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Writing a federal government resume
Writing a US federal resume is hard. When I started writing mine, all I wanted was a solid example. What needs to be there, in what order, and what would it look like with real information. This is that example. (Law and Order chimes)

Below are excerpts from my federal resume, along with details and notes about how it’s written and formatted. I want more awesome folks from all backgrounds and experiences as colleagues. I don’t want the resume formatting or particulars to be a mystery; it’s already a very challenging piece of writing.
by:AmandaCostello  from:18F  reference  geo:UnitedStates  work  CV 
yesterday by owenblacker
The Weirdness and Joy of Black Mountain College | The Nation
"Can the art of teaching art be exhibited? No, but people keep trying."


"Can art be taught? That question isn’t as old or as hoary as one might imagine. For many centuries, artists were taught, either through a studio apprenticeship or, later, in a formal academy. It only became possible to think of art as something different in the 19th century, when the old system fell apart and it seemed conceivable that anyone could be an artist. But very few people were. Perhaps being an artist was the result of some peculiar inner drive or necessity, some genius that burned in certain kinds of people—something they were born with rather than something that they learned. The question has by now fueled two centuries’ worth of bar banter, family quarrels, and panel discussions. What keeps the conversation going is that many of the people who say that art can’t be taught still make their living by teaching it. Teaching does have its own rewards, and so does trying to learn, whether the learning “takes” or not.

A related question is easier to answer: Can the art of teaching art be exhibited? No, but people keep trying. The ambitious show “Leap Before You Look: Black Mountain College 1933–1957,” at the Institute of Contemporary Art in Boston, is the latest such effort. (It will be on view at the Hammer Museum at the University of California, Los Angeles, from February 21 to May 15, and then at the Wexner Center for the Arts at Ohio State University in Columbus from September 17 to January 1, 2017. A handsome catalog is available from Yale University Press.) In fact, Black Mountain exhibitions have become a genre unto themselves. “Leap Before You Look,” curated by Helen Molesworth, formerly of the ICA/Boston and now at the Museum of Contemporary Art in Los Angeles, is the fourth that I know of. The first, which I saw in 2002, was “Black Mountain College: Una Aventura Americana,” curated by Vincent Katz, at the Museo Nacional Centro de Arte Reina Sofía in Madrid. Then came “Starting at Zero: Black Mountain College 1933–1957,” curated by Caroline Collier and Michael Harrison, at the Arnolfini in Bristol, England, and Kettle’s Yard, University of Cambridge, in 2005 and 2006. And last summer, I paid a visit to the Hamburger Bahnhof Museum für Gegenwart in Berlin, which mounted “Black Mountain: An Interdisciplinary Experiment 1933–1957,” curated by Eugen Blume and Gabriele Knapstein.

Why the recurring preoccupation with a short-lived, unaccredited school at the back of beyond, which never had enough students to pay its way? It could be the school’s believe-it-or-not story and how, the more you learn about it, the more unlikely it seems. The tale begins in 1933, when an unorthodox, arrogant classics professor named John Andrew Rice and several of his colleagues were purged from Rollins College in Florida. A number of their fellow professors resigned in protest, and some students withdrew as well. Bent on starting a college of their own, they found a complex of buildings for rent near Asheville, North Carolina, and some start-up money—but not much. At first, the faculty worked without salaries, but at least they owned the joint: The papers of incorporation specified that “the sole membership of the corporation” would be “the whole body of the faculty.” In other words, there was no board of directors and no non-teaching administration either, so the instructors had no other masters than themselves.

There was splendor and misery at Black Mountain, which was run according to the will of its teachers and, to a great extent, its students. The faculty believed that the curriculum should reflect what the students needed or desired to learn. This principle runs contrary not only to the present conception of the student as a consumer or client who is to be supplied with certain knowledge, but also to the designs of the conservative governors of North Carolina, Wisconsin, and other states, who believe that they should have the final say over what’s being taught and who’s doing the teaching at their state colleges and universities. At Black Mountain, teachers and students committed themselves to shared undertakings, the educational equivalent of socialism: from each according to his abilities, to each according to his needs."


"Black Mountain’s founder had in his own way anticipated the Maoist doctrine of continuous revolution. “At one time Rice said he thought the college should disperse every ten years into smaller units,” recalled M.C. Richards, the English professor turned potter who’d been instrumental in bringing Olson to the campus. “This was to avoid too much stability. It was to be faithful to the chaos out of which creativity constellates.” No one was better at cultivating chaos and spangling the atmosphere with its constellations than Olson. Who else would have thought of suggesting to a fellow poet, Robert Creeley, that he fill in as a teacher of biology? When Creeley pointed out that he’d never studied the subject, even in high school, Olson “said, ‘Terrific, you can learn something,’” Creeley recalled. “Subsequently, I realized that teaching is teaching. It has, paradoxically, nothing to do with the subject.” In other words, true learning, as described by Jacques Rancière in The Ignorant Schoolmaster, is fostered by teaching what one does not know.

