant” became “changed heart,”
a heart in pain,
changing the heart of the earth.

The word “immigrant” says, “grant me life.”

“Grant” means “to allow, to have,” and is related to an ancient Proto-Indo-European root: dhe, the mother of “deed” and “law.” So too, sacerdos, performer of sacred rites.

What is the rite performed by millions of people displaced and seeking safe haven around the world? Letting us see our own indifference, our complicity in the ongoing wars?

Is their pain powerful enough to allow us to change our hearts? To see our part in it?

I “wounder,” said Margarita, my immigrant friend, mixing up wondering and wounding, a perfect embodiment of our true condition!

Vicente Huidobro said, “Open your mouth to receive the host of the wounded word.”

The wound is an eye. Can we look into its eyes?
my specialty is not feeling, just
looking, so I say:
(the word is a hard look.)
—Rosario Castellanos

I don’t see with my eyes: words
are my eyes.
—Octavio Paz

In l980, I was in exile in Bogotá, where I was working on my “Palabrarmas” project, a way of opening words to see what they have to say. My early life as a poet was guided by a line from Novalis: “Poetry is the original religion of mankind.” Living in the violent city of Bogotá, I wanted to see if anybody shared this view, so I set out with a camera and a team of volunteers to interview people in the street. I asked everybody I met, “What is Poetry to you?” and I got great answers from beggars, prostitutes, and policemen alike. But the best was, “Que prosiga,” “That it may go on”—how can I translate the subjunctive, the most beautiful tiempo verbal (time inside the verb) of the Spanish language? “Subjunctive” means “next to” but under the power of the unknown. It is a future potential subjected to unforeseen conditions, and that matches exactly the quantum definition of emergent properties.

If you google the subjunctive you will find it described as a “mood,” as if a verbal tense could feel: “The subjunctive mood is the verb form used to express a wish, a suggestion, a command, or a condition that is contrary to fact.” Or “the ‘present’ subjunctive is the bare form of a verb (that is, a verb with no ending).”

I loved that! A never-ending image of a naked verb! The man who passed by as a shadow in my film saying “Que prosiga” was on camera only for a second, yet he expressed in two words the utter precision of Indigenous oral culture.

People watching the film today can’t believe it was not scripted, because in thirty-six years we seem to have forgotten the art of complex conversation. In the film people in the street improvise responses on the spot, displaying an awareness of language that seems to be missing today. I wounder, how did it change? And my heart says it must be fear, the ocean of lies we live in, under a continuous stream of doublespeak by the violent powers that rule us. Living under dictatorship, the first thing that disappears is playful speech, the fun and freedom of saying what you really think. Complex public conversation goes extinct, and along with it, the many species we are causing to disappear as we speak.

The word “species” comes from the Latin speciēs, “a seeing.” Maybe we are losing species and languages, our joy, because we don’t wish to see what we are doing.

Not seeing the seeing in words, we numb our senses.

I hear a “low continuous humming sound” of “unmanned aerial vehicles,” the drones we send out into the world carrying our killing thoughts.

Drones are the ultimate expression of our disconnect with words, our ability to speak without feeling the effect or consequences of our words.

“Words are acts,” said Paz.

Our words are becoming drones, flying robots. Are we becoming desensitized by not feeling them as acts? I am thinking not just of the victims but also of the perpetrators, the drone operators. Tonje Hessen Schei, director of the film Drone, speaks of how children are being trained to kill by video games: “War is made to look fun, killing is made to look cool. ... I think this ‘militainment’ has a huge cost,” not just for the young soldiers who operate them but for society as a whole. Her trailer opens with these words by a former aide to Colin Powell in the Bush/Cheney administration:
OUR POTENTIAL COLLECTIVE FUTURE. WATCH IT AND WEEP FOR US. OR WATCH IT AND DETERMINE TO CHANGE THAT FUTURE
—Lawrence Wilkerson, Colonel U.S. Army (retired)


In Astro Noise, the exhibition by Laura Poitras at the Whitney Museum of American Art, the language of surveillance migrates into poetry and art. We lie in a collective bed watching the night sky crisscrossed by drones. The search for matching patterns, the algorithms used to liquidate humanity with drones, is turned around to reveal the workings of the system. And, we are being surveyed as we survey the show! A new kind of visual poetry connecting our bodies to the real fight for the soul of this Earth emerges, and we come out woundering: Are we going to dehumanize ourselves to the point where Earth itself will dream our end?

