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سناب شات ضد الواقع | Snapchat VS Reality
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<p>سناب شات ضد الواقع | Snapchat VS Reality لتنضموا لشلتنا و تشتركوا بالقناة: www.youtube.com/HaylaTV تابعوني لندردش مع بعض: سناب شات: haylatv انستغرام: @haylatv… hayla tv,هيلا تي في,هيلا تيفي,kit kat,break,break gheir      سناب شات  source</p>
<p>The post <a rel="nofollow" href="https://www.snapeplus.com/%d8%b3%d9%86%d8%a7%d8%a8-%d8%b4%d8%a7%d8%aa-%d8%b6%d8%af-%d8%a7%d9%84%d9%88%d8%a7%d9%82%d8%b9-snapchat-vs-reality/">سناب شات ضد الواقع | Snapchat VS Reality</a> appeared first on <a rel="nofollow" href="https://www.snapeplus.com">سناب بلس</a>.</p><img src="http://feeds.feedburner.com/~r/snapeplus/~4/JMCPCUQpH0I" height="1" width="1" alt=""/>
فيديو  break  break  gheir  hayla  tv  kit  kat  Reality  snapchat  الواقع  سناب  شات  ضد  هيلا  تي  في  هيلا  تيفي  from instapaper
12 hours ago by snapeplus
تحميل واتساب بلس • مجاناً بدون جلبريك • 🔥😍
واتساب,واتس اب,واتساب بلس,ايفون,اندرويد,للايفون,للاندرويد,كيفية,تحميل,طريقة,تنزيل,يوتيوب,انستقرام,فيس بوك,سناب شات,iphone,whatsapp,whatsapp plus,download,app,apps,تطبيق,تطبيقات,instagram,facebook,snapchat تحميل نسخة الواتساب بلس اخر اصدار :
غير  مصنف  ++Whatsapp  app  apps  download  facebook  instagram  iphone  snapchat  whatsapp  plus  اندرويد  انستقرام  ايفون  تحميل  تطبيق  تطبيقات  تنزيل  سناب  شات  طريقة  فيس  بوك  كيفية  للاندرويد  للايفون  واتس  اب  واتساب  واتساب  بلس  يوتيوب  from instapaper
yesterday by snapeplus
HBO Crowns Snapchat as King of Its 'Game of Thrones' Augmented Reality Promotion at SXSW « Mobile AR News :: Next Reality
In one experience, fire and ice envelope a map of Westeros, while another experience ignites a "Hand of the King" replica pin with flames. On banners throughout the experience, blood-red thrones emerge from behind portraits of the show's characters, while in a tent devoted to Daenerys, the shadow of the Mother of Dragons appears alongside silhouettes of her Unsullied army.
The activation is part of the larger "Bleed the Throne" campaign, which serves not only to promote the new season, but also to assist the American Red Cross in soliciting blood donations.
snapchat  augmented-reality  csr  qr  tv  partnerships 
10 days ago by dancall
Facebook’s Privacy Cake
By the same token, though, just because Facebook capped Snapchat’s growth doesn’t mean that Snapchat’s core insight about the desire for private, ephemeral communication was wrong: what Zuckerberg wrote yesterday is basically Snapchat’s reason-for-existing. In other words, while Instagram Stories built a wall around Snapchat by copying Snapchat’s secondary feature, this “Privacy-Focused Vision for Social Networking” is a clear attempt to build the core of Snapchat for everyone else.
socialmedia  facebook  instagram  whatsapp  snapchat  twitter  technology  communication 
17 days ago by thomholliday90
Snapchat adds hockey highlights, curated stories to NHL deal | Mobile Marketer
Snapchat expanded a multiyear deal with the National Hockey League to add content and several features for fans. The league is working with Disney Streaming Services (DSS) to create "NHL Highlights," a weekly show for the image-sharing app, and Curated Our Stories for some games and big events, per Variety. DSS shares ads revenue with Snapchat parent Snap for the NHL content.
snapchat  sportsrights 
4 weeks ago by dancall
Report: New York Times presses pause on Snapchat Discover | Mobile Marketer
The New York Times stopped updating its Snapchat Discover channel and is currently working with the image-messaging company on developing new programming, Digiday reported. The newspaper started the channel in April 2017 to showcase stories, video and crossword puzzles. Its last update on Discover, Snapchat's platform for content producers, was on Dec. 21.
The Times had 10 people working on the channel after devoting 20 to its initial launch. The newspaper didn't provide a reason for halting its updates. Snapchat's parent company Snap is having discussions with the Times about creating something new for the app, a Snap spokesperson told Digiday.
newspapers  snapchat  fail  content 
4 weeks ago by dancall
Lego Wear’s new shop looks empty – but it’s got a secret
It’s only once shoppers scan the Snapcode, helpfully located on a white plinth, that the augmented reality store is revealed. As well as the chance to buy clothes, browsers can interact with a DJ booth and a minifig bouncer. Sweaters and T-shirts are shown in cubic form, and the floor of the shop is covered in the trademark dots of Lego bricks.
brand_lego  snapchat  creative_executions_guerrilla  creative_executions_socialmedia  planning_funko 
5 weeks ago by JohnDrake
New American Outline 1
"These days, the mirrors we most often use to check our makeup or see if there’s gunk in our teeth are found on our phones — “smart” devices that coordinate an array of sensors and cutting-edge “image display” and “image capture” technologies to render reality within the boundaries of a powered physical display.

