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Tony Garnock-Jones: The Network as a Language Construct
"The actor model inspires several important programming languages. In this model, communicating concurrent actors collaborate to produce a result. A pure actor language tends to turn systems into an organization-free collection of processes, however, even though most applications call for layered and tiered architectures. To address this lack of an organizational principle, programmers invent design patterns. This paper investigates integrating some of these basic patterns via a programming language construct. Specifically, it extends a calculus of communicating actors with a “network” construct so that actors can conduct scoped, tiered conversations. The paper then sketches how to articulate design ideas in the calculus, how to implement it, and how such an implementation shapes application programming"
tags  language-oriented-programming  actors  tony.garnock-jones  sam.tobin-hochstadt  matthias.felleisen 
5 weeks ago by MarcK
Michael Ovitz, Hollywood super-agent, on ‘winning at all costs’
SEPTEMBER 28, 2018 | Financial Times | by Matthew Garrahan.

In Ovtiz's 20 years at CAA, it assembled hit after hit, including Jurassic Park, Tootsie, Goodfellas and Dances with Wolves. He talks about the agency as though describing a military campaign (he is a keen student of Sun Tzu’s The Art of War). “When I was at CAA, I had a singular mission, which was to win at all costs,” he says. “We were ultra-competitive and we were in a service business but my thesis was that we weren’t selling a product. We were selling and putting together people’s dreams . . . if we showed a weak link then we would be vulnerable. Vulnerability was a sin.”....Ovitz explains that the memoir evolved from an earlier idea about a book on deals. He played a leading role in the arrival of Japanese companies in Hollywood three decades ago, advising Sony on its 1989 purchase of Columbia Pictures and the sale a year later of Lew Wasserman’s MCA (later renamed Universal, and now part of Sky’s new owner Comcast) to Matsushita. Advising Japanese buyers was a strategic move, he explains. “If the studios are in trouble and going to go out of business, we lose leverage and our clients lose jobs. But if we can bring people in to buy the studios, not only do clients continue to get jobs but we’re the people talking to the owners.”...Ron Meyer and Ovitz
slowly built an empire, starting in television and moving into films, with the aim of representing every significant writer, director and star in town: “no conflict, no interest” was his mantra. It was a radically different model to what had come before. “Agents traditionally fielded orders, so if I was your agent and someone had a job, they’d call me and ask for you,” he says. “Or they’d tell me they had an assignment and, if you happened to be available, I’d pitch you.” Agencies were like “clearing-houses”.....that was archaic. You’re a writer, you’re loaded with ideas . . . why don’t we take those ideas and add elements to them and then sell the whole thing and let you control it? Why would we just wait to answer the phone?”.....Agents took on a more central role in Hollywood after CAA’s rise to power, assembling the composite parts of a film or television project before taking the “package” of script, star and director to the studios....."[Endeavour's] thesis is very similar to the thesis we had [at CAA], which is to expand into new areas that can service clients.”
actors  books  CAA  creating_valuable_content  dealmakers  deal-making  Hollywood  memoirs  Michael_Ovitz  professional_service_firms  Sun_Tzu  talent_management  talent_representation  vindictiveness 
6 weeks ago by jerryking
INTERVIEW: Jeff Bridges

Bridges, director Jon Favreau and Robert Downey Jr. would literally act out sequences during primitive rehearsals, Downey taking on Bridges’s role and vice versa, to find and essentially improvise their way to full scenes, the actor recounts. Bridges says that the entire production was probably saved by the improv prowess of the film’s director and star.

“You’ve got the suits from Marvel in the trailer with us saying, ‘No, you wouldn’t say that,'” Bridges remembers. “You would think with a $200 million movie you’d have the shit together, but it was just the opposite. And the reason for that is because they get ahead of themselves. They have a release date before the script, ‘Oh, we’ll have the script before that time,’ and they don’t have their shit together.

“Jon dealt with it so well,” Bridges continues. “It freaked me out. I was very anxious. I like to be prepared. I like to know my lines, man, that’s my school. Very prepared. That was very irritating, and then I just made this adjustment. It happens in movies a lot where something’s rubbing against your fur and it’s not feeling right, but it’s just the way it is. You can spend a lot of energy bitching about that or you can figure out how you’re going to do it, how you’re going to play this hand you’ve been dealt. What you can control is how you perceive things and your thinking about it. So I said, ‘Oh, what we’re doing here, we’re making a $200 million student film. We’re all just fuckin’ around! We’re playin’. Oh, great!’ That took all the pressure off. ‘Oh, just jam, man, just play.’ And it turned out great!”

Bridges says those “suits” keep telling him, “It’s just a comic book. Maybe we’ll bring you back.”
improvisation  film  acting  movies  actors 
9 weeks ago by po
actix/actix: Actor framework for Rust
Actor framework for Rust. Contribute to actix/actix development by creating an account on GitHub.
rust  actors  github 
10 weeks ago by snahor

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