The fight is on everywhere, and this may be the only beauty of our times. The Quechua speakers of Peru say, “beauty is the struggle.”

Maybe darkness will become the source of light. (Life regenerates in the dark.)

I see the poet/translator as the person who goes into the dark, seeking the “other” in him/herself, what we don’t wish to see, as if this act could reveal what the world keeps hidden.

Eduardo Kohn, in his book How Forests Think: Toward an Anthropology Beyond the Human notes the creation of a new verb by the Quichua speakers of Ecuador: riparana means “darse cuenta,” “to realize or to be aware.” The verb is a Quichuan transfiguration of the Spanish reparar, “to observe, sense, and repair.” As if awareness itself, the simple act of observing, had the power to heal.

I see the invention of such verbs as true poetry, as a possible path or a way out of the destruction we are causing.

When I am asked about the role of the poet in our times, I only question: Are we a “listening post,” composing an impossible “survival guide,” as Paul Chan has said? Or are we going silent in the face of our own destruction?

Subcomandante Marcos, the Zapatista guerrilla, transcribes the words of El Viejo Antonio, an Indian sage: “The gods went looking for silence to reorient themselves, but found it nowhere.” That nowhere is our place now, that’s why we need to translate language into itself so that IT sees our awareness.

Language is the translator. Could it translate us to a place within where we cease to tolerate injustice and the destruction of life?

Life is language. “When we speak, life speaks,” says the Kaushitaki Upanishad.

Awareness creates itself looking at itself.

It is transient and eternal at the same time.

Todo migra. Let’s migrate to the “wounderment” of our lives, to poetry itself."
ceciliavicuña  language  languages  words  migration  immigration  life  subcomandantemarcos  elviejoantonio  lawrencewilkerson  octaviopaz  exile  rosariocastellanos  poetry  spanish  español  subjunctive  oral  orality  conversation  complexity  seeing  species  joy  tonjehessenschei  war  colinpowell  laurapoitras  art  visual  translation  eduoardokohn  quechua  quichua  healing  repair  verbs  invention  listening  kaushitakiupanishad  awareness  noticing  wondering  vicentehuidobro  wounds  woundering  migrants  unknown  future  potential  unpredictability  emergent  drones  morethanhuman  multispecies  paulchan  destruction  displacement  refugees  extinction  others  tolerance  injustice  justice  transience  ephemerality  ephemeral  canon  eternal  surveillance  patterns  algorithms  earth  sustainability  environment  indifference  complicity  dictatorship  documenta14  2017  classideas 
march 2019 by robertogreco
David Bowles – Medium
[via: Mexican X Part X: What the Hex a ‘Latinx’?
https://blog.usejournal.com/mexican-x-part-x-what-the-hex-a-latinx-706b64dafe22 ]

[some of the contents:

Mexican X Part I: Why Is México Pronounced Méjico?
https://medium.com/@davidbowles/why-is-m%C3%A9xico-pronounced-m%C3%A9jico-266278c73e11

Mexican X Part II: ¡Hijo de su Mexica Equis!
https://medium.com/@davidbowles/mexican-x-part-ii-hijo-de-su-mexica-equis-76342d845176

Mexican X Part III: Dude, Where’s My Xocolate?
https://medium.com/@davidbowles/mexican-x-part-iii-dude-wheres-my-xocolate-b7998439b111

Mexican X Part IV: You Say “Tomato,” I Say You’re Missing a Syllable, Bro!
https://medium.com/@davidbowles/mexican-x-part-iv-you-say-tomato-i-say-youre-missing-a-syllable-bro-1f002f4f110c

Mexican X Part V: Rise of the Bruxa
https://medium.com/@davidbowles/mexican-x-part-v-rise-of-the-bruxa-df3d2b2abc4f

