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We Made a Tool to Help You Hear Both Laurel and Yanny - The New York Times
There's an aural illusion going around and I was finally able to hear "Yanny" with this slider tool.
blogwidget  yanny  laurel  nyt  new  york  times  sound  illusion  aural 
8 days ago by jennettefulda
JAWS HTML Support
This page goes over the JAWS keyboard shortcuts for navigating between various element types (such as links, lists, description lists, blockquotes, buttons, and others).

The page that Steve mentions in this thread also goes over the expected announcement from JAWS when navigating to various element types
jaws  accessibility  a11y  canonical  keyboard  shortcuts  announcement  aural  2018 
january 2018 by handcoding
Resonance Audio  |  Google Developers
"…bring dynamic spatial sound into your VR, AR, gaming, or video experiences at scale."
Soundwalk  Aural  XR  AR  VR 
november 2017 by imranx
About – Sonic Field
Sonic Field is an interdisciplinary network of resources around listening, sound studies, sonic arts, aural culture and audio technology.

Created in Colombia by merging previous projects of David Vélez (Field Reporter) and Miguel Isaza (Sonic Terrain, infinite grain). Currently cultivated by a nomadic team of contributors publishing since 2010 under creative commons 4.0. Supported by ÉTER.
sonicfield  interdisciplinary  network  resources  sound  studies  sonic  arts  aural  culture  audio  technology 
july 2017 by gdw
The Next Big Tech Revolution Will Be In Your Ear | Co.Design | business + design
Rolston suggests that the nature of this private interface will change your relationship to AI. You’ll naturally rely on it for more secretive topics—whereas you might not want your Apple Watch reminding you it’s time to take your birth control, a voice that only you can hear telling you the same information becomes perfectly acceptable. And slowly, any task that would be rude or embarrassing to Google in front of someone else on your phone, becomes invisibly helpful when managed by an AI in your ear.At the same time, having a seemingly all-knowing voice whispering in your ear will make it very easy to set unrealistic expectations for that voice's functional capabilities, and that poses a problem for designers. In everyday life, we constantly set realistic expectations for the people around us based on context."Like Siri, I keep giving Siri a chance, but it’s the one or two times she doesn't work a day that I get disappointed . . . so I don't use Siri."So it’s unclear if it’s even possible to supply the necessary computational firepower needed to make these assistants ubiquitous. If the infrastructure can only support a small subsection of users, how will companies choose who gets the tech first? And how much smarter will those people be than the rest of us? Mars believes these rapidly improving in-ear assistants will accelerate the server bottleneck. What happens next is anyone’s guess.
audio  assistants  aural  ear  voice 
may 2016 by johndodds
Hearing Is Believing - NYTimes.com
"The aural/oral revolution won’t mean the end of the book any more than the e-book did. Besides, the “non-text-based” work of literature has a long tradition. “In the history of mankind, words were heard before they were seen,” wrote Albert B. Lord, the author of “The Singer of Tales,” a classic work of scholarship that traced oral literature from Homer through “Beowulf” and the tales, still recited today, of Balkan poets capable of reciting thousands of lines of verse by heart.

Progress doesn’t always mean going forward."
audio  books  ebooks  audiobooks  podcasts  progress  aural  oral  orality  text  literature  oraltradition  2015  jamesatlas 
january 2015 by robertogreco
Kinetic Synthesis -- Ryan McGee - MAT - UCSB
Kinetic synthesis is introduced as a novel sound synthe- sis paradigm based on the spatialization of moving sound sources at high velocities along periodic orbits. The sim- ulated Doppler shift of moving sounds is used to achieve audio-rate frequency modulation synthesis and is termed Doppler FM. Another component, spatial granulation, uses amplitude envelopes from distance-based gain attenuation to decompose high velocity sounds within large boundaries into a stream of spatialized grainlets. By drawing trails of the sound trajectories, it is possible to correlate visual patterns to the resulting timbres. Thus, kinetic synthesis provides a visual, spatial means of control for modulation synthesis and granulation.
kinetic  synthesis  spatialization  granualization  space  trajectories  correlation  visual  aural  patterns 
may 2014 by gdw
Aural style sheets
@jessebeach Did you know about this!?
accessibility  aural  css  acquia:spark 
april 2013 by WimLeers
The Book of Guilty Pleasures - Song-Ming Ang, Kim Cascone (Eds.)
A collection of 100 contributions from different artists, curators, musicians, and writers on their aural guilty pleasures, initiated by me and co-edited with Kim Cascone.
aural  guilty  pleasures 
march 2013 by gdw

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