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Hapticality in the Undercommons, or From Operations Management to Black Ops | Stefano Harney -
"Fanon begins his conclusion by calling for the rejection of what he calls the ‘European model’ in the coming post-colonial world:

When I search for Man in the technique and the style of Europe, I see only a succession of negations of man, and an avalanche of murders.

But what is this European model, what is at the heart of this model, why the negations, the unending blood-soaked dawns? Here is Fanon’s answer:
But let us be clear: what matters is to stop talking about output, and intensification, and the rhythm of work.

The coming post-colonial nations must break not only with the negations of history, culture, and personality wrought by colonialism but with the ‘rhythm of work’ imposed by the European model. And he clarifies:
No, there is no question of a return to Nature. It is simply a very concrete question of not dragging men towards mutilation, of not imposing upon the brain rhythms that very quickly obliterate it and wreck it. The pretext of catching up must not be used to push man around, to tear him away from himself or from his privacy, to break and kill him.

Here is that word ‘rhythm’ again. ‘Rhythms imposed on the brain’ this time, imposed by a drive to ‘catch up.’ Catching up was a phrase much circulated in the takeoff theories of capitalist development pushed by the United States in the Cold War. But, Fanon points out, this catching up institutes a rhythm that ‘breaks’ and ‘kills’ man. This is a rhythm that ‘tears man away from himself’, that ‘obliterates’ and ‘wrecks’ his brain. Fanon uses the metaphor of the ‘caravan’ for a system that tears man away from himself."

"Fanon feared post-colonial nations would keep the regime and merely erect the outside, with flags, anthems, and new ruling classes. Who can say he was wrong? But Fanon’s warning was more than a post-colonial critique of the idea of the outside. It was an analysis of the European model and its tendency towards producing this rhythm without an outside. Indeed Fanon saw the colony as the first social factory, where worker replaces subject in society as a whole. In the colony, in the first social factory any move to other social being was, as it is today, criminal, conspiratorial. The only sound in the social factory is the rhythm of work because that is what takes place in a factory."

"This is our work today. We take inventories of ourselves for components not the whole. We produce lean efforts to transconduct. We look to overcome constraints. We define values through metrics. These are all terms from operations management but they describe work far better than recourse to the discourse of subject formation. Creativity itself, supposedly at the heart of the battle for the subject today, is nothing but what operations management calls variance in the line, a variance that may lead to what is in turn called a kaizen event, an improvement, and is then assimilated back into an even more sophisticated line. Today ours is primarily the labour of adapting and translating, being commensurate and flexible, being a conduit and receptacle, a port for information but also a conductor of information, a wire, a travel plug. We channel affect toward new connections. We do not just keep the flow of meaning, information, attention, taste, desire, and fear moving, we improve this flow continuously. We must remain open and attuned to the rhythm of the line, to its merciless variances in rhythm. This is primarily a neurological labour, a synaptic labour of making contact to keep the line flowing, and creating innovations that help it flow in new directions and at new speeds. The worker operates like a synapse, sparking new lines of assembly in life. And she does so anywhere and everywhere because the rhythm of the line is anywhere and everywhere. The worker extends synaptic rhythms in every direction, every circumstance. With synaptic work, it is access not subjects that the line wants, an access, as Denise Ferreira da Silva reminds us, that was long at the heart of the abuse of the affected ones, the ones who granted access out of love, out of necessity, out of the consent not to be one, even before that granting was abused."
stefanoharney  frantzfanon  labor  work  leisure  blackops  fredmoten  rhythm  deniseferreiradasilva  information  haptics  hapticality  art  academia  flow  athi-patraruga  zarinabhimji  creativity  flexibility  latecapitalism  capitalism  neoliberalism  society  colonialism  colonization  decolonization  nature  undercommons 
december 2017 by robertogreco
Quiz: What did damage - Furry Friend or Bad Actor?
BlackOps  InfoSec  from twitter_favs
november 2017 by rukku
Sternberg Press - Benjamin H. Bratton
"e-flux journal
Benjamin H. Bratton
Dispute Plan to Prevent Future Luxury Constitution

With a foreword by Keller Easterling

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Both rely on all manner of doubles, models, gimmicks, ruses, prototypes, and shock-and-awe campaigns to realize their propagandas of the deed, threat, and image. Blurring reality and delusion, they collaborate on a literally psychotic politics of architecture.