Mexican X Part VI: And the Xicanos, Ese?
https://medium.com/@davidbowles/mexican-x-part-vi-and-the-xicanos-ese-91534614ad1c

Mexican X Part VII: The Curse of Malinalxochitl
https://medium.com/@davidbowles/mexican-x-part-vii-the-curse-of-malinalxochitl-71be0cde6e95

Mexican X Part VIII: ¿Qué Onda, Xavo?
https://medium.com/@davidbowles/mexican-x-part-viii-qu%C3%A9-onda-xavo-4f46c7ad674c

Mexican X Part IX: True Chiefs and False Friends in Texas
https://medium.com/@davidbowles/mexican-x-part-ix-true-chiefs-and-false-friends-in-texas-5e8763b10db9

Mexican X Part X: What the Hex a ‘Latinx’?
https://blog.usejournal.com/mexican-x-part-x-what-the-hex-a-latinx-706b64dafe22

Mexican X Part XI: Rise of a New X
https://medium.com/@davidbowles/mexican-x-part-xi-rise-of-a-new-x-4c30c0f74ad8

Mexican X Part XII: Xochihuah and Queer Aztecs
https://medium.com/@davidbowles/mexican-x-part-xii-what-did-a-xochihuah-possess-3784532d8023



Mexican X-plainer: Tolkien, Sephardim, and Northern Mexican Spanish
https://medium.com/@davidbowles/mexican-x-plainer-tolkien-sephardim-and-northern-mexican-spanish-e7235c0f9585

Mexican X-plainer: Tacos, Not Tlahcos
https://medium.com/@davidbowles/mexican-x-plainer-tacos-not-tlahcos-62f7a72826fb

Mexican X-plainer: Al-Andalus & the Flour Tortilla
https://medium.com/@davidbowles/mexican-x-plainer-al-andalus-and-the-flour-tortil-5a7d10346b8f

Mexican X-plainer: Is “Cigarette” Mayan?
https://medium.com/@davidbowles/mexican-x-plainer-is-cigarette-mayan-771475b58dce

Mexican X-plainer: The Aztec Calendar(s)
https://medium.com/@davidbowles/mexican-x-plainer-the-aztec-calendar-s-8a7757bf8389

Mexican X-Plainer: Mustachioed Racists?
https://medium.com/@davidbowles/mexican-x-plainer-mustachioed-racists-800644589804

Mexican X-plainer: Balls, Nuts & Avocados
https://medium.com/@davidbowles/mexican-x-plainer-balls-nuts-avocados-6611eab0a64f

Mexican X-plainer: Chiclets & Aztecs
https://medium.com/@davidbowles/mexican-x-plainer-chiclets-smacking-gum-cf204c6d9c67



Nahuatl, the Past, and the Future
https://medium.com/@davidbowles/nahuatl-the-past-and-the-future-9e54bc1f6586

Nahuatl’s Lack of Grammatical Gender
https://medium.com/@davidbowles/nahuatls-lack-of-grammatical-gender-5896ed54f2d7

Feminist Nahuatl Lexicon, Part I
https://medium.com/@davidbowles/feminist-nahuatl-lexicon-part-i-85207604f796

Anti-Trump Nahuatl Lexicon
https://medium.com/@davidbowles/anti-trump-nahuatl-lexicon-c13cacfc0978




Retranslating Nezahualcoyotl
https://medium.com/@davidbowles/retranslating-nezahualcoyotl-3a868eeb4424 ]
davidbowles  x  latinx  mexico  language  spanish  nahuatl  español  2017  2018  2019  history  etymology  aztec  linguistics 
march 2019 by robertogreco
Why the Spanish Dialogue in 'Spider-Verse' Doesn't Have Subtitles
"While watching the new animated feature Spider-Man: Into the Spider-Verse – featuring Miles Morales’ big screen debut as the arachnid superhero – it’s reassuring to notice the subtle, yet transcendent details through which the creators ensured both parts of his cultural identity are present.