What’s interesting about smart-devices-as-mirrors is that the eventual representation of the “image of the world” is explicitly and wholly a “model” of the world — a “model” meaning a “ human-constructed representation (abstraction) of something that exists in reality”. Physical mirrors are interesting because they have the ability to render reality and even warp it, but what they depict is “a physical reality” in the truest sense; The physical qualities of a mirror can be seen as akin to seeing the world through air, or seeing the world through water. While a human being can physically manipulate a physical mirror to alter the final reflection, the reflection in and of itself is a product of the physical world and unalterable in totality.

To a degree, film photography was an extension of this physical realization (rendering) of reality. At a certain point, what else is the capture of light on paper but a wholly physical process? While people intervened in the path of light’s travel with lenses and apertures and specifically-designed crystal-studded paper, what emerges as a process is less a constructed model of reality and more a continually warped representation of what actually exists in the world. Film and paper photography was a deeply labor-intensive art, full of cutting and cropping and poisoning and brushwork, all serving the act of rendering what was once a beam of light into an image-rendering of a particular summer day. Impressionism lives on in this sense.

It wasn’t until recently that most photographs became literal abstractions or literal models of thought with the advent of digital photographic capture. While the earliest digital photographs presented terrible image quality/resolution, they were possibly the most honest representations of what they actually were: a product of humans manipulating bits through clever mathematic compression to render blocks of color accordingly.

“How can mirrors be real if our eyes aren’t real?”

What we “see” in our screens is wholly a model of reality, wholly an abstraction of the natural world, wholly determined and manufactured by people sitting in an office in California somewhere, typing away at an IDE. When we strip away the image rendered on a screen, when we deconstruct an algorithm, what’s left?

What does it mean when most models (abstractions) of our digital representations are constructed in California, or completely in America for that matter?

When I look at myself on my phone camera, why do I get the haunting feeling I’m not situated in New York anymore? When I scroll through all the photos of friends and strangers on Facebook or Twitter, why does it all feel so flat? When I tap through my friend’s stories on Instagram and get interrupted by an ad for shoes, why does the shoe ad feel more real than the stories it’s sandwiched between?"



"New American Interfaces

When we talk about “New American Interfaces”, it’s important to expand upon the meaning of each word for a complete sense of the conceptual picture we’re trying to paint.

We should imagine “New American Interfaces” to be less a definition, more an expansion. Less an encircling and more an arrangement collage [https://www.are.na/block/736425 ] of existing realities.

“New”ness is a direct reference to developments in human technology that span the last 10 years or so. “New” American technology does not refer to technology that was developed in the 1970s. “New” American Technology is not a reference to networking protocols or personal computers proliferating in the 90s. “Newness” refers to mobile phones finding themselves in billions of people’s hands and pockets. “Newness” refers to the viability of video streaming over wireless networks. “New” implies cameras directly imbued with the capability to re-model reality and assign social value through “the arrangement of certain interfaces” only found in the most cutting-edge devices. “New”ness implies the forgetting of the massive stacks of technology that exist to show us images of our friends and their lives in chronological order.

“America” speaks to the “Americanness” of the current world. Totalizing global governance, military might, far-reaching memetic saturation the rest of the world cannot escape from. “America” means pop culture, “America” means world police. “America” retains the ability to wobble the economy of the world when executives shitpost on Twitter. When we talk about “America”, we mean the hegemonic cultural-economic infrastructure the rest of the world rests upon whether they like it or not.

“Interfaces” speak to not any button, slider, or like button physical or digital or otherwise. “Interfaces” in the sense of “New American” interfaces refer to what Kevin Systrom meant when he called Snapchat a “format”. A replicable stack(s) of technology is an “interface”. An “interface” under this definition means every chat application is fundamentally the same and completely interchangeable. Linear conversation will always be linear conversation, and the pattern of linear conversation is what we call a messaging app, and we call this an “interface”. Every search interface is the same, every index is the same, every captive portal is the same. To take our example to the physical world, imagine this scene:

You see two chairs side by side with one another. From afar, they are completely the same. You inspect them close and they are the same, you notice they both are built from the same beautiful ash wood, every single detail is perfectly mirrored in both chairs.

One of these chairs was wholly made by human hands and the other was cut to shape by a machine, assembled by people on a factory line, and produced in the millions.

One of these chairs is an interface —"

[See also: https://www.are.na/edouard-urcades/new-american-interface ]
édouardurcades  mirrors  interfaces  ui  ux  cameras  stories  instagram  storytelling  reality  2019  snapchat  multimedia  media  kevinsystrom  format  form  newness  technology  smartphones  mobile  phones  images  imagery  buttons  jadensmith  lukaswinklerprins 
5 weeks ago by robertogreco
This Lego Wear pop-up shop in London requires Snapchat
Lego Wear is helping with the launch of a pop-up shop in London. The interesting thing about this shop is it has nothing in it - no merchandise whatsoever - save for a Snapcode. While at first you might think this is expensive real estate, even for a pop-up, the idea is that once customers open their Snapchat app and scan this code they’ll be in for a shopping experience unlike any other.

What is Snapchat, how does it work, and what is it used for?
Once the Snapcode is scanned, users will have access to the entire store through their Snapchat app. Looking through their phone users will see an augmented reality fashion boutique. The store will appear loaded with limited-edition clothing items for adults. Included in the augmented reality experience is an interactive DJ booth, an arcade, and Lego mannequins that model the clothes.
pop-up  stunts  retail  snapchat  qr  ecommerce  future  trends 
5 weeks ago by dancall

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