The cast of characters in this ensemble drama of righteous desperation and tactical trickery shuttle between fact and speculation, action and script, flesh and symbol, death and philosophy: insect urbanists, seditious masquerades, epistolary ideologues, distant dissimulations, carnivorous installations, forgotten footage, branded revolts, imploding skyscrapers, sentimental memorials, ad-hoc bunkers, sacred hijackings, vampire safe-houses, suburban enclaves, big-time proposals, ambient security protocols, disputed borders-of-convenience, empty research campuses, and robotic surgery.

In this mosaic we glimpse a future city built with designed violence and the violence of design. As one ratifies the other, the exception becomes the ruler."

[on Amazon: ]
benjaminbratton  kellereasterling  borges  baudrillard  blackops  williamsburroughs  fiction  toread  books  future  futures  utopia  politics  security  control  propaganda  sciencefiction  violence 
january 2016 by robertogreco
RSE - A.I. Bots for a popular FPS series
RSE (Retarded Smart Enemies) is an evolution of the PeZBOT modification. RSE is designed to work completely offline. No internet is required. The RSE package includes all of the client files needed to play with A.I. bots on your vanilla copy of the game. An instructional document is also included with every package and it will give you a step-by-step tutorial on how to install. You can visit this blog to view the latest news on the development of RSE and other projects.
rse  ai  bots  bot  offline  singleplayer  mw2  cod  bo2  blackops  blackops2  callofduty 
december 2014 by 44sunsets
Israel’s N.S.A. Scandal -
The veterans of Unit 8200 declared that they had a “moral duty” to no longer “take part in the state’s actions against Palestinians.” An Israeli military spokesman disputed the letter’s overall drift but said the charges would be examined.

It should trouble the American public that some or much of the information in question — intended not for national security purposes but simply to pursue political agendas — may have come directly from the N.S.A.’s domestic dragnet. According to documents leaked by Mr. Snowden and reported by the British newspaper The Guardian, the N.S.A. has been sending intelligence to Israel since at least March 2009.

The memorandum of agreement between the N.S.A. and its Israeli counterpart covers virtually all forms of communication, including but not limited to “unevaluated and unminimized transcripts, gists, facsimiles, telex, voice and Digital Network Intelligence metadata and content.” The memo also indicates that the N.S.A. does not filter out American communications before delivery to Israel; indeed, the agency “routinely sends” unminimized data.
nsa  government  blackops  abuse  surveillance  israel  palestine 
september 2014 by ivar
Killed my teammates too much...#blackops #carlofduty #ps3
ps3  from  twitter  blackops  carlofduty 
july 2013 by madebyporter
Planet Waves :: Once Upon a Time in Boston
What I noticed first about the chart was that Neptune is looming on the western horizon. Also called the 7th house or descendant (opposite the ascendant, which is to the east), that angle of a chart gives a picture of the environment and describes one's relationship to one's environment. Neptune's themes cover illusions, delusions, denial and deception. Neptune also includes inspiration, a talent for fantasy, music and photography and in a natal chart, it can point to one's taste for drink and drugs. Neptune in the 7th is a warning to be especially discerning about what you see, hear and think. My sense was that everything we were about to be told would be distorted, incorrect or made up.
JamesMadison  EricFrancis  BlackOps  Astrologers  911Astrology  Astrology  AstrologyWebsites  Planets  BostonMarathonAstrology  PsyOps  PlanetWaves  Neptune  BostonMarathonBombings  ShockDoctrine  ForensicAstrology  Delicious 
april 2013 by juandante

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