Miles (voiced by Shameik Moore), an Afro-Latino teen who lives in Brooklyn and first appeared in Marvel’s comics back in 2011, is the son of a Puerto Rican mother and an African-American father. The protagonist’s significance – when it comes to representation – cannot be overstated, making the fact that he and his mother (Rio Morales who’s voiced by Nuyorican actress Luna Lauren Velez) speak Spanish throughout the action-packed narrative truly momentous.

Although brief, the Spanish phrases and words we hear connote the genuine colloquialisms that arise in bilingual homes as opposed to the artificiality that sometimes peppers US-produced movies and feels like the result of lines being fed through Google Translate. It might come as a surprise for some that Phil Lord, known for writing and directing The Lego Movie and 21 Jump Street with his close collaborator Christopher Miller, was not only one of the main scribes and a producer on Spider-Verse, but also the person in charge of the Spanish-language dialogue.

“I grew up in a bilingual household in the bilingual city of Miami where you hear Spanish all over the place, and it’s not particularly remarkable,” he told Remezcla at the film’s premiere in Los Angeles. Lord’s mother is from Cuba and his father is from the States. As part of a Cuban-American family, the filmmaker empathized with Miles’ duality: “I certainly understand what it’s like to feel like you’re half one thing and half something else,” he noted.

[image]

Despite the massive success of Pixar’s Coco, including Spanish-language dialogue in a major studio’s animated release is still rare – doing so without adding subtitles, even for some of the longer lines, is outright daring. “It was important for us to hear Spanish and not necessarily have it subtitled,” said Lord. “It’s just part of the fabric of Miles’ community and family life.”

For Luna Lauren Velez, whose character speaks mostly in Spanish to Miles, Lord and the directors’ decision to not translate her text in any way helped validate the Latino experience on screen. “That was really bold, because if you use subtitles all of a sudden we are outside, and we are not part of this world anymore. It was brilliant that they just allowed for it to exist,” she told Remezcla. Her role as Rio Morales also benefited from the production’s adherence to specificity in the source material, she is not portrayed as just generically Latina but as a Puerto Rican woman from Brooklyn.

With the help of a dialect coach, Velez and Lord were also partially responsible for getting Shameik Moore (who has roots in Jamaica) to learn the handful of Spanish-language expressions Miles uses during the opening sequence were he walks around his neighborhood. “[Luna] has been getting on me! I need to go to Puerto Rico, and really learn Spanish for real,” Moore candidly told Remezcla on the red carpet.

Aside from Rio and Miles, the only other Spanish-speaking character is a villain named Scorpion. The insect-like bad guy who speaks only in Spanish is voiced by famed Mexican performer Joaquín Cosio. “He is an actor from Mexico City who was using slang that we had to look up because we didn’t understand it! I had never heard some of the words he used,” explained Lord.

[video: "Spider-Man: Into the Spider-Verse - "Gotta Go" Clip"
https://www.youtube.com/watch?v=9Q9foLtQidk ]

For Lord, having different Spanish accents represented is one of the parts of Into the Spider-Verse he’s the most proud of. He wanted to make sure Miles and Rio didn’t sound alike to indicate how language changes through different generations. Being himself the child of a Cuban immigrant, the parallels were very direct. “Miles is second-generation, so he speaks different than his mother.”

Velez, who like Miles is born in New York, identifies with what it’s like to communicate in both tongues. “Growing my parents spoke to us in Spanish and we responded in English. Now this happens with my nieces and nephews,” she said. “You want to make sure kids remember their culture and where they come from.” In playing Rio, she thought of her mother who instilled in her not only the language but appreciation for her Latinidad.

Clearly, casting Velez was essential to upholding the diversity and authenticity embedded into Miles Morales’ heroic adventure since not doing so would have been a disservice to an iteration of an iconic figure that is so meaningful for many. “If Spider-Man’s Puerto Rican mom had been played by somebody who isn’t Latino I’d have a problem with that,” Velez stated emphatically."
language  translation  spanish  español  bilingualism  bilingual  srg  edg  glvo  carlosaguilar  2018  spider-verse  spiderman  miami  losangeles  nyc  coco  subtitles  specificity  puertorico  cuba  immigration  via:tealtan  accents  change  adaptation  latinidad 
february 2019 by robertogreco

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