disorientation   31

Hayati - Fabrica
"Hayati, “my life” in Arabic, is an intimate photographic diary created entirely on a smartphone by Karim El Maktafi, in which the author reflects on his own identity as an Italian born from Moroccan parents. The photographer chose a smartphone, a medium he considers less intrusive than a camera. With this tool he creates suspended, enigmatic images that capture the sense of uncertainty, doubt and disorientation of those who live between two seemingly incompatible realities. Embracing a single status is not easy; feeling like an odd cultural hybrid happens often. Yet, while trying to define this identity, one understands the advantage of “standing on a doorstep”. One can decide who to be or where to belong, or else create new ties, keeping everything learnt along the path: more languages, more cultural taboos and references, more prohibitions to withstand and explain. Hayati explores some of these realities, using the photographer’s own life, family and friends as a case study, sometimes concealing their faces to respect their wish for privacy.

Born in Desenzano del Garda, Karim El Maktafi graduated from the Italian Institute of Photography in Milan in 2013. He has collaborated with several photographers in various fields and has then explored the concept of identity through reportages and portraits. His work has been presented in exhibitions such as the Brescia Photo Festival, the Festival of Ethical Photography, and YES Collective in Auckland. Hayati was realised between 2016 and 2017, during El Maktafi’s residency at Fabrica. It was awarded the PHM 2017 Grant – New Generation Prize, and is shortlisted for the CAP Prize 2017 – Contemporary African Photography Prize."
photography  smartphones  karimelmaktafi  fabrica  classideas  privacy  intimacy  hybrids  thirdculturekids  uncertinty  doubt  immigration  migration  identity  disorientation  incompatibility 
may 2017 by robertogreco
Conceptual Debt is Worse than Technical Debt — Medium
"Conceptual Debt is Worse than Technical Debt" in terms, that's by the way. My job: fix this!
OODA  disorientation  from twitter_favs
december 2015 by mathpunk
Free Cooper Union Disorientation Reader
"Why is institutional memory so short? To maintain systems of control. Disorientation is a rejection of the administration’s rewriting of history, the systemic underpinnings of financialized realism, and the way that our communities are strategically disempowered.

We must constantly be disorienting ourselves.

Disorientation is
a brick,
a ping-pong ball,
a barricade,
a vote of no confidence,
an infinite dream.

What follows is a very focused history of what’s happening at Cooper, and in no way adequately addresses all of the broader intersectional struggles that continue to shape and support our movement. We’d like to acknowledge all of the past and present groundwork, in hopes that we can achieve paradigm shifts together through our continued campaign building."
cooperunion  institutionalmemory  education  highered  highereducation  control  disorientation  paradigmshifts  empowerment  disempowerment  resistance  noconfidence  progress  optimism  struggle  caseygollan  2015 
april 2015 by robertogreco

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