As Rancière wrote, this kind of education can never be institutionalized; “it is the natural method of the human mind,” yet everything works against it. No wonder Black Mountain could never come to terms with the outside world or itself. Robert Duncan, in his extraordinary poem “The Song of the Border-Guard”—shown in “Leap Before You Look” as a broadside accompanied by a Twombly linocut—imagines “a barbarian host at the border-line of sense.” Which side of the border was Black Mountain on? Were its denizens the barbarians readying themselves to overcome the common sense of Eisenhower’s America, or were they guardians of a deeper sense of life and learning against the yahoo horde surrounding them? No matter. “The enamourd guards desert their posts / harkening to the lion-smell of a poem / that rings in their ears.” And the poem of Black Mountain still rings in ours."
bmc  blackmountaincollege  pedagogy  teaching  education  highereducation  highered  2016  barryschwabsky  leapbeforeyoulook  johnandrewrice  rancière  reproduction  ephemeral  ephemerality  institutions  institutionalization  lcproject  openstudioproject  tcsnmy  sfsh  cv  art  arts  socialism  jacquesrancière 
2 days ago by robertogreco
WebPraktikos/universal-resume: Minimal and formal résumé (CV) website template for print, mobile, and desktop.
Minimal and formal résumé (CV) website template for print, mobile, and desktop. - WebPraktikos/universal-resume
css  cv 
5 days ago by dbuscher
College students think they learn less with an effective teaching method | Ars Technica
"One of the things that's amenable to scientific study is how we communicate information about science. Science education should, in theory at least, produce a scientifically literate public and prepare those most interested in the topic for advanced studies in their chosen field. That clearly hasn't worked out, so people have subjected science education itself to the scientific method.

What they've found is that an approach called active learning (also called active instruction) consistently produces the best results. This involves pushing students to work through problems and reason things out as an inherent part of the learning process.

Even though the science on that is clear, most college professors have remained committed to approaching class time as a lecture. In fact, a large number of instructors who try active learning end up going back to the standard lecture, and one of the reasons they cite is that the students prefer it that way. This sounds a bit like excuse making, so a group of instructors decided to test this belief using physics students. And it turns out professors weren't making an excuse. Even as understanding improved with active learning, the students felt they got more out of a traditional lecture."


"Explanations abound
So why is an extremely effective way of teaching so unpopular? The researchers come up with a number of potential explanations. One is simply that active learning is hard. "Students in the actively taught groups had to struggle with their peers through difficult physics problems that they initially did not know how to solve," the authors acknowledge. That's a big contrast with the standard lecture which, being the standard, is familiar to the students. A talented instructor can also make their lecture material feel like it's a straight-forward, coherent packet of information. This can lead students to over-rate their familiarity with the topic.

The other issue the authors suggest may be going on here is conceptually similar to the Dunning-Kruger effect, where people who don't understand a topic are unable to accurately evaluate how much they knew. Consistent with this, the researchers identified the students with the strongest backgrounds in physics, finding that they tended to be more accurate in assessing what they got out of each class.

Whatever the cause, it's not ideal to have students dislike the most effective method of teaching them. So, the authors suggest that professors who are considering adopting active learning take the time to prepare a little lecture on it. The researchers prepared one that described the active learning process and provided some evidence of its effectiveness. The introduction acknowledged the evidence described above—namely, that the students might not feel like they were getting as much out of the class.

In part thanks to this short addition to the class, by the end of the semester, 65% of the students reported feeling positive toward active learning. That's still not exactly overwhelming enthusiasm, but it might be enough to keep instructors from giving up on an extremely effective teaching technique."
learning  perception  education  pedagogy  teaching  howweteach  howwelearn  deschooling  unschooling  lcproject  openstudioproject  sfsh  tcsnmy  cv  stem  lectures  activelearning  2019  science  participatory  participation  conversation  progressive 
6 days ago by robertogreco
Measuring actual learning versus feeling of learning in response to being actively engaged in the classroom | PNAS
"Despite active learning being recognized as a superior method of instruction in the classroom, a major recent survey found that most college STEM instructors still choose traditional teaching methods. This article addresses the long-standing question of why students and faculty remain resistant to active learning. Comparing passive lectures with active learning using a randomized experimental approach and identical course materials, we find that students in the active classroom learn more, but they feel like they learn less. We show that this negative correlation is caused in part by the increased cognitive effort required during active learning. Faculty who adopt active learning are encouraged to intervene and address this misperception, and we describe a successful example of such an intervention."
learning  perception  education  pedagogy  teaching  howweteach  howwelearn  deschooling  unschooling  lcproject  openstudioproject  sfsh  tcsnmy  cv  stem  lectures  activelearning  2019  science  participatory  participation  conversation  progressive 
6 days ago by robertogreco
WebPraktikos/universal-resume: Minimal and formal resume (CV) website template for print, mobile, and desktop.
An opensource foss allowing you to easily host your resume as web page. Converting to PDF is done by printing it as PDF.
cv  resume  html  opensource  foss 
7 days ago by taffit

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