Storytelling   30808

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Piecing Together Narratives From the 0′s and 1′s: Storytelling in the Age of Big Data - CIO Journal. - WSJ
Feb 16, 2018 | WSJ | By Irving Wladawsky-Berger.

Probabilities are inherently hard to grasp, especially for an individual event like a war or an election, ......Why is it so hard for people to deal with probabilities in everyday life? “I think part of the answer lies with Kahneman’s insight: Human beings need a story,”....Mr. Kahneman explained their research in his 2011 bestseller Thinking, Fast and Slow. Its central thesis is that our mind is composed of two very different systems of thinking. System 1 is the intuitive, fast and emotional part of our mind. Thoughts come automatically and very quickly to System 1, without us doing anything to make them happen. System 2, on the other hand, is the slower, logical, more deliberate part of the mind. It’s where we evaluate and choose between multiple options, because only System 2 can think of multiple things at once and shift its attention between them.

System 1 typically works by developing a coherent story based on the observations and facts at its disposal. Research has shown that the intuitive System 1 is actually more influential in our decisions, choices and judgements than we generally realize. But, while enabling us to act quickly, System 1 is prone to mistakes. It tends to be overconfident, creating the impression that we live in a world that’s more coherent and simpler than the actual real world. It suppresses complexity and information that might contradict its coherent story.

Making sense of probabilities, numbers and graphs requires us to engage System 2, which, for most everyone, takes quite a bit of focus, time and energy. Thus, most people will try to evaluate the information using a System 1 simple story: who will win the election? who will win the football game?.....Storytelling has played a central role in human communications since times immemorial. Over the centuries, the nature of storytelling has significantly evolved with the advent of writing and the emergence of new technologies that enabled stories to be embodied in a variety of media, including books, films, and TV. Everything else being equal, stories are our preferred way of absorbing information.

“It’s not enough to say an event has a 10 percent probability,” wrote Mr. Leonhardt. “People need a story that forces them to visualize the unlikely event – so they don’t round 10 to zero.”.....
storytelling  massive_data_sets  probabilities  Irving_Wladawsky-Berger  metacognition  complexity  uncertainty  Daniel_Kahneman  Communicating_&_Connecting  decision_making 
yesterday by jerryking
Education – Google Earth Outreach
Good examples of using Google Earth (Satellite imagery + streets imagery) for showing common stories specific to India
Reference  satellite  Google  storytelling  p-narratives  maps  Inspiration  IxD  Awesome  Education 
yesterday by rasagy
Hilton Als on writing – The Creative Independent
"Your essays frequently defy traditional genre. You play around with the notions of what an essay can be, what criticism can be, or how we are supposed to think and write about our own lives.

You don’t have to do it any one way. You can just invent a way. Also, who’s to tell you how to write anything? It’s like that wonderful thing Virginia Woolf said. She was just writing one day and she said, “I can write anything.” And you really can. It’s such a remarkable thing to remind yourself of. If you’re listening to any other voice than your own, then you’re doing it wrong. And don’t.

The way that I write is because of the way my brain works. I couldn’t fit it into fiction; I couldn’t fit it into non-fiction. I just had to kind of mix up the genres because of who I was. I myself was a mixture of things, too. Right? I just never had those partitions in my brain, and I think I would’ve been a much more fiscally successful person if could do it that way. But I don’t know how to do it any other way, so I’m not a fiscally successful person. [laughs]

[an aside in italics:

"I was struck by this quote:

“I believe that one reason I began writing essays—a form without a form, until you make it—was this: you didn’t have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story. In an essay, your story could include your actual story and even more stories; you could collapse time and chronology and introduce other voices. In short, the essay is not about the empirical “I” but about the collective—all the voices that made your “I.”"]

Do people ever ask you about writing a novel?

No. I could try, but It feels like a very big, weird monolith to talk about your consciousness as an “I” without being interrupted by other things. That’s what I don’t understand. That it’s just “I” and the world as I see it, when there are a zillion other things coming in. Fictional things that I’ve written I’ve not been satisfied with because I didn’t put in the real life stuff, too. So maybe I should just go back and do that. But I don’t think that one exists without the other for me. Fictional worlds are interesting, but real life is impossible to ignore."
hiltonals  writing  fiction  boundaries  genre  genres  criticism  format  invention  howwewrite  virginiawoolf  words  nonfiction  storytelling  emotions  breakingform 
2 days ago by robertogreco
When Hearts Beat As One | DUANE KELLY
They found that audience members responded in unison through their heart beats, with their pulses speeding up and slowing down in synchrony.
3 days ago by Walpole
Great Storytelling Connects Employees to Their Work
Half-hearted effort isn't fun. Here's why is a powerful tool to boost moral motivation at work:
storytelling  from twitter_favs
4 days ago by _m_space

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